Bridge, an inspired novel set in the years around World War II that testified to the sapping ennui of an unexamined suburban life. India Bridge, the title character, has three children and a meticulous workaholic husband. She defends her dainty, untouched guest towels from son Douglas, who has the gall to dry his hands on one, and earnestly attempts to control her daughters with pronouncements such as "Now see here, young lady ... in the morning one doesn't wear earrings that dangle." Though her life is increasingly filled with leisure and plenty, she can't shuffle off vague feelings of dissatisfaction, confusion, and futility. Evan S. Connell, who also wrote the twinned novel Mr. Bridge, builds a world with tiny brushstrokes and short, telling vignettes.

    This charming collection of early stories contains many never before published newspaper pieces, stories and essays by Laura Ingalls and Rose Wilder. Inspiring the popular series, these works are a vivid and personal testament to American life and history as seen by two remarkable pioneers.

    He wrote it during 1870–71 and published in 1872, as a prequel to his first book The Innocents Abroad (1869). This book tells of Twain's adventures prior to his pleasure cruise related in Innocents Abroad.

    Fearing he won't survive, the Confederate soldier's last wish is that Abigail look after his sickly sister at home. Marry him, return to his horse farm, and it'll be hers. Left with few choices, Abigail takes him up on his offer and moves to Missouri after his death, but just as the family learns to accept her, the real Jeremiah Calhoun appears--puzzled to find a confounding woman posing as his wife. Jeremiah is determined to have his life back to how it was before the war, but his own wounds limit what he can do on his own. Still not fully convinced Abigail isn't duping him, he's left with no choice but to let the woman stay and help--not admitting to himself she may provide the healing his entire family needs.

    At the heart of the story are two people, Iris Courtney, who is white, and handsome Jinx Fairchild, the black basketball player who, in protecting Iris, kills a white man.Iris is the only witness to the crime.The two of them are growing up in the early 1950s in a New York industrial town where racial boundaries keep people apart - or bring them together in explosive scenes of fear or desire. The secret link between Iris and Jinx is not only their attraction to each other, but a murder...and a bond of passion and guilt is formed between them. How this one irrevocable, tragic act shapes their lives and alters their destinies becomes Joyce Carol Oate's finest, emotion-packed novel - a work the critics are calling a masterpiece, the best work of America's best writer of contemporary realism.

    Almanzo Wilder was 71, Laura 61, and Rose felt obligated to stay and help. To make life easier, she built them a new home, while she and Helen Boylston transformed the farmhouse into a rural writing retreat and filled it with visiting New Yorkers. Rose sold magazine stories to pay the bills for both households, and despite the subterranean tension between mother and daughter, life seemed good.Then came the Crash. Rose’s money vanished, the magazine market dried up, and the Depression darkened the nation. That’s when Laura wrote her autobiography, “Pioneer Girl,” the story of growing up in the Big Woods of Wisconsin, on the Kansas prairie, and by the shores of Silver Lake. The rest—the eight remarkable books that followed—is literary history.But it isn’t the history we thought we knew. For the surprising truth is that Laura’s stories were publishable only with Rose’s expert rewriting. Based on Rose’s unpublished diaries and Laura’s letters, A Wilder Rose tells the true story of the decade-long, intensive, and often troubled collaboration that produced the Little House books—the collaboration that Rose and Laura deliberately hid from their agent, editors, reviewers, and readers.Why did the two women conceal their writing partnership? What made them commit what amounts to one of the longest-running deceptions in American literature? And what happened in those years to change Rose from a left-leaning liberal to a passionate Libertarian?In this impeccably researched novel and with a deep insight into the book-writing business gained from her own experience as an author and coauthor, Susan Wittig Albert follows the clues that take us straight to the heart of this fascinating literary mystery.

    On a beach in New Hampshire at the turn of the last century, a young woman is drawn into a rocky, disastrous passage to adulthood. Olympia Biddeford is the only child of a prominent Boston couple--a precocious and well-educated daughter, alive with ideas and flush with the first stirrings of maturity. Her summer at the family's vacation home in Fortune's Rocks is transformed by the arrival of a doctor, a friend of her father's, whose new book about mill-town laborers has caused a sensation. Olympia is captivated by his thinking, his stature, and his drive to do right--even as she is overwhelmed for the first time by irresistible sexual desire. She and the doctor--a married man, a father, and nearly three times her age--come together in an unthinkable, torturous, hopelessly passionate affair. Throwing aside propriety and self-preservation, Olympia plunges forward with cataclysmic results that are the price of straying in an unforgiving era. Olympia is cast out of the world she knows, and Fortune's Rocks is the story of her determination to reinvent her broken life--and claim the one thing she finds she cannot live without. A meditation on the erotic life of women, an exploration of class prejudices, and most of all a portrayal of the thoughts and actions of an unforgettable young woman, Fortune's Rocks is a masterpiece of narrative drama, beautifully written by one of the most accomplished novelists of our time.

     In 1950, Constantine Stassos, a Greek immigrant laborer, marries Mary Cuccio, an Italian-American girl, and together they produce three children: Susan, an ambitious beauty, Billy, a brilliant homosexual, and Zoe, a wild child. Over the years, a web of tangled longings, love, inadequacies and unfulfilled dreams unfolds as Mary and Constantine's marriage fails and Susan, Billy, and Zoe leave to make families of their own. Zoe raises a child with the help of a transvestite, Billy makes a life with another man, and Susan raises a son conceived in secret, each extending the meaning of family and love. With the power of a Greek tragedy, the story builds to a heartbreaking crescendo, allowing a glimpse into contemporary life which will echo in one's heart for years to come.

