Her identical twin sister Ami, on the other hand, is probably the luckiest person in the world. Her meet-cute with her fiancé is something out of a romantic comedy (gag) and she’s managed to finance her entire wedding by winning a series of Internet contests (double gag). Worst of all, she’s forcing Olive to spend the day with her sworn enemy, Ethan, who just happens to be the best man.Olive braces herself to get through 24 hours of wedding hell before she can return to her comfortable, unlucky life. But when the entire wedding party gets food poisoning from eating bad shellfish, the only people who aren’t affected are Olive and Ethan. And now there’s an all-expenses-paid honeymoon in Hawaii up for grabs.Putting their mutual hatred aside for the sake of a free vacation, Olive and Ethan head for paradise, determined to avoid each other at all costs. But when Olive runs into her future boss, the little white lie she tells him is suddenly at risk to become a whole lot bigger. She and Ethan now have to pretend to be loving newlyweds, and her luck seems worse than ever. But the weird thing is that she doesn’t mind playing pretend. In fact, she feels kind of... lucky.

    Technically. For a few minutes. The diagnosis: heart attack at age thirty. Revived with no memory of any tunnels, lights, or angels, Jim wonders what—if anything—awaits us on the other side.Then a ghost shows up. Maybe. Jim and his new wife, Annie, find themselves tangling with holograms, psychics, messages from the beyond, and a machine that connects the living and the dead. As Jim and Annie journey through history and fumble through faith, they confront the specter of loss that looms for anyone who dares to fall in love. Funny, fiercely original, and gracefully moving, The Afterlives will haunt you. In a good way.

    It's supposed to be a chance for her to pull herself together again, but when she discovers that her brother's even-more-annoying best friend is also coming on the trip, she can't imagine how it will be anything other than a disaster. Thus begins the strangest adventure of Helen's well-behaved life: three weeks in the remotest wilderness of a mountain range in Wyoming where she will survive mosquito infestations, a surprise summer blizzard, and a group of sorority girls.Yet, despite everything, the vast wilderness has a way of making Helen's own little life seem bigger, too. And, somehow the people who annoy her the most start teaching her the very things she needs to learn. Like how to stand up for herself. And how being scared can make you brave. And how sometimes you just have to get really, really lost before you can even have a hope of being found.

    Through hard work and determination, she manages to win a scholarship to the exclusive Birch Grove Academy. There, for the first time, Jane finds herself accepted by a group of friends. She even starts tutoring the headmistress's gorgeous son, Lucian. Things seem too good to be true.They are.The more she learns about Birch Grove, the more Jane comes to suspect that there is something sinister going on. Why did the wife of a popular teacher kill herself? What happened to the former scholarship student whose place Jane took? Why does Lucian's brother, Jack, seem to dislike her so much?As Jane begins to piece together the answers to the puzzle, she must find out why she was brought to Birch Grove-and what she would risk to stay there. . . .

    Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality.Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.

    President of Delta Gamma sorority, she's aced her major--sociopolitical jewellery design--and is on the verge of becoming Mrs. Warner Huntington III. Too bad Warner, bound for Stanford Law, dumps her with the explanation he needs a more "serious" woman at his side. Faced with this unexpected reversal of fortune, Woods doesn't get depressed, she gets busy.Thanks to a creative application video and a demand for "diversity" at Stanford Law, Elle gets admitted. Soon she's packing her convertible--as well as her pet Chihuahua "Underdog"--and heading north, determined to win back her man. Smart, fast, and funny, Legally Blonde proves how much fun blondes really can have!

    She should be in class, enduring yet another miserable day of her first year of high school. But for once, Ryan isn't thinking about what she should be doing. She's not worried about her lack of friends, or her suffering math grade, or how it's been five whole years since the last time she was really and truly happy. Because she's finally returning to the place that her father loved, where the two of them spent so many afternoons cheering on their team. And on this -- the fifth anniversary of his death -- it feels like there's nowhere else in the world she should be.Ryan is once again filled with hope as she makes her way to the game. Good luck is often hard to come by at a place like Wrigley Field, but it's on this day that she meets Nick, the new kid from her school, who seems to love the Cubs nearly as much as she does. But Nick carries with him a secret that makes Ryan wonder if anyone can ever really escape their past, or believe in the promise of those reassuring words: "Wait till next year." Is it too much for Ryan to hope that this year, this season, might be her comeback season?

