In recent years, pastor and teacher Dennis McCallum found himself fielding more and more questions about Satan. He wanted to recommend a book on the subject, but those he found either reflected extreme beliefs, contained little biblical instruction, used fear tactics, or were poorly written. In Satan and His Kingdom, McCallum clarifies what is true and what is false about Satan, demons, and demonic control--both historically and today. He shows readers how to effectively battle the enemy individually and corporately, all the while keeping their focus on Christ, not Satan. A reliable resource for pastors, lay leaders, and any Christian wanting to know more about evil in the world.

    During our journey we will explore stories from Babylon, Greece, Ireland, Ethiopia, and various other cultures to fill in the missing pieces to one of the biggest mysteries on our planet. This 2nd Edition includes 40+ hours of additional audio and video content for your enjoyment. Make sure you download a free QR code scanner for your smart phone or tablet so you can take full advantage of the features in this book.

    But there is a kind of joy in theology's gratuity, there is a pleasure in its comedic machination, and ultimately-if the balloon pops, the hamster spins, the chain pulls, the bucket empties, the pulley lifts, and (voila ) the book's page is turned-some measurable kind of work is accomplished. But this work is a byproduct. The beauty of the machine, like all beauty, is for its own sake. Theology, maybe especially Mormon theology, requires this kind of modesty. The Church neither needs nor endorses our Rube Goldbergian flights. The comic aspect of the arrows we wing at cloudy skies must be kept firmly in mind. The comedy of it both saves us from theology and commends us to it. Engaged in this work, theology has only one definitive strength: it can make simple things difficult. Good theology forces detours that divert us from our stated goals and prompt us to visit places and include people that would otherwise be left aside. The measure of this strength is charity. Theological detours are worth only as much charity as they are able to show. They are worth only as many waylaid lives and lost objects as they are able to embrace. Rube Goldberg machines, models of inelegance, are willing to loop anything into the circuit-tax collectors, prostitutes, lepers, Democrats, whatever. In charity, the grace of a disinterested concern for others and the gratuity of an unnecessary complication coincide. Theology helps us to find religion by helping us to lose it. Theology makes the familiar strange. It ratchets uncomfortable questions into complementary shapes and helps recover the trouble that is charity's substance. This book is itself a Rube Goldberg machine, pieced together from a variety of essays written over the past ten years. They offer explicit reflections on what it means to practice theology as a modern Mormon scholar and they stake out substantial and original positions on the nature of the atonement, the soul, testimony, eternal marriage, humanism, and the historicity of the Book of Mormon.

    The result is a book so relentlessly funny and frank, it's totally refreshing.

     In what can be termed lyrical theology, Jesus for President poetically weaves together words and images to sing (rather than dictate) its message. It is a collaboration of Shane Claiborne's writing and stories, Chris Haw's reflections and research, and Chico Fajardo-Heflin's art and design. Drawing upon the work of biblical theologians, the lessons of church history, and the examples of modern-day saints and ordinary radicals, Jesus for President stirs the imagination of what the Church could look like if it placed its faith in Jesus instead of Caesar. A fresh look at Christianity and empire, Jesus for President transcends questions of "Should I vote or not?" and "Which candidate?" by thinking creatively about the fundamental issues of faith and allegiance. It's written for those who seek to follow Jesus, rediscover the spirit of the early church, and incarnate the kingdom of God.

    The controversy was never merely academic. The legal status and security of Jews—often their very lives—depended on the answer. In WHY THE JEWS REJECTED JESUS, David Klinghoffer reveals that the Jews since ancient times accepted not only the historical existence of Jesus but the role of certain Jews in bringing about his crucifixion and death. But he also argues that they had every reason to be skeptical of claims for his divinity. For one thing, Palestine under Roman occupation had numerous charismatic would-be messiahs, so Jesus would not have been unique, nor was his following the largest of its kind. For another, the biblical prophecies about the coming of the Messiah were never fulfilled by Jesus, including an ingathering of exiles, the rise of a Davidic king who would defeat Israel’s enemies, the building of a new Temple, and recognition of God by the gentiles. Above all, the Jews understood their biblically commanded way of life, from which Jesus’s followers sought to “free” them, as precious, immutable, and eternal.Jews have long been blamed for Jesus’s death and stigmatized for rejecting him. But Jesus lived and died a relatively obscure figure at the margins of Jewish society. Indeed, it is difficult to argue that “the Jews” of his day rejected Jesus at all, since most Jews had never heard of him. The figure they really rejected, often violently, was Paul, who convinced the Jerusalem church led by Jesus’s brother to jettison the observance of Jewish law. Paul thus founded a new religion. If not for him, Christianity would likely have remained a Jewish movement, and the course of history itself would have been changed. Had the Jews accepted Jesus, Klinghoffer speculates, Christianity would not have conquered Europe, and there would be no Western civilization as we know it. WHY THE JEWS REJECTED JESUS tells the story of this long, acrimonious, and occasionally deadly debate between Christians and Jews. It is thoroughly engaging, lucidly written, and in many ways highly original. Though written from a Jewish point of view, it is also profoundly respectful of Christian sensibilities. Coming at a time when Christians and Jews are in some ways moving closer than ever before, this thoughtful and provocative book represents a genuine effort to heal the ancient rift between these two great faith traditions.

    Look no further than the twelve disciples whose many weaknesses are forever preserved throughout the pages of the New Testament. Jesus chose ordinary men - fisherman, tax collectors, political zealots - and turned their weakness into strength, producing greatness from utter uselessness. MacArthur draws principles from Christ's careful, hands-on training of the original twelve disciples for today's modern disciple - you.

    But in And It Was Good, Madeleine L’Engle cast long, loving, and perceptive glances not only at the created universe but at its creator as well. At every level she sees the connections between Made and Maker, and in the vast beauty, order, and complexity of our world, she observes many of the characteristics of God, the First Poet.Just as Mm. L’Engle learns about God from his book, Genesis, we learn about this human author from hers. She too is a creator and poet, and her reflections on early chapters of the first book of the bible radiate the intuitive insights of her keen mind, a luminous view of her own world, and the warmth of her large heart.