The first collection of the texts by one of the world's leading and most controversial performance artists

    Charles Bernstein here proves them alive and well in poems elegiac, defiant, and resilient to the point of approaching song. Heir to the democratic and poetic sensibilities of Walt Whitman and Allen Ginsberg, Bernstein has always crafted verse that responds to its historical moment, but no previous collection of his poems so specifically addresses the events of its time as Girly Man, whichfeatures works written on the evening of September 11, 2001, and in response to the war in Iraq. Here, Bernstein speaks out, combining self-deprecating humor with incisive philosophical and political thinking. Composed of works of very different forms and moods—etchings from moments of acute crisis, comic excursions, formal excavations, confrontations with the cultural illogics of contemporary political consciousness—the poems work as an ensemble, each part contributing something necessary to an unrealizable and unrepresentable whole. Indeed, representation—and related claims to truth and moral certainty—is an active concern throughout the book. The poems of Girly Man may be oblique, satiric, or elusive, but their sense is emphatic. Indeed, Bernstein’s poetry performsits ideas so that they can be experienced as well as understood. A passionate defense of contingency, resistance, and multiplicity, Girly Man is a provocative and aesthetically challenging collection of radical verse from one of America’s most controversial poets.

    

    While the math of poker has been refined over the past 20 years, the ability to read other players and keep your own "tells" in check has mostly been learned by trial and error.But now, Joe Navarro, a former FBI counterintelligence officer specializing in nonverbal communication and behavior analysis—or, to put it simply, a man who can tell when someone's lying—offers foolproof techniques, illustrated with amazing examples from poker pro Phil Hellmuth, that will help you decode and interpret your opponents' body language and other silent tip-offs while concealing your own. You'll become a human lie detector, ready to call every bluff—and the most feared player in the room.

    He can’t move, has no response to stimuli, and can only communicate with Hub, the faithful family dog. And like all superheroes, Westlake has an archenemy: Dr. Quietus—a nightmarish embodiment of Death itself.

    The daily devotional thoughts published in Our Daily Bread help readers spend time each day in God’s Word. This electronic edition of Our Daily Bread allows you to enjoy the same inspiring content found in the print edition of Our Daily Bread, but with many additional digital features: • 90 Digital Daily Devotionals • Includes Scripture Passages and Insights • Links to a Daily Bible Reading Plan • Links to Additional Topical Content Resources from Our Daily Bread Ministries • Our Daily Bread Author Biographies Our Daily Bread is published and distributed worldwide in more than 40 languages by Our Daily Bread Ministries offices around the globe. Our Daily Bread Ministries also produces a variety of other Bible resources, which are available for the asking. Our Daily Bread is distributed via print, large-print, radio, podcast, email, rss, and mobile. For social networking users, find Our Daily Bread on Twitter, Facebook, and Google+.

    Not a telephone reciever, which is how most of the poems in this collection were first transmitted...There are plenty of examples of this spreading of one art form or another through popular mediums. There are all those wonderful Russian Constructivist posters, Dr. Alphabet's public poetry gatherings on football fields, Dada caberet antics, and various forms of street theatr...Essentially what all of these movements were trying to do was expand the playing field called "art". By making the field bigger they gave us all more room to frolic. They pushed art right out of the dusty museums and smack dab into your lives... Poetry should be everywhere, and slowly but surely it's infiltrating our lives. We are gla dto be the instruments of this infiltration." --from the IntroductionFeaturingPenny Arcade, Tish Benson, Nicole Blackman, David Cameron, Xavier Cavazos, Todd Colby, Matthew Courtney, M. Doughty, Kathy Ebel, Annie Elliot, Janice Erlbaum, Allen Ginsberg, John Giorno, John S. Hall, Bob Holman, Christian X. Hunter, Shannon Ketch, Bobby Miller, Wanda Phipps, Lee Ranaldo, Shut-Up Shelly, Hal Sirowitz, Sparrow, Spiro, Edwin Torres, Emily XYZWith unabashed fervor the Poemfone poets are redefining poetry as we know it. Archaic literary rules that have never been bent have suddenly been broken., and Versus That Hurt chronicles this poetic phenomenon. This is a revolutionary gathering of disparate and brash talent that is not to be missed.

    

    This beach front estate rests so close to the shore that the sea mist sprinkled the children and family dog, Bear as they played in the yard. At the end of each day, the family fell asleep to the sweet sound of water crashing the rocks. The Frost family created lifelong memories at the estate.The only problem is that no one is around to enjoy it anymore…Elizabeth Frost is the glue that held the family together for so long, but not even she could keep her kids and the family in tact. A family secret splintered the family leading them to not speak to each other for years. This all changes when tragedy strikes once again and the siblings come home to Nantucket Island. What happens next, no one could predict.A mysterious encounter with an unexpected character…A journey to find love…The risk of losing it all…While on Nantucket island, you’ll meet some unforgettable characters who will feel like old friends and capture your heart right from the start.Join the Frost family as they discover that family matters most, everyone deserves a second chance, and love conquers all.

