It is about a girl called Jane who gets a badly-paid job in a draper’s shop in the early years of the last century. Yet the title of the book is based on a Carlyle quotation – ‘Experience doth take dreadfully high wages, but she teacheth like none other’ – and Jane, having saved some money and been lent some by a friend, opens her own dress-shop.As Jane Brocket writes in her Persephone Preface: the novel ‘is a celebration of the Lancastrian values of hard work and stubbornness, and there could be no finer setting for a shop-girl-made-good story than the county in which cotton was king.’

    He saw the skin peel from the rocket beehive, men thus revealed running, running, mouths shrieking, soundless. Space was a black mossed well where life drowned its roars and terrors. Scream a big scream, but space snuffed it out before it was half up your throat. Men scurried, ants in a flaming matchbox; the ship was dripping lava, gushing steam, nothing!Journey with the century's most popular fantasy writer into a world of wonder and horror beyond your wildest dreams.Contents:- The Fog Horn (1951)- The Pedestrian (1951)- The April Witch (1952)- The Wilderness (1952)- The Fruit at the Bottom of the Bowl (1948)- Invisible Boy (1945)- The Flying Machine (1953)- The Murderer (1953)- The Golden Kite, the Silver Wind (1953)- I See You Never (1947)- Embroidery (1951)- The Big Black and White Game (1945)- A Sound of Thunder (1952)- The Great Wide World Over There (1952)- Powerhouse (1948)- En la Noche (1952)- Sun and Shadow (1953)- The Meadow (1953)- The Garbage Collector (1953)- The Great Fire (1949)- Hail and Farewell (1953)- The Golden Apples of the Sun (1953)

    Here, wolf-like girls are reformed by nuns; a family makes its living wrestling alligators in a theme park; and little girls sail away on crab shells. Filled with stunning inventiveness and heart, St. Lucy’s Home for Girls Raised by Wolves introduces a radiant new writer.

    However, it was these early stories that first earned her a reputation as a writer with "the liveliest imagination and most delicate style of her time." Influenced by Joyce, Proust, and the theories of William James, Bergson, and Freud, she strove to write a new fiction that emphasized the continuous flow of consciousness, time's passage as both a series of sequential moments and a longer flow of years and centuries, and the essential indefinability of character.Readers can discover these and other aspects of her influential style in the eight stories collected here, among them a delightful, feminist put-down of the male intellect in "A Society" and a brilliant and sensitive portrayal of nature in "Kew Gardens." Also included are "An Unwritten Novel," "The String Quartet," "A Haunted House," "Blue & Green," "The Mark on the Wall," and the title story.In recent years, Woolf's fiction, feminism, and high-minded sensibilities have earned her an ever-growing audience of readers. This splendid collection offers those readers not only the inestimable pleasures of the stories themselves, but an excellent entrée into the larger body of Woolf's work.

    In "A Most Blessed and Auspicious Occasion," a young couple planning a wedding is forced to deal with interfering relatives dictating the appropriate number of ritual goat sacrifices. "Missed Connection--m4w" is the tragicomic tale of a pair of lonely commuters eternally failing to make that longed-for contact. The members of a rock band in "Up-and-Comers" discover they suddenly have superpowers--but only when they're drunk. And in "The Serial Monogamist's Guide to Important New York City Landmarks," a woman maps her history of romantic failures based on the places she and her significant others visited together.Equally at home with the surreal and the painfully relatable (or both at once), Bob-Waksberg delivers a killer combination of humor, romance, whimsy, cultural commentary, and crushing emotional vulnerability. The resulting collection is a punchy, perfect bloody valentine.

    In this debut collection of enormously perceptive and brutally unsentimental short stories, Parsons illuminates the ache of first love, the banality of self-loathing, the scourge of addiction, the myth of marriage, and the magic and inevitable disillusionment of childhood.Taking us from hot Texas highways to cold family kitchens, from the freedom of pay-by-the-hour motels to the claustrophobia of private school dorms, these stories erupt off the page with a primal howl—sharp-voiced, bitter, and wise. Black Light contains the type of storytelling that resonates somewhere deep, in the well of memory that repudiates nostalgia.

