And she had dreams back then—but it didn’t take long for her to learn that things don’t always turn out the way you want them to.Now, at thirty-three, Edie is working as a waitress, pregnant and alone. And when she becomes overwhelmed by the needs of her new baby and sinks into a bleak despair, she thinks that there’s no one to turn to…But someone’s been watching Edie, waiting for the chance to prove once again what a perfect friend she can be. It’s no coincidence that Heather shows up on Edie’s doorstep, just when Edie needs her the most. So much has passed between them—so much envy, longing, and betrayal. And Edie’s about to learn a new lesson: those who have hurt us deeply—or who we have hurt—never let us go, not entirely…

    Now she wants a second chance to be a mother, and finds it in Robert Nash, a maverick fertility doctor who works under the radar with Jillian Hendricks, a cunning young scientist bent on making her mark—and seducing her boss.Claire, Robert, and Jillian work together to create the world’s first baby with three genetic parents—an unprecedented feat that could eliminate inherited disease. But when word of their illegal experiment leaks to the wrong person, Robert escapes into hiding with the now-pregnant Claire, leaving Jillian to serve out a prison sentence that destroys her future.Ten years later, a spunky girl named Abigail begins to understand that all is not right with the reclusive man and woman she knows as her parents. But the family’s problems are only beginning. Jillian, hardened by a decade of jealousy and loss, has returned—and nothing will stop her from reuniting with the man and daughter who should have been hers. Past, present—and future converge in a mesmerizing psychological thriller from acclaimed bestselling author Kira Peikoff.

    Green comes a devastating tale of psychological suspense: a teen pageant queen is found murdered in a small New England town, and her sister’s search for answers unearths more than she bargained for.Days after a young teenager named Jenny is found murdered, her small town grieves the loss alongside her picture-perfect parents. At first glance, Jenny’s tragic death appears clear-cut for investigators. In the murder of a former pageant queen from a safe and loving family, the most obvious suspect is a fan who got too close for comfort. But Jenny’s sarcastic, older half-sister Virginia isn’t so sure of his guilt and takes matters into her own hands to find the killer.But for Jenny’s case and and Virginia’s investigation, there’s more to the story. Virginia, still living in town and haunted by her own troubled teenage years, suspects that a similar darkness lay beneath the sparkling veneer of Jenny’s life. Alternating between Jenny’s final days and Virginia’s determined search for the truth, the sisters’ dual narratives follow a harrowing trail of suspects, with surprising turns that race toward a shocking finale.

    Their daughter, Anna, has struggled to come to terms with their loss ever since.Now with a young baby of her own, Anna misses her mother more than ever and starts to question her parents’ deaths. But by digging up their past, she’ll put her future in danger. Sometimes it’s safer to let things lie…The stunning, twisty new psychological thriller from number one bestseller Clare Mackintosh, author of I Let You Go and I See You.

    In the aftermath of the crime, her family decided to move to Chicago and close the door on that horrible day.Yet Alice hasn’t forgotten. She devotes her spare time volunteering for a website called The Doe Pages scrolling through pages upon pages of unidentified people, searching for clues that could help reunite families with their missing loved ones. When a face appears on Alice’s screen that she recognizes, she’s stunned to realize it’s the same man who kidnapped her decades ago. The post is deleted as quickly as it appeared, leaving Alice with more questions than answers.Embarking on a search for the truth, she enlists the help of friends from The Doe Pages to connect the dots and find her kidnapper before he hurts someone else. Then Alice crosses paths with Merrily Cruz, another woman who’s been hunting for answers of her own. Together, they begin to unravel a dark, painful web of lies that will change what they thought they knew—and could cost them everything.

    Three teenage friends waited for the movie to start. A boy flirted with the girl selling sunglasses. Mothers and children shopped together, and the manager at the video-game store tended to customers. Then the shooters arrived.The chaos and carnage lasted only eight minutes before the killers were taken down. But for those who lived through it, the effects would last forever. In the years that followed, one would dedicate himself to a law enforcement career. Another would close herself off, trying to bury the memory of huddling in a ladies' room, hopelessly clutching her cell phone--until she finally found a way to pour her emotions into her art.But one person wasn't satisfied with the shockingly high death toll at the DownEast Mall. And as the survivors slowly heal, find shelter, and rebuild, they will discover that another conspirator is lying in wait--and this time, there might be nowhere safe to hide.

    Until he meets Emily.Emily is perfect.Scott offers Emily a summer job as a housekeeper on his remote, beautiful French estate. Enchanted by his lovely wife Nina, and his eccentric young daughter, Aurelia, Emily falls headlong into this oasis of wine-soaked days by the pool. But soon Emily realizes that Scott and Nina are hiding dangerous secrets, and if she doesn't play along, the consequences could be deadly.Superbly tense and oozing with atmosphere, Anna Downs's debut is the perfect summer suspense, with the modern gothic feel of Ruth Ware and the morally complex family dynamics of Lisa Jewell.Welcome to paradise...will you ever be able to leave?

    Probing the dark side of influencer culture and the perils of parenting online, People Like Her explores our desperate need to be seen and the lengths we’ll go to be liked by strangers. It asks what—and who—we sacrifice when make our private lives public, and ultimately lose control of who we let in. . . .