When she's pulled over by an unsettling local sheriff, things soon go awry and she is taken into custody. Only when she gets to the station, her kids are gone. And then the cops start saying they never saw any kids with her, that if they're gone than she must have done something with them... Meanwhile, halfway across the country a man hears the frenzied news reports about the missing kids, which are eerily similar to events in his own past. As the clock ticks down on the search for the lost children, he too is drawn into the desperate fight for their return.

    He protects his family from the dangers lurking in the outside world and makes sure that his children will always have a mother to look after them.One day Lena manages to flee--but the nightmare continues. It seems as if her tormentor wants to get back what belongs to him. And then there is the question whether she really is the woman called "Lena," who disappeared without a trace 14 years ago. The police and Lena's family are all desperately trying to piece together a puzzle which doesn't quite seem to fit.

    She survived—and famously testified that her fifteen-year-old brother, Ben, was the killer. Twenty-five years later, the Kill Club—a secret secret society obsessed with notorious crimes—locates Libby and pumps her for details. They hope to discover proof that may free Ben. Libby hopes to turn a profit off her tragic history: She’ll reconnect with the players from that night and report her findings to the club—for a fee. As Libby’s search takes her from shabby Missouri strip clubs to abandoned Oklahoma tourist towns, the unimaginable truth emerges, and Libby finds herself right back where she started—on the run from a killer.

    Within hours of their birth, their mother threw herself from the cliffs, the au pair fled, and the village thrilled with whispers of dark cloaks, changelings, and the aloof couple who drew a young nanny into their inner circle.Now an adult, Seraphine mourns the recent death of her father. While going through his belongings, she uncovers a family photograph that raises dangerous questions. It was taken on the day the twins were born, and in the photo, their mother, surrounded by her husband and her young son, is beautifully dressed, smiling serenely, and holding just one baby.Who is the child and what really happened that day?One person knows the truth, if only Seraphine can find her.

    But what happens when that company is eight of your coworkers…and you can’t trust any of them?When an off-site company retreat meant to promote mindfulness and collaboration goes utterly wrong when an avalanche hits, the corporate food chain becomes irrelevant and survival trumps togetherness. Come Monday morning, how many members short will the team be?The #1 New York Times bestselling author of The Turn of the Key and In a Dark Dark Wood returns with another suspenseful thriller set on a snow-covered mountain.

    Hospitals and lakes. When Ian drinks vodka in the basement. ISIS. When Ian gets angry... That something is really, really wrong with me.Maddie and Ian's romance began with a chance encounter at a party overseas; he was serving in the British army and she was a travel writer visiting her best friend, Jo. Now almost two decades later, married with a beautiful son, Charlie, they are living the perfect suburban life in Middle America. But when a camping accident leaves Maddie badly scarred, she begins attending writing therapy, where she gradually reveals her fears about Ian's PTSD; her concerns for the safety of their young son, Charlie; and the couple's tangled and tumultuous past with Jo.From the Balkans to England, Iraq to Manhattan, and finally to an ordinary family home in Kansas, sixteen years of love and fear, adventure and suspicion culminate in The Day of the Killing, when a frantic 911 call summons the police to the scene of a shocking crime.

    Four friends living the suburban ideal. Their jobs are steady, their kids are healthy. They’re as beautiful as their houses. But each of them has a dirty little secret, and hidden behind the veneer of their perfect lives is a crime and a mystery that will consume them all. Everything starts to unravel when Alison spots a nasty bruise on Heather’s wrist. She shares her suspicions with Julie and Sarah, compelling all three to investigate what looks like an increasingly violent marriage. As mysterious injuries and erratic behavior mount, Heather can no longer deny the abuse, but she refuses to leave her husband. Desperate to save her, Alison and the others dread the phone call telling them that she’s been killed. But when that call finally comes, it’s not Heather who’s dead. In a moment they’ll come to regret, the women must decide what lengths they’ll go to in order to help a friend.Just Between Us is a thrilling glimpse into the underbelly of suburbia, where not all neighbors can be trusted, and even the closest friends keep dangerous secrets. You never really know what goes on in another person’s mind, or in their marriage.

    A killer who wants the truth to be told. A teacher goes missing under suspicious circumstances. A millionaire is murdered at a local reservoir. For Detective Robyn Carter, there’s no obvious link between the men. But as she starts to delve into the cases, her investigations lead her to Abigail, perfect wife and mother to beautiful little Izzy. What was Abigail’s connection to the victims? And why is she receiving threatening messages from an anonymous number? But as Robyn starts to inch closer to finding the killer, Izzy is abducted. Unless Robyn gets to the twisted individual in time, a little girl will die … Gripping, fast paced and nailbitingly tense, this serial killer thriller will chill you to the bone. Perfect for fans of MJ Arlidge and Angela Marsons. Discover Carol Wyer’s new series today – at a special launch price.

