You were wild when I met you, and I was mad for you. But then something happened. And now you’re gone. But don’t worry. I’ll find you. I just need to sift through the story of us to get to where you might be. I’ve got places to look, and a list of names. The police have a list of names, too. See now? There’s another lie. There is only one person they’re really looking at, Molly. And that’s yours truly.

    She’s intimately familiar with his hunting methods: how he stalks and kills at random, how he disposes of his victims’ bodies in an abandoned mine in the deepest, most desolate part of a desert.Now, for the first time, Nina has the chance to do something about the serial killer that no one else knows exists. With the help of her former best friend, Warren, she tracks the Thief two thousand miles, to his home turf—the deserts of New Mexico.But the man she meets there seems nothing like the brutal sociopath with whom she’s had a disturbing connection her whole life. To anyone else, Dylan Shadwell is exactly what he appears to be: a young veteran committed to his girlfriend and her young daughter. As Nina spends more time with him, she begins to doubt the truth she once held as certain: Dylan Shadwell is the Thief. She even starts to wonder . . . what if there is no Thief?

    In every world.Young real estate agent Madison May is shocked when a client at an open house says these words to her. The man, a stranger, seems to know far too much about her, and professes his love--shortly before he murders her.Felicity Staples hates reporting on murders. As a journalist for a midsize New York City paper, she knows she must take on the assignment to research Madison May's shocking murder, but the crime seems random and the suspect is in the wind. That is, until Felicity spots the killer on the subway, right before he vanishes.Soon, Felicity senses her entire universe has shifted. No one remembers Madison May, or Felicity's encounter with the mysterious man. And her cat is missing. Felicity realizes that in her pursuit of Madison's killer, she followed him into a different dimension--one where everything about her existence is slightly altered. At first, she is determined to return to the reality she knows, but when Madison May--in this world, a struggling actress--is murdered again, Felicity decides she must find the killer--and learns that she is not the only one hunting him.Traveling through different realities, Felicity uncovers the opportunity--and danger--of living more than one life.

    She lives in her own world, a world in which protection comes from an unusual source: horror movies…especially the ones where a masked killer seeks revenge on a world that wronged them. And Jade narrates the quirky history of Proofrock as if it is one of those movies. But when blood actually starts to spill into the waters of Indian Lake, she pulls us into her dizzying, encyclopedic mind of blood and masked murderers, and predicts exactly how the plot will unfold.Yet, even as Jade drags us into her dark fever dream, a surprising and intimate portrait emerges… a portrait of the scared and traumatized little girl beneath the Jason Voorhees mask: angry, yes, but also a girl who easily cries, fiercely loves, and desperately wants a home. A girl whose feelings are too big for her body.My Heart Is a Chainsaw is her story, her homage to horror and revenge and triumph.

    The days are long, her kids are ungrateful, her husband is distant, and her to-do list is never really done. The one thing she has to look forward to is her book club, a group of Charleston mothers united only by their love for true-crime and suspenseful fiction. In these meetings, they're more likely to discuss the FBI's recent siege of Waco as much as the ups and downs of marriage and motherhood.But when an artistic and sensitive stranger moves into the neighborhood, the book club's meetings turn into speculation about the newcomer. Patricia is initially attracted to him, but when some local children go missing, she starts to suspect the newcomer is involved. She begins her own investigation, assuming that he's a Jeffrey Dahmer or Ted Bundy. What she uncovers is far more terrifying, and soon she--and her book club--are the only people standing between the monster they've invited into their homes and their unsuspecting community.

    She mouths one word: 'Daddy.' It's his five-year-old daughter, Izzy.He never sees her again.Three years later, Gabe spends his days and nights travelling up and down the motorway, searching for the car that took his daughter, refusing to give up hope, even though most people believe that Izzy is dead.Fran and her daughter, Alice, also put in a lot of miles on the motorway. Not searching. But running. Trying to keep one step ahead of the people who want to hurt them. Because Fran knows the truth. She knows what really happened to Gabe's daughter.Then, the car that Gabe saw driving away that night is found, in a lake, with a body inside and Gabe is forced to confront events, not just from the night his daughter disappeared, but from far deeper in his past.His search leads him to a group called The Other People.If you have lost a loved one, The Other People want to help. Because they know what loss is like. They know what pain is like. They know what death is like.There's just one problem . . . they want other people to know it too.

    Decades later, old wounds are reopened when her son, Theo, hires ex-journalist Kate Aitken to create an archive of his mother's work.From Miranda's vast maze of personal effects, Kate pieces together a portrait of a vibrant artist buckling under the pressures of ambition, motherhood, and marriage. As the summer progresses, Kate navigates vicious local rumors and her growing attraction to the enigmatic Theo, all while unearthing the shocking details of Miranda's private life. But Kate has secrets of her own, and when she stumbles across a diary that may finally resolve the mystery of Miranda's death, her curiosity starts to spiral into a dangerous obsession.With breathtaking and haunting imagery, Take Me Apart paints a vivid picture of two magnetic young women, separated by years, but bonded by shared struggles. Sara Sligar draws readers into a web of secrets and lies, alternating between the present and the past and revealing the truth about Miranda's death through the objects she left behind.

    Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called House of Horrors. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling The Amityville Horror in popularity—and skepticism.Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father’s book. But she also doesn’t believe a word of it. Ghosts, after all, don’t exist. When Maggie inherits Baneberry Hall after her father’s death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in House of Horrors, lurk in the shadows. And locals aren’t thrilled that their small town has been made infamous thanks to Maggie’s father. Even more unnerving is Baneberry Hall itself—a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father’s book, she starts to believe that what he wrote was more fact than fiction.In the latest thriller from New York Times bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls?

    And now what happened long ago is happening again . . . and it is happening to Oliver. He meets a strange boy who becomes his best friend, a boy with secrets of his own and a taste for dark magic.This dark magic puts them at the heart of a battle of good versus evil and a fight for the soul of the family—and perhaps for all of the world. But the Graves family has a secret weapon in this battle: their love for one another.

    The five girls Kyle texted that day. The girls it could have been. Only Jamie--beautiful, saintly Jamie--was kind enough to respond. And it got her killed.On the eve of Kyle's sentencing a year after Jamie's death, all the other "chosen ones" are coping in various ways. But our tenacious narrator is full of anger, stuck somewhere between the horrifying past and the unknown future as she tries to piece together why she gets to live, while Jamie is dead.Now she finds herself drawn to Charlie, Jamie's boyfriend--knowing all the while that their relationship will always be haunted by what-ifs and why-nots. Is hope possible in the face of such violence? Is forgiveness? How do you go on living when you know it could have been you instead?

    When she moved in with her father, she stepped into a brand-new life. A life with a stepbrother, a stepmother, and strangest of all, an adoring younger half sister.Kacey’s new life is eerily charming compared with the wild highs and lows of the old one she lived with her volatile mother. And everyone is so nice in Broken Falls—she’s even been welcomed into a tight new circle of friends. Bailey and Jade invite her to do everything with them.Which is why it’s so odd when they start acting distant. And when they don’t invite her to the biggest party of the year, it doesn’t exactly feel like an accident.But Kacey will never be able to ask, because Bailey never makes it home from that party. Suddenly, Broken Falls doesn’t seem so welcoming after all—especially once everyone starts looking to the new girl for answers.Kacey is about to learn some very important lessons: Sometimes appearances can be deceiving. Sometimes when you’re the new girl, you shouldn’t trust anyone.

    I met a gorgeous woman. We fell in love. We had kids. We moved to the suburbs. We told each other our biggest dreams, and our darkest secrets. And then we got bored.We look like a normal couple. We're your neighbors, the parents of your kid's friend, the acquaintances you keep meaning to get dinner with.We all have secrets to keeping a marriage alive.Ours just happens to be getting away with murder.Alternate cover edition of ISBN 9780451491725

    She must never make him upset. But when Mattie discovers the mutilated body of a fox in the woods, she realizes that they're not alone after all.There's something in the woods that wasn't there before, something that makes strange cries in the night, something with sharp teeth and claws.When three strangers appear on the mountaintop looking for the creature in the woods, Mattie knows their presence will anger William. Terrible things happen when William is angry.

    There's a place for the girls whom no one wants--the troublemakers, the illegitimate, the too smart for their own good. It's called Idlewild Hall. And in the small town where it's located, there are rumors that the boarding school is haunted. Four roommates bond over their whispered fears, their budding friendship blossoming--until one of them mysteriously disappears. . . . Vermont, 2014. As much as she's tried, journalist Fiona Sheridan cannot stop revisiting the events surrounding her older sister's death. Twenty years ago, her body was found lying in the overgrown fields near the ruins of Idlewild Hall. And though her sister's boyfriend was tried and convicted of murder, Fiona can't shake the suspicion that something was never right about the case.When Fiona discovers that Idlewild Hall is being restored by an anonymous benefactor, she decides to write a story about it. But a shocking discovery during the renovations will link the loss of her sister to secrets that were meant to stay hidden in the past--and a voice that won't be silenced. . . .

    No help for miles. What would you do?On her way to Utah to see her dying mother, college student Darby Thorne gets caught in a fierce blizzard in the mountains of Colorado. With the roads impassable, she’s forced to wait out the storm at a remote highway rest stop. Inside are some vending machines, a coffee maker, and four complete strangers.Desperate to find a signal to call home, Darby goes back out into the storm . . . and makes a horrifying discovery. In the back of the van parked next to her car, a little girl is locked in an animal crate.Who is the child? Why has she been taken? And how can Darby save her?There is no cell phone reception, no telephone, and no way out. One of her fellow travelers is a kidnapper. But which one?Trapped in an increasingly dangerous situation, with a child’s life and her own on the line, Darby must find a way to break the girl out of the van and escape.But who can she trust?