Tired of everyday life ashore, Farley Mowat would find a sturdy boat in Newfoundland and roam the salt sea over, free as a bird. What he found was the worst boat in the world, and she nearly drove him mad. The Happy Adventure, despite all that Farley and his Newfoundland helpers could do, leaked like a sieve. Her engine only worked when she felt like it. Typically, on her maiden voyage, with the engine stuck in reverse, she backed out of the harbour under full sail. And she sank, regularly.How Farley and a varied crew, including the intrepid lady who married him, coaxed the boat from Newfoundland to Lake Ontario is a marvellous story. The encounters with sharks, rum-runners, rum and a host of unforgettable characters on land and sea make this a very funny book for readers of all ages.

    Escaping into her research, Constance decodes the Gustav Manuscript, and discovers a pair of comedies that she believes are the source for Shakespeare's Othello and Romeo and Juliet. Transported into the world of her theory, she comes face-to-face with Desdemona and Juliet and discovers that, far from shrinking violets, they are hellions full of surprises. What follows is a riotous retelling of theatrical legend that brings Constance out of her gloom and straight into a new and confident self.

    1921. Yacobo Levi, an intellectual dreamer, works in the family bookshop. Angelo Ghione, a contadino, makes good wine by singing to the grapes. Lifetime best friends, their Jewish and Catholic families live side by side amidst a backdrop of village communal life, Etruscan tales and the growth of Benito Mussolini. Born on the same day, their children grow up and fall in love. When the 1938 racial laws are passed, the love between Bella and Rico thrives amidst and perhaps because of the fear and uncertainty. When Angelo discovers their liaison he suggests they marry but life is complicated and tensions simmer beneath the surface of love and friendship. When war is declared on the day of Bella's wedding to Michele a fellow Jew, the peaceful village they live in is torn apart, and the Levis find themselves displaced and fighting for their lives. Will life ever be the same again?The Tears of Monterini is a story of love and betrayal, loyalty and friendship. Inspired by true events in Tuscany and Emilia-Romagna, this beautifully written debut will appeal to readers interested in history, Italy, romance, family dynamics and conflict.

    as 'a major event which dramatically expands the canon of novels written by Harlem Renaissance writers'. Building on the already extraordinary legacy of McKay's life and work, this colourful, dramatic novel centres on the effort by Harlem intelligentsia to organize support for the liberation of Mussolini-occupied Ethiopia, a crucial but largely forgotten event in American history. At once a penetrating satire of political machinations in Depression-era Harlem and a far-reaching story of global intrigue and romance, Amiable with Big Teeth plunges into the concerns, anxieties, hopes and dreams of African-Americans at a moment of crisis for the soul of Harlem.

    In lushly evocative language, Smart recounts her love affair with the poet George Barker with an operatic grandeur that takes in the tragedy of her passion; the suffering of Barker's wife;the children the lovers conceived. Accompanied in this edition by The Assumption of the Rogues and Rascals, a short novel that may be read as its sequel, By Grand Central Station I Sat Down and Wept has been hailed by critics worldwide as a work of sheer genius.

    At 15 she tried in vain to escape by marrying a white man, only to find herself trapped in the slums of Vancouver—addicted to drugs, tempted by suicide, close to death. But the inspiration of her Cree great-grandmother, Cheechum, gives her confidence in herself and in her people, confidence she needs to survive and to thrive.Half-Breed offers an unparalleled understanding of the Métis people and of the racism and hatred they face. Maria Campbell's story cannot be denied and it cannot be forgotten: it stands as a challenge to all Canadians who believe in human rights and human dignity.

    These characters inhabit an amoral universe where beauty reflects no truth and love is an empty delusion. Each character is ultimately annihilated by their own obsessions.Acclaimed and reviled when it exploded on the Quebec literary scene in 1959, Mad Shadows initiated a new era in Quebec fiction.

    This poem was the first to introduce Lancelot as an important figure in the King Arthur legend.

    The first takes place in the desert between 1909 and 1912 and evokes the migration of a young adolescent boy, Nour, and his people, the Blue Men, notorious warriors of the desert. Driven from their lands by French colonial soldiers, Nour's tribe has come to the valley of the Saguiet El Hamra to seek the aid of the great spiritual leader known as Water of the Eyes. The religious chief sends them out from the holy city of Smara into the desert to travel still further. Spurred on by thirst, hunger, and suffering, Nour's tribe and others flee northward in the hopes of finding a land that can harbor them at last.The second narrative relates the contemporary story of Lalla, a descendant of the Blue Men. Though she is an orphan living in a shantytown known as the Project near a coastal city in Morocco, the blood of her proud, obstinate tribe runs in her veins. All too soon, Lalla must flee to escape a forced marriage with an older, wealthy man. She travels to France, undergoing many trials there, from working in a brothel to success as a highly paid fashion model, but she never betrays the blood of her ancestors.

