Here are stories culled from hundreds of writing programs such as the Iowa Writers’ Workshop and Johns Hopkins and from summer conferences such as Sewanee and Bread Loaf—as well as a complete list of contact information for these programs. This collection showcases tomorrow’s literary stars: Julie Orringer, Adam Johnson, William Gay, David Benioff, Rattawut Lapcharoensap, Maile Meloy, Amanda Davis, Jennifer Vanderbes, and John Murray are just some of the acclaimed authors whose early work has appeared in this series since its launch in 2000. The best new American voices are heard here first.

    Bringing together all of Viorst's best-loved poetry, this collection includes many of the poet's previously out-of-print favorites.

    This year's exceptional volume, edited by Robert Creeley, a figure revered across teh wide spectrum of American poetry, features a diverse mix of established masters, rising stars and the leading lights of a younger generation. The pleasure of the poems selected here, Creeley explains in his introduction, is "that they caught my fancy, some almost outrageously, some by their quiet, nearly diffident manner, some by unexpected turns of thought or insight, others by a confident authority and intent." With comments from the poets elucidating their work, a thought-provoking introduction from Creeley, and Lehman's always popular foreword assessing the current state of poetry, The Best American Poetry 2002 will prove as irresistible to new readers as it is indispensable for poetry fans everywhere.

     MOOSED OPPORTUNITIES—JAN ELDER Rev. Samantha Evans loves Moose Creek, Maine, the land of moose and men, particularly her fiancé Eric Palmer. Forest ranger, Eric, strives to plan their wedding, but Samantha’s busy schedule, his interfering ex-wife, missing college students, and a pregnant moose, all conspire against him. Will their lives continue to be a series of Moosed Opportunities? ZARA’S FOLLY—CLARE REVELL British equestrian, Zara Michaels, heads south to convince TJ Greggson to sell his property to her developer father. Any way she can. TJ co-owns the stables, catering to disabled children—his life’s purpose. His brother wants to sell. TJ doesn’t. Can TJ help untangle Zara from her past follies, or will their secrets destroy them both? A POCKETFUL OF WISHES—MARY MANNERS As childhood neighbors, Jenna Palmer and Carter Stevens discover first love. When a cross-country job transfer separates them, they promise to one day find each other. Years go by and they lose touch until an accident causes their paths to once again cross. Can their promise stand the test of time, or will time crush their promise…and their love? SWEET DELIGHTS—CECELIA DOWDY Patty-Lynn is stunned when she runs into her wealthy ex-boyfriend, Sam. She’s still haunted by their painful breakup seven years ago. Recently widowed, Sam now wants to fix their broken relationship. Seeing Patty-Lynn, happy in her bakery, gives him hope. Can her prize-winning pie recipe sweeten his new business venture and heal their broken hearts? IMPERFECTLY PROVERBS 31—AUTUMN MACARTHUR The last thing geeky Samantha Rose planned for was the homemaking blog only her sister was ever supposed to see going viral. After a disastrous picnic, Daniel Novak, the cynical reporter dispatched to interview her, insists he must reveal the truth. But that could ruin everything, including their budding love. A COURTSHIP FOR CLOVER—MARION UECKERMANN Clover Blume’s chance of getting to know the groomsman escorting her to her sister’s wedding is threatened when he’s delayed. Jonathan Spalding’s money hasn’t managed to buy him one thing: a woman to love. Is the auburn-haired beauty partnering with him at his best friend’s wedding finding a way into his heart? What will it cost Jonathan to realize it profits him nothing to gain the world, yet lose his soul? And the girl.

    Most particularly if she writes poems about death and violence. Or at least that is the lesson that the posthumous careers of Anne Sexton and Sylvia Plath seen to teach us.Reading this new volume of Sexton's previously uncollected poems, one has to wonder what will happen when there are no more half-finished poems left to be published. Will her grocery lists be next?I'm sure that the editor of this volume, Sexton's daughter Linda Gray Sexton, acts out of the desire to complete her mother's oeuvre, and apparently Anne Secton did leave instructions for at least some of her work, the section called "Letters for Dr. Y," to be published after her death. And in all fairness to Linda Gray Sexton I should mention that she and her co-editor Lois Ames did an excellent job of annotating and editing Anne Sexton's collected letters, putting together in A Self-Portroit in Letters (1977) a picture of a remarkably courageous woman and talented artist who fought her madness for many years.The heart of Anne Sexton's work lies in her earliest books - To Bedlam and Part Way Back, Live or Die, All My Pretty Ones. Here searing images take one by surprise, and the poems combine virtuoso technical skill with highly personal material is a way no one dies had ever done before. Yet as she grow older, worn down by her recurring bouts with insanity , Sexton's work grew sloppier, more self-indulgent , repetitive and heavy-handed. Her obsession with death and violence became more and more a part of some personal psychotic heil, more and more distorted each time she wrote, like a drawing one can't quite get right and finally ruins by constant erasure. The poems and the three horror stories in Words for Dr. Y are no exception.I would like to remember Anne Sexton for what I consider to be those extraordinary poems written in the face of great odds - poems like "Music Swims Back to Me," "You, Dr. Martin," "Her Kind." But the continuing publication of her inferior work tends to obscure her real achievement. [susan wood]

