atomic bomb attacks on Hiroshima and Nagasaki and the ensuing death and destruction that led to the end of World War II. The events that culminated in the fall of Japan - which forever changed the course of diplomacy, geopolitics, and warfare in the twentieth century - are vividly recreated through dramatic first-hand accounts of the major participants on both sides of the Pacific. They include: Harry Truman, the inexperienced American president who made the decision that would lead to unprecedented death and destruction; the war-mongering, but mysterious, Japanese Emperor Hirohito, who ultimately presided over his country's surrender; General Leslie Groves, the no-nonsense director of the Manhattan Project; and Paul Tibbets, the pilot of the plane, the Enola Gay, which dropped the very first nuclear bomb on Hiroshima in August 1945.

    But the Chinese political model does not fit neatly in either category. Over the past three decades, China has evolved a political system that can best be described as "political meritocracy." "The China Model" seeks to understand the ideals and the reality of this unique political system. How do the ideals of political meritocracy set the standard for evaluating political progress (and regress) in China? How can China avoid the disadvantages of political meritocracy? And how can political meritocracy best be combined with democracy? Daniel Bell answers these questions and more.Opening with a critique of "one person, one vote" as a way of choosing top leaders, Bell argues that Chinese-style political meritocracy can help to remedy the key flaws of electoral democracy. He discusses the advantages and pitfalls of political meritocracy, distinguishes between different ways of combining meritocracy and democracy, and argues that China has evolved a model of democratic meritocracy that is morally desirable and politically stable. Bell summarizes and evaluates the "China model"--meritocracy at the top, experimentation in the middle, and democracy at the bottom--and its implications for the rest of the world.A timely and original book that will stir up interest and debate, "The China Model" looks at a political system that not only has had a long history in China, but could prove to be the most important political development of the twenty-first century.

    Bush. As Niall Ferguson writes, “If you think America’s entanglement in the Middle East began with Roosevelt and Truman, Michael Oren’s deeply researched and brilliantly written history will be a revelation to you, as it was to me. With its cast of fascinating characters—earnest missionaries, maverick converts, wide-eyed tourists, and even a nineteenth-century George Bush—Power, Faith, and Fantasy is not only a terrific read, it is also proof that you don’t really understand an issue until you know its history.”

    In death, he becomes really aggravating. In a farewell gesture to his three scattered offspring, he bequeaths each one of them a tarnished jewel from his declining empire.The slothful and duplicitous Ben receives the thriving auto parts plant that he already oversees. He immediately sets his sights on acquiring all three companies. Reality-challenged Ethan gains ownership of a failing distillery. Their sister, the independent Kick, reluctantly assumes the reins of Great North, a small publishing company and sometime music producer.The trio learn from the will's executor—former NHL-er turned farmer Will Montgomery—that the departing Everett has seen fit to challenge them with a series of codicils. Ben is required to fulfill a major parts contract while Ethan has to get the whisky plant back in the black. And Kick—a chronically impoverished documentary film-maker with a project on the go in Wyoming—is dismayed to learn that she is required to produce a “back tax” album with a fading country music star. The singer, Jonah Peck, proves to be every bit as cantankerous and difficult as Everett Eastman himself. Which means that Kick is out of the frying pan.And into the fire.

    Myers, a North Korea analyst and a contributing editor of The Atlantic, presents the first full-length study of the North Korean worldview. Drawing on extensive research into the regime’s domestic propaganda, including films, romance novels and other artifacts of the personality cult, Myers analyzes each of the country’s official myths in turn—from the notion of Koreans’ unique moral purity, to the myth of an America quaking in terror of “the Iron General.” In a concise but groundbreaking historical section, Myers also traces the origins of this official culture back to the Japanese fascist thought in which North Korea’s first ideologues were schooled.What emerges is a regime completely unlike the West’s perception of it. This is neither a bastion of Stalinism nor a Confucian patriarchy, but a paranoid nationalist, “military-first” state on the far right of the ideological spectrum.Since popular support for the North Korean regime now derives almost exclusively from pride in North Korean military might, Pyongyang can neither be cajoled nor bullied into giving up its nuclear program. The implications for US foreign policy—which has hitherto treated North Korea as the last outpost of the Cold War—are as obvious as they are troubling. With North Korea now calling for a “blood reckoning” with the “Yankee jackals,” Myers’s unprecedented analysis could not be more timely.

