16 pages of photos.

    A year later, when a woman was found brutally killed, shreds of evidence suggested a connection between the two murders.In the Palliko-Stockton trial, prosecutor Vincent Bugliosi offered a brilliant summation that synthesized for the jury the many inferences and shades of meaning in the testimony, fitting all the pieces together in a mosaic of guilt. But will the jury be persuaded?

    When Conover’s request to shadow a recruit at the New York State Corrections Officer Academy was denied, he decided to apply for a job as a prison officer. So begins his odyssey at Sing Sing, once a model prison but now the state’s most troubled maximum-security facility. The result of his year there is this remarkable look at one of America’s most dangerous prisons, where drugs, gang wars, and sex are rampant, and where the line between violator and violated is often unclear.

    This bloodcurdling account of instruments of torture through the ages includes descriptions of cells too cramped to allow for lying down, skull crushers, the pendulum, the gridiron, and other gruesome devices.

    One year later, a struggling writer named Edgar Allan Poe decided to take on the case-and sent his fictional detective, C. Auguste Dupin, to solve the baffling murder of Mary Rogers in "The Mystery of Marie Rog�t."

    What’s it like to work in a morgue? This book describes, first hand, coping with mutilated or decomposed bodies and the carnage of large-scale disasters like the Bali bombings. Equally as traumatic, the suicides, accidental drownings, car accidents and murders. But forensic counsellors do much more, witnessing autopsies, attending crime scenes and coronial enquiries. It’s all in a day’s work. Find out what it’s like behind the scenes. Those working at the morgue come face to face with death on a daily basis, and forensic counsellors like John have to find the compassion and kindness to ease the grief of those left behind.

    Only one in 10,000 are found dead. Yet unsolved child murders are almost a daily occurrence--of nearly 52,000 juvenile homicides between 1980 and 2008, more than 20 percent remain open. Drawing on FBI reports, police and court records, and interviews with victims' families, this book provides details and evidence for 18 unsolved cases from 1956 to 1998.

    Ressler shows you serial killers as you've never seen them before.In his phenomenally successful Whoever Fights Monsters, Robert K. Ressler examined his brilliant twenty-year career hunting down killers for the FBI. Now, delving deeper than ever before into the criminal mind, Ressler recounts his years since leaving the FBI, working as an independent criminal profiler on some of the most famous serial murder cases of our day.Ingeniously piecing together clues from crime scenes, along with killing patterns and methods, Ressler explains his role in assisting the investigations of such perplexing international cases as England's Wimbledon Common killing, the ABC Murders in South Africa, and the deadly gassing of Japan's subway. We're also witness to Ressler's fascinating, in-depth interviews with John Wayne Gacy, the first and last one America's most prolific serial killer would ever grant, plus a shockingly candid discussion with "cannibal killer" Jeffrey Dahmer.Daring to understand the depraved minds of serial killers, Robert K. Ressler returns from the deepest abyss with an unforgettable account that is as riveting as it is shocking.

    She called him Dad . . .“We were always worried. Always looking over our shoulders . . .”Linda Scarpa had the best toys, the nicest clothes, and a close-knit family. Yet classmates avoided her; boys wouldn’t date her. Eventually she learned why: they were afraid of her father.A made man in the Colombo crime family, Gregory Scarpa, Sr. was a stone-cold killer nicknamed the “Grim Reaper.” But to Linda, he was also a loving, devoted father who played video games with her for hours. In riveting detail, she reveals what it was like to grow up in the violent world of the mob and to come to grips with the truth about her father and the devastation he wrought.

    Part memoir, part woman-in-prison story, part prognostication, part political expose, in Karla, Williams lets Karla and the key players speak for themselves. What they have to say is surprising, horrifying and enlightening. Karla: A Pact with the Devil also asks and answers two essential questions: Who is Karla Homolka and how did she come to have a future? Given the fact she is out among us enjoying that future right now makes those answers essential information today. Karla: A Pact with the Devil is, as, one reviewer put it “almost unique in our literature. It is an extraordinary act of the imagination brought to bear on the facts.” (Includes pictures from the original Canadian print edition) Karla: A Pact with the Devil has not been previously available in the United States."People want me in max so my life with be hard but it really isn't. There are absolutely no responsibilities here. Everything is provided. We can spend the day sleeping, sun-tanning or doing whatever we want all day every day."- Karla Homolka in a letter to author Stephen Williams"Well, they say 'never say never' and they're right," Karla wrote in her startling first letter to Stephen Williams. "Never in a million years did I think I would ever write a letter to someone from the media, let alone you who has condemned me so harshly."Thus began one of the most controversial correspondences in criminal history.Karla picks up where Williams' first book on the case, Invisible Darkness, left her, painting her nails in her cell in solitary confinement in the gothic tower of Kingston's Prison for Women. After testifying against her ex-husband in 1995, Karla's life in prison was soon going to take a very different, dramatic turn.