    If they weren't failing outright, causing countless Americans to lose their jobs and homes, they were being propped up with emergency bailouts. Trapped in a cycle of panics, depressions and soaring unemployment, Sutton saw only one way out, only one way to win the girl of his dreams.So began the career of America's most successful bank robber. Over three decades Sutton became so good at breaking into banks, and such a master at breaking out of prisons, police called him one of the most dangerous men in New York, and the FBI put him on its first-ever Most Wanted List.But the public rooted for Sutton. He never fired a shot, after all, and his victims were merely those bloodsucking banks. When he was finally caught for good in 1952, crowds surrounded the jail and chanted his name.Blending vast research with vivid imagination, Pulitzer Prize winner J.R. Moehringer brings Willie Sutton blazing back to life. In Moehringer's retelling, it was more than poverty or rage at society that drove Sutton. It was one unforgettable woman. In all Sutton's crimes and confinements, his first love (and first accomplice) was never far from his thoughts. And when Sutton finally walked free - a surprise pardon on Christmas Eve, 1969 - he immediately set out to find her.Poignant, comic, fast-paced and fact-studded, Sutton tells a story of economic pain that feels eerily modern, while unfolding a story of doomed love that is forever timeless.(overview via Barnes and Noble)

    She is the legend that will not die–Pope Joan, the ninth-century woman who disguised herself as a man and rose to become the only female ever to sit on the throne of St. Peter. Now in this riveting novel, Donna Woolfolk Cross paints a sweeping portrait of an unforgettable heroine who struggles against restrictions her soul cannot accept.Brilliant and talented, young Joan rebels against medieval social strictures forbidding women to learn. When her brother is brutally killed during a Viking attack, Joan takes up his cloak–and his identity–and enters the monastery of Fulda. As Brother John Anglicus, Joan distinguishes herself as a great scholar and healer. Eventually, she is drawn to Rome, where she becomes enmeshed in a dangerous web of love, passion, and politics. Triumphing over appalling odds, she finally attains the highest office in Christendom–wielding a power greater than any woman before or since. But such power always comes at a price . . .In this international bestseller, Cross brings the Dark Ages to life in all their brutal splendor and shares the dramatic story of a woman whose strength of vision led her to defy the social restrictions of her day.

    Valentina Ivanova is the darling of St. Petersburg's elite aristocracy-until her romance with a Danish engineer creates a terrible scandal and her parents push her into a loveless engagement with a Russian count. Meanwhile, Russia itself is bound for rebellion. With the Tsar and the Duma at each other's throats, and the Bolsheviks drawing their battle lines, the elegance and opulence of Tsarist rule are in their last days. And Valentina will be forced to make a choice that will change not only her own life, but the lives of those around her forever...

    Laura Ingalls Wilder -- beloved author of one of the world's most treasured children's series, the Little House books -- wrote articles on a dizzying array of topics; articles that sparkle with her timeless wit and wisdom. Her interesting and insightful views on the changes motor cars and highways brought to her small town; the need to conserve natural resources; the role of women in the work force and in politics -- nothing seemed to escape her keen observation. With a foresight that is astounding, Wilder's many articles examine in depth the ways of life in this country during the late 1800s and early 1900s with a wisdom that holds relevance for our lives even today.

    First published in Norway as two books in 1924 and 1925, the author collaborated with Minnesotan Lincoln Colcord on the English translation.The novel follows a Norwegian family's struggles as they try to make a new life as pioneers in the Dakota territory. Rølvaag is interested in psychology and the human cost of empire building, at a time when other writers focused on the glamor and romance of the West. The book reflects his personal experiences as a settler as well as the immigrant homesteader experience of his wife’s family. Both the grim realities of pioneering and the gloomy fatalism of the Norse mind are captured in depictions of snow storms, locusts, poverty, hunger, loneliness, homesickness, the difficulty of fitting into a new culture, and the estrangement of immigrant children who grow up in a new land. It is a novel at once palpably European and distinctly American.Giants in the Earth was turned into an opera by Douglas Moore and Arnold Sundgaard; it won the Pulitzer Prize for Music in 1951.

    Evangeline Knapp is the perfect, compulsive housekeeper, while her husband, Lester, is a poet and a dreamer. Suddenly, through a nearly fatal accident, their roles are reversed: Lester is confined to home in a wheelchair and his wife must work to support the family. The changes that take place between husband and wife and particularly between parents and children are both fascinating and poignant.

    After escaping the Texas brothel where she'd been a virtual prisoner, Lucinda Carter heads for Middle Bayou to meet her lover, who has a plan to make them both rich, chasing rumors of a pirate's buried treasure. Meanwhile Nate Cannon, a young Texas policeman with a pure heart and a strong sense of justice, is on the hunt for a ruthless killer named McGill who has claimed the lives of men, women, and even children across the frontier. Who--if anyone--will survive when their paths finally cross? As Lucinda and Nate's stories converge, guns are drawn, debts are paid, and Kathleen Kent delivers an unforgettable portrait of a woman who will stop at nothing to make a new life for herself.