    Drawing heavily on Chinese sources including Chiang's diaries, this book tells the story of this 'man of war' who led the most ancient and populous country in the world for a quarter century of endless and bloody revolutions, civil conflict, and wars of resistance against Japanese aggression.

    Three of its nations border China and five are directly impacted by its claims over the South China Sea. All dwell in the lengthening shadow of its influence: economic, political, military, and cultural. As China seeks to restore its former status as Asia’s preeminent power, the countries of Southeast Asia face an increasingly stark choice: flourish within Beijing’s orbit or languish outside of it. Meanwhile, as rival powers including the United States take concerted action to curb Chinese ambitions, the region has emerged as an arena of heated strategic competition.   Drawing on more than a decade of on-the-ground experience, Sebastian Strangio explores the impacts of China’s rise on Southeast Asia, the varied ways in which the countries of the region are responding, and what it might mean for the future balance of power in the Indo-Pacific.

    In particular the book tells of Ottawa’s failure to recognize and confront the efforts by the Chinese Communist Party to infiltrate and influence Canadian politics, academia, and media, and to exert control over Canadians of Chinese heritage.Claws of the Panda gives a detailed description of the CCP’s campaign to embed agents of influence in Canadian business, politics, media and academia. The party’s aims are to be able to turn Canadian public policy to China’s advantage, to acquire useful technology and intellectual property, to influence Canada’s international diplomacy, and, most important, to be able to monitor and intimidate Chinese Canadians and others it considers dissidents.The book traces the evolution of the Canada-China relationship over nearly 150 years. It shows how Canadian leaders have constantly misjudged the reality and potential of the relationship while the CCP and its agents have benefited from Canadian naivete.

    Between the contrast of high lyric and direct prose poems, Yanyi invites the reader to consider how to speak with multiple identities through trauma, transition, and ordinary life.   These poems constitute an artifact of a groundbreaking and original author whose work reflects a long journey self‑guided through tarot, therapy, and the arts. Foregrounding the power of friendship, Yanyi’s poems converse with friends as much as with artists both living and dead, from Agnes Martin to Maggie Nelson to Robin Coste Lewis. This instructive collection gives voice to the multifaceted humanity within all of us and inspires attention, clarity, and hope through art-making and community.

    The lure of this mysterious land, and its strategic importance, made it inevitable that despite the Tibetans' reluctance to end their isolation, determined travelers from Victorian Britain, Czarist Russia, America, and a half dozen other countries world try to breach the country's high walls.In this riveting narrative, Peter Hopkirk turns his storytelling skills on the fortune hunters, mystics, mountaineers, and missionaries who tried storming the roof of the world. He also examines how China sought to maintain a presence in Tibet, so that whenever the Great Game ended, Chinese influence would reign supreme. This presence culminated in the Chinese invasion of Tibet in the 1950s, and in a brief afterword, Hopkirk updates his compelling account of the gatecrashers of Tibet with a discussion of Tibet today--as a property still claimed and annexed by the Chinese.

    Admired and detested, he was the force behind the Dayton Accords that ended the Balkan wars, America’s greatest diplomatic achievement in the post-Cold War era. His power lay in an utter belief in himself and his idea of a muscular, generous foreign policy. From his days as a young adviser in Vietnam to his last efforts to end the war in Afghanistan, Holbrooke embodied the postwar American impulse to take the lead on the global stage. But his sharp elbows and tireless self-promotion ensured that he never rose to the highest levels in government that he so desperately coveted. His story is thus the story of America during its era of supremacy: its strength, drive, and sense of possibility, as well as its penchant for overreach and heedless self-confidence.In Our Man, drawn from Holbrooke’s diaries and papers, we are given a nonfiction narrative that is both intimate and epic in its revelatory portrait of this extraordinary and deeply flawed man and the elite spheres of society and government he inhabited.

