The exalted, memorable characters in Kirn's acclaimed debut short story col lection confront the real hard bargains in life that spring up from the business of simply living, and Kirn transforms these hard-luck stories into strapping moral lessons which evoke the bonds that unite us all.

    An upright, unmarried spinster, Louisa has spent her life looking after others. In the aftermath of a hurricane that turns her life upside down, she finds a battered diary kept by one of her ancestors. The journal recounts the story of Diana, a 19th-century slave who worked for the Hilliards, but sought to improve her life and her means, and was severely punished. Diana's fate is gradually revealed, even as Louisa discovers objects in her house missing, moved, dented, and seemingly handled by an unappeasable presence. In some small way trying to set right age-old wrongs, Louisa discovers how her own life is entangled in her family's haunted history. So Far Back is a nuanced and resonant portrait of two families sharing an enduring past and an uneasy present.

    “One day I was feeding chickens and listening to Hank Williams and the next day I was expected to know what wines went with what,” she tells her husband, Jack. Yet no matter where she travels, her rural southern heritage is never far from her thoughts, her habits, and her heart.Nancy is on a lifelong quest to understand her place in the world. Returning home to the family farm, she searches for photographic evidence of an ancestor bearing her own name. Still in her jeans, she brings home strange ideas and an assertiveness she learned up north. Always adventurous, Nancy travels far and wide–searching, seeking. The narrative sweep of her life traverses the turbulent sixties, the Vietnam War, the eighties and the foreboding death of John Lennon, and finally the new millennium–when a self-assured Nancy finally emerges. These humorous and often touching stories recount her courtship and marriage to Jack, her relationship with her precocious son, and the deep, loving bond between her parents, Spence and Lila Culpepper. Eventually Nancy’s marriage is threatened by a cultural divide that plagued her and Jack from the start. But when she inherits the Culpepper family farm and discovers more pieces of her ancestral puzzle, she realizes that her life is assuming its proper shape. Later, standing on a lonely mountain in England, she sees the world from a surprising perspective. Bestselling author Bobbie Ann Mason’s prizewinning Nancy Culpepper chronicles have appeared in The New Yorker, The Boston Globe, The Southern Review, and other distinguished literary anthologies. She has compiled these stories into one definitive collection, which includes the novella Spence + Lila, two new, never-before-published stories, and one Pushcart Prize winner. Heartfelt and thought-provoking, Nancy Culpepper is a poignant depiction of change and growth in a modern-day heroine.From the Hardcover edition.

    With reminiscence and narration, a local sheriff must comb through his own humid world to unravel the truth behind the death of a local boy. But it’s not as easy as it seems, because no one is talking. The Other Side of the Bay is a remarkable portrait of the unique people in the Panhandle of Florida. The story weaves itself into the tall longleaf forests, and along the crests of the uneasy bay, telling a tale of the human spirit. This is a novel of how things aren't always as black and white as they ought to be, and how right and wrong aren't always easy to tell apart. It's an evocative tale that delivers its reader to the apricot sun rises and sepulchral storm clouds of their own bittersweet memories.

    Some move toward the future heartened by what they learn from those around them--a tattoo artist, an invented medicine man, zoo animals, strangers, fellow outsiders. Deftly rendered, these stories abound with oddness and grace.In “Tattooizm,” included in The Best American Short Stories 2006, a young woman struggles with a promise that her boyfriend is determined to make her keep. In the Nelson Algren Award–winning “Space,” a reluctantly undertaken errand forces a young man to finally confront the death of his mother. And in “The Medicine Man,” hailed by the Times (U.K.) as “perfectly pitched and perfectly written,” a man recounts his manic attachment to his sister.Moffett’s closely observed stories are candid and complex, funny and moving. The world of Permanent Visitors is an idiosyncratic and generous one, its inhabitants searching for constancy in a place crowded with contradiction.

    William Gay is well known for his fiction but he is also widely published with his essays, mostly dealing with music, and his memoirs. This is the first collection that includes his nonfiction prose. The elegant use of language that his readers have come to expect is as evident in his collected prose as it is in his novels.

