This, of course, causes consternation among politicians, religious leaders, morticians, and doctors. Among the general public, on the other hand, there is initially mass celebration. Flags are hung out on balconies; people dance in the streets. They have achieved the great goal of humanity: eternal life. Then reality hits home—families are left to care for the permanently dying; life-insurance policies become meaningless; and funeral parlors are reduced to arranging burials for pet dogs, cats, hamsters, and parrots. Death sits in her chilly apartment, where she lives alone with scythe and filing cabinets and contemplates her experiment: What if no one ever died again? What if she, death with a small "d," became human and were to fall in love?

    Her entire family has been struck down with influenza, leaving her alone in the world—except for her cousin Philip. But Philip is bound for Oregon to meet up with Laurel, his fiancée, who’s waiting for him. Though Mary begs him to take her with him on the Oregon Trail, he resists. What would people think? Mary’s plan is simple. They already share a last name. They will pose as husband and wife. The wagonmaster is a firm man—and if he finds out the truth, he’ll force them to marry, dashing Philip’s dreams of a life with Laurel. But Mary promises it will be their secret, and Philip can’t leave her behind after all she’s lost. When Luke Sayer, their half-Indian trail scout, begins to spend evenings at their fireside, other travelers notice the obvious mutual attraction between him and Mary. Though Mary denies it, she struggles to keep her promise without bringing harm to either her dear cousin, Philip, who has risked everything for her—or to Luke, the love of her life. Mary's grit and determination will see her through the hardships and sorrows she encounters, but Luke’s love will give her hope for the future as they WALK THE PROMISE ROAD… “With exquisite details of wagon trains, women and the West, Anne Schroeder takes us on an authentic journey of love and hope giving us characters to cheer for and moments of meaning to cherish.” — Jane Kirkpatrick, Award-winning author of ALL SHE LEFT BEHIND. "The most accurate novel I've ever read on the Trail." — Michael Smith, Oregon Trail Preservation Committee

    Settler wagons in their hundreds left the safety of the Cape Colony; generations on, their descendents are still fighting to keep a land they love...... "For that smallest of moments the two men stared at each other. Between them flew a hundred years, a thousand reasons. Ancient prophecies, the creak of wagons over rough ground and a woman's yearning for infinite horizons, the strengthening of one man's belief and the imminent death of another."From Rhodesia's final years, the clock turns back to the windswept, dusty streets of Kimberley’s infamous diamond fields. For Catherine Goddard and her son, Mathew, their decision to cross the Limpopo as part of a settler wagon train is one borne of desperation and a boy's need to be reunited with his father. For three months their ox-drawn trek wagon stands as their only defence against the African wilderness and the bloodlust of Lobengula Khumalo’s warring impis.Throughout the passage of a hundred years, three racially divided families are fatefully drawn together. Dynasties are shaped and smashed by kings, warrior chiefs and the indomitable lust for power and wealth by men like Cecil Rhodes and the perpetrators of Zimbabwe’s chaotic new order.From the latter part of the nineteenth century, Sons of Africa runs inexorably to the demise of Rhodesia’s white minority rule and the emergence of the new Zimbabwe.

    In this compelling memoir, his first wife, Jane Hawking, relates the inside story of their extraordinary marriage. As Stephen's academic renown soared, his body was collapsing under the assaults of a motor neuron disease. Jane's candid account of trying to balance his 24-hour care with the needs of their growing family reveals the inner strength of the author, while the self-evident character and achievements of her husband make for an incredible tale presented with unflinching honesty. Jane's candor is no less apparent when the marriage finally ends in a high-profile meltdown, with Stephen leaving Jane for one of his nurses and Jane marrying an old family friend. In this exceptionally open, moving, and often funny memoir, Jane Hawking confronts not only the acutely complicated and painful dilemmas of her first marriage, but also the relationship's fault lines exposed by the pervasive effects of fame and wealth. The result is a book about optimism, love, and change that will resonate with readers everywhere.