    Delusion or reality, Claire knows she has to hold true to the most important promise she's ever made: to keep Ella safe. She must return to her sleepy hometown in order to find Ella and keep her hallucinations at bay before they strike again. But time is quickly running out, and as Ella's trail grows fainter, the wolves are becoming startlingly real.Now Claire must deal with her attraction to Grant, the soft-spoken boy from her past that may hold the secret to solving her sister's disappearance, while following the clues that Ella left for only her to find. Through a series of cryptic diary entries, Claire must unlock the keys to Ella's past—and her own—in order to stop another tragedy in the making, while realizing that not all things that are lost are meant to be found.

    . . brings us an often unnerving, but always fresh and exhilarating view of our common experience of the world.”—Charles SimicFans of Lydia Davis and Miranda July will delight in this short prose from a beloved and cutting-edge poet. Here are thirty stories that deliver the soft touch and the sucker punch with stunning aplomb. Ducks, physicists, detectives, and The New York Times all make appearances.From “The Dart and the Drill”:I do not believe that when my brother pierced my skull with a succession of darts thrown from across our paneled rec room on the night of November 18th in my sixth year on earth, he was trying to transcend the notions of time and space as contained and protected by the human skull. But who can fathom the complexities of the human brain? Ten years later—this would have been in 1967—the New York Times reported a twenty-four year old man, who held an honor degree in law, died in the process of using a dentist’s drill on his own skull, positioned an inch above his right ear, in an attempt to prove that time and space could be conquered . . .Mary Ruefle’s poems and prose have appeared in Harper’s Magazine, The Best American Poetry, and The Next American Essay. Her many awards include NEA and Guggenheim fellowships. She is a frequent visiting professor at the University of Iowa, and she lives and teaches in Vermont.

    There, Allie can spend her days bantering with the street people, talking the talk with the staff, shepherding the uncool bridge-and-tunnel shoppers, all the while blissfully surrounded by music, music, music. It's the perfect setup for her to develop her secret identity as The Vinyl Princess, author of both a brand-new zine and blog. From the safety of her favourite place on earth, Allie is poised to have it all: love, music and blogging. Her mother, though, is actually the one getting the dates, and business at Allie's beloved record store is becoming dangerously slow--not to mention that there have been a string of robberies in the neighbourhood. At least her blog seems to be gaining interest, one vinyl junkie at a time....

    

    When Mark makes it clear that it’s over between them, Veda is heartbroken and humiliated—but, more importantly, she’s inspired. So she sets out on the love quest of a lifetime: use the summer to forget about Mark, to move on, and move up. All she has to do is kiss twenty-six boys with twenty-six different names—one for each letter of the alphabet. From the top of the Ferris wheel at her hometown carnival to the sandy dunes of Lake Michigan, Veda takes every opportunity she can to add kisses (and boys) to her list, and soon the break-up doesn’t sting quite as much. But just when Veda thinks she has the whole kissing thing figured out, she meets someone who turns her world upside down.

    it is not only something to enjoy, but something to learn from. here are the things i did right, and the many things i did wrong. i give them to you, so that when love comes knocking, you will have a sense of what to do when you open the door.

    A thoughtful dog grants an interview. A caterpillar offers life advice. Amy Gerstler’s newest collection of poetry, Dearest Creature, marries fact and fiction in a menagerie of dramatic monologues, twisted love poems, and epistolary pleadings. Drawing on sources as disparate as Lewis Carroll and Mary Shelley’s Frankenstein, as well as abnormal psychology, etiquette, and archaeology texts, these darkly imaginative poems probe what it means to be a sentient, temporary, flesh-and-blood beast, to be hopelessly, vividly creaturely.

    Then she marries her "husband": jerky jock Todd, whose cheerleader girlfriend, Amanda, has had it in for Fiona since day one of second grade. Even worse? Amanda is paired with Fiona's long-term crush, Gabe. At least Fiona is doing better than her best friend, Marcie, who is paired up with the very quiet, very mysterious Johnny Mercer. Pranks, fights, misunderstandings, and reconciliations ensue in an almost Shakespearean comedy of errors about mistaken first impressions, convoluted coupling, and hidden crushes.