Despite the death of Richard III and Henry VII's victory, it continued underground into the following century with plots, pretenders and subterfuge by the ousted white rose faction. Here, Desmond Seward reviews the story of the Tudors' seizure of the throne.

    But were the princes really murdered? David Baldwin presents a fresh new approach to the mystery and reveals, for the first time, the true fate of the younger prince, Richard, Duke of York.On 22 December 1550 an old bricklayer named Richard Plantagenet was buried at Eastwell in Kent. Unusually for a bricklayer, he had been able to read Latin and, when pressed, he had claimed to be a natural son of King Richard III and to have met him the day before the Battle of Bosworth. Yet had he simply been Richard III's bastard he would have been styled 'of Gloucester' or given the name of his birthplace. Richard III openly acknowledged and provided for his other bastards. Why did he not do the same for Richard Plantagenet? Most tellingly, where is the evidence that Prince Richard actually died? In an original and intriguing scenario, David Baldwin argues that, while some elements of Richard Plantagenet's story may be authentic, it is possible that he dared not reveal his real identity - that he was in fact Richard, Duke of York, the rightful king.David Baldwin has searched contemporary documents to unearth the clues that underpin his theory and has visited all the places associated with Richard Plantagenet. In doing so, he has opened up an entirely new line of investigation and exonerated Richard HI of the greatest of the crimes imputed to him. Dead princes were a potential embarrassment, but a living prince would have been a real danger and a closely guarded secret, not only in Richard's reign but in the reigns of Henry VII and Henry VIII.

    It is a fiery history of Queens, the perils of power and of how the Wars of the Roses were ended – not by knights in battle, but the sinewy political skills of women.The events of the Wars of the Roses are usually described in terms of the men involved; Richard, Duke of York, Henry VI, Edward IV and Henry VII. The reality though, argues Sarah Gristwood, was quite different. These years were also packed with women's drama and – in the tales of conflicted maternity and monstrous births – alive with female energy.In this completely original book, acclaimed author Sarah Gristwood sheds light on a neglected dimension of English history: the impact of Tudor women on the Wars of the Roses. She examines Cecily Neville, the wife of Richard Duke of York, who was deprived of being queen when her husband died at the Battle of Wakefield; Elizabeth Woodville, a widow with several children who married Edward IV in secret and was crowned queen consort; Margaret Beaufort, mother of Henry VII, whose ambitions centred on her son and whose persuasions are likely to have lead her husband Lord Stanley, previously allied with the Yorkists, to play his part in Henry's victory.Until now, the lives of these women have remained little known to the general public. Sarah Gristwood tells their stories in detail for the first time. Captivating and original, this is historical writing of the most important kind.

    The might of Richard III's army was pitted against the inferior forces of the upstart pretender to the crown, Henry Tudor, a twenty–eight year old Welshman who had just arrived back on British soil after fourteen years in exile. Yet this was to be a fight to the death—only one man could survive; only one could claim the throne.It would become one of the most legendary battles in English history: the only successful invasion since Hastings, it was the last time a king died on the battlefield. But The Rise Of The Tudors is much more than the account of the dramatic events of that fateful day in August. It is a tale of brutal feuds and deadly civil wars, and the remarkable rise of the Tudor family from obscure Welsh gentry to the throne of England—a story that began sixty years earlier with Owen Tudor's affair with Henry V's widow, Katherine of Valois.Drawing on eyewitness reports, newly discovered manuscripts and the latest archaeological evidence, including the recent discovery of Richard III's remains, Chris Skidmore vividly recreates this battle-scarred world and the reshaping of British history.

