Dylan Dunkin-Buckshaw is a great catch. Handsome in a sharp, confident kind of way, he's everything she’s ever wanted in a man and a husband. A match made in heaven—right?With a fledgling shoe design business that’s set to take off, Megan decides to take control of her life and strut her stuff. With the help of loyal friends and a handsome stranger she begins to turn heads and get noticed. She’s hitched her wagon to the stars and she’s planning on enjoying the ride, wearing her best stilettos whilst she does it!But will she reach those glittering stars? Is there something lurking in the shadows to hold her back? Under all the excitement and sparkle of her new found adventures there seems to be an ominous presence trying to take the shine from her happiness.

    She loves "matchmaking" - arranging marriages between her friends and neighbours in the village of Highbury. However, she often creates more heartache than happiness - and what about her own chance of love ...?

    Comprising perfectly crafted micro stories, and stories of conventional length, Tilled Earth offers glimpses into the private dramas of people caught midlife: an elderly woodworker loses his way in a modern Kathmandu neighbourhood; a homesick expatriate nurses a hangover; a clerk at the Ministry of Home Affairs learns to play Solitaire on the computer; a young woman goes to Seattle as a student, and finds herself becoming an illegal alien; and a retired secretary visits the Buddha's birthplace, Lumbini, only to find his deepest insecurities exposed.

    Each story is different and each ends with a surprising twist.

