Saturday 07.29.06> You are in L-O-V-E. Notice how I have no hesitation spelling it. At all. Reason? That was just the wildest entry you've posted! Ever....You are so seeing the world through the eyes of L-O-V-E. A ten-year best friendship is put to the test when Chuck and Hal spend their first summer apart falling for two questionable mates: a sexy Saudi songstress and a smokin' hot French punk. As Chuck heads off to summer theater camp and Hal stays in their hometown, learning how to drive, they keep in touch via blogging, reporting to each other about their suddenly separate lives and often ridiculous romantic entanglements. As both their relationships take some unexpected turns, Hal and Chuck struggle to come to terms with their growing differences while trying to keep their friendship alive.

    James Kildare, Richard Chamberlain took on the role of Hamlet on the English stage. The play contained a lesson the actor has remembered throughout his life: "To thine own self be true." But for Chamberlain these were not always easy words to live by. Even as he won the adoration of millions of fans, this handsome, charming, debonair leading man seriously questioned his own self–worth, living a life haunted by personal insecurity despite decades of immense popular success in memorable roles in Dr. Kildare, The Thorn Birds, Shogun, and other television dramas. Finally, with the help of friends and guidance from spiritual teachers, including Krishnamurti, Chamberlain began the sometimes painful but deeply rewarding process of reconciling his deepest self with his public persona. Now, in Shattered Love, he poignantly recounts his lifelong struggle to find happiness. Tracing a fascinating path through his meteoric rise to success, he chronicles his struggle to come to terms with his own imperfections, his growing desire to be honest about his sexual orientation, and his yearning to live with an open heart. And along the way he imparts the lessons he has learned about overcoming our own self–imposed obstacles to happiness: the importance of listening to our own instincts instead of listening only to others, not demanding the impossible of ourselves, and allowing ourselves to explore negative feelings in order to move forward.

    Murphy mystery series writes about her own life, it's a hoot, a rollicking ride with an independent, opinionated woman who changed literary history--the first openly lesbian writer to break into the mainstream.  Now, in Rita Will, she tells all...and tells it hilariously.It is often said that the best comedy springs from hard times.  And Rita Mae Brown has seen plenty of those.  In this irresistibly readable memoir, she recounts the drama of her birth as the illegitimate daughter of a flighty blue blood who left her in an orphanage.  The sickly baby was quickly rescued by relatives eager to adopt her but afraid she would not survive the long journey home.  Her determination to live, and shock everyone by doing it, has become a metaphor for her entire life.Though raised by these loving adoptive parents and a wacky host of other interfering kin, Rita Mae Brown learned early on to be tough and to speak her mind.  It was her refusal to be anything but herself that often brought her the most trouble.  Here she tells of her tempestuous relationship with her adoptive mother, the mythic Juts of the novels Six of One and Bingo, who called her "the ill," for illegitimate, whenever she lost her temper, and who swore she'd introduce Rita Mae to the social graces, including the dreaded cotillion, even if it killed them both.Here, too, Rita Mae reveals how her headstrong support of social causes almost cost her a hard-earned education and her outspokenness in the early days of the women's movement got her drummed out of NOW, and how the release of her first novel, the scandalous classic Rubyfruit Jungle, made her an overnight phenomenon--the most famous openly gay person in America--and took her from the heights of the New York Times bestseller list to the surreal playhouse that is Hollywood.Through it all, Rita Mae has drawn strength from her profound bond with animals, from her abiding affection for the South and its native tongue, and from the great passions of her life.  She writes with close-to-the-bone honesty about woman-woman love...including her love-at-first-sight relationship with a popular actor and her headline-making romance with tennis great Martina Navratilova.  With her trademark humor, she unflinchingly bares her own flaws, flouting public opinion yet displaying the unflappable good sense that shows through everything she writes.A look into a woman's mind and a writer's irrepressible spirit, Rita Will is quintessential Rita Mae Brown--a book that feels like a kick-your-shoes-off visit with an old friend.From the Hardcover edition.

    Johnson's story of AIDS, abuse, and hope received extensive media coverage. Foreword by Paul Monette; Afterword by Fred Rogers, with a new Afterword by the author.

    For those who fit into the local church’s narrow confines, there’s support and fellowship. For those who don’t, there’s ostracism in this life and damnation in the next.Jude wants desperately to be saved—to believe with the fervor of the charismatic Reverend Amos King, whose sermons are filled with brimstone and righteousness. But every time Jude thinks he’s found the right path, there’s a fork in the road, and Truth seems to be in a different direction.As much as Jude craves the certainty the church offers, he finds himself at odds with it. Without intentionally rebelling, he befriends Pearl Thornton, considered an unrepentant heathen; he craves the support of Gregory Hart, whose church standing is questionable; and the feelings he has for his friend Tim Olsen make him fear for his own soul. But then Reverend King offers Jude sanctuary, special guidance, and a path into the Light.Will Reverend King be able to help Jude preserve his place in heaven? Or will the reverend's own demons cause hell to swallow them both? The answer lies in Jude's willingness to follow his own path—even if it leads him far from everything he's known.[NOTE: This book was previously published as The Revelations of Jude Connor.]

    In Cures; A Gay Man's Odyssey, he tells of the anguish of his divided life: a distinguished college professor, a prize-winning historian; and a playwright; by night a lonely and tormented man cruising gay bars for the companionship he truly desired.