    Earlier this year, the remains of a man with a curving spine, who possible was killed in battle, were discovered underneath the paving of a parking lot in Leicester, England. Phillipa Langley, head of The Richard III Society, spurred on by the work of the historian Michael Jones, led the team of who uncovered the remains, certain that she had found the bones of the monarch. When DNA verification later confirmed that the skeleton was, indeed, that of King Richard III, the discovery ranks among the great stories of passionate intuition and perseverance against the odds. The news of the discovery of Richard's remains has been widely reported by the British as well as worldwide and was front page news for both the New York Times and The Washington Post. Many believe that now, with King Richard III's skeleton in hand, historians will finally begin to understand what happened to him following the Battle of Bosworth Field (twenty miles or so from Leicester) and, ultimately, to know whether he was the hateful, unscrupulous monarch of Shakespeare's drama or a much more benevolent king interested in the common man. Written in alternating chapters, with Richard's 15th century life told by historian Michael Jones (author of the critically acclaimed Bosworth - 1485) contrasting with the 21st century eyewitness account of the search and discovery of the body by Philippa Langley, The King's Grave will be both an extraordinary portrait of the last Plantagenet monarch and the inspiring story of the archaeological dig that finally brings the real King Richard III into the light of day.

    Having come of age in a time of political turmoil and danger, the man who would become Henry VII spent fourteen years in exile in Brittany before returning triumphantly to the Dorset coast with a small army and decisively winning the Battle of Bosworth Field--ending the War of the Roses once and for all and launching the infamous Tudor dynasty.As Henry's claim to the throne was tenuous, his marriage to Elizabeth of York, daughter and direct heir of King Edward IV, not only served to unify the warring houses, it also helped Henry secure the throne for himself and for generations to come. And though their union was born from political necessity, it became a wonderful love story that led to seven children and twenty happy years together.Sweeping and dramatic, To Hold the Crown brings readers inside the genesis of the great Tudor empire: through Henry and Elizabeth's troubled ascensions to the throne, their marriage and rule, the heartbreak caused by the death of their son Arthur, and, ultimately, to the crowning of their younger son, King Henry VIII."Plaidy excels at blending history with romance and drama." --New York Times

    Through the turbulence of civil war, Martin serves his cousins -- Yorkist kings Edward IV and Richard III -- and learns the cost of loyalty and love in battlefields and bedchambers in a time when life is cheap and treachery hides behind a smile. Through Martin's eyes, Meredith Whitford's superbly researched and richly woven novel shows Shakespeare's conniving and perverse Richard III in a realistic new light - as a patriot and a lover. Never before has perceived history taken such a surprising turn as Whitford corrects the Shakespearean myth and crowns a new hero, bringing back to life the passion and heat of a breathless historical moment that shaped the world - a moment we know as the War of the Roses .a time of thorns and treason.

    Philippa Gregory and two historians, leading experts in their field who helped Philippa to research the novels, tell the extraordinary 'true' stories of the life of these women who until now have been largely forgotten by history, their background and times, highlighting questions which are raised in the fiction and illuminating the novels. With a foreword by Philippa Gregory - in which Philippa writes revealingly about the differences between history and fiction and examines the gaps in the historical record - and beautifully illustrated with rare portraits, The Women of the Cousins' War is an exciting new addition to the Philippa Gregory oeuvre.

    What ambitions motivated her long before anyone dreamed of a Tudor dynasty?The Last Lancastrian is a prequel novella to the Plantagenet Embers Trilogy.

    Born to a peasant herbalist, she is taken to nearby Middleham Castle by the Countess of Warwick, in the same way we might adopt a puppy. Here she serves as poppet and companion to the Earl of Warwick's second daughter, Anne. Here she also meets Duke Richard, Edward IV's youngest brother, who is undergoing knightly training. The children form a long lasting relationship which caries them into adulthood."Roan Rose" illuminates a lively, brutal medieval world. The painful pushes and pulls of a friendship unequal in rank, the balancing of the needs of those whom she serves against the claims of her family are Rose's tragic dilemma.

