Tezuka evidences his profound grasp of the subject by contextualizing the Buddha’s ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka’s Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one’s life sensibly. Philosophical segments are threaded into interpersonal situations with ground-breaking visual dynamism by an artist who makes sure never to lose his readers’ attention.Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse’s novel or Bertolucci’s film is comparable in this regard; in fact, Tezuka’s approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor.

    This new deluxe printing of these timeless teachings is a treasure to be read and referred to again and again by seekers treading the spiritual path. The classic Sutras (thought-threads), at least 4,000 years old, cover the yogic teachings on ethics, meditation, and physical postures, and provide directions for dealing with situations in daily life. The Sutras are presented here in the purest form, with the original Sanskrit and with translation, transliteration, and commentary by Sri Swami Satchidananda, one of the most respected and revered contemporary Yoga masters. In this classic context, Sri Swamiji offers practical advice based on his own experience for mastering the mind and achieving physical, mental and emotional harmony.

    With a mixture of impassioned dialogue and subtle narrative, Jhabvala examines the psychological and cultural forces that wend their paths into inextricable knots of love and conflict.

    Indu has inherited a flat from her grandmother and wants to turn it into a library for women. Her parents think this will keep her suitably occupied till she marries her fiancé, Rajat, who's away studying in London.But then she meets Rana, a young lawyer with sparkling wit and a heart of gold. He helps set up the library and their days light up with playful banter and the many Rajesh Khanna movies they watch together.When the Emergency is declared, Indu's life turns upside down. Rana finds himself in trouble, while Rajat decides it's time to visit India and settle down. As the Emergency pervades their lives, Indu must decide not only who but what kind of life she will choose.

    When Sudha Murthy went to perform the shraddha for her father, she was turned away, because she was a woman. "No woman has ever performed this ritual," the pandit said. Sudha Murty questions the importance of meaningless ritual while still being devoted to tradition - what does it mean to be a religious woman in the 21st century? A searching and powerful piece on reaching a balance between old and the new as a woman.

    This novel focuses on the trauma of a mother who awakens one morning to the shattering news that her son is lying dead in the police morgue, reduced to a mere numeral: Corpse No. 1084. Through her struggle to understand his revolutionary commitment as a Naxalite, she recognizes her own alienation—as a woman and a wife—from the complacent, hypocritical, and corrupt feudal society her son had so fiercely rebelled against.

    . . [A] mega-ambitious project' —The Hindu 'A gem of a book that is a joy to read . . . You can almost touch and feel the centuries and millennia as they pass by' —Tony Joseph'Deepens our sense of the wonder that was India' —Pankaj Mishra'Illuminating, absorbing and a joy to read. I defy anyone to peruse it and not feel richly rewarded by its insights' —John KeayA BRILLIANT, ORIGINAL BOOK THAT REVEALS INDIA'S RICH AND DIVERSE HISTORIESWhat do we really know about the Aryan migration theory and why is that debate so hot?Why did the people of Khajuraho carve erotic scenes on their temple walls?What did the monks at Nalanda eat for dinner?Did our ideals of beauty ever prefer dark skin?——————————Indian civilization is an idea, a reality, an enigma. In this riveting book, Namit Arora takes us on an unforgettable journey through 5000 years of history, reimagining in rich detail the social and cultural moorings of Indians through the ages. Drawing on credible sources, he discovers what inspired and shaped them: their political upheavals and rivalries, customs and vocations, and a variety of unusual festivals. Arora makes a stop at six iconic places—the Harappan city of Dholavira, the Ikshvaku capital at Nagarjunakonda, the Buddhist centre of learning at Nalanda, enigmatic Khajuraho, Vijayanagar at Hampi, and historic Varanasi—enlivening the narrative with vivid descriptions, local stories and evocative photographs. Punctuating this are chronicles of famous travellers who visited India—including Megasthenes, Xuanzang, Alberuni and Marco Polo—whose dramatic and idiosyncratic tales conceal surprising insights about our land.In lucid, elegant prose, Arora explores the exciting churn of ideas, beliefs and values of our ancestors through millennia—some continue to shape modern India, while others have been lost forever. An original, deeply engaging and extensively researched work, Indians illuminates a range of histories coursing through our veins.

    The work is divided into two parts, Purva-megha and Uttara-megha. It recounts how a yakṣa, a subject of King Kubera (the god of wealth), after being exiled for a year to Central India for neglecting his duties, convinces a passing cloud to take a message to his wife at Alaka on Mount Kailāsa in the Himālaya mountains. The yakṣa accomplishes this by describing the many beautiful sights the cloud will see on its northward course to the city of Alakā, where his wife awaits his return.