    Perhaps not consciously. Perhaps not yet. But they know. When eight-year-old Daisy Mason vanishes from her family’s Oxford home during a costume party, Detective Inspector Adam Fawley knows that nine times out of ten, the offender is someone close to home. And Daisy’s family is certainly strange—her mother is obsessed with keeping up appearances, while her father is cold and defensive under questioning. And then there’s Daisy’s little brother, so withdrawn and uncommunicative . . . DI Fawley works against the clock to find any trace of the little girl, but it’s as if she disappeared into thin air—no one saw anything; no one knows anything. But everyone has an opinion, and everyone, it seems, has a secret to conceal.

    The present hunts her.Conviction @ConvictionPod · 1mThe investigating officer: “I’ve seen a lot of homicides in the years since, but...that’s the one that keeps me up at night.”The husband’s best man: “They had everybody fooled. Or at least, she did. But I always knew something was off.”Hannah, the wife: “I told you. I don’t remember anything. I don’t know.”That’s all to come, this season, on Conviction. Get ready for our most twisted season yet.~~~Ten years ago, Hannah’s husband was brutally murdered in their home, and she (conveniently) doesn’t remember a thing about that night. But the police charged someone else—a stranger—and put him away for life. And Hannah packed up her six-year-old daughter and left London behind.But now her hard-won countryside peace is threatened. Conviction, a viral true crime podcast known for getting cases reopened and old verdicts overturned, has turned its attention to Hannah’s husband’s murder for its new season. They say police framed the man who was found guilty, and that Hannah has more suspicious secrets than just her memory loss: a history of volatility; citations at the clinic where she worked as a psychiatrist; dependencies on alcohol and pills; and a familicidal grandmother, locked away in a Gothic insane asylum until her death. As Hannah loses the trust of everyone she loves, the only person she feels she can confide in is a former colleague, Darcy, who’s come back into her life—but who may have motives of her own. But Hannah can’t tell even Darcy her deepest secret: that she’s still tormented by the memory of her husband and the crater he carved through her life.

    After two seasons of successfully solving cases, Elle decides to tackle her white whale—The Countdown Killer. Twenty years ago, TCK abruptly stopped after establishing a pattern of taking and ritualistically murdering three girls over seven days, each a year younger than the last. No one’s ever known why—why he stopped with his eleventh victim, a girl of eleven years old, or why he followed the ritual at all.When a listener phones in with a tip, Elle sets out to interview him, only to discover his dead body. And within days, a child is abducted following the original TCK MO. Unlike the experts in the media and law enforcement who have always spun theories of a guilty suicide, Elle never believed TCK had died, and her investigation was meant to lay that suspicion to rest. But instead, her podcast seems to be kicking up new victims.

    After a death row conviction, media frenzy, and the release of an unauthorized biography, her thirty-year-old daughter Edie Beckett is just trying to survive out of the spotlight. She’s a recovering alcoholic with a dead-end city job and an unhealthy codependent relationship with her brother.Edie also has a disturbing secret: a growing obsession with the families of Lilith’s victims. She’s desperate to see how they’ve managed—or failed—to move on. While her escalating fixation is a problem, she’s careful to keep her distance. That is, until she crosses a line and a man is found murdered.Edie quickly becomes the prime suspect—and while she can’t remember everything that happened the night of the murder, she’d surely remember killing someone. With the detective who arrested her mother hot on her trail, Edie goes into hiding. She’s must get to the truth of what happened that night before the police—or the real killer—find her. Unless, of course, she has more in common with her mother than she’s willing to admit…

    Together they write and illustrate award-winning children’s books; their life together one of enviable privilege and ease—until, one evening after a delightful dinner, Oliver delivers a blow to Alice that renders her unconscious, and subsequently beats her into a coma.In the aftermath of such an unthinkable event, as Alice hovers between life and death, the couple’s friends, neighbours, and acquaintances try to understand what could have driven Oliver to commit such a horrific act. As his story unfolds, layers are peeled away to reveal a life of shame, envy, deception, and masterful manipulation.

    On an isolated farm in the United Kingdom, a woman is trapped by the monster who kidnapped her seven years ago. When she discovers she is pregnant, she resolves to protect her child no matter the cost, and starts to meticulously plan her escape. But when another woman is brought into the fold on the farm, her plans go awry. Can she save herself, her child, and this innocent woman at the same time? Or is she doomed to spend the remainder of her life captive on this farm? Intense, dark, and utterly gripping The Last Thing to Burn is a breathtaking thriller from an author to watch.

    A struggling actor, a Brit in America without a green card, Claire needs work and money to survive. Then she gets both. But nothing like she expected. Claire agrees to become a decoy for a firm of divorce lawyers. Hired to entrap straying husbands, she must catch them on tape with their seductive propositions. The rules? Never hit on the mark directly. Make it clear you’re available, but he has to proposition you, not the other way around. The firm is after evidence, not coercion. The innocent have nothing to hide. Then the game changes. When the wife of one of Claire’s targets is violently murdered, the cops are sure the husband is to blame. Desperate to catch him before he kills again, they enlist Claire to lure him into a confession. Claire can do this. She’s brilliant at assuming a voice and an identity. For a woman who’s mastered the art of manipulation, how difficult could it be to tempt a killer into a trap? But who is the decoy . . . and who is the prey?