    But her uncle stole the throne and sent her away to marry Eadmund, the drunken son of their worst enemy. Now she must pick up her sword again to restore her family’s honour and return to the home she loves. Despite her skill with a sword, her prowess in battle, and her reputation as the greatest warrior in Brekka, without her father to protect her, Jael was merely a pawn, a woman to be married off so her uncle could forge an alliance to fulfil his own desperate ambitions.Eadmund is broken hearted, tortured by the murder of his first wife, but his father had lost patience with him. He wanted heirs for his kingdom. He wanted his son back, restored to the fierce warrior he had once been. And when his daughter has a dream about Jael, the woman who would save him, he eagerly jumps at the opportunity to make an alliance with his worst enemy.Jael and Eadmund will fight against their union, but the dreamers know that this marriage is meant to be; it must happen for the sake of all Osterland. For without them... without Jael and her sword, without Eadmund by her side, the five kingdoms will not survive the darkness that is coming to claim them all.

    Since he was five years old he’s been obsessed with the mythic lost city of Weep, but it would take someone bolder than he to cross half the world in search of it. Then a stunning opportunity presents itself, in the person of a hero called the Godslayer and a band of legendary warriors, and he has to seize his chance or lose his dream forever.What happened in Weep two hundred years ago to cut it off from the rest of the world? What exactly did the Godslayer slay that went by the name of god? And what is the mysterious problem he now seeks help in solving?The answers await in Weep, but so do more mysteries—including the blue-skinned goddess who appears in Lazlo’s dreams. How did he dream her before he knew she existed? And if all the gods are dead, why does she seem so real?Welcome to Weep.

    Passionate and principled, she believes in yoga and wants to make a difference. Unfortunately, her studio is hanging by a thread after a slow start. She doesn’t have time for love, and isn’t attachment the root of all suffering anyway?Life isn’t going the way Emily Mackenzie had planned. She’s lost her high-powered corporate job and isn’t coping well. She’s spent her twenties sacrificing her personal life for her career and now she has nothing to show for it. Stressed and struggling, she might just be at her rock bottom. When Emily joins Heart Yoga she finds a lot more than just a good stretch.An unexpected kiss forces Angela to question everything she holds dear, and as Emily gets back on her feet is it wise for her to risk getting involved with someone who’s not looking for love?

    STILL PLAYING THE COUNTRY BUMPKIN TO MAKE ME APPEAR A FOP." So said Lord Monteith during the usual repartee to which he treated Samantha when he stopped with his mama in the country. For her part, Sam had lived for Monty's visits between Seasons as long as she could remember, knowing that she could expect little else from that jaded gentleman. But their innocent flirtation was about to be dashed from a quite unexpected quarter: Monty's middle-aged--and debauched--uncle Howard was returned from India, laden with riches and ready to spend them on a pretty young wife. And when Howard set his cap for Sam, Monty suddenly found that he must protest too much--that is, for just an old and trusted friend....

    Headstrong, accomplished journalist Martha Gellhorn is confident with words but less so with men when she meets disheveled literary titan Ernest Hemingway in a dive bar. Their friendship—forged over writing, talk, and family dinners—flourishes into something undeniable in Madrid while they’re covering the Spanish Civil War.Martha reveres him. The very married Hemingway is taken with Martha—her beauty, her ambition, and her fearless spirit. And as Hemingway tells her, the most powerful love stories are always set against the fury of war. The risks are so much greater. They’re made for each other.With their romance unfolding as they travel the globe, Martha establishes herself as one of the world’s foremost war correspondents, and Hemingway begins the novel that will win him the Nobel Prize for Literature. Beautiful Exiles is a stirring story of lovers and rivals, of the breathless attraction to power and fame, and of one woman—ahead of her time—claiming her own identity from the wreckage of love.