    Trivia from the books and the movies. A great gift for children of all ages.

    This well-chosen and comprehensive collection offers a compact and affordable alternative to larger and more expensive anthologies.

    It is a voice thick with the humidity and whirring cicadas of Kentucky, but the poems are dangerous, smelling of the crisp cucumber scent of a copperhead about to strike. Epistolary in nature, and with a novel's arc, Sister is a story that begins with a teen giving birth to a baby girl--the narrator--during a tornado, and in some ways, that tornado never ends. In the hands of a lesser poet, this debut collection would be a standard-issue confession, a melodramatic exercise in anger and self-pity. But melodrama requires simple villains and victims, and there is neither in this richly complex portrait. Ultimately, Sister is more about the narrator's transgressions and failures, more about her relationships to her sister and their mother than about that which divided them. With equal parts sass and sorrow, these poems etch out survival won not with tender-hearted reflections but by smoking cigarettes through fly-specked screens, by using cans of aerosol hair spray as a makeshift flamethrowers, and, most cruelly, by leaving home and trying to forget her sister entirely. From there, each poem is a letter of explanation and apology to that younger sister she never knew.Sister recounts a return to a place that Brown never truly left. It is a book of forgiveness, of seeking what is beyond mere survival, of finding your way out of a place of poverty and abuse only to realize that you must go back again, all the way back to where everything began--that warm, dark nest of mother.

    Martin Luther King called the "beloved community," a place where we see each other as the neighbors we already are. Healing the Divide urges us, at this fraught political time, to move past the negativity that often fills the airwaves, and to embrace the ordinary moments of kindness and connection that fill our days.

    He is considered by Octavio Paz to be instrumental to the genesis of modern Latin American poetry and “one of the best poets” of the Spanish language. Toward the end of his life, he had published for over fifty years and brought in crowds of more than 3,000 to a readings in his native country. Coined the “Sniper of Literature” by Cuban poet Roberto Fernández Retamar, Sabines brought poetry to the streets. His vernacular, authentic poems are accessible: meant not for other poets, or the established or elite, but for himself and for the people.In this translation of his fourth book, Tarumba, we find ourselves stepping into Sabines’ streets, brothels, hospitals, and cantinas; the most bittersweet details are told in a way that reaffirms: “Life bursts from you, like scarlet fever, without warning.” Eloquently co-translated by Philip Levine and the late Ernesto Trejo, this bilingual edition is a classic for Spanish- and English-speaking readers alike. Secretive, wild, and searching, these poems are rife with such intensity you’ll feel “heaven is sucking you up through the roof.” Jaime Sabines was born on March 25, 1926 in Chiapas, Mexico. In 1945, he relocated to Mexico City where he studied Medicine for three years before turning his attention to Philosophy and Literature at the University of Mexico. He wrote eight books of poetry, including Horal (1950), Tarumba (1956), and Maltiempo (1972), for which he received the Xavier Villaurrutia Award. In 1959, Sabines was granted the Chiapas Prize and, in 1983, the National Literature Award. In addition to his literary career, Sabines served as a congressman for Chiapas. Jaime Sabines died in 1999; he remains one of Mexico’s most respected poets.  Philip Levine (translator) was born in Detroit, Michigan, in 1928. He is the author of sixteen books of poetry, most recently Breath (Alfred A. Knopf, 2004). His other poetry collections include The Mercy (1999); The Simple Truth (1994), which won the Pulitzer Prize; What Work Is (1991), which won the National Book Award; New Selected Poems (1991); Ashes: Poems New and Old (1979), which received the National Book Critics Circle Award and the first American Book Award for Poetry; 7 Years From Somewhere (1979), which won the National Book Critics Circle Award; and The Names of the Lost (1975), which won the Lenore Marshall Poetry Prize. He has received the Ruth Lilly Poetry Prize, the Harriet Monroe Memorial Prize from Poetry, the Frank O'Hara Prize, and two Guggenheim Foundation fellowships. Philip Levine lives in New York City and Fresno, California, and teaches at New York University.