    Included here is Crown-Fire, Country Full of Swedes, The Windfall, Horse Thief, Yellow Girl and Kneel to the Rising Sun.

    These people tell us the truth–not only about themselves, their relationships, and their lives, but about ourselves as well. A Perfect Stranger powerfully and affectingly examines the complex, intricate network of experiences that binds us to one another. These stories are tender, raw, lovely, fine–and they reaffirm Roxana Robinson’s place at the forefront of modern literature.

    Because of an unhealthy relationship with the bottle, he’s ruined his reputation as one of the South’s preeminent commissioned metal sculptors. And his desperate turn to ice sculpting might’ve led to a posse of angry politicians on his trail. With the help of his sane and practical potter wife, Raylou, Harp understands that it’s time to return to the mig welder. Yes, it’s time to prove that he can complete a series of twelve-foot-high metal angels—welded completely out of hex nuts—for the city of Birmingham. Is it pure chance that the Elbow Boys, their arms voluntarily fused so they can’t drink, show up in order to help Harp out in a variety of ways? And why did his neighbor smuggle anteaters into desolate Ember Glow? Is it true that there’s no free will?

    This book is lyrical, witty, ironical, and touched by nostalgia for childhood. It's a pure delight.

    How did he allow the other person to die? How did he help the other person to hang himself to death? He was terribly upset about this. The moment his eyes saw a rope in any form he used to remember everything.........

    Despite the direst of circumstances, the spirit of the lost child refuses to leave her ill-equipped young mother's side.For as long as she is needed―through troubled pregnancies, through poverty, through spousal abuse and agonizing betrayals―Cieli Mae, the determined spirit child, narrates their journey. Serving as a safe place and sounding board for Vidalia's innermost thoughts and confusions, lending a strength to her momma's emerging voice, Cieli Mae provides her own special brand of comfort and encouragement, all the while honoring the restrictions imposed by her otherworldly status.Vidalia finds further support in such unlikely townsfolk and relations as Doc Feldman, Gamma Gert and her Wild Women of God, and, most particularly, in Ruby Pearl Banks, the kind, courageous church lady, who has suffered her own share of heartache in their small Southern town of yesteryear's prejudices and presumptions.My Sweet Vidalia is wise and witty, outstanding for its use of vibrant, poetic language and understated Southern dialect, as well as Mantella's clear-eyed observations of race relations as human relations, a cast of unforgettable characters, an in-depth exploration of the ties that bind, and its creative perspective. My Sweet Vidalia is a rare, wonderful, and complex look at hope, strength, the unparalleled power of unconditional love, and a young mother's refusal to give up.

    For a brief and cherished time there was a woman, and then a child, too, who had been a kind of salvation to him. Then they were gone, leaving Ellis to carry on with the burden of what he had done to them, of the ruin he brought down upon them all.In The Sweet Everlasting, Ellis is seventy-four. Moving back and forth over his life, he recalls his Depression-era boyhood, the black family who worked the neighboring farm, his time in prison, and the subsequent years adrift, working at jobs no one else would take and longing for another chance to rejoin what is left of his family. Ever in the background are the memories of his wife, Susan, and their boy, W.D.--how Ellis drew on her strength and his innocence to resist everything that threatened to harden him: the shame that others would have him feel, the poverty he had known, and the distorted honor and pride he had seen in others and that he knew was inside him, too.Like the hero of William Kennedy's masterpiece, Ironweed, Ellis Burt is a man of uncommon personal dignity and strength, always moving toward, but never expecting, redemption.

    Now the stories alone are available for the first time in trade paperback.

    and the Florida Crackers -the zany but lovable folks who populated the remote hamlet that was Marjorie Rawlings’ home. With a gift for humor and a venerable ear for dialect comes the author’s personal accounts of the people, scenery and wildlife of Cross Creek.Short Stories:A Crop Of BeansBenny and the Bird DogsJacob’s LadderThe PardonVarmintsThe EnemyGal Young UnAlligatorsA Plumb Clare ConscienceA Mother In MannvilleCocks Must Crow