One that includes being spanked, tied up, and at another man’s mercy. It’s a good thing that Knots, his club of choice, has everything he’s lusting for, and more.Nicholas, an alpha wolf who’s so gorgeous that his good looks should be legal, is going to be the Dom to give it to him.First story in the paranormal knots series, this book features a human who loves ouchies and his wolf mate who loves delivering spankings.

    

    Part-robot, part-human. Even now, with our pacemakers, our holographic eyewear, our cybernetic limbs, it is difficult to deny that we are approaching an age when the line between humankind and machine is beginning to blur.In this latest title in the acclaimed Future Chronicles series of speculative fiction anthologies, twelve authors face the question: In the age of the cybernetic organism, in a world where electro-mechanical components are beginning to take the place of biological limbs, what is the measure of a man?The Cyborg Chronicles features stories by Hugo Award-winner Ken Liu (The Grace of Kings), USA Today bestselling author and Alfie Award-winner Annie Bellet (Twenty-Sided Sorceress) and ten more of today's top speculative fiction writers.

    Content advisory: violence

    Contains:Introduction"A Dead Singer" (1974) novelette"The Greater Conqueror" (1963) novelette"Behold the Man" (1966) novella"Good-Bye, Miranda" (1964) short fiction"Flux" (1963) novelette"Islands" (1963) short story"Waiting for the End of Time..." (1970) short story

    They are a product of the Love Is Always Write promotion sponsored by the Goodreads M/M Romance Group and are published as a free gift to you.What Is Love Is Always Write?The Goodreads M/M Romance Group invited members to choose a photo and pen a letter or story prompt asking for a short M/M romance story inspired by the image; authors from the group were encouraged to select a letter or story prompt and write an original tale. The result was an outpouring of creativity that shone a spotlight on the special bond between M/M romance writers and the people who love what they do. Nearly 150 stories were submitted and published as a ten volume set – as well as an additional special bonus volume with three novel-length stories – titled Love Is Always Write; this edition is Volume Ten. Whether you are an avid M/M romance reader or new to the genre, you are in for a delicious treat.Stories in Volume 10: TIME ENOUGH – Kiernan Kelly (science fiction/time TO KEEP A SMILE – Valentina Heart (contemporary/family drama) TUMBLEWEED – S.A. Meade (contemporary/cowboy)UNDERWATER SECRETS – Charlie Richards (paranormal/merman)USING BROKEN WINGS TO FLY – Eden Connor (contemporary/PTSD)THE VAMPIRE AND THE BEAR – Deanna Wadsworth (paranormal/vampire)THE WAR AT THE END OF THE WORLD – Heidi Belleau and Violetta Vane (historical/writer)WEST, HAVEN – Jenna Jones (contemporary/musicians) WHERE THE LAND GOES ON FOREVER – S. A. McAuley (contemporary/scientist)A WHISPERED CRY – Sammy Goode (fantasy/military) WITH THIS RING – Jeff Erno (contemporary/intergenerational)THE WOLF AT MY DOOR – Pia Veleno (contemporary/mild bondage)Words of Caution:The stories in this collection are sexually explicit and intended for adult readers. Some stories may contain content that is disagreeable or distressing to some readers. The M/M Romance Group strongly recommends that each reader review the General Information section before each story for story tags as well as for content warnings.

    The Prince of the Moon desperately seeks to break the curse on his kingdom, but will the stranger who arrives to help him prove to be only a hindrance? In Learning to See a man saves his family by sacrificing everything to a stranger in a mysterious castle. Cinder-Elle lost his birthright alongside his vision, and his dreary days are brightened only by a man he met by chance in the marketplace, a man about whom he knows very little … and Capture the Moon is about a woman who leaves home in the guise of a boy to see what the world has to offer.

    Become entranced with the basic struggle of good vs. evil as you travel to a galaxy far, far away.

    It was first published in the September 1946 issue of Astounding Science Fiction and reprinted in the collections I, Robot (1950), The Complete Robot (1982), and Robot Visions (1990).Many people choose to see Asimov's treatment of technophobia as an allegory to the antisemitism with which he was bitterly familiar; he wrote Evidence during Army service shortly after World War II.

