When you see them, you know he s found you.Koda Okita is a high school student in modern-day Japan who isn't very popular. He suffers from narcolepsy and has to wear a watermelon-sized helmet to protect his head in case he falls. But Koda couldn't care less about his low social standing. He is content with taking long bike rides and hanging out in the convenience store parking lot with his school-dropout friend, Haru.But when a rash of puzzling deaths sweeps his school, Koda discovers that his narcoleptic naps allow him to steal the thoughts of nearby supernatural beings. He learns that his small town is under threat from a ruthless mountain demon that is hell-bent on vengeance. With the help of a mysterious - and not to mention very cute classmate - Koda must find a way to take down this demon. But his unstable and overwhelming new abilities seem to have a mind of their own

    Rankine's questions disrupt the false comfort of our culture's liminal and private spaces--the airport, the theater, the dinner party, the voting booth--where neutrality and politeness live on the surface of differing commitments, beliefs, and prejudices as our public and private lives intersect.This brilliant arrangement of essays, poems, and images includes the voices and rebuttals of others: white men in first class responding to, and with, their white male privilege; a friend's explanation of her infuriating behavior at a play; and women confronting the political currency of dying their hair blond, all running alongside fact-checked notes and commentary that complements Rankine's own text, complicating notions of authority and who gets the last word.Sometimes wry, often vulnerable, and always prescient, Just Us is Rankine's most intimate work, less interested in being right than in being true, being together.

    It contains eleven previously published stories and five new ones. Included are the Sevenwaters novella, "’Twixt Firelight and Water", the epic Nordic story, "Otherling", and "In Coed Celyddon", a tale of the young man who would one day become King Arthur. The title story, especially written for the collection, concerns an old Scottish wise woman facing an impossible moral dilemma. Other new stories in the book include "By Bone-Light", a contemporary retelling of the Russian fairy tale "Vasilissa the Wise", and "The Angel of Death", a dark story about a puppy mill rescue.

    Tied to their ancestral and adopted homelands in ways unimaginable in generations past, these memorable characters straddle both worlds but belong to none.From a Hong Kong movie idol fleeing a sex scandal, to an obedient daughter turned Stanford imposter, to a Chinatown elder summoned to his village, to a Korean-American pastor with a secret agenda, the characters in these ten stories vividly illustrate the conflict between self and society, tradition and change. In “What We Have is What We Need,” winner of The Atlantic student fiction prize, a boy from Mexico reunites with his parents in San Francisco. When he suspects his mother has found love elsewhere, he fights to keep his family together.With insight and wit, she writes about what wounds us and what we must survive. Her searing stories explore the clash of cultures and the complex, always shifting allegiances that we carry in ourselves, our family, and our community. Deceit and Other Possibilities marks the emergence of a remarkable new writer.

    A group of Jewish friends take the trip of a lifetime. A girl meets her new boyfriend's family over Shabbat dinner. Two best friends put their friendship to the test over the course of a Friday night. A Jewish girl feels pressure to date the only Jewish boy in her grade. Hilarious pranks and disaster ensue at a crush's Hanukkah party. From stories of confronting their relationships with Judaism to rom-coms with a side of bagels and lox, It's a Whole Spiel features one story after another that says yes, we are Jewish, but we are also queer, and disabled, and creative, and political, and adventurous, and anything we want to be. You will fall in love with this insightful, funny, and romantic Jewish anthology from a collection of diverse Jewish authors.

    When she disappears, only Tash holds the key that might bring her back.Tash didn't want to go to camp, didn't want to spend the summer with a bunch of strangers, didn't want to be separated from the only two people she has ever been able to count on: her uncle Kevin, who saved her from foster care, and Cap'n Jackie, who lives next door. Camp turns out to be pretty fun, actually, but when Tash returns home, Cap'n Jackie is gone. And Tash needs her — the made-up stories of dolphin-dragons, the warm cookies that made everything all right after a fight, the key Cap'n Jackie always insisted had magic in it. The Captain always said all Tash had to do was hold it tight and the magic would come. Was it true? Could the key bring Cap'n Jackie back? In a heartfelt and stunningly written story, Pat Schmatz introduces readers to a tenacious, fiercely loyal girl struggling to let go of the fantasies and fears of her childhood . . . and say yes to everything that lies ahead.

    Yet there is magic . . . everywhere. New portals begin to open when Echo transfers to the rich school on the West Side, and an insightful teacher becomes a pivotal mentor. Each day, Echo travels between two worlds, leaving her brothers, her friends, and a piece of herself behind on the East Side. There are dangers to leaving behind the place that made you. Echo soon realizes there is pain flowing through everyone around her, and a black veil of depression threatens to undo everything she’s worked for.Heavily autobiographical and infused with magical realism, Black Girl Unlimited fearlessly explores the intersections of poverty, sexual violence, depression, racism, and sexism—all through the arc of a transcendent coming-of-age.A powerful memoir for fans of Piecing Me Together by Renee Watson and American Street by Ibi Zoboi.

    When Sarah reclaims Jeremiah from his foster parents, he finds himself catapulted into her world of motels and truck stops, exposed to the abusive, exploitative men she encounters. As he learns to survive in this harrowing environment, Jeremiah also learns to love his mother, even as she descends into drug-fueled madness. Told in spare, lyrical prose, rich with imagination and dark humor, The Heart Is Deceitful Above All Things transforms the savagery of Jeremiah's world into an indelible experience of compassion. This special edition includes an additional seven stories, previously uncollected, by JT LeRoy, the literary persona of Laura Albert.

    It is the family story of Celia del Pino, and her husband, daughter and grandchildren, from the mid-1930s to 1980. Celia's story mirrors the magical realism of Cuba itself, a country of beauty and poverty, idealism and corruption. DREAMING IN CUBAN presents a unique vision and a haunting lamentation for a past that might have been.

    Readers celebrate her creative play with fantasy and admire her deep engagement with trauma, history, and the vagaries of remembrance.In this collection's title work, There a Petal Silently Falls, Ch'oe explores both the genesis and the aftershocks of historical outrages such as the Kwangju Massacre of 1980, in which a reported 2,000 civilians were killed for protesting government military rule. The novella follows the wanderings of a girl traumatized by her mother's murder and strikes home the injustice of state-sanctioned violence against men and especially women. "Whisper Yet" illuminates the harsh treatment of leftist intellectuals during the years of national division, at the same time offering the hope of reconciliation between ideological enemies. The third story, "The Thirteen-Scent Flower," satirizes consumerism and academic rivalries by focusing on a young man and woman who engender an exotic flower that is coveted far and wide for its various fragrances.Elegantly crafted and quietly moving, Ch'oe Yun's stories are among the most incisive portrayals of the psychological and spiritual reality of post-World War II Korea. Her fiction, which began to appear in the late 1980s, represents a turn toward a more experimental, deconstructionist, and postmodern Korean style of writing, and offers a new focus on the role of gender in the making of Korean history.