Gripping, salacious and irresistible." —BestThrillers.comWall Street, 2000. A naive twenty-year-old from Nebraska, Laura Ellyson doesn’t belong in New York's male-dominated Financial District. Against all odds, her wit, beauty, and determination lead her to a promising career at Aqua Capital, Lower Manhattan's hottest new hedge fund. Suddenly Laura finds herself living in a triumphant fairy tale—including a newfound romance that eclipses her deepest desires. But hidden behind Aqua Capital's stratospheric profits and megalomaniac manager, lies a shady, treacherous secret: the Mafia. Now, after witnessing unspeakable horror, she must confront an unforeseen, tempestuous destiny as she is forced to fight for her own life.This book is intended for mature audiences."Character-driven, unfolding at breakneck speed, this novel compels the reader to read on until the very last line in a satisfying conclusion." —Readers' Favorite

    Some poems read as conversations, some as internal monologues, others as observations, but they all work together to tell one couple's love story.

    it is the facade that many of us peruse our lives carrying, often neglecting our pain, our mental health, and most importantly, the way we are more prone to hurting others when we lack this self-awareness. (w)holehearted seeks to encompass as many stories as possible, touching on several topics, namely, spirituality, feminism, colorism, domestic violence, intersectionality, mental health and more. it aims to depict that anyone with the darkest past and pitfalls can still save themselves from drowning in the difficulties that not only plague our world, but also plague our hearts.

    Your pet has been there for you through good times and bad. They are your best friend, your confidant, your buddy. When that final moment arrives and you must say goodbye, the world as you know it comes to an end. Everything changes and life going forward is now empty and so very lonely without them.They are gone forever it seems. Or are they? Questions burn in your mind as you wonder what happens to your pets after they die.Did I make the right choices? Is there another realm where they coexist with my other departed pets or human loved ones? Do the pets I've had to euthanize forgive me? Did they struggle or were they in pain? Was it their time to die? Did I let them go too soon?Read actual messages from departed animals revealing detailed insights about what they experience at the end of their lives. Discover how pets feel about death, euthanasia, cremation, reincarnation and so much more.You are and always have been the most important person in the world to your petsIf you are grieving the loss of your beloved pet the uplifting and insightful messages within these chapters will help you break through your grief, being healing, and start living a full and purposeful life again knowing you are and always will be connected with your departed pets. Award-winning Animal Communicator and Afterlife Expert, Karen Anderson, unveils tantalizing evidence that our pets communicate with us throughout their lives as well as after their physical death.Will this evidence prove that our pets continue to send us messages and signs from the Other Side?You be the judge.The purity and detailed accuracy of the animals' messages may surprise you and they may even present new perspectives about life after death. Discover how deeply your pets love you and how the bonds of love never die as you journey into the amazing afterlife of animals.What messages await you?Winner of these prestigious national and international literary awards:#1 Bestseller on Amazon- Pets/AnimalsWinner 2018 International Book Awards - Pets/AnimalsWinner 2018 Next Generation Indie Book AwardsWinner 2018 Pinnacle Book Achievement Award Winner 2018 Indie Book AwardsWinner - 2018 Beverly Hills Book Awards - GriefSilver Medal Winner 2018 Readers Favorite Book AwardsSilver Medal Winner - 2017 Nautilus Book AwardsFinalist 2018 Beverly Hills Book Awards - PetsFinalist 2018 International Book Awards - New Age/Non-FictionFinalist 2018 International Book Awards - Spirituality/InspirationalFinalist 2018 International Book Awards - Best Cover Design Non-FictionTwo 5-Star Reviews from Readers Favorite Book ReviewsFinalist 2018 "Best Book Awards" Non-fiction - PetsFinalist 2018 "Best Book Awards" Non-fiction - New AgeFinalist 2018 "Best Book Awards" Non-fiction Best Cover Design

    These poems evoke that keenly, seeking justice but transcending judgment as they grieve loss, celebrate love, and find healing.