    When he met the hauntingly gorgeous wanna-be actor Scot Townson, they were both freshman in college. Drue had never even considered being with a guy before Scot. But the night before graduation when their two naked bodies met, it shaped the rest of Drue’s life. How do you live the rest of your life after you’ve been with the sexiest man alive? Drue’s answer? A lot of sex. Who would have guessed that destiny would lead him to the love of his life? And could his true love be Scot? Written by international bestselling author A. Anders, this super-steamy stand-alone includes explicit MF, MM and MMF scenes as well as an HEA ending. Filled with the twists and turns of a complicated love story, ‘Before He Was Famous: MMF Bisexual Romance’ will bring you to tears as intensely as it turns you on.

    Keith Hartman's "Sex, Guns and Baptists" gives a disturbing view of how the world could become if the Christian fundamentalists continue gaining political ground; Ralph Sperry's delightful aliens in "On Vacation" are refreshingly similar to us: shy workaholics, exasperated lovers, good with machines; Ellen Klages takes a '90s dyke back forty years to 1950s San Francisco where she discovers her modern sensibilities are utterly alien to the lesbians of the time. These stories explore physical, emotional, and moral landscapes vastly different from the familiar -- where nothing is as it seems.This group of talented newcomers and award-winning genre veterans includes Jim Grimsley, Mark W. Tiedemann, Charles Sheffield, Carrie Richerson, Keith Hartman, Nancy Kress, Richard Bamburg, L. Timmel Duchamp, Charles Sheffield, Don Bassingthwaite, and many others.

     LOST VEGAS Steve Brewer Nick Papadopoulos used to be a button man for the Mob. Now he's the front man for an aging casino in Fowler, Nevada, an isolated backwater known as "Lost Vegas." Nick's stuck in a rut and deep in debt. Then he gets an idea: If someone would only rob his casino, he could collect on the insurance and get out from under. Tony Zinn runs a heist crew in San Francisco. He's never even heard of Fowler, Nevada. But Nick makes him an offer that's almost too good to be true. Neither man expects interference from rival casino owner Big Jim Kelton or his hired goon, a huge Samoan named Shamu. But once they're involved, it can only end in bloodshed. Filled with twists and double-crosses, LOST VEGAS is Steve Brewer at his best. FENDER BENDERS Bill Fitzhugh Eddie Long plans to be a country music star but he's stuck touring the college frat circuit. But after his nagging wife apparently dies at the hands of a serial killer, Eddie writes the best song of his life and it goes straight to number one. Eddie's friend, freelance writer Jimmy Rogers, senses a great opportunity and sets out to write the life story of Nashville's newest sensation. But Jimmy's research unearths some troubling facts about the death of Eddie's wife, facts that could ruin Eddie's burgeoning career—while making Jimmy a star of the publishing world. Throw in a beautiful and opportunistic country radio DJ, a pair of wily record producers, and a naive young singer-songwriter, and the stage is set. Everybody plans to make a killing—one way or another. It's murder on Music Row, where things don't always turn out as planned. Fender Benders won the Lefty Award (best humorous novel) at the Left Coast Crime Convention 2001. FAVOR (Stanley Hastings Mystery Book 3) Parnell Hall It was just a simple favor. Drive down to Atlantic City, check out Sergeant MacAullif's son-in-law, and see why his daughter wasn't happy in her marriage. Stanley Hastings started following the guy around, and quickly found himself involved with notorious loan sharks, sleazy private eyes, fat-cat casino owners, and crooked blackjack dealers, not to mention two dead bodies. Stanley had no idea who killed them, or why, but all the clues seemed to point to the son-in-law. Only the witness blew the ID and the cops arrested Stanley instead. Taking the fall for homicide is a hell of a favor. Stanley was in over his head, so he did the one thing he never thought he'd do in his life. He hired a private eye! HABEAS PORPOISE (Solomon vs Lord series) Paul Levine The love-hate relationship of Solomon & Lord continues. Sure, opposites attract, but they argue, too! This time, it starts with the kidnaping of two trained dolphins from Miami’s Cetacean Park. When one of the ecoterrorists behind the raid turns up dead, his partner in eco-crime is charged with homicide, even though he didn’t pull the trigger. It’s called “felony murder,” and Solomon thinks it’s a bum rap. What he doesn’t count on is his lover and law partner Victoria Lord being named a special prosecutor. Conflicts-of-interest abound, and Steve is up to his old tricks. At least, the mismatched legal duo agree on something...each one vows to win the case! GUILT TRIP (Blanco County Mysteries, Book 4) Ben Rehder Life in rural Blanco County, Texas, isn't what most folks would call exciting—and that suits game warden John Marlin just fine. But when the tequila-slamming, skirt-chasing treasurer of the local Rotary Club goes missing and his vehicle is found in the river the day after a flood, Marlin finds himself in charge of the search efforts.

