Five years ago, schoolgirl Andie Bell was murdered by Sal Singh. The police know he did it. Everyone in town knows he did it.But having grown up in the same small town that was consumed by the murder, Pippa Fitz-Amobi isn't so sure. When she chooses the case as the topic for her final year project, she starts to uncover secrets that someone in town desperately wants to stay hidden. And if the real killer is still out there, how far will they go to keep Pip from the truth?

    TWO LIARS. NO WAY OUT...Susanna Fenton has a secret. Fourteen years ago she left her identity behind, reinventing herself as a counsellor and starting a new life. It was the only way to keep her daughter safe. But everything changes when Adam Geraghty walks into her office. She's never met this young man before - so why does she feel like she knows him?Then Adam starts to tell her about a girl. A girl he wants to hurt. And Susanna realises she was wrong. She doesn't know him. BUT HE KNOWS HER. AND THE GIRL HE PLANS TO HURT IS HER DAUGHTER... The addictive new thriller with an ending you'll never guess, The Liar's Room is perfect for readers of Shari Lapena's The Couple Next Door and A J Finn's The Woman in the Window.SIMON LELIC - THRILLERS TO KEEP YOU UP ALL NIGHT:

    When her dad goes missing on a routine patrol, Grace refuses to believe he’s dead and fights the town authorities, tribal officials, and nature to find him.One day, while out tracking clues, Grace is rescued from danger by Mo, a hot guy with an intoxicating accent and a secret. As her feelings between him and her ex-boyfriend get muddled, Grace travels deep into the wilderness to escape and find her father. Along the way, Grace learns terrible secrets that sever relationships and lives. Soon she’s enmeshed in a web of conspiracy, deception, and murder. And it’s going to take a lot more than a compass and a motorcycle (named Lucifer) for this kick-butting heroine to save everything she loves.

    Two years ago, only Judith returned, permanently mutilated, reviled and ignored by those who were once her friends and family.Unable to speak, Judith lives like a ghost in her own home, silently pouring out her thoughts to the boy who’s owned her heart as long as she can remember—even if he doesn’t know it—her childhood friend, Lucas.But when Roswell Station is attacked, long-buried secrets come to light, and Judith is forced to choose: continue to live in silence, or recover her voice, even if it means changing her world, and the lives around her, forever.This startlingly original novel will shock and disturb you; it will fill you with Judith’s passion and longing; and its mysteries will keep you feverishly turning the pages until the very last.

    I stood in front of the police, my friends and family, and made up a story, my best one yet. And all of them believed me. I wasn't surprised. Telling stories is what made me famous. Fifteen bestsellers. Millions of fans. Fame and fortune.Now, I have one last story to write. It'll be my best one yet, with a jaw-dropping twist that will leave them stunned and gasping for breath.They say that sticks and stones will break your bones, but this story? It will be the one that kills me. This book is not a romance. It is contemporary fiction, but very suspenseful in nature. It is about a famous romance author and a dark secret she keeps.

    Your arms are the weakest.Rule Four—Hit to kill. The first blow should be the last, if at all possible.Rule Five—The letters are the law.Kit takes her role as London’s notorious “Perfect Killer” seriously. The letters and cash that come to her via a secret mailbox are not a game; choosing who to kill is not an impulse decision. Every letter she receives begins with “Dear Killer,” and every time Kit murders, she leaves a letter with the dead body. Her moral nihilism and thus her murders are a way of life—the only way of life she has ever known.But when a letter appears in the mailbox that will have the power to topple Kit’s convictions as perfectly as she commits her murders, she must make a decision: follow the only rules she has ever known, or challenge Rule One, and go from there.Katherine Ewell’s Dear Killer is a sinister psychological thriller that explores the thin line between good and evil, and the messiness of that inevitable moment when life contradicts everything you believe.

    But whoever's behind the game knows exactly what she wants, enticing her with lustworthy prizes and a sizzling-hot partner. With Ian on her team, it's easy to agree to another dare. And another. And another. At first it's thrilling as the Watchers cheer them on to more dangerous challenges. But suddenly the game turns deadly. Will Vee and Ian risk their lives for the Grand Prize dare, or will they lose NERVE?