    It reveals not only the true story but how the legend evolved, taking advantage of hundreds of primary sources that have never been examined before, including legal documents, letters, articles, and records that have been buried in archives for more than a century. Although Holmes is just as famous now as he was in 1895, this deep analysis of contemporary materials makes clear how much of the previously known story came from reporters who were nowhere near the action, a dangerously unqualified new police chief, and lies invented by Holmes himself.

    After years of struggle to reach this point, they finally felt their future held promise. But on April 23, 2006, their bodies were discovered in their basement, covered in savage stab wounds. Upstairs, Jacob lay dead on his bed, his toys spattered with blood.Investigators worried for JR’s safety, but unknown to them, the pretty honour roll student had been developing a disturbing alter ego online. Runaway Devil professed a fondness for a darker world of death metal music, the goth subculture, and a love for Jeremy Steinke, a twenty-three-year-old high-school dropout who lived in a rundown trailer park. Soon, shocking evidence in JR’s school locker — printed here for the first time — led police to believe the girl was a suspect in her family’s murders.The case horrified parents everywhere. Journalists Robert Remington and Sherri Zickefoose have been covering it from the beginning, and in Runaway Devil, they reveal what really happened: the unlikely young love, the teenage rebellion, a troubling world of adolescent drifters, and a small community torn apart by an unthinkable crime.A modern cautionary tale, Runaway Devil is also a chilling portrait of an approval-seeking man smitten with a manipulative young girl — who would stop at nothing to get what she wanted.

    So off she sets on a darkly comic foray into the world of death fraud, where for $30,000 a consultant can make you disappear--but your suspicious insurance company might hire a private detective to dig up your coffin...only to find it filled with rocks.Greenwood tracks down a British man who staged a kayaking accident and then returned to live in his own house while all his neighbors thought he was dead. She takes a call from Michael Jackson (no, he's not dead--or so her new acquaintances would have her believe), stalks message boards for people contemplating pseudocide, and gathers intel on black market morgues in the Philippines, where she may or may not obtain some fraudulent goodies of her own. Along the way, she learns that love is a much less common motive than money, and that making your death look like a drowning virtually guarantees that you'll be caught. (Disappearing while hiking, however, is a way great to go.)Playing Dead is a charmingly bizarre investigation in the vein of Jon Ronson and Mary Roach into our all-too-human desire to escape from the lives we lead, and the men and women desperate enough to give up their lives--and their families--to start again.

    But her youngest daughter, 16-year-old Terry, told police another story: one almost too terrible to believe.But accused of imprisoning her children in a house of horrors...According to Terry, Theresa - no longer the petite brunette she once was - had turned insanely jealous of her pretty eldest daughters and enlisted the help of her two teenaged sons in a vicious campaign against their sisters.Of beating, torturing and killing her own flesh and blood...Terry's gruesome tale told how Theresa had drugged, handcuffed and shot 16-year-old Suesan, allowing her wounds to fester, until the day she ordered her sons to burn their sister alive. Next, Terry said Theresa severely beat 20-year-old Sheila and then locked her in a stifling broom closet, so that when the girl finally starved to death, her brothers dumped her body in the same desolate mountain range where they had cremated Suesan.She could be one of the most evil murderesses of our time...It took Terry five agonizing years to convince authorities to investigate her grisly accounts of burning flesh, starvation and torture...of a mother from hell, so sadistic and so deranged, she had become her children's own executioner.

    The secret, though, that surrounded my parents’ unhappy life together, was divulged to me by accident . . .’ Hidden under some papers in his father’s bureau, the sixteen-year-old Derek Malcolm finds a book by the famous criminologist Edgar Lustgarten called The Judges and the Damned. Browsing through the Contents pages Derek reads, ‘Mr Justice McCardie tries Lieutenant Malcolm – page 33.’ But there is no page 33. The whole chapter has been ripped out of the book. Slowly but surely, the shocking truth emerges: that Derek’s father, shot his wife’s lover and was acquitted at a famous trial at the Old Bailey. The trial was unique in British legal history as the first case of a crime passionel, where a guilty man is set free, on the grounds of self-defence. Husband and wife lived together unhappily ever after, raising Derek in their wake. Then, in a dramatic twist, following his father’s death, Derek receives an open postcard from his Aunt Phyllis, informing him that his real father is the Italian Ambassador to London . . . By turns laconic and affectionate, Derek Malcolm has written a richly evocative memoir of a family sinking into hopeless disrepair. Derek Malcolm was chief film critic of the Guardian for thirty years and still writes for the paper. Educated at Eton and Merton College, Oxford, he became first a steeplechase rider and then an actor after leaving university. He worked as a journalist in the sixties, first in Cheltenham and then with the Guardian where he was a features sub-editor and writer, racing correspondent and finally film critic. He directed the London Film Festival for a spell in the 80s and is now President of both the International Film Critics Association and the British Federation of Film Societies. He lives with his wife Sarah Gristwood in London and Kent and has published two books – one on Robert Mitchum and another on his favourite 100 films. He is a frequent broadcaster on radio and television and a veteran of film festival juries all over the world.