    I referred them to Doctor Who's Tardis.'Frank Skinner wants you to read more poetry. Wait, wait - don't stop reading. Whether you're a frequent poetry reader or haven't read any since sixth form, Frank's infectious passion for language, rhythm and metre will win you over and provide you with the basic tools you need to tackle any poem.In this short, easy-to-digest and delightful book, Frank guides us through the twists and turns of 'Pad, pad' by Stevie Smith, a short, seemingly simple poem that contains multitudes of meaning and a deceptive depth of emotion. Revel in the mastery of Stevie Smith's choice of words, consider the eternal mystery of the speaker of the poem and be moved by rhyming couplets like you never have before.Give it a go. You never know, you might even enjoy it.

    Important, so inspiring... Please read this book" -Sonny Moore, Recording Artist "There are very few ways to get inside the mind of a lyricist. One way is through reading their diaries, the other through sleeping with them. Eric's book is the more entertaining of the options. It's a raw look inside the heart and mind of a rock 'n' roll spiritualist whose struggles with love (Chaplin) and versus the world (Keaton) are laid out bare like an exhibitionist on a double-dare." -Mike Shea, Founder, AP Magazine "Coma Therapy" is the sound of a powerful new voice in contemporary American literature. Victorino's brand of punchy prose often draws comparisons to the likes of Charles Bukowski and Hunter S. Thompson. This debut collection of poems and short stories draws a dangerously thin line between the heartwarming and the horrifying... Eric Victorino then mischievously walks that line all the way to the last page. Defiant, triumphant, hopeful and wise.

    Also included are five other selected poems read by Dylan Thomas, including his well-known Do Not Go Gentle Into That Good Night.Whether sharing his wistful memory of a holiday spent with people long past, or addressing the perennial problem of our mortality, Thomas gives us great pleasure in our personal and common memories while affirming life with a resounding "Yes!"Contents: A Child's Christmas in Wales and five poems: Fern Hill; Do Not Go Gentle Into That Good Night; In The White Giant's Thigh; Ballad of the Long-Legged Bait; Ceremony After a Fire Raid.

    Raymond Carver, Edna St. Vincent Millay, william Shakespeare, Jill Ker Conway, Judith Guest, Dominick Dunne, Anne Morrow Linbergh, and Albert Camus are among the writers whose works explore the shock, the grief, and the search for meaning that come with the death of a child. Seasoned with wisdom and experience, their words offer rare comfort and insight to thoses who need it most.

    And now he has gathered from around the world the poems he loves – poems that have inspired and challenged him over the years, a number of which he has set to music. This wide-ranging and deeply moving anthology combines the ancient and the modern, the hallowed and the profane, the famous and the little known, to speak to two of literature’s great themes that have proven so powerful in his music: love and death – plus everything in between.Here are poems by Yehuda Amichai, W.H. Auden, Tusiata Avia, Hera Lindsay Bird, William Blake, Bertolt Brecht, Constantine Cavafy, Alison Croggon, Mahmoud Darwish, Emily Dickinson, John Donne, Ali Cobby Eckermann, James Fenton, Thomas Hardy, Kevin Hart, Gwen Harwood, Seamus Heaney, Philip Hodgins, Homer, Gerard Manley Hopkins, Langston Hughes, John Keats, Ono No Komachi, Maxine Kumin, Philip Larkin, Li-Young Lee, Norman MacCaig, Paula Meehan, Czeslaw Milosz, Les Murray, Pablo Neruda, Sharon Olds, Ovid, Sylvia Plath, Dorothy Porter, Rumi, Anne Sexton, William Shakespeare, Izumi Shikibu, Warsan Shire, Kenneth Slessor, Wislawa Szymborska, Máire Mhac an tSaoi, Ko Un, Walt Whitman, Judith Wright, W.B. Yeats and many more.