    The locals are weirdly obsessed with the film that put their town on the map--and there are strange disappearances, which the police seem determined to explain away.And there's someone--or some thing--stalking her every move.The more Lola discovers about the town, the more terrifying it becomes. Because Lola's got secrets of her own. And if she can't find a way out of Harrow Lake, they might just be the death of her.

    But as one of the few scholarship kids, Rachel struggles to fit in, and when she gets caught up in a prank gone awry, she ends up with more enemies than friends.To her surprise, however, the prank attracts the attention of the Mary Shelley Club, a secret club of students with one objective: come up with the scariest prank to orchestrate real fear. But as the pranks escalate, the competition turns cutthroat and takes on a life of its own.When the tables are turned and someone targets the club itself, Rachel must track down the real-life monster in their midst . . . even if it means finally confronting the dark secrets from her past.

    . . as an assassin moves in.Maddie and Logan were torn apart by a kidnapping attempt when they were young. They were only kids -- Logan's dad was POTUS and Maddie's father was the Secret Service agent meant to guard him. The kidnappers were stopped -- but Maddie was whisked off to Alaska with her father, for satety. Maddie and Logan had been inseparable . . . but then she never heard from him again.Now it's a few years later. Maggie's a teenager, used to living a solitary life with her father. It's quiet -- until Logan is sent to join them. After all this time without word, Maddie has nothing to say to him -- until their outpost is attacked, and Logan is taken. They won't be out of the woods until they're . . . out of the woods, and Maddie's managed to thwart the foes and reconcile with Logan.

    begins with a victim who can no longer speak for herself, and whose murder blossoms into a call-to-arms. Enter four very different girls, four very different motives to avenge Willa Ames-Rowan, and only one rule to start: Destroy James Gregory and his family at any cost. Willa's initials spell the secret rallying cry that spurs the foursome to pool their considerable resources and deliver their particular brand of vigilante justice. Innocence is lost, battles are won—and the pursuit of the truth ultimately threatens to destroy them all.

    Life on the streets of Boston these past few years hasn’t been easy, and Jo is hoping to cash in on a little safety, a little security. She finds her opportunity in the Lovecrafts, a wealthy family with ties to the unsolved disappearance of Vivienne Weir, who vanished when she was nine. When Jo takes on Vivi's identity and stages the girl’s miraculous return, the Lovecrafts welcome her back with open arms. They give her everything she could want: love, money, and proximity to their intoxicating and unpredictable daughter, Temple. But nothing is as it seems in the Lovecraft household—and some secrets refuse to stay buried. As hidden crimes come to the surface, and lines of deception begin to blur, Jo must choose to either hold onto an illusion of safety, or escape the danger around her before it’s too late.

    But the discovery of an unidentified dead girl on the side of a dirt road sends the town--and Becca--into a tailspin. Unable to make sense of the violence of the outside world creeping into her backyard, Becca finds herself retreating inward, paralyzed from moving forward for the first time in her life. Short chapters detailing the last days of Amelia Anne Richardson's life are intercut with Becca's own summer as the parallel stories of two young women struggling with self-identity and relationships on the edge twist the reader closer and closer to the truth about Amelia's death.

    Evil lurks and strange things happen--and 15-year-olds Hayley and Taylor Ryan secretly use their wits and their telepathic “twin-sense” to uncover the truth about the town's victims and culprits.  Envy, the series debut, involves the mysterious death of the twins' old friend, Katelyn. Was it murder? Suicide? An accident? Hayley and Taylor are determined to find out--and as they investigate, they stumble upon a dark truth that is far more disturbing than they ever could have imagined.

    And Clara’s sister killed him . . . Four months after the murder, the entire town of Shiloh is still in shock. For Clara Porterfield, the normal world has crumbled around her in a million chaotic pieces. Now Clara lives in a new reality, where her sister awaits trial for murder, her mother obsessively digs in a dead, frozen garden, and her father lives and breathes denial. At school, Clara is haunted by her classmates' morbid curiosity—and all of the unspoken questions they won’t ask. But none of them knows what she knows . . . Now Clara's sister wants something from her—the one thing in all of this that Clara isn't ready to face: the truth about what really happened that night. Because this story didn't die with Griffin Tomlin. There's another story that needs to be told. And sometimes, the lies we're told are nowhere near as deadly as the lies we tell ourselves . . .