    The woman at the center wavers between stasis and movement, between the need to belong and the refusal to form lasting ties. The city she calls home, an engaging backdrop to her days, acts as a confidant: the sidewalks around her house, parks, bridges, piazzas, streets, stores, coffee bars. We follow her to the pool she frequents and to the train station that sometimes leads her to her mother, mired in a desperate solitude after her father's untimely death. In addition to colleagues at work, where she never quite feels at ease, she has girl friends, guy friends, and "him," a shadow who both consoles and unsettles her. But in the arc of a year, as one season gives way to the next, transformation awaits. One day at the sea, both overwhelmed and replenished by the sun's vital heat, her perspective will change. This is the first novel she has written in Italian and translated into English. It brims with the impulse to cross barriers. By grafting herself onto a new literary language, Lahiri has pushed herself to a new level of artistic achievement.

    Most memorable - and most chilling - is the portrait of the author's father, a maddened shopkeeper who imports rare birds' eggs to hatch in his attic, who believes tailors' dummies should be treated like people, and whose obsessive fear of cockroaches causes him to resemble one. Bruno Schulz, a Polish Jew killed by the Nazis in 1942, is considered by many to have been the leading Polish writer between the two world wars.Bruno Schulz's untimely death at the hands of a Nazi stands as one of the great losses to modern literature. During his lifetime, his work found little critical regard, but word of his remarkable talents gradually won him an international readership. This volume brings together his complete fiction, including three short stories and his final surviving work, Sanatorium Under the Sign of the Hourglass. Illustrated with Schulz's original drawings, this edition beautifully showcases the distinctive surrealist vision of one of the twentieth century's most gifted and influential writers.

    These 11 profoundly moving and finely crafted stories encapsulate wildly divergent themes of love and loss, containment and exclusion. In the title story, a parks & rec worker faces an assailant who does not leave the altercation intact. A medical researcher and his claustrophobic fiancée are locked in the trunk of their car after a failed carjacking (the thief can't drive standard). A young woman enters a pharmaceutical trial in the outer reaches of suburbia and slips between sleeping and waking with increasingly alarming ease. Pairing the cultural acuity of Lost in Translation with the compassion and reach of The World According to Garp, Heighton breathes new life into the short story, a genre that is finally coming into its own.

    With a style that blends humor and sincerity in such strange, perfect ratios, Bonnaffons reveals the mysteries inside of us, just waiting to make themselves known. The Wrong Heaven, so wondrous, will alter you in all the necessary ways." —Kevin WilsonIn The Wrong Heaven, anything is possible: bodies can transform, inanimate objects come to life, angels appear and disappear.Bonnaffons draws us into a delightfully strange universe, in which her conflicted characters seek to solve their sexual and spiritual dilemmas in all the wrong places. The title story's heroine reckons with grief while arguing with loquacious Jesus and Mary lawn ornaments that come to life when she plugs them in. In "Horse," we enter a world in which women transform themselves into animals through a series of medical injections. In "Alternate," a young woman convinces herself that all she needs to revive a stagnant relationship is the perfect poster of the Dalai Lama.While some of the worlds to which Bonnaffons transports us are more recognizable than others, all of them uncover the mysteries beneath the mundane surfaces of our lives. Enormously funny, boldly inventive, and as provocative as they are deeply affecting, these stories lay bare the heart of our deepest longings.

    It follows the groundbreaking, highly acclaimed Jesus’ Son. Written in the same luminous prose, this collection finds Johnson in new territory, contemplating old age, mortality, the ghosts of the past, and the elusive and unexpected ways the mysteries of the universe assert themselves. Finished shortly before Johnson’s death in May 2017, this collection is the last word from a writer whose work will live on for many years to come.

