Anyone with even a passing interest in the Second World War knows about the plot to assassinate Hitler in 1944. There was even a Tom Cruise movie. But the story of the great wave of resistance that arose in the year that followed--with far-reaching consequences--has never been told before.     Drawing on newly opened archives, acclaimed historian Randall Hansen shows that many high-ranking Nazis, and average German citizens in far greater numbers than previously recognized, reacted defiantly to the Fuhrer's by then manifest insanity. Together they spared cities from being razed, and prevented the needless obliteration of industry and infrastructure. Disobeying Hitler presents new evidence on three direct violations of orders made personally by Adolf Hitler: The refusal by the commander of Paris to destroy the city; Albert Speer's refusal to implement a scorched earth policy in Germany; and the failure to defend Hamburg against invading British forces.      In gripping, story-driven style, Disobeying Hitler shows how the brave resistence of soldiers and civilians, under constant threat of death, was crucial for the outcome of the war. Their bravery saved countless lives and helped lay the foundations for European economic recovery--and continued peace

    Abrams’ new vision of the greatest space adventure of all time, Star Trek features a young, new crew venturing boldly where no man has gone before, as it tells the story of how the brash Starfleet cadet James T. Kirk first meets a Vulcan named Spock, and earns the Captain’s chair of the Starship Enterprise. The film quickly became a critical and commercial smash hit worldwide, as audiences — confirmed Trekkers and newcomers alike — thrilled to a state-of-the-art action epic which both respected the legacy of Gene Roddenberry’s archetypal modern myth and forged ahead into an exciting future of its own.Star Trek: The Art of the Film is a lavishly illustrated celebration of that new vision, tracing the evolution of the movie’s look through a stunning array of previously unseen pre-production paintings, concept sketches, costume and set designs, unit photography and final frames.Written by New York Times-bestselling author Mark Cotta Vaz in close co-operation with the film’s production team, and including a Foreword by J.J. Abrams, this is the essential companion to the film.

    In this lavish tribute to Pickford (1892-1979), her enormous and wide-ranging body of work is illustrated with fabulous film stills, rare production shots, and personal photographs -- most never before published -- from the Academy of Motion Picture Arts and Sciences' Margaret Herrick Library.Today's audiences have little knowledge of Pickford's films, let alone of her enormous behind-the-scenes power as one of Hollywood's pioneering producers and cofounder of United Artists. This first illustrated filmography of Pickford's career accords her achievements the recognition they deserve. Noted film historian Kevin Brownlow draws on interviews with Pickford and her circle to provide entertaining film-by-film commentaries full of wonderful anecdotes about the silent era.

    With an American TV actor named Clint Eastwood and a script based on a samurai epic, Leone wound up creating "A Fistful of Dollars", the first in a trilogy of films (with "For a Few Dollars More" and "The Good, the Bad, and the Ugly") that was violent, cynical, and visually stunning. Along with his later masterpiece, "Once Upon a Time in the West", these films came to define the Spaghetti Western

    Betsy rejected the Hollywood pattern (no swimming pool or fancy car) and writes of being drawn to the Communist Party, of the coming of the blacklist that brought an end to the optimism of the thirties and forties, and of the terrifying moment when she found her own name on the list.And she makes us understand why she ultimately burst out of the cocoon of her idyllic marriage -- moving to Europe and coming into her own as an actress, winning the Golden Palm at Cannes for Marty, and falling in love with and marrying the director Karel Reisz.

