The poems - together with introductory paragraphs - have a link to the date on which they appear. Shakespeare celebrates midsummer night, Maya Angelou International Women's Day and Lewis Carroll April Fool's day.Perfect for reading aloud and sharing with all the family, it contains a full spectrum of poetry from familiar favourites to exciting contemporary voices. Alfred, Lord Tennyson, W. B. Yeats, A. A. Milne and Christina Rossetti sit alongside Roger McGough, Carol Ann Duffy and Benjamin Zephaniah.

    I like to sleep and I like to blog. Last year – before all that stuff with Charlie and before I had to face the harsh realities of A-Levels and university applications and the fact that one day I really will have to start talking to people – I had friends. Things were very different, I guess, but that’s all over now.Now there’s Solitaire. And Michael Holden.I don’t know what Solitaire are trying to do, and I don’t care about Michael Holden.I really don’t.This incredible debut novel by outstanding young author Alice Oseman is perfect for fans of John Green, Rainbow Rowell and all unflinchingly honest writers.

    You mean nothing to me. I never loved you. I turned my words into swords.And I cut her down. Shoved the blade in and watched her fall. I said I’d never hurt her, and I did. Years later, I’m faced with all the little lies, the untruths, the false realities, the damage I inflicted, when all I wanted was to indulge my obsession. Lavender Waters is the princess in the tower. Even her name is the thing fairy tales are made of. I used to be the one who saved her. Over and over again. But I don’t want to save her anymore. I just want to pretend the lies are still the truth.A standalone angsty new adult romance. Heroine: Lavender Waters (Alex and Violet Waters’ youngest daughter, PUCKED and FOREVER PUCKED couple origin, Pucked Series )Hero: Kodiak (Kody) Bowman (Rook and Lainey Bowman’s son, A LIE FOR A LIE couple origin, All In Series )

    . . Cocktail waitress Sophie Dalton doesn't exactly have a life plan. She's perfectly happy being everyone's favorite party girl. But when a Las Vegas bachelorette party goes awry and an uptight businessman mistakes Sophie for a prostitute . . . well, Sophie wonders if it's time to reevaluate her priorities. Swearing off her thigh-high boots for good, Sophie slinks back home with damaged pride-and a jackpot of a hangover.Yet what happens in Vegas doesn't always stay there. On a trip to Seattle to open a new office, Grayson Wyatt meets his latest employee-who turns out to be the same woman he recently called a hooker. Wealthy and gorgeous, Gray is a man used to getting what he wants. And it doesn't take long to figure out that smart, sassy, sexy Sophie is everything he's been looking for. As their late nights at the office turn into hot morning-afters, they realize their Vegas misunderstanding may lead to the real thing . . .

    From first loves to weird roommates, heartbreak, self-discovery, coming out and mental health, the two of them document every wild and awkward moment to each other. But as each changes and grows into her new life, will their friendship be able to survive the distance?

    So what if this isn’t her actual wedding day, and that she’s only here because Harley was left at the altar just a few hours earlier? Trading San Francisco for paradise and swapping her bridesmaid’s bouquet for a Blue Hawaii, Rose hopes she can finally escape the friend zone. Once upon a time they had been more than friends, but life got in the way. She’s spent every day since wishing Harley would get a clue. She’s always been his best friend. He’s always been hers. She’s in love with him. He’s … not in love with her. He’s … marrying someone else. He’s … hiding something. He’s … well—it’s complicated.

    When her superior, Marcel, is attacked in a supposed random mugging, she is tasked with serving one of the hotel’s most mysterious and attractive guests.Nicholas Cassirer checks into the hotel under an assumed name every three months. Usually, he stays in the penthouse suite with a beautiful female companion but on this occasion, he arrives alone and is displeased in having to deal with someone new. A match of wits ensues as he tests Acacia’s expertise with a series of almost impossible demands. Her intelligence and creativity rise to the challenge, earning his respect.They strike a tenuous accord until Acacia discovers a famous stolen painting in his suite, she contacts a former boyfriend who works for the elite BRB, a unit of French law enforcement that deals with art thefts.Nicholas is questioned by police and released when it is revealed the painting is a reproduction. Irked with her behavior, Acacia’s supervisor demotes her threatening dismissal and the cancellation of her work permit.But Acacia has already attracted Nicholas’s attention. Remorseful that she may lose her job on his account, he offers her a choice – she can wait until her supervisor dismisses her, or she can leave the city of lights behind and become his personal assistant.Acacia initially refuses his offer, but Nicholas is persistent. He reveals himself as a man who quietly acquires stolen art in order to restore it to its rightful owners. Faced with mounting familial debts and the possibility of dismissal and deportation, she agrees to work for him.Nicholas opens up a whole new world of beauty and intrigue to Acacia as they travel the globe. Soon the line between employer and assistant is blurred, and the two lonely people embark on a passionate relationship.

    She's also way too smart to fall for the charms of man-slut and slimy school hottie Wesley Rush. In fact, Bianca hates him. And when he nicknames her "the Duff," she throws her Coke in his face. But things aren't so great at home right now, and Bianca is desperate for a distraction. She ends up kissing Wesley. Worse, she likes it. Eager for escape, Bianca throws herself into a closeted enemies-with-benefits relationship with him. Until it all goes horribly awry. It turns out Wesley isn't such a bad listener, and his life is pretty screwed up, too. Suddenly Bianca realizes with absolute horror that she’s falling for the guy she thought she hated more than anyone.