    Exploring his past with humor and astounding insight, Connor reminded his fans of why they first fell in love with him on YouTube—and revealed to newcomers how he relates to his millions of dedicated followers.Now, two years later, Connor is ready to bring to light a side of himself he’s rarely shown on or off camera. In this diary-like look at his life since A Work In Progress, Connor talks about his battles with clinical depression, social anxiety, self-love, and acceptance; his desire to maintain an authentic self in a world that values shares and likes over true connections; his struggles with love and loss; and his renewed efforts to be in the moment—with others and himself.Told through short essays, letters to his past and future selves, poetry, and original photography, Note to Self is a raw, in-the-moment look at the fascinating interior life of a young creator turning inward in order to move forward.

    But now, surprisingly, he has turned his wit and elegant storytelling gifts to a candid memoir of the first forty years of his life. Palimpsest is written from the vantage point of Vidal's library in his villa on the Italian coast. As visitors come and go, his memory ranges back and forth across a rich history. Vidal's childhood was spent in Washington, D.C., in the household of his grandfather, the blind senator from Oklahoma, T. P. Gore, and in the various domestic situations of his complicated and exasperating mother, Nina. Then come schooldays at St. Albans and Exeter; the army; life as a literary wunderkind in New York, London, Rome, and Paris in the forties and fifties; sex in an age of promiscuity; and a campaign for Congress in 1960. Vidal's famous skills as a raconteur, his forthrightness, and his wicked wit are brilliantly at work in these recollections of a difficult family, talented friends, and interesting enemies. The cast includes Tennessee Williams, the Kennedys, Eleanor Roosevelt, Truman Capote, Paul Newman and Joanne Woodward, Christopher Isherwood, Jack Kerouac, Jane and Paul Bowles, Santayana, Anais Nin, Norman Mailer, Leonard Bernstein, and the Duke and Duchess of Windsor, among others. Beautifully rendered anecdotes are intermixed with meditations on writing, history, acting, and politics. Perhaps most surprising is the leitmotif of a great, lost love. "A memoir is how one remembers one's own life," Vidal says, "while an autobiography is history." Palimpsest is a true story, but also an extraordinary work of literary imagination.

    Colonel Cammermeyer's dismissal from the U.S. Army has stirred debate all the way to the Presidency; now she writes of her decision to challenge official policy on homosexuality. 16-page photo insert.

    By the age of twenty-three, he was on his first tour of America, facing an astonished audience in his tight silver hotpants, bare legs and a T-shirt with ROCK AND ROLL emblazoned across it in sequins. Elton John had arrived and the music world would never be the same again.His life has been full of drama, from the early rejection of his work with song-writing partner Bernie Taupin to spinning out of control as a chart-topping superstar; from half-heartedly trying to drown himself in his LA swimming pool to disco-dancing with the Queen; from friendships with John Lennon, Freddie Mercury and George Michael to setting up his AIDS Foundation. All the while, Elton was hiding a drug addiction that would grip him for over a decade.In Me Elton also writes about getting clean and changing his life, about finding love with David Furnish and becoming a father.

    Self-taught, introspective, and from a stiflingly boring farm town, he couldn’t relate to his neighbors. While other boys played outside, he stayed indoors reading Greek mythology. And being gay and overweight, he got used to diminishing himself. But little by little, he started learning from all the sad, strange, lonely outcasts in history who had come before him, and he started to feel hope. In this collection of personal essays, Guy talks about finding a sense of belonging at Berkeley—and stirring up controversy in a newspaper column that led to a run‑in with the Secret Service. He recounts the pitfalls of being typecast as the “Sassy Gay Friend,” and how, after taking a wrong turn in life (i.e. law school), he found stand‑up comedy and artistic freedom. He analyzes society’s calculated deprivation of personhood from fat people, and how, though it’s taken him a while to accept who he is, he has learned that with a little patience and a lot of humor, self-acceptance is possible. Written with Guy’s characteristic blend of wit, guile, and rumination, My Life as a Goddess is an unforgettable and deeply moving book by one of today’s most endearing and galvanizing voices in comedy.

    His is a story of personal tragedies and political intrigues, assassination in City Hall and massive riots in the streets, the miscarriage of justice and the consolidation of gay power and gay hope.

    Very quickly the Castro government suppressed his writing and persecuted him for his homosexuality until he was finally imprisoned.

    But, at forty-eight years old, having spent decades in San Francisco, he craved change. Grieving over the death of his partner, he quickly discovered the profound consolations of the city's incessant rhythms, the sight of the Empire State Building against the night sky, and New Yorkers themselves, kindred souls that Hayes, a lifelong insomniac, encountered on late-night strolls with his camera.And he unexpectedly fell in love again, with his friend and neighbor, the writer and neurologist Oliver Sacks, whose exuberance--"I don't so much fear death as I do wasting life," he tells Hayes early on--is captured in vignettes throughout. What emerges is a portrait of Sacks at his most personal and endearing, from falling in love for the first time at age seventy-five to facing illness and death (Sacks died of cancer in August 2015).

    The book is a fierce satire of the gay ghetto and a touching story of one man's desperate search for love there, and reading it today is a fascinating look at how much, and how little, has changed.