    Richard of York, the most powerful magnate in the land, steps in to manage affairs whilst Henry is unwell. Many people prefer York’s rule, which does not please the queen. The country begins to divide and plots start to hatch. York himself is directly descended from the royal family line, in fact, a little more directly than Henry but he puts this fact aside and strives only to serve the king. This, however, becomes increasingly difficult due to the acts of the queen, who, now feeling threatened by York, calls her men to get rid of him. The York family is strong and the two eldest sons, Edward and Edmund are approaching manhood. Edward, bold and eager, is keen to leave his childhood behind and enter the world of men, of politics, combat and love. Edmund, the younger brother is more introspective and struggles to project his public image. Both boys look to York as their mentor, a match for any king; and Richard is proud of them both. But with sons comes the question of inheritance. Who will succeed Henry’s throne? His own son, the young Prince Edward, or the capable York and his heirs? This historical window into the past lifts figures from the history books and gives the personality and purpose behind their actions. The story bears witness to the extremes of the human condition, from loving tenderness in court to vengeful violence on the battlefield.

    Here, brought vividly to life in this most moving novel, is a man who inspired loyalty and hatred in almost equal measure, until at last the implacable enmity of one woman brought about his downfall.

    England had been ravaged for decades by conspiracy, violence, murders, coups and countercoups. Through luck, guile and ruthlessness, Henry VII, the first of the Tudor kings, had clambered to the top of the heap--a fugitive with a flimsy claim to England's throne. For many he remained a usurper, a false king.But Henry had a crucial asset: his queen and their children, the living embodiment of his hoped-for dynasty. Queen Elizabeth was a member of the House of York. Henry himself was from the House of Lancaster, so between them they united the warring parties that had fought the bloody century-long War of the Roses. Now their older son, Arthur, was about to marry a Spanish princess. On a cold November day sixteen-year-old Catherine of Aragon arrived in London for a wedding that would mark a triumphal moment in Henry's reign.In this remarkable book, Thomas Penn re-creates the story of the tragic, magnetic Henry VII--a controlling, paranoid, avaricious monarch who was entering the most perilous years of his long reign.Rich with drama and insight, Winter King is an astonishing story of pageantry, treachery, intrigue and incident--and the fraught, dangerous birth of Tudor England.

    The meek and feeble King Henry VI presides over the chaos, unable to prevent his ambitious, bloodthirsty nobles from tearing each other to pieces. The White Hawk follows the fortunes of a minor gentry family, the Boltons, as they attempt to survive and prosper in this world of brutal warfare and shifting alliances. Surrounded by enemies, their loyalty to the ruling house of Lancaster will be tested to the limit in a series of bloody battles and savage twists of fate...

    Katherine’s sister, Juana of Castile, wife of Philip of Burgundy and mother of the Holy Roman Emperor Charles V, is portrayed as “Juana the Mad,” whose erratic behavior included keeping her beloved late husband’s coffin beside her for years. But historian Julia Fox, whose previous work painted an unprecedented portrait of Jane Boleyn, Anne’s sister, offers deeper insight in this first dual biography of Katherine and Juana, the daughters of Spain’s Ferdinand and Isabella, whose family ties remained strong despite their separation. Looking through the lens of their Spanish origins, Fox reveals these queens as flesh-and-blood women—equipped with character, intelligence, and conviction—who are worthy historical figures in their own right.When they were young, Juana’s and Katherine’s futures appeared promising. They had secured politically advantageous marriages, but their dreams of love and power quickly dissolved, and the unions for which they’d spent their whole lives preparing were fraught with duplicity and betrayal. Juana, the elder sister, unexpectedly became Spain’s sovereign, but her authority was continually usurped, first by her husband and later by her son. Katherine, a young widow after the death of Prince Arthur of Wales, soon remarried his doting brother Henry and later became a key figure in a drama that altered England’s religious landscape.Ousted from the positions of power and influence they had been groomed for and separated from their children, Katherine and Juana each turned to their rich and abiding faith and deep personal belief in their family’s dynastic legacy to cope with their enduring hardships. Sister Queens is a gripping tale of love, duty, and sacrifice—a remarkable reflection on the conflict between ambition and loyalty during an age when the greatest sin, it seems, was to have been born a woman.