    The Elvis Is Alive Museum in Wright City, Missouri. The Velvet Museum (“Velveteria”) in Portland, Oregon. A 13-foot Styrofoam scale model of Stonehenge. The Largest Ball of Twine in Cawker City, Kansas . . . or is it in Darwin, Minnesota? Roadside attractions are the staples of the American road trip. Many are slowly disappearing from our highways and byways. Are they culture or kitsch? Are their creators artists or innovators? Listeners are invited along for the ride to decide for themselves.

    104 pages of gossiping, loving and pestering of the British upper class, accompanied by illustrations, will definitely not disappoint.

    THE HIGHLANDER’S IMPROPER WIFE by Tarah Scott and KyAnn WatersA proper young lady should never attend a Masque...Aphrodite is no lady. Upon the death of her betrothed Lord Blackhall, Lady Caroline Wilmont is promised to his brother. But she refuses to allow her first taste of desire to be at the hands of a man who hates her. Taran Robertson scorns marriage to the Sassenach heiress. The night before his wedding he attends a masque. The vixen he meets and seduces has secrets...secrets that may reveal he’s to have an improper wife.THE LOVE OF A RAKE by Linda Rae SandeAt thirty-five, Randall Roderick, Marquess of Reading, decides it's time to trade in his life as the ‘Rake of Reading’ for the life of a married man. Trouble is, his reputation precedes him. When Constance meets him in the park, she's intrigued by the gentleman she thinks is a well-to-do cit with a fascination for horse racing. Determined to discover what’s become of her inheritance and then return to her home and horses to live as an independent woman, she’s not interested in being courted. Or is she? It may take a bit of horse sense for these two to get on the right track in “The Love of a Rake”.A QUESTION OF LOVE by Angeline FortinThough widowhood freed her from the prison her life had become, Eve was still floundering, trying to rediscover the lively girl she'd once been when her first love Francis MacKintosh, Earl of Glenrothes reappeared in her life. Tempted by passion and the longing to truly live again, Eve struggles between her old self and the new, between yearning to be with him and a determination never to put herself under the thumb of another man - even one she discovers she still loves as much as her Glenrothes. MYRIAH FIRE by Claudy ConnIt started with a stolen kiss.Fiery Myriah Whitney is wild of nature, contrary, and independent. But when her father catches her kissing the handsome Sir Roland (how else is she to determine if he is the one who will make her feel thunder and lightning, hear bells and music?), he declares that her days of headstrong independence are over. She will, he commands, announce her engagement to Sir Roland—immediately.But in an age where marriages are about alliances rather than affection, practicality not passion, Myriah wants more—she wants to fall in love. And she does not love Sir Roland. So she runs away to her grandfather with her faithful manservant, Tabson, at her side. A wrong turn in the fog, however, leads to the discovery of an injured young man, and before she knows it Myriah is caught up in world of intrigue and secrets. And when she meets the young man's older brother, the mysterious Lord Kit Wimborne, the sparks fly. Their first encounter—in his bed, both of them naked, no less!—is an explosion of wills, and it is what finally sets Myriah on fire.She has, it seems, finally found her thunder and lightning. LOVING THE MARQUESS by Suzanna MedeirosTo save her family from destitution, Louisa Evans must turn to the head of the family that ruined hers. But the Marquess of Overlea hides a secret that will turn her whole world upside down.

    This issue is devoted to currents of all kinds, and to barriers that check them

    Along the way Young riffs on Basquiat's paintings and sayings, on the music he loved, on the artists he ran with (Andy Warhol and Keith Haring, among them), and on the black heroes (Charlie Parker, Muhammad Ali, Billie Holiday) who inspired him.Young's poetic channeling of Basquiat--a jostling, poignant brand of downtownspeak--makes for an urban epic in the tradition of Langston Hughes's "A Dream Deferred." To Repel Ghosts, along with Young's Jelly Roll: A Blues and Black Maria, his recent book of film noir verse, forms an American trilogy--Devil's Music--that explores other art forms through poetry. In its creation, Yound has become a poet whose work speaks both for and beyond his genre, with a music all its own.