    Despite the richness of her life story, there has never been a full-length biography of the ambitious, star-struck Ohio girl who evolved into a reviled disseminator of Nazi propaganda.At the outbreak of war in September 1939, Mildred had been living in Germany for five years. Hoping to marry, she chose to remain in the Nazi-run state even as the last Americans departed for home. In 1940, she was hired by the German overseas radio, where she evolved from a simple disc jockey and announcer to a master propagandist. Under the tutelage of her married lover, Max Otto Koischwitz, Gillars became the personification of Nazi propaganda to the American GI.Spicing her broadcasts with music, Mildred used her soothing voice to taunt Allied troops about the supposed infidelities of their wives and girlfriends back home, as well as the horrible deaths they were likely to meet on the battlefield. Supported by German military intelligence, she was able to convey personal greetings to individual US units, creating an eerie foreboding among troops who realized the Germans knew who and where they were.After broadcasting for Berlin up to the very end of the war, Gillars tried but failed to pose as a refugee, but was captured by US authorities. Her 1949 trial for treason captured the attention and raw emotion of a nation fresh from the horrors of the Second World War. Gillars s twelve-year imprisonment and life on parole, including a stay in a convent, is a remarkable story of a woman who attempts to rebuild her life in the country she betrayed.Written by Richard Lucas, a freelance writer and lifelong shortwave radio enthusiast, Axis Sally: The American Voice of Nazi Germany is the first thoroughly documented look at this mythologized figure of World War II."

    A thoroughly researched examination of the life of the renowned director not only looks at the great volume of Lang's work, but also at his personal life, including the question of whether or not he murdered his first wife.

    Immediately, America, Britain, Soviet Russia, and France set about rebuilding in their zones of occupation. Most urgent were physical needs--food, water, and sanitation--but from the start the Allies were also anxious to indoctrinate the German people in the ideas of peace and civilization.Denazification and reeducation would be key to future peace, and the arts were crucial guides to alternative, less militaristic ways of life. In an extraordinary extension of diplomacy, over the next four years, many writers, artists, actors, and filmmakers were dispatched by Britain and America to help rebuild the country their governments had spent years bombing. Ernest Hemingway, Martha Gellhorn, Marlene Dietrich, George Orwell, Lee Miller, W. H. Auden, Stephen Spender, Billy Wilder, and others undertook the challenge of reconfiguring German society. In the end, many of them became disillusioned by the contrast between the destruction they were witnessing and the cool politics of reconstruction.While they may have had less effect on Germany than Germany had on them, the experiences of these celebrated figures, never before told, offer an entirely fresh view of post-war Europe. The Bitter Taste of Victory is a brilliant and important addition to the literature of World War II.

    1946) is perhaps the best known of all cult directors, whose Mulholland Drive marks cinema's arrival to the 21st century. His career began more than 30 years ago, with the groundbreaking, mystifying "Eraserhead" (1977). With "Blue Velvet" (1986), "Wild at Heart" (1990) and "Lost Highway" (1997) Lynch breathed new life into the sensory experiences of film audiences and disrupted narrative logic to mysterious and mystifying effect. In the early 1990s, he invented a new TV series genre with "Twin Peaks". Although he is a Hollywood director, Lynch works at the edges of the studio system, exploring the many facets of his artistic talent, whose creations, including photography, painting and music, are now making their way into museums and galleries.

    The late 1960s in West Germany was a period of profound breakthroughs, upheavals and reversals. Out of this climate, a music scene exploded that would forever change the face of western rock; at times anarchic, at others mystical, magickal, or utopian, it pushed rock beyond any known limits. Illustrated with concert photos, posters, record cover art and other rare visual material, and also including essays by Michel Faber, Erik Davis, David Stubbs, Ken Hollings and testimonials from Gavin Russom (Delia and Gavin/Black Meteoric Star), Plastic Crimewave, Stephen Thrower (Coil/Cyclobe), and Ann Shenton (Add N to (X)) this is an essential compendium to a music whose spirit and ideas still vibrate through contemporary culture today.