    Set in the American Midwest, England, and India (Mumbai, Ahmedabad, rural Gujarat) the stories in Each of Us Killers are about people trying to realize their dreams and aspirations through their professions. Whether they are chasing money, power, recognition, love, or simply trying to make a decent living, their hunger is as intense as any grand love affair. Straddling the fault lines of race, class, caste, gender, nationality, globalization, and more, they go against sociocultural norms despite challenges and indignities until singular moments of quiet devastation turn the worlds of these characters—auto-wallah, housemaid, street vendor, journalist, architect, baker, engineer, saree shop employee, professor, yoga instructor, bartender, and more—upside down."Challenging assumptions, confronting power, manipulating barriers whenever possible-even at grave personal cost-Bhatt's cast surprises, inspires, frightens, beguiles, but never disappoints." ~Shelf Awareness (starred review)Most anticipated debuts of 2020 at Electric Literature, Literary Hub, The Millions, Kirkus Reviews, Entropy Magazine, Debutiful, Ms. Magazine, Bustle. Best story collections of 2020 at Bustle and Largehearted Boy. Best collections of 2020 by Asian authors at Book Riot.". . . rich debut . . . a powerful expression of the hunger for success on one's own terms." ~Publishers Weekly". . . nuanced, clear-eyed tales of unvarnished humanity. [...] A formally diverse collection with exquisitely crafted stories about longing, striving, and learning what we can control." ~Kirkus Reviews"With this powerful, complex work, Bhatt should be launched into a wider readership that is fully deserved, and the literary world should rejoice in discovering a bright new star." ~Dallas Morning News. . . you will feel that you have encountered this level of skill, craft, and complexity before in reading the masters of the short story genre--even while the author subverts what we so often encounter in the genre about notions of loss and lonely voices and who gets to tell their own stories." ~Texas Public Radio". . . Bhatt peels back shells of self-awareness, revealing understandings of the often subtle distinctions of gender, race, and family expectations that define and confine them." ~The National Book Review". . . Bhatt gets under the skin of her characters with an ease that is difficult to achieve when creating characters beyond the pale of capital and caste. [. . .] using lively, sculpted language that avoids the stilted, literary English often afflicting Indian English writing." ~The Hindu". . . variety of literary techniques of plot, style, and voice--including the refreshing second-person singular and first-person plural--Bhatt's stories effortlessly straddle class, caste, gender, and race divides spanning the US, England, and India." ~Open The Magazine"Taken together, [the stories] show Bhatt's wide range, both in theme and style, and her ability to inhabit characters who couldn't be more different from each other." ~New York Journal of Books"Interspersing loss and longing, survival and success, in an array of memories, shades, moods, dreams [. . .] Bhatt packs in a powerful compilation, rich in prose and poetry . . ." ~NRI Pulse". . . brings a range of lived experience, experimentation, and stylistic variety, which announces a seasoned practitioner rather than a newcomer to fiction." ~India Currents". . . a collection that is as important in the telling as in remembering the times we live in and the times to come." ~The Hindu Business Line"Bhatt's deliberate expansion of established tropes about Indians and the Indian diaspora deserves special accolades." ~Leonard Prize 2020 Nominations, National Book Critics Circle" . . . exploration of South Asian identity in the workplace through a wide lens instead of the traditional representations. . ." ~Puerto del Sol". . . characters who are bound to their work, either by choice or circumstance, as they attempt to thwart societal expectations and break down barriers . . ." ~Phoebe Journal". . . as compulsively readable as it is sharp and as enjoyable as it is thought-provoking [. . .] an accomplished and impressive debut." ~Vagabond City"[. . .] interact with multiple voices, listening to the struggles of various characters, and enjoying cultural details through the incredible use of language and literary techniques [. . .] the entire collection is an enlightening voyage." ~Platform Magazine"Jenny Bhatt's gorgeous stories in Each of Us Killers remind me why I love to read a good book. It is such a pleasure to be immersed in the worlds of her characters, in their hunger for love or money, and in their local and global struggles to live. With mouth-watering detail, Bhatt serves up a rich and varied feast." ~Devi S. Laskar, Author of The Atlas of Reds and Blues"The potent stories in this collection evoke the complexities of a shifting, multilingual world with great precision. Bhatt moves between countries and realities with tremendous skill and insight." ~Idra Novey, author of Those Who Knew"In a series of thrilling, beautiful stories, Jenny Bhatt moves through the moods, thoughts, subversions involved in the experience of interracial relationships, East-West communications, theft, justice, migration. The collection works brilliantly both as an evocative amalgam of insightful observations about race, class, gender, aspirations, as well as on the sentence level. Bhatt writes, "polish it carefully, till it glitters with the hope of a false diamond and refracts your stark life into a spectrum of luminous rays, lighting up the darkness briefly"-referring to a character's particular memory, but could just as well be referring to the collection as a whole." ~Chaya Bhuvaneswar, Author of White Dancing Elephants"In Each of Us Killers, Jenny Bhatt excavates her characters with incisiveness, nuance, and complexity. The cast of vibrant characters in this wonderful collection is absolutely unique and memorable." ~Karen E. Bender, author of The New Order"This is a gorgeous collection. Bhatt weaves together, with the lightest touch, profound themes--work, ambition, displacement, class, and gender, and so much more. Her plots are beautifully rendered and her scope vast; her characters and her settings come to life on the page. These stories are full of bitter heartbreak with a measure of joy--a wonderful collection from a hugely talented writer." ~Lydia Kiesling, author of The Golden State"Sex, death, redemption, betrayal--this collection has it all, from the sordid to the divine. Bhatt's vivid imagination and well-voiced characters will take you on a ride you won't soon forget." ~Mathangi Subramanian, author of A People's History of Heaven"These stories are filled with wisdom and compassion, bristling with dark occurrences and gleaming with quiet moments of joy: an enriching collection." ~Mahesh Rao, author of Polite Society"Moving, haunting stories that explore a wide range of complex social inequities and yet share an undercurrent of a deep and very human kind of longing." ~Aatif Rashid, author of Portrait of Sebastian Khan"Each of Us Killers offers up a complex portrait of our times. From caste-based violence to domestic power play, from yoga to the under-seam of real-estate development, Bhatt uses a dozen devices to examine the lives of people around us, the choices that define them and, ultimately, our selves." ~Annie Zaidi, author of Unbound, 2000 Years of Indian Women's Writing"Ambitious, sensitive, this collection locates some essential Indian truths, especially its hidden violence." ~Prayaag Akbar, author of Leila

    Why did that relationship fall apart? She longs for a second chance to connect with her brother, not realizing that family secrets may prevent them from ever having that closeness again.

