Like Dubus’s already- classic memoir, Townie, and his novel House of Sand and Fog (a #1 New York Times bestseller), Gone So Long is a profound exploration of the struggle between the selves we wish to be, and the ones—shaped by chance and circumstance, as well as character—that we can’t escape.

    Every relationship has two perspectives. And sometimes, it turns out, the key to a great marriage is not its truths but its secrets. At the core of this rich, expansive, layered novel, Lauren Groff presents the story of one such marriage over the course of twenty-four years.At age twenty-two, Lotto and Mathilde are tall, glamorous, madly in love, and destined for greatness. A decade later, their marriage is still the envy of their friends, but with an electric thrill we understand that things are even more complicated and remarkable than they have seemed.

    When The Professor, a man of enormous intellect and appetite, takes The Kid under his wing, his own startling past will cause upheavals in both of their worlds. At once lyrical, witty, and disturbing, Banks’s extraordinary novel showcases his abilities as a world-class storyteller as well as his incisive understanding of the dangerous contradictions and hypocrisies of modern American society.

    He had recently, begrudgingly, taken a position at a nearby private college (far too expensive for local kids to attend) teaching art history, and moved his family into a tight-knit, impoverished town that has lately been discovered by wealthy outsiders in search of a rural idyll.George is of course the immediate suspect—the question of his guilt echoing in a story shot through with secrets both personal and professional. While his parents rescue him from suspicion, a persistent cop is stymied at every turn in proving Clare a heartless murderer. And three teenage brothers (orphaned by tragic circumstances) find themselves entangled in this mystery, not least because the Clares had moved into their childhood home, a once-thriving dairy farm. The pall of death is ongoing, and relentless; behind one crime there are others, and more than twenty years will pass before a hard kind of justice is finally served. A rich and complex portrait of a psychopath and a marriage, this is also an astute study of the various taints that can scar very different families, and even an entire community. Elizabeth Brundage is an essential talent who has given us a true modern classic.

    She knows how to snare a rabbit, sharpen a blade and splint a bone. She knows that her daddy loves her more than anything else in this world and he’ll do whatever it takes to keep her with him.But she doesn’t know why she feels so different from the other girls at school; why the line between love and pain can be so hard to see. Or why making a friend may be the bravest and most terrifying thing she has ever done.Sometimes the people you’re supposed to trust are the ones who do most harm. And what you’ve been taught to fear is the very thing that will save you…

    Aubyn has chronicled the life of Patrick Melrose, painting an extraordinary portrait of the beleaguered and self-loathing world of privilege. This single volume collects the first four novels—Never Mind, Bad News, Some Hope, and Mother’s Milk, a Man Booker finalist—to coincide with the publication of At Last, the final installment of this unique novel cycle.By turns harrowing and hilarious, these beautifully written novels dissect the English upper class as we follow Patrick Melrose’s story from child abuse to heroin addiction and recovery. Never Mind, the first novel, unfolds over a day and an evening at the family’s chateaux in the south of France, where the sadistic and terrifying figure of David Melrose dominates the lives of his five-year-old son, Patrick, and his rich and unhappy American mother, Eleanor. From abuse to addiction, the second novel, Bad News opens as the twenty-two-year-old Patrick sets off to collect his father’s ashes from New York, where he will spend a drug-crazed twenty-four hours. And back in England, the third novel, Some Hope, offers a sober and clean Patrick the possibility of recovery. The fourth novel, the Booker-shortlisted Mother’s Milk, returns to the family chateau, where Patrick, now married and a father himself, struggles with child rearing, adultery, his mother’s desire for assisted suicide, and the loss of the family home to a New Age foundation.Edward St. Aubyn offers a window into a world of utter decadence, amorality, greed, snobbery, and cruelty—welcome to the declining British aristocracy.