    Yoga is from the Sanskrit root meaning “union,” and a sutra is a thread or aphoristic verse. The basic questions “Who am I?” “Where am I going?” “What is the purpose of life?” are asked by each new generation, and Patanjali’s answers form one of the oldest and most vibrant spiritual texts in the world. He explains what yoga is, how it works, and exactly how to purify the mind and let it settle into absolute stillness. This stillness is our own Self. It is the indispensable ground for Enlightenment, which is the ultimate goal of all our aspirations.Alistair Shearer’s lucid introduction and superb translation, fully preserving Patanjali’s jewel-like style, bring these ancient but vital teachings to those who seek the path of self-knowledge today.Bell Tower’s series, Sacred Teachings, offers essential spiritual classics from all traditions. May each book become a trusted companion on the way of truth, encouraging readers to study the wisdom of the ages and put it into practice each day.

    It was reduced to dust. Soon I had to admit that there were things far beyond the scope of my rational mind.' What is it that draws one to a mystic? What is it like to know at close quarters a man whose powers are beyond the conscious mind? What does it feel like to be fulfilled spiritually, to feel understood, to stand revealed? As Ismita Tandon and Swami Vidyananda Om explore their feelings for Om Swami, their baffling experiences with him, a secret world of mystical phenomena lights up. They talk about the intimacy of their daily lives with Swami, observing his sheer power, his simplicity, his empathy for every living creature he encounters and the care with which he chooses every word he speaks, no matter how big or small the matter. They speak of his beauty, his divinity. What emerges is a moving portrait of devotion and trust, and the startling image of a saint who was able to inspire such depth of feeling.

    He finally finds the peace and tranquility which come with self-knowledge when he meets and studies with the great sage Sri Ramana Maharishi.

    Unable to live with the man she loves, Karutthamma marries Palani, who, despite the scandal about his wife's past, never stops trusting her, a trust that is reaffirmed each time he goes to sea and comes back safe since the 'sea-mother' myth among the fishermen community goes that the safe return of a fisherman depends on the fidelity of his wife. Then, one night, Karutthamma and Pareekkutty meet and their love is rekindled while Palani is at sea, baiting a shark ... The hugely successful novel was adapted into a film of the same name, and won critical acclaim and commercial success. Anita Nair's evocative translation brings this classic of Indian literature to a new generation that hasn't had the opportunity to savour this tale of love and longing.

    The Ramayana is one of the foundations of Hindu literature and one of humanity's most ancient and treasured ethical and spiritual works."This new version is so simply and beautifully written -- it will stir the soul!" --David Lynch

    Two lives. Three generations. Four places. Chitrangda Chatterjee, 32, has been moving from one dead-end offshore job to another. Kathputli’s story begins after Chitrangda has quit her latest job and sets out in search of the perfect story for her Great Indian Novel. This takes her to a family reunion of her grandmother’s clan, where a story of the long-lost daughter of a once-powerful Zamindar family begins to take shape.  Unravelling the mystery of Mala’s disappearance a few years after the brutal murder of the boy she loved becomes an obsession for Chitrangda. One which draws Chitrangda out of her shell; and introduces her to the unaccustomed joys of getting to know new people and places.  What emerges, however, undermines the very foundation of Chitrangda’s understanding of her own family.  The novel goes back and forth between Chitrangda’s present-day search for all the missing pieces of Mala’s story and the story itself, set in 1940s Kolkata.

    . . [will] take a place on my shelves beside the stories of Narayan — Graham GreeneThis volume presents two celebrated novels by Manoj Das, one of India’s most illustrious authors, who has been writing in English and Oriya (Odia)for over six decades.In A Tiger at Twilight the erstwhile raja of Samargarh returns to his abandoned palace in Nijanpur, after years of self-exile, with his sick daughter and his supposed half-sister, and immediately assumes the responsibility of killing a man-eating tiger. Assisting him are a few noted men of the valley including Dev the owner and manager of a resort. But as the hunt intensifies Dev realizes that things aren’t as they seem: Heera, the raja’s sister, has an inexplicable power over the men in the hunting party and a strange connection with the tiger. As the men get closer to killing the beast, bizarre things begin to happen, hinting at the influence of the supernatural.Cyclones is set in Kusumpur, a small coastal village, during the struggle for Independence. The village is devastated by a cyclone and Sandip, the scion of the zamindar (land-lord) family, helps restore it. The war-time colonial government, though, wants to turn the sleepy hamlet into a busy port town. They plan to fill up the river that flows by it, in the process angering all the villagers, including Sandip. But when the contractor for the project is found murdered, Sandip is accused of the crime, forcing him to flee from the authorities. This is the start of a series of adventures that take him from a remote ashram in a forest to the city where communal violence is rife. Cyclones is a powerful novel about the metaphorical storms that gripped the nation during the most turbulent period of its modern history.