. . We're taking a break.''A city-with-fancy-food sort of break?'If only.Amy's husband Hugh says he isn't leaving her.He still loves her, he's just taking a break - from their marriage, their children and, most of all, from their life together. Six months to lose himself in south-east Asia. And there is nothing Amy can say or do about it.Yes, it's a mid-life crisis, but let's be clear: a break isn't a break up - yet . . .However, for Amy it's enough to send her - along with her extended family of gossips, misfits and troublemakers - teetering over the edge.For a lot can happen in six-months. When Hugh returns if he returns, will he be the same man she married? And will Amy be the same woman?Because if Hugh is on a break from their marriage, then isn't she?The Break isn't a story about falling in love but about staying in love. It is Marian Keyes at her funniest, wisest and brilliant best.

    But these circumstances have changed their lives irreversibly, and each woman begins to look for something to satiate the cravings that she had never allowed to surface before...Joanna is dying for cake. Clare is longing to paint again. Susan want's to claw back all the time she's lost. Wendy is trying to forget the past. And Evelyn? Well, nobody knows what Evelyn wants. But how can she not want her baby back?

    

    He can tell you everything there is to know about successful trade show programs. He can tell you stories about the thousands of people he has met, miles he has flown, hotel rooms he has stayed in, and ways to work the system to your advantage when you travel. But he can't tell the woman he loves how he feels. Think "Up in the Air meets Planes, Trains and Automobiles..". Based on his own extensive business trips, Paul Michael Peters brings us this funny, bittersweet story of a traveling software salesman. Filled with wry observations and entertaining vignettes, life moves fast in this quick read about a "trade show guy" and a love he thinks he can never have.

    Then one evening, as they gather to watch the Miss America Pageant, Linda admits that she aspires to write a novel herself, and the Wednesday Sisters Writing Society is born. The five women slowly, and often reluctantly, start filling journals, sliding pages into typewriters, and sharing their work. In the process, they explore the changing world around them: the Vietnam War, the race to the moon, and a women’s movement that challenges everything they believe about themselves. At the same time, the friends carry one another through more personal changes—ones brought about by infidelity, longing, illness, failure, and success. With one another’s support and encouragement, the Wednesday Sisters begin to embrace who they are and what they hope to become, welcoming readers to experience, along with them, the power of dreaming big.

    Through the often grim and bloody events of fifty years which changed the world, his life is a triumph of the human spirit.

    The story starts fast and quickly explodes into multiple stories as the kidnapper maintains his captives, the FBI conducts their taskforce investigations, and the lives of the husbands and wives are exposed. As the stories progress, action escalates and leaves the reader little time to catch a breath. The twists are stimulating and the conclusion is unforeseen and rewarding because revenge has no statute of limitations. The affluent estate community of Evergreen, Colorado, a suburb of Denver, is stunned to discover that four women have been kidnapped. The Evergreen Police chief and the Sheriff of Boulder County willingly gave the case to the Denver FBI office. Three months passes with no ransom request, no bodies, nor any specific suspect, the FBI team theorizes that the women are no longer alive based on history of other cases. The four women are friends and neighbors: one is in her early forties and a mother of two preteen girls; one married to a doctor and a successful business woman; one a princess, unhappily married, and a social butterfly; the fourth woman is the matriarch, a closet alcoholic, married to a successful attorney who plans to be the next US Senator for Colorado. Months into their abduction with no beauty salons, nail salons, withdrawal from children and alcohol, the women's true personalities begin to blossom.The twenty-eight-year-old kidnapper questions who will be changed the most, him or his captives. He has promised to release them in seven months, allowing them to return to their lives with new perspectives and tell the FBI what happened. But will he keep his word? Moreover, what could be the driving reason behind the women's kidnapping? A cryptic, mind-boggling mystery awaits readers as this saga unfolds a bitter sweet expression of "Revenge."

    What would you do?When shy publisher Kate Kinley finds mysterious bruises on her mother’s arms she assumes the worst. Suffering with early onset dementia, her mother insists that nothing is wrong; it was just a clumsy accident. But was it an accident, or has her mother’s illness made her forget what really happened?In desperate need of someone she can trust, her isolation and paranoia grow as the closest people in her life become key suspects.With each heart-stopping revelation, Kate begins to realise that the perpetrator is no longer interested in inflicting bruises; they want blood.Keep Me Close is a compelling story of gross immorality, a cautionary tale of how easily wicked people can take advantage of the vulnerable elderly people in your life.If you love dark, psychological revenge-thrillers like The Sister-in-Law, The Babysitter and The Girl on the Train, you will love this twisty, sinister read. Perfect for readers of Gillian Flynn, Karin Slaughter, and Paula Hawkins.