    . . a hidden cache of coded clues . . . a story written by a phantom author . . . an unsolved murder in a gritty urban park-- all collide memorably in Emily Arsenault's magnificent debut, at once a teasing literary puzzle, an ingenious suspense novel, and an exploration of definitions: of words, of who we are, and of the stories we choose to define us. In the maze of cubicles at Samuelson Company, editors toil away in silence, studying the English language, poring over new expressions and freshly coined words-- all in preparation for the next new edition of the Samuelson Dictionary. Among them is editorial assistant Billy Webb, just out of college, struggling to stay awake and appear competent. But there are a few distractions. His intriguing coworker Mona Minot may or may not be flirting with him. And he's starting to sense something suspicious going on beneath this company's academic facade.Mona has just made a startling discovery: a trove of puzzling citations, all taken from the same book, The Broken Teaglass. Billy and Mona soon learn that no such book exists. And the quotations from it are far too long, twisting, and bizarre for any dictionary. They read like a confessional, coyly hinting at a hidden identity, a secret liaison, a crime. As Billy and Mona ransack the office files, a chilling story begins to emerge: a story about a lonely young woman, a long-unsolved mystery, a moment of shattering violence. And as they piece together its fragments, the puzzle begins to take on bigger personal meaning for both of them, compelling them to redefine their notions of themselves and each other.Charged with wit and intelligence, set against a sweetly cautious love story, The Broken Teaglass is a tale that will delight lovers of words, lovers of mysteries, and fans of smart, funny, brilliantly inventive fiction.

      As the Chief of Rheumatology at Columbia Presbyterian, Dr. Paul Allen's specialty is diagnosing patients with conflicting symptoms, patients other doctors have given up on. He lives a contented life in Westport with his second wife and their twin sons—hard won after a failed marriage earlier in his career that produced a son named Daniel. In the harrowing opening scene of this provocative and affecting novel, Dr. Allen is home with his family when a televised news report announces that the Democratic candidate for president has been shot at a rally, and Daniel is caught on video as the assassin.       Daniel Allen has always been a good kid—a decent student, popular—but, as a child of divorce, used to shuttling back and forth between parents, he is also something of a drifter. Which may be why, at the age of nineteen, he quietly drops out of Vassar and begins an aimless journey across the United States, during which he sheds his former skin and eventually even changes his name to Carter Allen Cash.      Told alternately from the point of view of the guilt-ridden, determined father and his meandering, ruminative son, The Good Father is a powerfully emotional page-turner that keeps one guessing until the very end. This is an absorbing and honest novel about the responsibilities—and limitations—of being a parent and our capacity to provide our children with unconditional love in the face of an unthinkable situation.

    Unfolding in a graveyard over the course of a single night, narrated by a dazzling chorus of voices, Lincoln in the Bardo is a literary experience unlike any other—for no one but Saunders could conceive it.February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.” Newspapers report that a grief-stricken Lincoln returned to the crypt several times alone to hold his boy’s body.From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a thrilling, supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory, where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie’s soul.Lincoln in the Bardo is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction’s ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices—living and dead, historical and invented—to ask a timeless, profound question: How do we live and love when we know that everything we love must end?

    Without words to express their grief, the parents, John and Ricky, try to return to their previous lives. Struggling to regain a semblance of normalcy for themselves and for their two older children, they find themselves pretending not only that little has changed, but that their marriage, their family, have always been intact. Yet in the aftermath of the baby's death, long-suppressed uncertainties about their relationship come roiling to the surface. A dreadful secret emerges with reverberations that reach far into their past and threaten their future.The couple's children, ten-year-old Biscuit and thirteen-year-old Paul, responding to the unnamed tensions around them, begin to act out in exquisitely- perhaps courageously-idiosyncratic ways. But as the four family members scatter into private, isolating grief, an unexpected visitor arrives, and they all find themselves growing more alert to the sadness and burdens of others-to the grief that is part of every human life but that also carries within it the power to draw us together.Moving, psychologically acute, and gorgeously written, "The Grief of Others" asks how we balance personal autonomy with the intimacy of relationships, how we balance private decisions with the obligations of belonging to a family, and how we take measure of our own sorrows in a world rife with suffering. This novel shows how one family, by finally allowing itself to experience the shared quality of grief, is able to rekindle tenderness and hope.