    She’s travelled the world, and can categorically say that no one measures up to Tom Valeska, whose only flaw is that Darcy’s twin brother Jamie saw him first and claimed him forever as his best friend. Despite Darcy’s best efforts, Tom’s off limits and loyal to her brother, 99%. That’s the problem with finding her dream man at age eight and peaking in her photography career at age twenty—ever since, she’s had to learn to settle for good enough.When Darcy and Jamie inherit a tumble-down cottage from their grandmother, they’re left with strict instructions to bring it back to its former glory and sell the property. Darcy plans to be in an aisle seat halfway across the ocean as soon as the renovations start, but before she can cut and run, she finds a familiar face on her porch: house-flipper extraordinaire Tom’s arrived, he’s bearing power tools, and he’s single for the first time in almost a decade.Suddenly Darcy’s considering sticking around to make sure her twin doesn’t ruin the cottage’s inherent magic with his penchant for grey and chrome. She’s definitely not staying because of her new business partner’s tight t-shirts, or that perfect face that's inspiring her to pick up her camera again. Soon sparks are flying—and it’s not the faulty wiring. It turns out one percent of Tom’s heart might not be enough for Darcy anymore. This time around, she’s switching things up. She’s going to make Tom Valeska 99 percent hers.

    She wouldn’t change a thing. Unfortunately, she doesn’t have a choice. She's losing her sight.Tripping over her tongue and her heels, Tatum all too quickly realizes that the things which appeared so important before are slowly slipping away leaving room for what really matters. With the support of her best friends, family and colleagues, she begins to see that there’s much more to life… and herself.When Ben Harris enters her life as her new personal assistant, she can’t tell if it’s his good looks and charm that are working on her libido, or his kind and helpful nature working on her heart? Whatever it is, neither one of them can resist it. As her vision fades out, a world of love and happiness just might…Fade In.Fade In is a contemporary-romance novel about laughing through your tears and telling life to, quite frankly, “Suck it.” This novel contains sexual situations that the author may or may not have tried at home… for your safety, of course. Research is research.

    Then again, she never imagined she would fall in love with him either. When she finally reveals her feelings, rejection shatters her, rendering her vulnerable and sending her straight into the destructive arms of the wrong guy.The Rhodes twins never saw the betrayal coming. Chloe has always been their forbidden fantasy--sweet, beautiful, and tempting. But soon the lines between family, friendship, and love become as tangled as the roots of the treehouse they once shared.Now it's too late . . .Four years after a devastating tragedy, Chloe and Gavin find themselves crashing back into each other's lives. Haunted by the past, they're forced to come to terms with all that has transpired to find the peace they deserve. Except they can't seem to get near each other without combatting an intense emotional connection that brings them right back to where it all started . . . their childhood treehouse.Chloe still holds her secrets close, but this time she isn't the only one with something to hide. Can their deep-rooted connection survive the destruction of innocence?

    And you’re closer to death than I am.”My name is Parker. My body is marked with scars from an attack I don’t remember. I don’t want to remember. I choose to live my life by observation, not through experience. While people are laughing and kissing and connecting, I’m in the corner. Watching them live. I’m indifferent to everything, everyone. The only emotion I feel with any kind of depth is annoyance, and I feel it often.A text message sent to the wrong number proves to be my undoing.His name is Everett, but I call him rude. He’s pushy, he’s arrogant, he crowds my personal space, and worst of all: he makes me feel.He chooses to wear all black, all the time, as if he’s waiting to attend a funeral. Probably because he is.Everett is dying. And he’s spending his final days living, truly living. In doing so, he’s forcing me to feel, to heal. To come face to face with the demons I suppressed in my memory.He hurts me, he fulfills me, he completes me. And still, he's dying.

    Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality.Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.

    Poems confront craving, control, the constant battle of alcoholism and sobriety, and the questioning of the self and its instincts within the context of this never-ending fight.“In Calling a Wolf a Wolf, Kaveh Akbar exquisitely and tenaciously braids astonishment and atonement into a singular lyric voice. The desolation of alcoholism widens into hard-won insight: ‘the body is a mosque borrowed from Heaven.’ Doubt and fear spiral into grace and beauty. Akbar’s mind, like his language, is perpetually in motion. His imagery—wounded and resplendent—is masterful and his syntax ensnares and releases music that’s both delicate and muscular. Kaveh Akbar has crafted one of the best debuts in recent memory. In his hands, awe and redemption hinge into unforgettable and gorgeous poems.” —Eduardo C. Corral

    Arrogant, egotistical, and the playboy of the University of California, Berkeley, he's everything her brother Pearce has taught her to despise. So why, when the girls challenge her to play the player, why doesn't she say no? She doesn't know either.Braden wanted fiery little Maddie the second he laid eyes on her - and he'd do anything to have her, hence why he's agreed to make her fall in love with him. After all, it's the only way he'll get what he wants. Sex.But, as Braden discovers, there's more to the girl from Brooklyn than he ever imagined - and he can't help but care about the broken girl behind those pretty green eyes.Maddie finds Braden isn't just a walking erection - he actually has feelings. He can be sweet, funny and his good looks don't exactly hurt. That means trouble - but when her brother Pearce turns up in Berkeley begging for her help, she realises Braden and Pearce aren't so alike anymore.And maybe, just maybe, they're exactly what each other needs.