In her most passionate novel yet, she brings us the riveting story of two sisters, and a love that illuminates life.You won’t forget Elf and Yoli, two smart and loving sisters. Elfrieda, a world-renowned pianist, glamorous, wealthy, happily married: she wants to die. Yolandi, divorced, broke, sleeping with the wrong men as she tries to find true love: she desperately wants to keep her older sister alive. Yoli is a beguiling mess, wickedly funny even as she stumbles through life struggling to keep her teenage kids and mother happy, her exes from hating her, her sister from killing herself and her own heart from breaking. But Elf’s latest suicide attempt is a shock: she is three weeks away from the opening of her highly anticipated international tour. Her long-time agent has been calling and neither Yoli nor Elf’s loving husband knows what to tell him. Can she be nursed back to “health” in time? Does it matter? As the situation becomes ever more complicated, Yoli faces the most terrifying decision of her life.All My Puny Sorrows, at once tender and unquiet, offers a profound reflection on the limits of love, and the sometimes unimaginable challenges we experience when childhood becomes a new country of adult commitments and responsibilities. In her beautifully rendered new novel, Miriam Toews gives us a startling demonstration of how to carry on with hope and love and the business of living even when grief loads the heart.

    The Gage family had been travelling to a new life in Fort McMurray, but bruises on the mother, Lorraine, prove to be late-stage cancer rather than remnants of the accident. Recognizing their need as her responsibility, Clara tries to do the right thing and moves the children, husband and horrible grandmother into her own house--then has to cope with the consequences of practical goodness.As Lorraine walks the borders of death, Clara expands into life, finding purpose, energy and unexpected love amidst the hard, unaccustomed work of sharing her days. But the burden is not Clara's alone: Lorraine's children must cope with divided loyalties and Lorraine must live with her growing, unpayable debt to Clara--and the feeling that Clara has taken her place.What, exactly, does it mean to be good? When is sacrifice merely selfishness? What do we owe in this life and what do we deserve? Marina Endicott looks at life and death through the compassionate lens of a born novelist: being good, being at fault, and finding some balance on the precipice.

    When his father dies, Anil becomes the de facto head of the Patel household and inherits the mantle of arbiter for all of the village’s disputes. But he is uneasy with the custom, uncertain that he has the wisdom and courage demonstrated by his father and grandfather. His doubts are compounded by the difficulties he discovers in adjusting to a new culture and a new job, challenges that will shake his confidence in himself and his abilities.Back home in India, Anil’s closest childhood friend, Leena, struggles to adapt to her demanding new husband and relatives. Arranged by her parents, the marriage shatters Leena’s romantic hopes and eventually forces her to make a desperate choice that will hold drastic repercussions for herself and her family. Though Anil and Leena struggle to come to terms with their identities thousands of miles apart, their lives eventually intersect once more—changing them both and the people they love forever.

    Since their birth, Rose and Ruby Darlen have been known simply as "the girls." They make friends, fall in love, have jobs, love their parents, and follow their dreams. But the Darlens are special. Now nearing their 30th birthday, they are history's oldest craniopagus twins, joined at the head by a spot the size of a bread plate. When Rose, the bookish sister, sets out to write her autobiography, it inevitably becomes the story of her short but extraordinary life with Ruby, the beautiful one. From their awkward first steps--Ruby's arm curled around Rose's neck, her foreshortened legs wrapped around Rose's hips-- to the friendships they gradually build for themselves in the small town of Leaford, this is the profoundly affecting chronicle of an incomparable life journey.As Rose and Ruby's story builds to an unforgettable conclusion, Lansens aims at the heart of human experience--the hardship of loss and struggles for independence, and the fundamental joy of simply living a life. This is a breath taking novel, one that no reader will soon forget, a heartrending story of love between sisters.

    Alexander, orphaned as a child by a horrific tragedy, has nevertheless gained some success in the world. Even his older brother, Calum, a nearly destitute alcoholic living on Toronto's skid row, has been scarred by another tragedy. But, like all his clansman, Alexander is sustained by a family history that seems to run through his veins. And through these lovingly recounted stories-wildly comic or heartbreakingly tragic-we discover the hope against hope upon which every family must sometimes rely.