    A shockingly assured first collection from young poet Jesse Ball, its elegant lines and penetrating voice present a poetic symphony instead of a simple succession of individual, barely-linked poems. Craftsmanship defines this collection; it is full of perfect line-breaks, tenderly selected words, and inventive pairings. Just as impressive is the breadth and ingenuity of its recurring themes, which crescendo as Ball leads us through his fantastic world, quietly opening doors.In five separate sections we meet beekeepers and parsons, a young woman named Anna in a thin, linen dress and an old scribe transferring the eponymous March Book. We witness a Willy Loman-esque worker who "ran out in the noon street / shirt sleeves rolled, and hurried after / that which might have passed" only to be told that there's nothing between him and "the suddenness of age." While these images achingly inform us of our delicate place in the physical world, others remind us why we still yearn to awake in it every day and "make pillows with the down / of stolen geese," "build / rooms in terms of the hours of the day." Like a patient Virgil, insistent and confident, Ball escorts us through his mind, and we're lucky to follow.

     She is desperately excited to explore not only the foreign land with all its alien culture but also the role of a wife and all the pleasures that come with it… In no time at all Constance is shocked on both accounts. China stuns her with its barbaric and improper behaviour which, almost against her will, begins to tease her imagination. At the same time, Mr Henry Baird, despairing of his sinful desires, proves unable to indulge Constance’s wishes. The marriage, failing from the beginning, spirals further and further out of control as Constance, aided by her only ally Kate, inadvertently becomes a famous ‘Devil Woman’ throughout the region and faces an audience with the Empress herself. As her new life unfolds, Constance finds herself tortured by desire, teetering on the edge of love and caught up in a dangerous whirlwind of international politics. She ricochets between the Chinese extremes of complete intimacy and deadly violence as they head slowly into war. What does ‘The Crimson Pagoda’ promise? ‘The Crimson Pagoda’ is a gripping and engaging historical romance by a master of the genre. Praise for Christopher Nicole: ‘Well-researched…Evocative descriptions of scenery and edifices, and exact period dialogue’ – Historical Novels Society Christopher Nicole was born and brought up in British Guyana and the West Indies. His output of books has been prolific and many of his novels are historical with a Caribbean background.

    China is Pakistan's great economic hope and its most trusted military partner; Pakistan is the battleground for China's encounters with Islamic militancy and the heart of its efforts to counter-balance the emerging US-India partnership. For decades, each country has been the other's only 'all-weather' friend. Yet the relationship is still little understood. The wildest claims about it are widely believed, while many of its most dramatic developments are hid- den from the public eye. This book sets out the recent history of Sino-Pakistani ties and their ramifications for the West, for India, for Afghanistan, and for Asia as a whole. It tells the stories behind some of its most sensitive aspects, including Beijing's support for Pakistan's nuclear program, China's dealings with the Taliban, and the Chinese military's planning for crises in Pakistan. It describes a relationship increasingly shaped by Pakistan's internal strife, and the dilemmas China faces between the need for regional stability and the imperative for strategic competition with India and the USA.

    Until now, however, it is a story that has never been fully told, as the Bin Ladens have successfully fended off attempts to understand the family circles from which Osama sprang. In this the family has been abetted by the kingdom it calls home, Saudi Arabia, one of the most closed societies on earth.Steve Coll’s The Bin Ladens: An Arabian Family in the American Century is the groundbreaking history of a family and its fortune. It chronicles a young illiterate Yemeni bricklayer, Mohamed Bin Laden, who went to the new, oil-rich country of Saudi Arabia and quickly became a vital figure in its development, building great mosques and highways and making himself and many of his children millionaires. It is also a story of the Saudi royal family, whom the Bin Ladens served loyally and without whose capricious favor they would have been nothing. And it is a story of tensions and contradictions in a country founded on extreme religious purity, which then became awash in oil money and dazzled by the temptations of the West. In only two generations the Bin Ladens moved from a famine-stricken desert canyon to luxury jets, yachts, and private compounds around the world, even going into business with Hollywood celebrities. These religious and cultural gyrations resulted in everything from enthusiasm for America—exemplified by Osama’s free-living pilot brother Salem—to an overwhelming determination to destroy it.The Bin Ladens is a meticulously researched, colorful, shocking, entertaining, and disturbing narrative of global integration and its limitations. It encapsulates the unsettling contradictions of globalization in the story of a single family who has used money, mobility, and technology to dramatically varied ends.