    The books are divided into five levels: Starter Level, with about 300 basic words; Beginner Level (600 basic words); Elementary Level (1100); Intermediate Level (1600); and Upper Level (2200). Some of the titles are also available on cassette.

    The role reversal involved is emotionally and intellectually demanding, and many caregivers find themselves unprepared to undertake such a difficult task. In Trading Places: Becoming My Mother’s Mother, author Sandra Bullock Smith shares her personal experiences spending ten years caring for her ailing mother. This heartfelt look at the trials and tribulations of that decade offers powerful insight and encouragement for anyone entering into a similar period of life. Smith’s touching stories share the heartbreaking, and sometimes comical, moments she experienced while providing assistance to her aging parent—and how they mirrored similar events from her own childhood. In a very real sense, the two women traded places. Smith found herself uttering phrases she heard all too often as a child, such as, “Don’t give your food to the dog” and, “You’ve had enough sugar today.” Smith began jotting down the things she said, and thus this charming book was born. Filled with respect, compassion, and love, this uplifting and amusing memoir is for anyone involved in elder care or who may face the role in the future.

    She has uncovered a deadly secret but will anyone believe her? Can she stay alive long enough to persuade them she is right?

    Homicide cop Jane Rizzoli and medical examiner Maura Isles have seen their fair share of mortal crimes, but the death of Kimberly Rayner may qualify as inhuman in more ways than one. When corpse of the emaciated seventeen-year-old girl is discovered next to an empty coffin in an abandoned church, mysterious bruises around the throat suggest foul play. Caught fleeing the scene is the victim’s closest friend, Lucas Henry, an equally skeletal, pale teenager who claims he’s guilty only of having a taste for blood—a craving he shared with Kimberly. But the victim’s distraught father doesn’t believe in vampires, only vengeance. And now, another life may be at risk unless Rizzoli and Isles can uncover the astonishing truth. Includes a special preview of Tess Gerritsen’s new Rizzoli & Isles novel, The Silent Girl, on sale July 5 And don’t miss the season premiere of TNT’s hit series Rizzoli & Isles on July 11

    Then, the breathtaking sequels, Sara's Past and Sara's Fear, continued the terrifying journey where no one was safe and evil played by its own rules. Now, Lindsey returns with a final chapter, One More Game, the thrilling spin-off from The Sara Winthrop Series. **Novella-length title.**Teddy Rutherford, former coworker and arch nemesis of Sara Winthrop, now turned trusted friend and multi-millionaire, has left the United States behind for the supposed safety of Moscow. His beautiful and tolerant wife, Irina, pregnant and thrilled to once again be back in her homeland, has only one word of advice: "Relax." As if anything were really ever that easy in the life of Teddy Rutherford, especially when his closest in-laws are aren't shy about their connections to the Russian mafia. When Teddy tries to help, and the delivery of a small briefcase goes terribly wrong, he may find out just how many lives he has left.

    He finds comfort in her unusual way of life but soon discovers that a symbiotic relationship can be a blessing or a curse.At the publisher's request, this title is being sold without Digital Rights Management software (DRM) applied.

    Enigmatic, brooding, and darkly handsome, Thomas Cresswell has always been the one mystery Audrey Rose has never been able to fully solve. As brilliant partners in crime investigation, they understand each other perfectly...but as young lovers, their passionate natures have led to both euphoria and heartbreak throughout the Stalking Jack the Ripper series.This novella features a collection of scenes that takes place during and after the pair's horrifying Atlantic voyage in Escaping From Houdini. Experience new and familiar scenes from Thomas's unique point of view, including an intensely personal look into his plea for Audrey Rose's hand in marriage.With a romance for the ages, Audrey Rose and Thomas reach the conclusion to their epic, irresistible partnership in their final adventure, Capturing the Devil.

    It is one of those rare books -- concise and compelling, yet based on science. Certain to become a staple in first-year college curricula, The A Game will forever change students' lives.

    Penny is only twenty-four, seeking her lost sister, and hiding a secret as well. To save themselves, and save Dare’s people, they might have to risk letting their secrets go. A story that proves blood may be thicker than water, but family is where you make it. This story was originally released in an anthology called Vampires of the Caribbean.