    Over more than four decades, he built a reputation writing reviews for the Chicago Sun-Times and, later, arguing onscreen with rival Chicago Tribune critic Gene Siskel and later Richard Roeper about the movies they loved and loathed. But Ebert went well beyond a mere “thumbs up” or “thumbs down.” Readers could always sense the man behind the words, a man with interests beyond film and a lifetime’s distilled wisdom about the larger world. Although the world lost one of its most important critics far too early, Ebert lives on in the minds of moviegoers today, who continually find themselves debating what he might have thought about a current movie.The Great Movies IV is the fourth—and final—collection of Roger Ebert’s essays, comprising sixty-two reviews of films ranging from the silent era to the recent past. From films like The Cabinet of Caligari and Viridiana that have been considered canonical for decades to movies only recently recognized as masterpieces to Superman, The Big Lebowski, and Pink Floyd: The Wall, the pieces gathered here demonstrate the critical acumen seen in Ebert’s daily reviews and the more reflective and wide-ranging considerations that the longer format allowed him to offer. Ebert’s essays are joined here by an insightful foreword by film critic Matt Zoller Seitz, the current editor-in-chief of the official Roger Ebert website, and a touching introduction by Chaz Ebert. A fitting capstone to a truly remarkable career, The Great Movies IV will introduce newcomers to some of the most exceptional movies ever made, while revealing new insights to connoisseurs as well.

    In this memoir, George Hamilton shares his life story, from growing up with an elitist but broke mother who shipped him to boarding schools and boyfriends' homes, to having an MGM contract that launched his five-decade long acting career.

    The front lines are collapsing all around, bombs are falling. On Thuringia too, a state in the centre-east of Germany. The Second World War is nearing its end. Boys of fifteen and sixteen from the Jungvolk and Hitler Youth movements set off in the belief that they can still save the fatherland – they are determined to defend it, bravely and loyally. Inadequately armed, however, they are forced to retreat from the advancing enemy in an entirely pointless march. They are taken prisoner and transferred to one of the infamous camps near Bad Kreuznach. Conditions in the camp are tough. The diarist is fortunate enough to survive and to be released relatively early, at the end of June 1945. Germany, spring 2005. The fatherland too has survived and has been reunified. It is a year of commemoration days, of monuments and memorials, and in the run-up to the sixtieth anniversary it is already being declared by all the media as a year of remembrance of the downfall of the ‘Third Reich’. Inspired by this, the diarist, now seventy-five years old, remembers the notes and diary entries kept at that time by his fifteen-year-old self. Originally written on scraps of toilet paper, he copied them out after his fortunate return in July 1945, and has not looked at them since. The notes are very personal and honest and, above all, authentic. They give an insight into the experiences and the thoughts of a young boy who by his own admission left as a ‘proud soldier’ and returned home as a ‘pitiful vagabond’. It is a historical document. It is not the story of an individual fate. Thousands had the same experiences. That is why the diarist decided, with some hesitation, to publish his diary as a part of the historical truth, even if there already existed numerous reports and publications about the camps in Bad Kreuznach, Bretzenheim, Dietersheim, Bingen, Heidesheim and the other ‘Rhine Meadows camps’. All these records are testament to the fact that tyranny often abounds when one group of people is given unchecked power over another. According to Livy, as many as 2400 years ago the Gaulish king Brennus called to the defeated Romans: ‘Vae victis!’ – woe to the vanquished! Herwarth Metzel

    And it is here, to America's heartland, that Hollywood came to re-create Robert James Waller's The Bridges of Madison County, known across the United States and around the globe as one of the most cherished love stories ever written.

    This is written in such a manner that once you start, it is difficult to put down until you finish." In 1949, Jeanne Crain was the # 1 box-office draw in Hollywood based on the money her movies made that year. Her controversial film, Pinky, was not only financially successful, but it earned Crain an Academy Award nomination as Best Actress. The beautiful star had a blossoming career, loving husband and, eventually, seven children, but along with the accomplishments and money were disappointments. Her career became stagnant at her home studio, 20th Century-Fox; the relationship between her mother and her husband was contentious to say the least, and her idyllic marriage was marred by public betrayal. Through the glorious times, as well as the darker ones, Jeanne Crain moved forward with beauty, grace and dignity. Her life was an interesting Cinderella-story. With a gorgeous face and petite figure, she claimed her place in classic film history. Her fame was at its highest during the post-war era, when being one of America’s top sweethearts in Hollywood was a peak position, and in the 1940s and '50s, she was everyone's favorite, Girl Next Door.