Handsome, famous, and talented, Goodyear is nonetheless coming apart at the seams. And the coaches, writers, wives, girlfriends, petty criminals, and diehard fans following his every move are eager to find out why--as they hide secrets of their own.Humming with the energy of a ballpark before the first pitch, Emily Nemens' The Cactus League unravels the tightly connected web of people behind a seemingly linear game. Narrated by a sportscaster, Goodyear's story is interspersed with tales of Michael Taylor, a batting coach trying to stay relevant; Tamara Rowland, a resourceful spring-training paramour, looking for one last catch; Herb Allison, a legendary sports agent grappling with his decline; and a plethora of other richly drawn characters, all striving to be seen as the season approaches. It's a journey that, like the Arizona desert, brims with both possibility and destruction.Anchored by an expert knowledge of baseball's inner workings, Emily Nemens's The Cactus League is a propulsive and deeply human debut that captures a strange desert world that is both exciting and unforgiving, where the most crucial games are the ones played off the field.

    Vida follows a single narrator, Sabina, as she navigates her shifting identity as a daughter of the Colombian diaspora and struggles to find her place within and beyond the net of her strong, protective, but embattled family.In “Lucho,” Sabina’s family—already “foreigners in a town of blancos”—is shunned by the community when a relative commits an unspeakable act of violence, but she is in turn befriended by the town bad boy who has a secret of his own; in “Desaliento,” Sabina surrounds herself with other young drifters who spend their time looking for love and then fleeing from it—until reality catches up with one of them; and in “Vida,” the urgency of Sabina’s self-imposed exile in Miami fades when she meets an enigmatic Colombian woman with a tragic past.Patricia Engel maps landscapes both actual and interior in this stunning debut, and the constant throughout is Sabina—serious, witty, alternately cautious and reckless, open to transformation yet skeptical of its lasting power. Infused by a hard-won, edgy wisdom, Vida introduces a sensational new literary voice.

    Amy Hempel is the writer who makes me feel most affiliated with other humans; we are all living this way—hiding, alone, obsessed—and that’s ok.” —Miranda July From legendary writer Amy Hempel, one of the most celebrated and original voices in American short fiction: a ravishing, sometimes heartbreaking new story collection—her first in over a decade.Amy Hempel is a master of the short story. A multiple award winner, Hempel is highly regarded among writers, reviewers, and readers of contemporary fiction. This new collection, her first since her Collected Stories published more than a decade ago, is a literary event. These fifteen exquisitely honed stories reveal Hempel at her most compassionate and spirited, as she introduces characters, lonely and adrift, searching for connection. In “A Full-Service Shelter,” a volunteer at a dog shelter tirelessly, devotedly cares for dogs on a list to be euthanized. In “Greed,” a spurned wife examines her husband’s affair with a glamorous, older married woman. And in “Cloudland,” the longest story in the collection, a woman reckons with the choice she made as a teenager to give up her newborn infant. Quietly dazzling, these stories are replete with moments of revelation and transcendence and with Hempel’s singular, startling, inimitable sentences.

    A short story about the universe and your place in it.

    A recent college graduate living in New York City finds himself in a strangely entangled friendship with his dry cleaner and her son. A daughter accompanies her father to Israel, where, seeing a new side of him away from her mother, she makes an unusual bargain.Through thirteen stories, some stand-alone, others woven with linked characters, Kane questions the tensions between friendship and neighborliness, home and travel, family and ambition. In writing filled with wit and humor and incredible poignancy, she deftly reveals the everyday patterns that, over time, can swerve a life off course.

    At almost thirty, she is adrift and alienated from life. Stuck in a mindless job and reluctant to pursue her passion for food, she suppresses her appetite and recedes to the corners of rooms. But when she meets Stevie, a spirited and effervescent artist, their intense friendship sparks a change in Roberta, a shift in her desire for more. Together, they invent the Supper Club, a transgressive and joyous collective of women who gather to celebrate, rather than admonish, their hungers. They gather after dark and feast until they are sick; they break into private buildings and leave carnage in their wake; they embrace their changing bodies; they stop apologizing. For these women, each extraordinary yet unfulfilled, the club is a way to explore, discover, and push the boundaries of the space they take up in the world. Yet as the club expands, growing both in size and rebellion, Roberta is forced to reconcile herself to the desire and vulnerabilities of the body--and the past she has worked so hard to repress. Devastatingly perceptive and savagely funny, Supper Club is an essential coming-of-age story for our times.

    With acute psychological insight, Dávila follows her characters to the limits of desire, paranoia, insomnia, and fear. She is a writer obsessed with obsession, who makes nightmares come to life through the everyday: loneliness sinks in easily like a razor-sharp knife, some sort of evil lurks in every shadow, delusion takes the form of strange and very real creatures. After reading The Houseguest—Dávila’s debut collection in English—you’ll wonder how this secret was kept for so long.