    Simak (1904-1988). When the Science Fiction Writers of America began bestowing their Grand Master awards, Simak was the third writer so honored. Only Robert Heinlein and Jack Williamson preceded him, and he received his award before such luminaries as Fritz Leiber, Isaac Asimov, and Ray Bradbury. Simak earned this distinction by producing, over a long period of time, a significant body of popular, respected, often award-winning work, including his classics City and Way Station, and many shorter works, eight of which are contained in this collection. Readers unfamiliar with Simak are in for a treat. More than half of the stories here were among the best stories of their respective years. "The Big Front Yard" (1958) won a Hugo. "A Death in the House" (1959) was selected by Judith Merril for Year's Best SF: Fifth Annual Edition. "Over the River and Through the Woods" (1965) made the cut for World's Best Science Fiction: 1966 edited by Donald Wollheim.Contents: A Death in the House The Big Front Yard Goodnight Mr. James Dusty Zebra Neighbor Over the River & Through the Woods Construction Shack Grotto of the Dancing Deer [He] wrote for so long and always so well that his excellence came to be taken for granted, as we take sunlight for granted until we go blind. - Poul Anderson I read Cliff's stories with particular attention, and I couldn't help but notice the simplicity and directness of the writing - the utter clarity of it. I made up my mind to imitate it, and I labored over the years to make my writing simpler, clearer, more uncluttered, to present my scenes on a bare stage. - Isaac Asimov Without Simak, science fiction would have been without its most humane element, its most humane spokesman for the wisdom of the ordinary person and the value of life lived close to the land. - James Gunn Good fantasy - and that includes science fiction - takes off from the known for its flights into the new. Cliff Simak was a master of the art. His known was the rural Midwest that he loved. His new could reach to the ends of space and time, but never beyond reality. Even his cosmic aliens always had half human dimensions that made them believable. I loved him, as so many did, for his unfailing warmth and a wit that was keen but never cruel. I heard from him often during the painful time after his wife's death. His own death touched me deeply, and I'm happy to see him remembered with this collection of his best-loved stories. - Jack Williamson I always loved his stories, short or long. He made me love them -and the rural America of his childhood - as much as he did. - Lester del Rey Ten years ago it would have been inconceivable that a volume of the best stories of Clifford Simak (author of the classic City) would not have been published by Putnam or Del Rey, but today we have to be grateful to the one-man firm of Tachyon Publications for preserving Over the River and Through the Woods, which includes some of Simak's best stories, including two Hugo Award winners. After all, Simak is dead, which means his career is flatlined, even if Robert Heinlein said, "to read science fiction is to read Simak. The reader who does not like Simak stories does not like science fiction at all." Simak was a master of a special kind of nostalgic science fiction that reconciled the values of his youth (the rural Midwest of the 1920s) with the larger universe. Material that became ludicrous cliche in the hands of lesser writers - all those endless flying saucers landing in the hillbilly's back acre - was by Simak handled with elegance and dignity."A Death in the House" is typical: A farmer finds a dying alien. He does what he can, but that's very little. The farmer conceals the grave, wanting to give his "guest" that much dignity. But the alien is plantlike. It (or its young) sprouts out of the corpse. Human and alien struggle toward understanding. In "The Big Front Yard," a rural handyman finds his house transformed into a gateway to other worlds. The common people have the good sense; trouble starts when profiteers and the government get involved. The tone is light, friendly and clever. This is not to suggest that Simak was a writer with no hard edges. "Good Night Mr. James" is a horror story, about a duplicate human being created to destroy a particularly nasty alien illegally smuggled to Earth. But the gentler mode was more typical, and he could also write humor. "Dusty Zebra" is a long technological joke, maybe a bit slight to be included when a 50-year career must be distilled into 218 pages. Simak's last story, the last in the book, "The Grotto of the Dancing Deer," is about an immortal caveman, quite different from de Camp's "Gnarly Man." He is the original artist who painted that cave art the scientists keep finding; after all this time, he just has to tell someone. The story won both the Hugo and the Nebula for 1980, because both readers and fellow professionals wanted to say "thank you." - The Washington Post Book World Clifford D. Simak is another classic SF writer who staked out a distinctive territory based on his rural midwestern roots - only