    Mulani's uncle taught everyone under his roof to get it how you live and by any means necessary. Mulani and her cousins took that to heart pouring their blood, sweat, and tears into the streets. Along with her cousins, and best friend Asim Patrick, the game wasn't ready for what they had to offer. Especially not the beautiful, tomboyish, and deadly Mulani. A force to be reckoned with while carrying a no nonsense type attitude, ran off every man that even tried to get close to Mulani, but it didn't matter, because all she ever wanted was Asim. Asim is everything a boss should be. His street status is undeniable and at the young age of 21, he's well on his way to having everything a man his age could ever want. The Respect, the riches...but there was only one thing missing...Mulani. When tragedy brings them together, giving Mulani what she's always wanted, she feels like the streets now has their king and queen and Asim couldn't help but feel the same. But one mistake is all it took for Asim to walk away from Mulani and into the arms of another woman and even down the path of matrimony. After the hurt that Asim has caused, Mulani goes harder than ever unwilling to love again. When a problem arises, Mulani's motivation and undeniable dedication to get it handled is what leads her to meet the sexy Maddox aka Dox from the Bronx. Dox is a boss in his own right and wants to give Mulani all the love that she deserves. The time and attention Dox puts in is enough to break down Mulani's walls. She's ready to give in and ready to move on finally, but someone isn’t going to allow that to happen…Asim. There can only be one king in the streets and in Mulani’s heart, but who will it be? The fight to the crown will be nothing nice. Who will be the one Mulani choose to show her that love A Dopegirl Needs Love Too.

    Ansley Malveaux surely thought her life was perfect. Being married with three beautiful kids, and a job she loved, was the life she'd always dreamed of. Unfortunately, after seven years, her marriage had become just that - a failure. Learning to navigate through her new life as a single mother is exhausting and takes her on an emotional journey she isn't ready for, especially after meeting Jayden Young. Fear of moving on has her frozen in space, but Jayden is threatening to melt her heart at every turn. Being in love with a woman that isn't in love with him is the worst feeling ever for Jayden Young. Ansley has put him in the friend zone and he's patiently waited for her to change her mind. His whole mission is to help her rebuild her trust in men and love, by showing her he's trustworthy to handle her fragile heart. As if life doesn't have enough challenges of its own, Ansley and Jayden find themselves in avoidable situations. Situations that, if they would only be true to themselves and each other, wouldn't arise. Ansley pushes against Jayden's every attempt at loving her, and at some point, wonders if he'll ever grow tired of her rejection. Will they finally work through the fears that cripple their blossoming relationship and threaten to dismantle their friendship? Or will they choose to stop fighting for love and let their fears prevail?

    

    Getting Geek out of her system is easier said than done, as she try her best to move on and better herself for the sake of her newborn. When tragedy strikes again, Karrueche is now left broken down to her lowest point. With everyone gunning for her, Karrueche finds herself in a compromising situation, as she is forced to face the reality of her unforgettable past.

    I read his work with awe and admiration.”—Ben Marcus “Joe Wenderoth's brave new poetic talent is like nothing so much as a live wire writing its own epitaph in sparks. [His poems] throb brilliantly with a sense of the 'too much.' . . . But in Wenderoth's case the too much is the too little or the too ordinary—a very remarkable discovery to have made so late in the history of poetry. Philip Larkin and a few American poets have approached it, but Wenderoth's instrument is sharper than theirs; he makes quick cuts in the meat of the ordinary, which is the meat of the impossible.”—Cal Bedient This clear-eyed new work from a favorite young poet is searching and solemn, dissatisfied with artificial condolences and pat maxims. Joe Wenderoth’s determination in the face of harsh realities is what rescues us, and him, from hopelessness. “Luck” So a screaming woke you just in time An animal’s scream, or animals’. What kind of animal it was doesn’t matter, and cannot, in any case, be determined. The point is you are saved. Your mouth has been opened. Joe Wenderoth grew up near Baltimore and is the author of five books of prose and poetry. He teaches at the University of California, Davis.

    From a stunning double crown sonnet, to erasure poetry contained within DNA testing results, the poems in this collection are as wide-ranging in form as they are bountiful in wordplay and truth. In her poem 'The Shop at Monticello,' she writes: 'I’m a black body in this Commonwealth, which turned black bodies/ into money. Now, I have money to spend on little trinkets to remind me/ of this fact. I’m a money machine & my body constitutes the common wealth.' Speaking to history, loss, and injustice with wisdom, innovation, and a scientific determination to find the poetic truth, White Blood plants Petrosino’s name ever more firmly in the contemporary canon.