    His Nobel Lecture offers a powerful defense of poetry as "the ship and the anchor" of our spirit within an ocean of violent, divisive world politics.

    In Sentenced to Life, he was clear-sighted as he faced the end, honest about his regrets. In Injury Time, he wrote about living well in the time remaining, focusing our attention on the joys of family and art, and celebrating the immediate beauty of the world.When The River in the Sky opens, we find James in ill health but high spirits. Although his body traps him at home, his mind is free to roam, and this long poem is animated by his recollection of what life was and never will be again; as it resolves into a flowing stream of vivid images, his memories are emotionally supercharged ‘by the force of their own fading’. In this form, the poet can transmit the felt experience of his exceptional life to the reader.As ever with James, his enthusiasm is contagious; he shares his wide interests with enormous generosity, making brilliant and original connections, sparking passion in the reader so that you can explore the world’s treasures yourself. Because this is not just a reminiscence, it’s a wise and moving preparation for and acceptance of death. As James realizes that he is only one bright spot in a galaxy of stars, he passes the torch to the poets of the future, to his young granddaughter, and to you, his reader.A book that could not have been written by anyone else, this is Clive James at the height of his considerable powers: funny, wise, deeply felt, and always expressed with an unmatched power for clarity of expression and phrase-making that has been his been his hallmark.

    But Ulysses (or his half brother) is but one of the beguiling guises Komunyakaa dons over the course of this densely lyrical book. Here his speaker observes a doomed court jester; here he is with Napoleon, as the emperor "tells the doctor to cut out his heart / & send it to the empress, Marie-Louise"; here he is at the circus, observing as "The strong man presses six hundred pounds, / his muscles flexed for the woman / whose T-shirt says, these guns are loaded"; and here is just a man, placing "a few red anemones / & a sheaf of wheat" on Mahmoud Darwish's grave, reflecting on why "I'd rather die a poet / than a warrior." Through these mutations and migrations and permutations and peregrinations there are constants: Komunyakaa's jazz-inflected rhythms; his effortlessly surreal images; his celebration of natural beauty and of love. There is also his insistent inquiry into the structures and struggles of power: not only of, say, king against jester but of man against his own desire and of the present against the pernicious influence of the past. Another brilliant collection from the man David Wojahn has called one of our "most significant and individual voices," The Emperor of Water Clocks delights, challenges, and satisfies.

    Yet for all their metaphorical suggestiveness, Dickinson’s and Whitman’s poems about the natural world neither preclude nor erase nature’s relevance as an actual living environment. In their respective poetic projects, the earth matters both figuratively, as a realm of the imagination, and also as the physical ground that is profoundly affected by human action. This double perspective, and the ways in which it intersects with their formal innovations, points beyond their traditional status as curiously disparate icons of American nature poetry. That both of them not only approach nature as an important subject in its own right, but also address human-nature relationships in ethical terms, invests their work with important environmental overtones. Dickinson and Whitman developed their environmentally suggestive poetics at roughly the same historical moment, at a time when a major shift was occurring in American culture’s view and understanding of the natural world. Just as they were achieving poetic maturity, the dominant view of wilderness was beginning to shift from obstacle or exploitable resource to an endangered treasure in need of conservation and preservation.A Place for Humility examines Dickinson’s and Whitman’s poetry in conjunction with this important change in American environmental perception, exploring the links between their poetic projects within the context of developing nineteenth-century environmental thought. Christine Gerhardt argues that each author's poetry participates in this shift in different but related ways, and that their involvement with their culture’s growing environmental sensibilities constitutes an important connection between their disparate poetic projects. There may be few direct links between Dickinson’s “letter to the World” and Whitman’s “language experiment,” but via a web of environmentally-oriented discourses, their poetry engages in a cultural conversation about the natural world and the possibilities and limitations of writing about it—a conversation in which their thematic and formal choices meet on a surprising number of levels.