    This time around, she’s determined to bury the secret of Lucas’ paternity, and to repair the fissures that sent her wandering the first time. Gabriela regrets that she wasted her most fertile years in hot pursuit of a publishing career. Yes, she’s one of the biggest authors in the world, but maybe what she really wanted to create was a family. With a chance to do it again, she’s focused on convincing her husband, Colin, to give her the baby she desires. Claire is the only one who has made peace with her past: her twenty-two year old daughter, Emily, is finally on track after the turmoil of adolescence, and she's recently gotten engaged, with the two carat diamond on her finger to prove it. But if she’s being honest, Claire still fantasizes about her own missed opportunities: a chance to bond with her mother before it was too late, and the possibility of preventing her daughter from years of anguish. Plus, there’s the man who got away—the man who may have been her one true love. But it doesn’t take long for all three women to learn that re-living a life and making different decisions only leads to new problems and consequences—and that the mistakes they made may, in fact, have been the best choices of all…

    For twenty years, Edna escaped the world by devoting herself to the health and welfare of her husband and home, so when she learns he’s been having an affair, her sense of betrayal is devastating and literally maddening. And so she sits, silently filling notebooks, trying to find where and how her life went wrong. Dancing in the Dark is a tightly woven psychological novel, which explores the idea that madness is not necessarily self-destructive, and may lead to a kind of wisdom.

    No longer able to linger over her beloved books or gaze at the paintings that move her spirit, she fills the void with music and memories of her family—a past that suddenly becomes all too present when her late father's journals are found amid the ruins of an old shipwreck.With the help of Morgan, a delinquent teenager performing community service, Elizabeth goes through the diaries, a journey through time that brings the two women closer together. Entry by entry, these unlikely friends are drawn deep into a world far removed from their own—to Porphyry Island on Lake Superior, where Elizabeth’s father manned the lighthouse seventy years before.As the words on these musty pages come alive, Elizabeth and Morgan begin to realize that their fates are connected to the isolated island in ways they never dreamed. While the discovery of Morgan's connection sheds light onto her own family mysteries, the faded pages of the journals hold more questions than answers for Elizabeth, and threaten the very core of who she is.

    Unwilling to watch her beloved city crumble under the assault of incendiary German bombs, she accepts a position at a requisitioned estate in Devon, supervising the farming of potatoes for the war effort. A 35-year old spinster with a wicked wit and a fondness for literature, Gwen arrives at her new post to find that the group of "Land Girls" she's to supervise have little interest in planting. They're far more eager to cultivate the human crop -- a regiment of Canadian soldiers stationed at the estate, awaiting their assignment. Allying herself with the Canadians' commanding officer, Gwen strategically wins the girls' cooperation by agreeing to a series of evening dances at which they may mix with the soldiers. Pleased to again be in control of her environment, Gwen makes two life-changing discoveries. The first is the existence of feelings she's never before allowed herself to experience. The second is a hidden, abandoned garden on the estate, the secrets of which Gwen is compelled to unlock. With poignant, poetic mastery of her craft, Helen Humphreys has produced a smart, no-nonsense, and utterly sympathetic character in Gwen Davis. And as her affecting story unfolds and she plumbs the mysteries of gardening, readers too will explore the depths of the soil in which grow the tender shoots of love.

    She watches magnificent ships slowly making their way into Whelan’s Cove, the sense of exoticism bursting from their holds along with foreign goods. As a young woman, Azuba marries a seasoned merchant sea captain, Nathaniel Bradstock. Unwilling to have him away at sea for most of their married life, and anxious to see far shores, she extracts a promise that he will take her with him. But Azuba becomes pregnant soon after they marry and Nathaniel knows too well the perils of life on a ship. He reneges on his promise and refuses to allow Azuba to join him. When Nathaniel leaves on his journey, Azuba desperately misses her husband. Days turn into weeks and months – voyages can take two, three years before the ship and crew return home. Despite her loneliness, Azuba becomes a strong, independent woman, caring for her child and her home. With her parents and beloved grandmother nearby, she settles into a life of quietude and predictability, all the while yearning to be by her husband’s side aboard his ship. Her loneliness eventually propels her into a friendship with the local vicar, Reverend Simon Walton. He is a quiet, kind and contemplative man, and Azuba takes comfort and enjoyment in their increasingly intimate friendship. One afternoon, despite her misgivings, Azuba goes on a picnic with the vicar and becomes trapped by the tide. When they return home the next morning, Azuba and Reverend Walton have become a topic of gossip. When Nathaniel returns home he is enraged by her impropriety. Reluctantly he decides to take Azuba and their young daughter, Carrie, with him on his next voyage. Mother and child are loaded from a rowboat and hauled onto the weather deck along with barrels of coal and crates of chickens. Nathaniel has drawn a line across the deck. “You’ll never again cross that line,” he instructs Azuba.It is October 1862. It will be three years before Azuba sees the shores of Whelan’s Cove again. Aboard Traveller, the small family visits places Azuba dreamed she would one day see: London, San Francisco and exotic countries in Europe.  But she also experiences the terror that can come during a life at sea: a harrowing passage around Cape Horn, half-starvation while listlessly floating in the doldrums, and a stop at the Chincha Islands to pick up a load of guano, where she witnesses a mass suicide by slaves. She begins to question her decision to join her husband, particularly when she realizes there is “no way to erase horror from a child’s memory.”Misery follows misfortune and Azuba feels alone in a male world, surrounded by the splendour and the terror of the open sea. The voyage tests not only her already precarious marriage, but everything Azuba believes in. With a sure hand, Beth Powning captures life aboard a sailing ship – ferocious storms, the impossibly isolated ports of call, the gruelling daily routine – and shows how love evolves even in the most extreme circumstances.  The Sea Captain’s Wife is an awe-inspiring tour that captures the vigour of life in the last days of the Age of Sail and gives us an unforgettable young heroine who shows compassion, courage and love while under incredible duress.

