No book has ever told the story of beer in a graphic format as a liberating or emancipating force that improved the life of everyday people. Visually riffing on abstract subjects like pasteurization, "original gravity," and "lagering," artist Aaron McConnell has a flair for cinematic action and demonstrates versatility in depicting characters and episodes from beer's rich history. Hand-drawn in a classic, accessible style, The Comic Book Story of Beer makes a great gift, and will appeal to the most avid comic book geek and those who live for beer.

    But he's got a good reason: summer is when his single mom takes a second job and leaves him at home to watch his autistic kid sister, Maddy. It's a lot of responsibility, and it's boring, too, because Maddy doesn't talk. Ever. But then, one day at the flea market, Maddy does talk—to tell Jack to trade their mom's car for a box of mysterious seeds. It's the best mistake Jack has ever made.What starts as a normal little garden out back behind the house quickly grows up into a wild, magical jungle with tiny onion babies running amok, huge, pink pumpkins that bite, and, on one moonlit night that changes everything…a dragon.

    Exploring the anguish of immigration and the lasting effects that displacement has on a child and her family, Bui documents the story of her family's daring escape after the fall of South Vietnam in the 1970s and the difficulties they faced building new lives for themselves. At the heart of Bui's story is a universal struggle: While adjusting to life as a first-time mother, she ultimately discovers what it means to be a parent — the endless sacrifices, the unnoticed gestures, and the depths of unspoken love. Despite how impossible it seems to take on the simultaneous roles of both parent and child, Bui pushes through.With haunting, poetic writing and breathtaking art, she examines the strength of family, the importance of identity, and the meaning of home. The Best We Could Do brings to life her journey of understanding and provides inspiration to all who search for a better future while longing for a simpler past.

    Craig Russell and illustrated by an extraordinary team of renowned artists.Inventive, chilling, and filled with wonder, Neil Gaiman's The Graveyard Book reaches new heights in this stunning adaptation. Artists Kevin Nowlan, P. Craig Russell, Tony Harris, Scott Hampton, Galen Showman, Jill Thompson, and Stephen B. Scott lend their own signature styles to create an imaginatively diverse and yet cohesive interpretation of Neil Gaiman's luminous novel.Volume One contains Chapter One through the Interlude, while Volume Two will include Chapter Six to the end.

    In 1975, the Khmer Rouge seized power in the capital city of Phnom Penh. Immediately after declaring victory in the war, they set about evacuating the country’s major cities with the brutal ruthlessness and disregard for humanity that characterized the regime ultimately responsible for the deaths of one million citizens.Cartoonist Tian Veasna was born just three days after the Khmer Rouge takeover, as his family set forth on the chaotic mass exodus from Phnom Penh. Year of the Rabbit is based on firsthand accounts, all told from the perspective of his parents and other close relatives. Stripped of any money or material possessions, Veasna’s family found themselves exiled to the barren countryside along with thousands of others, where food was scarce and brutal violence a constant threat.Year of the Rabbit shows the reality of life in the work camps, where Veasna’s family bartered for goods, where children were instructed to spy on their parents, and where reading was proof positive of being a class traitor. Constantly on the edge of annihilation, they realized there was only one choice—they had to escape Cambodia and become refugees. Veasna has created a harrowing, deeply personal account of one of the twentieth century’s greatest tragedies.

    An old woman living alone on the edge of a bog gets an unexpected — and unsettling — visitor, throwing her quiet life into a long-buried mystery. An isolated backwoods family stumbles into good fortune for a time with a monstrous discovery in the lake behind their house, but that time is running short. And a misfit little girl, struggling to make friends, meets an understanding soul one day at the beach: but why will he only play with her alone at night? All these lonely souls — and more — have reached out into the darkness, not knowing what they might find.Around the dark edges of reality lurk unknown beings with unknowable intentions — ordinary objects can become cursed possessions, entities who seem like friends can become monstrous, and those who seem monstrous can become the truest companions. In this collection of evocative, unnerving slice-of-life horror, five stories explore what happens when one is desperate enough to seek solace in the unnatural, and what might be waiting for us at the Crossroads at Midnight.

    They fought their enslavers throughout the Americas. And then they were erased from history.Wake tells the story of Dr. Rebecca Hall, a historian, granddaughter of slaves, and a woman haunted by the legacy of slavery. The accepted history of slave revolts has always told her that enslaved women took a back seat. But Rebecca decides to look deeper, and her journey takes her through old court records, slave ship captain’s logs, crumbling correspondence, and even the forensic evidence from the bones of enslaved women from the “negro burying ground” uncovered in Manhattan. She finds women warriors everywhere.Using in-depth archival research and a measured use of historical imagination, Rebecca constructs the likely pasts of Adono and Alele, women rebels who fought for freedom during the Middle Passage, as well as the stories of women who led slave revolts in Colonial New York. We also follow Rebecca’s own story as the legacy of slavery shapes life, both during her time as a successful attorney and later as a historian seeking the past that haunts her.Illustrated beautifully in black and white, Wake will take its place alongside classics of the graphic novel genre, like Marjane Satrapi’s Persepolis and Art Spiegelman’s Maus. The story of both a personal and national legacy, it is a powerful reminder that while the past is gone, we still live in its wake.