    Since his death, she’s been sleepwalking through life, barely holding on for the sake of her teenage son. Her house is a wreck, the grass is overrun with weeds, and she’s at risk of losing her job. As Paige stares at her neglected lawn, she knows she’s hit rock bottom. So she does something entirely unexpected: she begins to dig.As the hole gets bigger, Paige decides to turn her entire yard into a vegetable garden. The neighbors in her tidy gated community are more than a little alarmed. Paige knows nothing about gardening, and she’s boldly flouting neighborhood-association bylaws. But with the help of new friends, a charming local cop, and the transformative power of the soil, Paige starts to see potential in the chaos of her life. Something big is beginning to take root—both in her garden and in herself.

    When Ingrid has written her final letter she disappears from a Dorset beach, leaving behind her beautiful but dilapidated house by the sea, her husband, and her two daughters, Flora and Nan.Twelve years later, Gil thinks he sees Ingrid from a bookshop window, but he’s getting older and this unlikely sighting is chalked up to senility. Flora, who has never believed her mother drowned, returns home to care for her father and to try to finally discover what happened to Ingrid. But what Flora doesn’t realize is that the answers to her questions are hidden in the books that surround her. Scandalous and whip-smart, Swimming Lessons holds the Coleman family up to the light, exposing the mysterious truths of a passionate and troubled marriage.

    A 1930s Soviet censor painstakingly corrects offending photographs, deep underneath Leningrad, bewitched by the image of a disgraced prima ballerina. A chorus of women recount their stories and those of their grandmothers, former gulag prisoners who settled their Siberian mining town. Two pairs of brothers share a fierce, protective love. Young men across the former USSR face violence at home and in the military. And great sacrifices are made in the name of an oil landscape unremarkable except for the almost incomprehensibly peaceful past it depicts. In stunning prose, with rich character portraits and a sense of history reverberating into the present, The Tsar of Love and Techno is a captivating work from one of our greatest new talents.The leopard --Granddaughters --The Grozny Tourist Bureau --A prisoner of the Caucasus --The tsar of love and techno --Wolf of White Forest --Palace of the people --A temporary exhibition --The end

    But one day, Millie’s mum leaves her alone beneath the Ginormous Women’s underwear rack in a department store, and doesn’t come back.Agatha Pantha is an eighty-two-year-old woman who hasn’t left her home since her husband died. Instead, she fills the silence by yelling at passers-by, watching loud static on TV, and maintaining a strict daily schedule. Until the day Agatha spies a little girl across the street.Karl the Touch Typist is eighty-seven years old and once typed love letters with his fingers on to his wife’s skin. He sits in a nursing home, knowing that somehow he must find a way for life to begin again. In a moment of clarity and joy, he escapes.Together, Millie, Agatha and Karl set out to find Millie’s mum. Along the way, they will discover that the young can be wise, that old age is not the same as death, and that breaking the rules once in a while might just be the key to a happy life.

    Where clumps of evergreens meet wild ponies, oyster-shell roads, tumble-down houses, unwanted pregnancies, murder, storm-making and dark magic in the marshes. . . Situated off the coast of Virginia's Chesapeake Bay, the group of islands known as the Shore has been home to generations of fierce and resilient women. Sanctuary to some but nightmare to others, it's a place they've inhabited, fled, and returned to for hundreds of years. From a half-Shawnee Indian's bold choice to flee an abusive home only to find herself with a man who will one day try to kill her to a brave young girl's determination to protect her younger sister as methamphetamine ravages their family, to a lesson in summoning storm clouds to help end a drought, these women struggle against domestic violence, savage wilderness, and the corrosive effects of poverty and addiction to secure a sense of well-being for themselves and for those they love.Together their stories form a deeply affecting legacy of two barrier island families, illuminating 150 years of their many freedoms and constraints, heartbreaks, and pleasures. Conjuring a wisdom and beauty all its own, The Shore is a richly unique, stunning novel that will resonate with readers long after turning its final pages, establishing Sara Taylor as a promising new voice in fiction.