A young Oxford don, Richard Myles and his wife Frances are about to leave for their usual long vacation on the continent. At the request of a Foreign Office friend of Richard's they agree to serve as messengers to a man who has been involved in rescue work and anti-Nazi espionage, a man who now seems to have gone missing. Their qualifications? Next to nothing except for Richard's superb memory and the fact that they look so very innocent. Across a continent on the brink of war from Paris to Innsbruck and beyond Richard and Francis travel ever deeper into danger.

    But she is forced to admit she respects and admires Dr Peter Schmidt and they begin a relationship. Then, however, typhoid strikes.

    --Choice

    Beginning in the 1920s his was a powerful journalistic voice for social change and human rights, and Jews Without Money--the author's only novel--is a passionate record of the times. First published in 1930, this fictionalized autobiography offered an unusually candid look at the thieves, gangsters, and ordinary citizens who struggled against brutal odds in lower East Side Manhattan. Like Henry Roth's Call It Sleep and Abraham Cahan's The Rise and Fall of David Levinsky, Jews Without Money is a literary landmark of the Jewish experience. Michael Gold (1893–1967) was born in New York City, where later he wrote for radical journals and newspapers such as New Masses and The Liberator. Jews Without Money has been translated in more than fourteen countries, including Germany, where the novel was employed against Nazi propaganda.

    

    And he certainly never felt the lack. He was almost pure thought. He was just doing what he had to do - looking for the right body to play host to him. Once he found it and moved in, he would execute one of the most incredible plans ever conceived. He would be hailed as a hero on his own planet and EARTH WOULD NEVER KNOW WHAT HIT IT!

    Tropez becomes a summer of change, revelation, secrets, surprises, and new beginnings...As Diana Morrison laid the table for six at her elegant Central Park apartment, there was no warning of what was to come. Spending New Year's Eve together was a sacred tradition for Diana, her husband of thirty-two years, Eric, and their best friends, Pascale and John Donnally and Anne and Robert Smith. The future looked rosy as the long-time friends sipped champagne and talked of renting a villa together in the South of France the following summer. But life had other plans...Just two weeks after New Year's, tragedy strikes the heart of their close circle, as Robert Smith suffers a sudden, unexpected loss. Without hesitation, Diana and Eric, Pascale and John rally to his side, united in their support, love, and shared grief. Convinced that a change of scenery is just what Robert needs, they urge him to join them on the Riviera in August. But as they soon discover, the ramshackle old mansion they rented in St. Tropez--sight unseen--is far different from the exquisite villa and sun-drenched gardens touted in the brochure. Cobwebs hang from the ceiling. Beds collapse beneath them. All while a would-be housekeeper in a leopard-skin bikini and six-inch heels sashays through the house with a trio of yapping poodles at her heels. But the biggest surprise of all is the woman Robert invites to the villa as his guest--a lovely, much-younger film actress with mile-long legs and a million-dollar smile. Diana and Pascale hate her on sight. But the men are dazzled. And amid the crumbling furniture and the glorious sunsets, the strained relationships and the acts of forgiveness, more surprises are in store for the villa's occupants. With the last days of summer fast approaching, each couple finds themselves changing in unexpected ways, as old wounds are healed, new love discovered, and miracles unfold...all beneath the dazzling sun of St. Tropez.By turns wise and moving, heartbreaking and wickedly funny, Danielle Steel's new novel is about forgiving without forgetting, about the sorrow that shadows our lives and the hope that saves us. And it is about once-in-a-lifetime friendships...the kind that heal, sustain, and change us forever.

    HER ONLY CRIME WAS TO BE AN INDEPENDENT WOMAN When Mata Hari arrived in Paris she was penniless. Within months she was the most celebrated woman in the city. As a dancer, she shocked and delighted audiences; as a courtesan, she bewitched the era’s richest and most powerful men. But as paranoia consumed a country at war, Mata Hari’s lifestyle brought her under suspicion. In 1917, she was arrested in her hotel room on the Champs Elysees, and accused of espionage. Told in Mata Hari’s voice through her final letter, The Spy is the unforgettable story of a woman who dared to defy convention and who paid the ultimate price.

    Clark, Pyramid Texts engages the mind and beguiles the imagination. In a series of chapters each shorter than the last so that, like their subjects, they taper ultimately into nothingness the author evokes the obsessions that have drawn men over the centuries to the brooding presence of mankind's most ancient and mysterious monuments. Among others in a procession of exotic characters, a Moroccan seeker after knowledge spends years contemplating the pyramids in the hope that one day he will understand the mysterious writing that fitfully appears on their sides. Another waits patiently for the moment when the shadow of one will diverge from its accustomed path and bestow immortality, and the Sphinx performs a celestial dance. Pyramid Texts leads us into a world of endless passages and mysterious sighing winds, a world whose claustrophobic and shadowy spaces may be illuminated by flashes of ecstasy leading to scintillating transfigurations and dizzying annihilations.