    He’s a rat, anyway, and currently attends Sex Addicts Anonymous. He still comes by the house, though, as do her hippie, macrobiotic mother; her feisty, alcoholic best friend; her God-fearing grandmother; and that Perfect Guy, the one with the beatific son who plays with her daughter, the one who happens to have a winning smile, wild black hair, a professorship at Harvard—and (drats!) a gorgeous doctor girlfriend. Told in short takes that perfectly mimic the frantic nature of our busy lives, Hot and Bothered follows its heroine through the streets of Cambridge, where she spends far too much time staring into space and sipping mocha lattes with extra whipped cream; to church, where she prays for a little salvation; to Alaska, where she believes a rugged outdoorsman might just be that salvation; and to Cape Cod, where, in a little house by the sea, she might finally see the light. Annie Downey has written an updated Cinderella story for all single moms.

    As a young child, Moth's father smiled, tipped his hat and walked away from her forever. The summer she turned twelve, her mother sold her as a servant to a wealthy woman, with no intention of ever seeing her again. These betrayals lead Moth to the wild, murky world of the Bowery, filled with house-thieves, pickpockets, beggars, sideshow freaks and prostitutes, where eventually she meets Miss Everett, the owner of a brothel simply known as "The Infant School." Miss Everett caters to gentlemen who pay dearly for companions who are "willing and clean," and the most desirable of them all are young virgins like Moth. Through the friendship of Dr. Sadie, a female physician, Moth learns to question and observe the world around her, where her new friends are falling prey to the myth of the "virgin cure" - that deflowering a "fresh maid" can heal the incurable and tainted. She knows the law will not protect her, that polite society ignores her, and still she dreams of answering to no one but herself. There's a high price for such independence, though, and no one knows that better than a girl from Chrystie Street.

    While Lark is shy and studious, Robin is wild and artistic. Raised in Montreal by their disinterested single mother, they form a fierce team in childhood despite these differences. As they grow up, Lark excels at school and Robin becomes an extraordinary pianist. At seventeen, Lark flees to America to attend college, where she finds her calling in documentary films, and her sister soon joins her.Later, in New York City, the sisters find themselves tested: Lark struggles with self-doubt, and Robin chafes against the demands of Juilliard. Under pressure, their bond grows strained and ultimately broken, and their paths diverge. Lark leaves New York when she meets Lawrence Wheelock, a renowned filmmaker who becomes both her employer and occasional lover, while Robin returns to Canada. When Wheelock denies Lark what she hopes for most of all--a child--she is forced to re-examine a life marked by unrealized ambitions and thwarted desires. And as she takes charge of her destiny, Lark discovers that despite their complicated, oftentimes painful relationship, there is only one person she can truly rely on: her sister.In this gripping, unforgettable novel about motherhood, sisterhood, desire, and self-knowledge, Alix Ohlin traces the rich and complex path towards fulfillment as an artist and a human being, capturing the peculiar language of sisters and making visible the imperceptible strings that bind us to the ones we love--or have loved--for good.

    It’s Monday morning, and she is late for work again. She’s shocked to see the near-empty vodka bottle on her kitchen counter. It was full at noon yesterday; surely she didn’t drink that much last night? As she struggles out the door, she fights the urge to have a sip, just to take the edge off. But no, she’s not going to drink today.But this is the day Colleen’s demons come for her. A very bad day spirals into night as a series of flashbacks take the reader through Colleen’s past—moments of friendship and loss, fragments of peace and possibility. The single constant is the bottle, always close by, Colleen’s worst enemy and her only friend.In this unforgettable work, acclaimed novelist Lauren B. Davis has created as searing, raw and powerful a portrayal of the chaos and pain of alcoholism as we have encountered in fiction. Told with compassion, insight and an irresistible gallows humour, The Empty Room takes us to the depths of addiction, only to find a revelation at its heart: the importance and grace of one person reaching out to another.

    In a narrative spanning several years, casting among the influence of her peers, partner, and her duties to her forbearers, she struggles to make a wise and moral choice. After seeking guidance from philosophy, her body, mysticism, and chance, she discovers her answer much closer to home.Motherhood is a courageous, keenly felt, and starkly original novel that will surely spark lively conversations about womanhood, parenthood, and about how—and for whom—to live.