    Rendered in the American vernacular with vivid imagery and a wry, dark sense of humor, these thwarted and sometimes violent lives jump off the page at the reader with inexorable force. A father pumps his son full of steroids so he can vicariously relive his days as a perpetual runner-up body builder. A psychotic rural recluse comes upon two siblings committing incest and feels compelled to take action. Donald Ray Pollock presents his characters and the sordid goings-on with a stern intelligence, a bracing absence of value judgments, and a refreshingly dark sense of bottom-dog humor.With an artistic instinct honed on the works of Flannery O' Connor and Harry Crews, Pollock offers a powerful work of fiction in the classic American vein. Knockemstiff is a genuine entry into the literature of place.

    This small farm on the outer reaches of Cape Cod is a place that is as bewitching and alive as the characters we meet: Violet, a brilliant girl who is in love with books and with a man destined to betray her; Lysander Wynn, attacked by a halibut as big as a horse, certain that his life is ruined until a boarder wearing red boots arrives to change everything; Maya Cooper, who does not understand the true meaning of the love between her mother and father until it is nearly too late. From the time of the British occupation of Massachusetts to our own modern world, family after family’s lives are inexorably changed, not only by the people they love but by the lives they lead inside Blackbird House.These interconnected narratives are as intelligent as they are haunting, as luminous as they are unusual. Inside Blackbird House more than a dozen men and women learn how love transforms us and how it is the one lasting element in our lives. The past both dissipates and remains contained inside the rooms of Blackbird House, where there are terrible secrets, inspired beauty, and, above all else, a spirit of coming home.From the writer Time has said tells "truths powerful enough to break a reader’s heart" comes a glorious travelogue through time and fate, through loss and love and survival. Welcome to Blackbird House.

    Be civil in a hostile environment. Go to college, get an education, start a career. Do all the right things. Buy an apartment. Buy art. Buy a sort of happiness. But above all, keep your head down. Keep quiet. And keep going.The narrator of Assembly is a black British woman. She is preparing to attend a lavish garden party at her boyfriend’s family estate, set deep in the English countryside. At the same time, she is considering the carefully assembled pieces of herself. As the minutes tick down and the future beckons, she can’t escape the question: is it time to take it all apart?Assembly is a story about the stories we live within – those of race and class, safety and freedom, winners and losers.And it is about one woman daring to take control of her own story, even at the cost of her life. With a steely, unfaltering gaze, Natasha Brown dismantles the mythology of whiteness, lining up the debris in a neat row and walking away.

    . . achingly beautiful, moving, and intriguing on every page” (Charles Johnson). This mesmerizing tale of consuming love and murderous professional envy carries the reader into the very heart of a physics problem so huge and perplexing it thwarted even Einstein: the nature of light. Caught in the entanglements of erotic and intellectual passion, three physicists grapple with mysteries of science as well as mysteries of the heart with consequences not even their finely honed intellects can predict. “Luminous, incendiary . . . Properties of Light is a novel of cool grace and dark lyricism, lit by the imaginative fire of physics and its improbable cosmologies” (New York Times Book Review).

    Your landlord cheats you out of first place in the annual Christmas decorating contest. You need to learn how to love and care for your mate—a paring knife. These situations and more reveal the wondrous play and surreal humor that make up the stories in Amelia Gray’s stunning collection of stories: Museum of the Weird.Acerbic wit and luminous prose mark these shorts, while sickness and death lurk amidst the humor. Characters find their footing in these bizarre scenarios and manage to fall into redemption and rebirth. Museum of the Weirdinvites you into its hallways, then beguiles, bewitches, and reveals a writer who has discovered a manner of storytelling all her own.

    The stories are told in a country villa outside the city of Florence by ten young noble men and women who are seeking to escape the ravages of the plague. Boccaccio's skill as a dramatist is masterfully displayed in these vivid portraits of people from all stations in life, with plots that revel in a bewildering variety of human reactions.Translated with an Introduction and Notes by G. H. McWilliam

    These are some of the inhabitants of People From My Neighborhood. In their lives, details of the local and everyday—the lunch menu at a tiny drinking place called the Love, the color and shape of the roof of the tax office—slip into accounts of duels, prophetic dreams, revolutions, and visitations from ghosts and gods. In twenty-six “palm of the hand” stories—fictions small enough to fit in the palm of one’s hand—Hiromi Kawakami creates a universe ruled by mystery and transformation.

    The excitement began the moment "The Fourth State of Matter," one of the fourteen extraordinary personal narratives in this book, appeared in the pages of The New Yorker. It increased when the author received a prestigious Whiting Foundation Award in November 1997, & it continued as the hardcover edition of The Boys of My Youth sold out its first printing even before publication. The author writes with perfect pitch as she takes us through one woman's life -- from childhood to marriage & beyond -- & memorably captures the collision of youthful longing & the hard intransigences of time & fate.