    The Penseés is a collection of philosohical fragments, notes and essays in which Pascal explores the contradictions of human nature in pscyhological, social, metaphysical and - above all - theological terms. Mankind emerges from Pascal's analysis as a wretched and desolate creature within an impersonal universe, but who can be transformed through faith in God's grace.

    The Children's Hour (1934), her first play, was considered shocking at the time; it concerns the devastating effects of a child's malicious charge of lesbianism against two of her teachers. Days to Come (1936) is about the tragic consequences of strike-breaking in a small Midwestern community. The Little Foxes (1939) and Another Part of the Forest (1946) together constitute a chilling study of the financial and psychological conflicts within the Hubbards, a wealthy and rapacious Southern family. Watch on the Rhine (1941), the story of how fascism affects an American family and the refugees they harbor, won the New York Drama Critics Circle Award. The Autumn Garden (1951) is a poignant yet humorous drama set at a summer resort near New Orleans.

    It is also a scathing attack on the “public apology” as yet another mask, as a manipulative device, which always seeks to conceal the maintenance and furtherance of the self-interest of its wearer.Clements’s powerful visual sets and soundscapes contain curtains of flames which at times assume the bodies of a chorus passing its remote judgment, devoid of both pity and fear, on the action: a merciless indictment of the cross-cultural, buried worm of avarice and self-interest hidden within the terrorism of the push to “go with the times,” to accept the iconography of a reality defined, contextualized and illuminated by others.Marie Clements writes, or, perhaps more accurately, composes, with an urbane, incisive and sophisticated intellect deeply rooted in the particulars of her place, time and history.Cast of five women and 12 men.

    A coming of age novel for today, The Age will appeal to readers of Annabel Lyon, Lisa Moore, Heather O'Neill.Set in Vancouver in 1984, as Soviet warships swarm the North Atlantic, The Age follows Gerry, a troubled teenager confronted with her single mom’s newest relationship. When she takes solace in a ragtag group of activists planning a subversive protest at the city’s upcoming peach march, her fascination with the group’s leader, and her struggle with sexual identity creates a rift between Gerry and her best friend, Ian. Bolstered by her grandfather, an eccentric ex-news anchor in the throes of a bitter divorce, Gerry tries to put herself at the centre of the protest group’s violent plot. When the demands of these complex relationship become too difficult, Gerry escapes to the role she knows best, survivor in a post-nuclear dystopia of her own creation. Gerry’s real life and fantasy life alternate and accelerate until a collision of events and consequences forces her towards life or death decisions in both worlds.Electric and engaging, with piercing observation, subversive wit, and the same fearlessness that caused a sensation amongst critics and fans of Dead Girls, The Age is at once a startling post-apocalyptic drama, a harrowing journey through adolescent recklessness and desire, and a dark portrait of a generation molded by nuclear anxiety. Its arrival confirms Nancy Lee as one of Canadian Literature’s most thrilling and compelling voices.

    But this play-within-a-play is not historical drama. Its thought is as modern as today's police states and The Bomb; its theatrical impact has everywhere been called a major innovation. It is total theatre: philosophically problematic, visually terrifying. It engages the eye, the ear, and the mind with every imaginable dramatic device, technique, and stage picture, even including song and dance. All the forces and elements possible to the stage are fused in one overwhelming experience. This is theatre such as has rarely been seen before. The play is basically concerned with the problem of revolution. Are the same things true for the masses and for their leaders? And where, in modern times, lie the borderlines of sanity?

    He was also a lawyer, a public official, a senator, a painter, an authority on Russian literature and a member of the French Academy. As a public official, M rim e travelled through France and Europe, from which he drew inspiration for his stories and novels. His first popular novella, "Colomba," was published in 1840. It is set in Corsica, and tells the story of the della Rebbia family, whose father has been murdered in an ambush, believed by his daughter to have been perpetrated by the town's mayor, Lawyer Barricini. She implores her brother, Lieutenant Orso della Rebbia, to avenge their father's death, but Orso does not share her passionate ancestral pride. His heart is torn between personal vendetta and a propensity to abide by the law.