a couple hundred miles north of Bradbury's - but he never strayed very far from a few classic SF themes which he treated with considerably more rigor than Bradbury, if sometimes with as much sentimentality. Simak's City is at least as important to the history of SF as Bradbury's The Martian Chronicles - some would say more so, given its more challenging conceptual framework - and his other short stories are among the most enduring in the genre, as Over the River & Through the Woods, a new limited edition from Tachyon Publications, attests. Yet Simak, like Sturgeon, seems in danger of fading into the limbo of historical anthologies; while his work was once as widely available as that of any of the giants, today these stories seem almost like new discoveries - and are just as fresh. Part of the reason may be not that Simak's folksy language seems to belie the underlying sense of alienation and tragedy that characterizes much of his work; part may be due to the rediscovery of American regional idioms among younger SF writers from Terry Bisson to Nancy Kress . . . 'Over the River & Through the Woods' contains eight Simak stories from 1951 through 1980 - which means it includes none of the classic stories like "Desertion" or "Huddling Place", which later went to make up City, but does include his late Hugo and Nebula-winning masterpiece "The Grotto of the Dancing Deer" and the Hugo-winning "The Big Front Yard." One of the first things that comes to mind when rereading the latter story after several years - it concerns a characteristically laconic farmer with a dog named Towser (the only name Simak seems to have permitted for dogs) who finds on his property a gateway to distant worlds - is that few contemporary writers would have let such a simple and elegant premise be confined to a novella. Simak's focus is on the unimpressed rustic whose very lack of response to the wonder at his doorstep intensifies our own. When a rustic is impressed by an alien presence, such as in "A Death in the House," it is less likely to be from a sense of wonder than from a sense of companionship. Simak's roots may be firmly in SF, but he writes of alien encounters in a way Willa Cather might have written of them. Aliens are strange but unthreatening, and in some cases (as in "Neighbor") they can turn the entire neighborhood into a pastoral Shangri-la, isolated from the outside in a way that encapsulates what must be Simak's own drams of lost innocence. But Simak could write about more than wonderful things happening to remote farmers. "Good Night, Mr. James" is a very early treatment (1951) of what we would today call a cloning story, done with the kind of cynical humor that is needed for what is essentially a double- and triple-cross tale. It reveals Simak's healthy streak of humor, as does "Dusty Zebra," in which trivial objects are zapped into another dimension in return for high-tech wonders. "Construction Shack" ironically explores an almost Stapledonian notion of whole solar systems being engineered by ancient aliens (Pluto is the construction shack of the title), cast in terms of the matter-of-fact space jockeys so familiar from pulp SF. Simak may be at his best, however, when his theme is isolation and abandonment. The title story concerns children from the future sent back to the refuge of the 1890s. The best tale in the collection and one of the high points of Simak's late career, "The Grotto of the Dancing Deer," concerns an anthropologist who comes to realize that his assistant seems to know far too much about certain ancient cave paintings, and may in fact have been their creator. Simak's evocation, in a few pages, of the sheer loneliness of immortality and the daunting perspectives of time involved, again could be a lesson to a generation of younger writers, and reminds us brilliantly of what Simak was capable of. - Locus

     Stuck in the desert with a crazy stuntman, insane script, and cheap sets, I'm the star in the world's worst movie. On top of that, I have a sexy-as-sin bodyguard watching my every move, hired to protect me -and the production- from myself. He's always there, and I can't get him out of my head. Lucas Baxter, a six foot slab of stud with a rock hard bod, arrogant swagger, and take-no-prisoners attitude. Suddenly I'm up at the crack of dawn when I'm used to the crack of noon. His job is to keep me safe, but his role is to keep me in line... and I'm loving every minute of it. I can't think when he's around, not with his rippling muscles sweating in the desert heat. As soon as I laid eyes on him my long-suppressed attraction to men came roaring back. Forget the script, the only lines I want to learn are the cut shape of his muscular body, and the only thing I want to know is the haunting longing behind his eyes. One look from him and my mask slips, and I'm shaken to the core. I'm ready to take the plunge. I know if I run he'll catch me, and our game of cat and mouse will end with him taking me, heart and soul... but I might lose it all.

    The Last Herald-Mage contains Magic's Pawn, Magic's Promise and Magic's Price.