    This graphic novel/photo-journal is a record of one reporter’s arduous and dangerous journey through Afghanistan, accompanying the Doctors Without Borders. Didier Lefevre’s photography, paired with the art of Emmanuel Guibert, tells the powerful story of a mission undertaken by men and women dedicated to mending the wounds of war.

    As keepers of the Endless Flame, they live a quiet and peaceful life, crafting medicines and potions for the people of their once-prosperous world.All that changes one day when, while walking through the woods, Bea meets Cad, a member of the Galdurians, an ancient race thought to be long-extinct. Cad believes that if anyone can help him find his missing people, it’s the Pig Wizard.But when the two arrive home, the Pig Wizard is nowhere to be found—all that’s left is the Jar of Endless Flame and a mysterious note. Fearing for the Pig Wizard’s safety, Bea and Cad set out across Irpa to find him, while danger fights its way out of the shadows and into the light.Will these two unexpected friends find the beloved Pig Wizard and prevent eternal darkness from blanketing their world? Or has Irpa truly seen its last sunrise?

    Their account is complete, covering the lives of Anne's parents, Edith and Otto; Anne's first years in Frankfurt; the rise of Nazism; the Franks' immigration to Amsterdam; war and occupation; Anne's years in the Secret Annex; betrayal and arrest; her deportation and tragic death in Bergen-Belsen; the survival of Anne's father; and his recovery and publication of her astounding diary.

    Gloopy is running toward adventure, and away from their home and friends who don't understand their creative talent. Bloom is desperately trying to return home to their lake, and avoid the terrible violence of the city. Instead, both Bloom and Gloopy find what they need in each other, and bravely return home to challenge their fears and create beauty in their own worlds.As Bloom and Gloopy skip through dimensions and encounter weeping giants, alligator islands, and a topsy turvy 2D world, they find comfort in each other and learn that sometimes, your greatest fear reveals where your strengths lie. Great for fans of Black Mirror."Skip is a flurry of bold and vivid cartooning that pulls you through this tender story of friendship at heart-wrenching speeds. Molly layers every page with such a dense whimsicality that it left me wanting to go back and re-read so I could sink my eyes into the details again and again."--Sloane Leong, creator of Prism Stalker

    There, they can work to their hearts content on projects like the Stink-O-Meter, the Kablovsky Copter, and the Nightsneak Goggles. All that tinkering comes in handy when the trio discovers an evil scientist's dastardly plan to rob a museum. Can three inventors, armed with their wacky creations, hope to defeat this criminal mastermind?

    Reborn as a boy named Soupy, she hitches her star to Remy "Ramshackle" Smith, a hobo who takes her under his wing. Ramshackle's kindness and protection go a long way to help Soupy heal from her difficult past. But Ramshackle has his own demons to wrestle with, and he'll need Soupy just as much as she needs him."A compelling graphic offering that explores relevant gender roles and self-identity through a historical lens." - from the Kirkus Starred Review"VERDICT A well-researched and richly illustrated runaway tale that will appeal to fans of escapist fiction and thoughtful readers."-Anna Murphy, �Berkeley Carroll School, Brooklyn, From the School Library Journal review, March 2017"Soupy Leaves Home tells the story of a time no longer familiar to us--a time of living the rails and simmering Mulligan Soup, a time of chosen names and secret languages--yet a tale that anyone with a longing heart and a restless spirit can relate to. It transports you magically to a place long gone, but its tale of poverty and survival are still as relevant as they ever were--the characters may be penniless, but they are so emotionally wealthy that this book leaves you filled with warmth, hope, and love."--Gerard Way"Castellucci's heartfelt odyssey is a reckoning with death and identity on the tracks, brought to life by Pimienta's patient, ever-evolving use of color. Soupy Leaves Home is for all restless souls hungry to start again."--Nate Powell (March, Swallow Me Whole)"A charming and optimistic slice of Americana."--Hope Larson (Wrinkle in Time, Batgirl)"I love Cecil Castellucci, she is crazy and cool and full of energy and heart, and so is all of her work. And Soupy Leaves Home may be one of her finest and most effecting works yet!"--Jeff Lemire

    Legend has it that after drifting out of sight, they'll soar off to the Milky Way and turn into brilliant stars, but could that actually be true? This year, Ben and his classmates are determined to find out where those lanterns really go, and to ensure success in their mission, they've made a pact with two simple rules: No one turns for home. No one looks back.The plan is to follow the river on their bikes for as long as it takes to learn the truth, but it isn't long before the pact is broken by all except for Ben and (much to Ben's disappointment) Nathaniel, the one kid who just doesn't seem to fit in.Together, Nathaniel and Ben will travel farther than anyone has ever gone, down a winding road full of magic, wonder, and unexpected friendship*.*And a talking bear.

    Expanded into a full-length graphic novel, these tales of one girl's adolescence are hilarious, heartbreaking, and honest. Lauren R. Weinstein tells the horrible truth about growing up, surviving embarrassing parents, bullies from hell, best friends, boyfriends, breakups, and trying too hard to be cool--and it has never been funnier.