    Told in rich detail, this novel of sweeping historical fiction will stay with readers long after turning the last page.Madeleine Talmage Force is just seventeen when she attracts the attention of John Jacob “Jack” Astor. Madeleine is beautiful, intelligent, and solidly upper-class, but the Astors are in a league apart. Jack’s mother was the Mrs. Astor, American royalty and New York’s most formidable socialite. Jack is dashing and industrious—a hero of the Spanish-American war, an inventor, and a canny businessman. Despite their twenty-nine-year age difference, and the scandal of Jack’s recent divorce, Madeleine falls headlong into love—and becomes the press’s favorite target.On their extended honeymoon in Egypt, the newlyweds finally find a measure of peace from photographers and journalists. Madeleine feels truly alive for the first time—and is happily pregnant. The couple plans to return home in the spring of 1912, aboard an opulent new ocean liner. When the ship hits an iceberg close to midnight on April 14th, there is no immediate panic. The swift, state-of-the-art RMS Titanic seems unsinkable. As Jack helps Madeleine into a lifeboat, he assures her that he’ll see her soon in New York…Four months later, at the Astors’ Fifth Avenue mansion, a widowed Madeleine gives birth to their son. In the wake of the disaster, the press has elevated her to the status of virtuous, tragic heroine. But Madeleine’s most important decision still lies ahead: whether to accept the role assigned to her, or carve out her own remarkable path…

     At thirty-five, Gabriella Graham—“Ella” to her family and friends—has already made a name for herself as a successful portrait artist in London. She can capture the essential truth in each of her subjects’ faces—a tilt of the chin, a glint in the eye—and immortalize it on canvas. This gift has earned Ella commissions from royals and regular folks alike.But closer to home, Ella finds the truth more elusive. Her father abandoned the family when she was five, and her mother has remained silent on the subject ever since. Ella’s sister, Chloe, is engaged to Nate, an American working in London, but Ella suspects that he may not be so committed. Then, at Chloe’s behest, Ella agrees to paint Nate’s portrait.From session to session, Ella begins to see Nate in a different light, which gives rise to conflicted feelings. In fact, through the various people she paints—an elderly client reflecting on her life, another woman dreading the prospect of turning forty, a young cyclist (from a photograph) who met a tragic end—Ella realizes that there is so much more to a person’s life than what is seen on the surface, a notion made even clearer when an unexpected email arrives from the other side of the world. And as her portraits of Nate and the others progress, they begin to reveal less about their subjects than the artist herself.A picture is worth a thousand words, and in Isabel Wolff’s vibrant and textured story, these words are brilliantly crafted to convey the humor, mystery, and beauty that exists within each of us.

    And, yet, the caterpillar lives in the butterfly and they are but one.” - John HarricharanThey belong to each other. Nancy and Nicole—mother and daughter. They’re two halves of a whole, two facets of the same breath—until the day Nicole exhales. . . and never inhales again. After the death of her daughter, and quickly losing her own battle with grief, Nancy moves from the house she can no longer bear to live in. While packing, she finds a box in the attic. Inside she uncovers treasures she didn’t know existed and evidence that her and her daughter’s lives had been more divinely entwined than she could’ve imagined.The Truth About Butterflies is a true story of grief, hope, and transformation, and a single enduring truth: Life cannot be restrained by death._______Nancy Stephan was named Georgia Author of the Year at the 48th annual GAYA Banquet. Stephan’s book, “The Truth About Butterflies” won in the “Memoir” category. Over 100 authors were nominated in 12 categories. The Georgia Author of the Year Awards (GAYA) are the oldest literary awards in the Southeast.

    She discovers a sympathetic ear in her nurse Anna Howard, who finds herself drawn into the Fitzgerald’s tumultuous lives and wonders which of them is the true genius. But in taking greater emotional risks to save Zelda, Anna may end up paying a far higher price than she ever intended.In this thoroughly researched, deeply moving novel, Erika Robuck explores the boundaries of female friendship, the complexity of marital devotion, and the sources of both art and madness.

    But when an interiors magazine sends a good-looking photographer to take pictures of Claire's perfect home, he makes her wonder if the house means more to William than she does. This is the beautifully observed and poignant love story of a woman who has to find out if home really is where the heart is.

    Katherine Hill left her small New England hometown in pursuit of a dream. Now, twelve years later, she’s a high-powered cosmetics executive in Manhattan and a much glossier version of her former self, unrecognizable to her family and old friends. Not that she would know—she hasn’t been home in over a decade. Laney Marten always swore she’d never get "stuck” in Manchester, Vermont. No, she was destined to live out her glamorous big-city dreams. Instead, she wound up a young wife and mother. That was when her best friend ran out. When Katherine receives word of an inheritance from former neighbor Luella Hancock, she reluctantly returns home to the people and places she left behind. Hoping for a second chance, she’s met by an unforgiving Laney, her former best friend. And there’s someone else who’s moved on without her—someone she once loved. Tethered to their shared inheritance of Luella’s sprawling Victorian mansion, Katherine and Laney are forced to address their long-standing grudges. Through this, they come to understand that while life has taken them in different directions, ultimately the bonds of friendship and sisterhood still bind them together. But are some wounds too old and deep to mend?