    When her two-year-old son finally falls asleep, Marta and Victor retreat to the bedroom. Undressing, she suddenly feels ill; and in his arms, inexplicably, she dies.What should Victor do? Remove the compromising tape from the phone machine? Leave food for the child, for breakfast? These are just his first steps, but he soon takes matters further; unable to bear the shadows and the unknowing, Victor plunges into dark waters. And Javier Marías, Europe's master of secrets, of what lies reveal and truth may conceal, is on sure ground in this profound, quirky, and marvelous novel.

    The three Bentley children are used to fending for themselves. Their widowed mother has been forced to take a night job at Grant’s clothing factory, and sees them only at breakfast and on Sundays. But at nearly eighteen, and with a job as a housemaid to help make ends meet, Dora is well able to look after her younger siblings Tom and Lily. Then one morning their mother fails to appear for breakfast, and when Dora is told by the gatekeeper at Grant’s factory that no one by the name of Harriet Bentley has ever worked there, the children grow worried. They know their mother loves them, and cannot believe she would deliberately deceive them. With the help of a neighbour, a former policeman who was badly injured during the War, Dora and her siblings start to investigate.

    in the late sixties, sneaking into clubs on the Sunset Strip, sleeping with rock stars, and dreaming of singing at the Whisky a Go-Go. The sex and drugs are thrilling, but it’s the rock and roll she loves most. By the time she’s twenty, her voice is getting noticed, and she has the kind of heedless beauty that makes people do crazy things.Another band getting noticed is The Six, led by the brooding Billy Dunne. On the eve of their first tour, his girlfriend Camila finds out she’s pregnant, and with the pressure of impending fatherhood and fame, Billy goes a little wild on the road.Daisy and Billy cross paths when a producer realizes the key to supercharged success is to put the two together. What happens next will become the stuff of legend.

    The House on the Lagoon is the story of Isabel Monfort and her husband Quintin Mendizabal--the history of a family whose secrets, conflicts and private mythologies add up to the larger story of a nation: Puerto Rico.

    It is 1975, a perfect spring in Istanbul. Kemal, scion of one of the city’s wealthiest families, is about to become engaged to Sibel, daughter of another prominent family, when he encounters Füsun, a beautiful shopgirl and a distant relation. Once the long-lost cousins violate the code of virginity, a rift begins to open between Kemal and the world of the Westernized Istanbul bourgeosie—a world, as he lovingly describes it, with opulent parties and clubs, society gossip, restaurant rituals, picnics, and mansions on the Bosphorus, infused with the melancholy of decay—until finally he breaks off his engagement to Sibel. But his resolve comes too late. For eight years Kemal will find excuses to visit another Istanbul, that of the impoverished backstreets where Füsun, her heart now hardened, lives with her parents, and where Kemal discovers the consolations of middle-class life at a dinner table in front of the television. His obsessive love will also take him to the demimonde of Istanbul film circles (where he promises to make Füsun a star), a scene of seedy bars, run-down cheap hotels, and small men with big dreams doomed to bitter failure. In his feckless pursuit, Kemal becomes a compulsive collector of objects that chronicle his lovelorn progress and his afflicted heart’s reactions: anger and impatience, remorse and humiliation, deluded hopes of recovery, and daydreams that transform Istanbul into a cityscape of signs and specters of his beloved, from whom now he can extract only meaningful glances and stolen kisses in cars, movie houses, and shadowy corners of parks. A last change to realize his dream will come to an awful end before Kemal discovers that all he finally can possess, certainly and eternally, is the museum he has created of his collection, this map of a society’s manners and mores, and of one man’s broken heart.A stirring exploration of the nature of romantic attachment and of the mysterious allure of collecting, The Museum of Innocence also plumbs the depths of an Istanbul half Western and half traditional—its emergent modernity, its vast cultural history. This is Orhan Pamuk’s greatest achievement.

    She's a bossy, fiery red-head. Her handsome brother wants to join the army and fight against Napoleon. But he's all she has and she wants him to become a diplomat instead. She gets a job with an aristocrat hoping he will provide the contacts. Needless to say, it doesn't work out exactly as any of them expects.