    In each of these ten unforgettable stories, Claire Vaye Watkins writes her way fearlessly into the mythology of the American West, utterly reimagining it. Her characters orbit around the region's vast spaces, winning redemption despite - and often because of - the hardship and violence they endure. The arrival of a foreigner transforms the exchange of eroticism and emotion at a prostitution ranch. A prospecting hermit discovers the limits of his rugged individualism when he tries to rescue an abused teenager. Decades after she led her best friend into a degrading encounter in a Vegas hotel room, a woman feels the aftershock. Most bravely of all, Watkins takes on – and reinvents – her own troubled legacy in a story that emerges from the mayhem and destruction of Helter Skelter. Arcing from the sweeping and sublime to the minute and personal, from Gold Rush to ghost town to desert to brothel, the collection echoes not only in its title but also in its fierce, undefeated spirit the motto of her home state.

    The first, a science fiction of the past, tells of a boy whose brother was ‘devoured’ by the machine he operated. The second is a noirish thriller set in our century, as a police psychologist attempts to track down a group of terrorists. And the third and final strand accompanies two strange beings into the future.A novel of connecting and reconnecting, inspired by the writings of the great visionary poet Walt Whitman, Specimen Days is a genre-bending, haunting ode to life itself – a work of surpassing power and beauty by one of the most original and daring writers at work today

    Dupin he invented the detective story; and tales such as 'MS. Found in a Bottle' and 'Von Kempelen and His Discovery' pioneered modern science-fiction.As readers will discover, Poe possessed an unrivalled capacity to create atmosphere and suspense, and to probe the dark depths of the human psyche. All the stories in this volume push back the boundaries, making the improbable possible, the familiar terrifying and strange.Contents:9 • Introduction (Selected Tales) • essay by John Curtis19 • The Duc de L'Omelette • [Tales of the Folio Club] • (1832) • shortstory by Edgar Allan Poe (variant of The Duke de L'Omelette)23 • MS. Found in a Bottle • [Tales of the Folio Club] • (1833) • shortstory by Edgar Allan Poe35 • The Assignation • [Tales of the Folio Club] • (1834) • shortstory by Edgar Allan Poe (variant of The Visionary)48 • Ligeia • (1838) • shortstory by Edgar Allan Poe65 • How to Write a Blackwood Article • (1838) • shortstory by Edgar Allan Poe (variant of The Psyche Zenobia)76 • The Fall of the House of Usher • (1839) • shortstory by Edgar Allan Poe96 • William Wilson • (1839) • novelette by Edgar Allan Poe (variant of William Wilson: A Tale)118 • The Murders in the Rue Morgue • [Chevalier Dupin] • (1841) • novelette by Edgar Allan Poe154 • A Descent into the Maelström • (1841) • shortstory by Edgar Allan Poe172 • The Island of the Fay • (1841) • shortstory by Edgar Allan Poe178 • The Colloquy of Monos and Una • (1841) • shortstory by Edgar Allan Poe188 • The Oval Portrait • (1842) • shortstory by Edgar Allan Poe192 • The Masque of the Red Death • (1842) • shortstory by Edgar Allan Poe (variant of The Mask of the Red Death)199 • The Mystery of Marie Rogêt • [Chevalier Dupin] • (1842) • novella by Edgar Allan Poe251 • The Pit and the Pendulum • (1842) • shortstory by Edgar Allan Poe267 • The Tell-Tale Heart • (1843) • shortstory by Edgar Allan Poe273 • The Gold-Bug • (1843) • novelette by Edgar Allan Poe311 • The Black Cat • (1843) • shortstory by Edgar Allan Poe322 • The Premature Burial • (1844) • shortstory by Edgar Allan Poe337 • The Purloined Letter • [Chevalier Dupin] • (1844) • novelette by Edgar Allan Poe357 • The Imp of the Perverse • (1845) • shortstory by Edgar Allan Poe364 • The Facts in the Case of M. Valdemar • (1845) • shortstory by Edgar Allan Poe374 • The Cask of Amontillado • [Fortunado] • (1846) • shortstory by Edgar Allan Poe382 • The Domain of Arnheim • (1842) • shortstory by Edgar Allan Poe (variant of The Landscape-Garden)399 • Von Kempelen and His Discovery • (1849) • shortstory by Edgar Allan Poe

    Mostly women, black and British, they tell the stories of their families, friends and lovers, across the country and through the years.Joyfully polyphonic and vibrantly contemporary, this is a gloriously new kind of history, a novel of our times: celebratory, ever-dynamic and utterly irresistible.