    The story opens in a taxi in which we meet the five central characters, each seeking something to give life meaning: security, fame, wealth, dignity, recognition, freedom from fear and tradition-sanctioned, dehumanizing practices. Once they reach the capital city of Beirut, on which they've pinned their hopes, they all discover, man and woman alike, that they are victims of forces either partially or completely beyond their control, such as political corruption, class discrimination, economic and sexual exploitation, destruction of the natural environment, and blind allegiance to tradition. Beirut '75 addresses struggles of Arab society, particularly the Lebanese, but the message is one of the universal human condition.

    With affinities to Taoist and Buddhist epigrams, Voices bears witness to the awe of human existence. Revised and updated with a new introduction by translator W.S. Merwin, this bilingual volume brings back into print one of Latin America's great literary treasures.He who tells the truth says almost nothing.*I know what I have given you. I do not know what you have received.*Only a few arrive at nothing, because the way is long.*Out of a hundred years a few minutes were made that stayed with me, not a hundred years.*When I come upon some idea that is not of this world, I feel as though this world had grown wider.*This world understands nothing but words, and you have come into it with almost none.*We become aware of the void as we fill it.Antonio Porchia (1886-1968) was born in Italy. After his father died, he emigrated to Argentina with his mother and seven siblings, and as the eldest child, started working at the age of 14. He was self-taught, and his only book, Voices, caught the attention of a noted French critic who assumed him to be a scholar of Kafka and Buddhism, rather than the humble man who loved to tend his garden. Today, Porchia's aphorisms are published in more than a dozen Spanish-language editions as well as in German, French and Italian.W.S. Merwin's awards include the Pulitzer Prize, the Tanning Prize, the Bollingen Award, and fellowships from the Guggenheim Foundation and the NEA. He is the author of dozens of books of poetry and translations. He lives in Hawaii.

    It was first filmed in 1958 with David Hedison as Andre Delambre, Patricia Owens as Helene Delambre, and Vincent Price as François Delambre, directed by Kurt Neumann.In 1986, the remake of the 1958 film with stars Jeff Goldblum as Seth Brundle (who is in the same role as Andre Delambre), Geena Davis as Veronica Qualife, and John Getz as Stathis Boranz, directed and co-written by David Cronenberg. An opera of the same name by Howard Shore premiered at the Théâtre du Châtelet, Paris, in 2008.

    After an eventful sojourn among the Galacticos of Real Madrid he has savoured silverware at Arsenal, while in 2014 he lifted the World Cup with Germany.But his life and career have been a test of resilience. Growing up in Germany's Turkish community, he faced prejudice from those who claimed his dual identity would prevent him giving his all for the national team. Later came questions over a different type of commitment, the kind levelled against those, like Mesut Ozil, who excel in football's finer arts rather than relying simply on running and ruggedness. He has proved concerns on both these issues lack substance.In Gunning for Greatness, Mesut Ozil reveals the inside stories of his relationships with Jose Mourinho and Arsene Wenger, his quest to help the under-fire Frenchman restore Arsenal's pre-eminence - and how he silenced the sceptics by conquering the world.

    "They had read the signs, they said: a sea of horses, a conference of birds, the North Star in alignment with the moon. It was a prophecy that their last king had given on his deathwatch." But joy is mixed with tragedy, for Eleonora's mother dies soon after the birth. Raised by her doting father, Yakob, a carpet merchant, and her stern, resentful stepmother, Ruxandra, Eleonora spends her early years daydreaming and doing housework—until the moment she teaches herself to read, and her father recognizes that she is an extraordinarily gifted child, a prodigy. When Yakob sets off by boat for Stamboul on business, eight-year-old Eleonora, unable to bear the separation, stows away in one of his trunks. On the shores of the Bosporus, in the house of her father's business partner, Moncef Bey, a new life awaits. Books, backgammon, beautiful dresses and shoes, markets swarming with color and life—the imperial capital overflows with elegance, and mystery. For in the narrow streets of Stamboul—a city at the crossroads of the world—intrigue and gossip are currency, and people are not always what they seem. Eleonora's tutor, an American minister and educator, may be a spy. The kindly though elusive Moncef Bey has a past history of secret societies and political maneuvering. And what is to be made of the eccentric, charming Sultan Abdulhamid II himself, beleaguered by friend and foe alike as his unwieldy, multiethnic empire crumbles? The Oracle of Stamboul is a marvelously evocative, magical historical novel that will transport readers to another time and place—romantic, exotic, yet remarkably similar to our own.

    Her thoughts are taken up with the costumes she is making for the church school play, by the hopelessness of preaching to the poor and by debts she cannot pay in 1930s Depression England. Suddenly her routine shatters and Dorothy finds herself down and out in London. She is wearing silk stockings, has money in her pocket and cannot remember her name. Orwell leads us through a landscape of unemployment, poverty and hunger, where Dorothy's faith is challenged by a social reality that changes her life.