He immediately receives four white feathers—symbols of cowardice—one each from his three best friends and his fiancée. To disprove this grave dishonor, Harry dons an Arabian disguise and leaves for the Sudan, where he anonymously comes to the aid of his three friends, saving each of their lives.Having proved his bravery, Harry returns to England, hoping to regain the love and respect of his fiancée. This suspenseful tale movingly depicts a distinctive code of honor that was deeply valued and strongly promoted by the British during the height of their imperial power.

    He was rich, respectable, happy; one day he abandoned his wife for the sake of a youthful mistress; he loved; was not loved; and his life ended in disaster." Thus begins Vladimir Nabokov's Laughter in the Dark; this, the author tells us, is the whole story except that he starts from here, with his characteristic dazzling skill and irony, and brilliantly turns a fable into a chilling, original novel of folly and destruction. Amidst a Weimar-era milieu of silent film stars, artists, and aspirants, Nabokov creates a merciless masterwork as Albinus, an aging critic, falls prey to his own desires, to his teenage mistress, and to Axel Rex, the scheming rival for her affections who finds his greatest joy in the downfall of others. Published first in Russian as Kamera Obskura in 1932, this book appeared in Nabokov's own English translation six years later. This New Directions edition, based on the text as Nabokov revised it in 1960, features a new introduction by Booker Prize-winner John Banville.

    A refugee of the Great War, Poirot has settled in England near Styles Court, the country estate of his wealthy benefactor, the elderly Emily Inglethorp. When Emily is poisoned and the authorities are baffled, Poirot puts his prodigious sleuthing skills to work. Suspects are plentiful, including the victim’s much younger husband, her resentful stepsons, her longtime hired companion, a young family friend working as a nurse, and a London specialist on poisons who just happens to be visiting the nearby village. All of them have secrets they are desperate to keep, but none can outwit Poirot as he navigates the ingenious red herrings and plot twists that contribute to Agatha Christie's well-deserved reputation as the queen of mystery.Librarian's note: the first 5 Christie mysteries featuring Poirot are: 1) The Mysterious Affair at Styles, 1920; 2) The Murder on the Links, 1923; 3) The Murder of Roger Ackroyd, 1926; 4) The Big Four, 1927; and 5) The Mystery of the Blue Train, 1928. There are many short stories and a collection featuring Poirot in this period as well. Each novel and short story has its own entry on Goodreads.

    She soon escapes her fate for the loving arms of a wealthy young man, but misadventure and fate conspire to keep her from domestic bliss. Instead, Fanny discovers that sex need not be just for love; that it can be had for pleasure. She then sets out to explore those pleasures in as wide a variety as she can. With old men and young, and women as well; in positions of power, and situations where she has none; either watching or participating, Fanny's journey through the realms of sexual pleasure is a literary tour-de-force.

    The reader is swept into the whirlpool of pageantry, passion, splendor, chaos and earth-shattering upheaval that was ancient Rome. Here is the story of Marius, wealthy but lowborn, and Sulla, aristocratic but penniless and debauched -- extraordinary men of vision whose ruthless ambition will lay the foundations of the most awesome and enduring empire known to humankind.A towering saga of great events and mortal frailties, it is peopled with a vast, and vivid cast of unforgettable men and women -- soldiers and senators, mistresses and wives, kings and commoners -- combined in a richly embroidered human tapestry to bring a remarkable era to bold and breathtaking life.

    Even before the Great Depression struck, Jeeter Lester and his family were desperately poor sharecroppers. But when hard times begin to affect the families that once helped support them, the Lesters slip completely into the abyss. Rather than hold on to each other for support, Jeeter, his wife Ada, and their twelve children are overcome by the fractured and violent society around them. Banned and burned when first released in 1932, Tobacco Road is a brutal examination of poverty’s dehumanizing influence by one of America’s great masters of political fiction.

    Sometimes I even ask myself if all this has really happened, if its pictures dwell in truth in my memory, and not merely in my imagination. In my position as head inspector in the federal police department at Washington, urged on moreover by the desire, which has always been very strong in me, to investigate and understand everything which is mysterious, I naturally became much interested in these remarkable occurrences. And as I have been employed by the government in various important affairs and secret missions since I was a mere lad, it also happened very naturally that the head of my department placed In my charge this astonishing investigation, wherein I found myself wrestling with so many impenetrable mysteries.

    Written when he was only 22 years old, the tale also features some of Rudyard Kipling’s most crystalline prose, and one of the most beautifully rendered, spectacularly exotic settings he ever used. Best of all, it features two of his most unforgettable characters, the ultra-vivid Cockneys Peachy Carnahan and Daniel Dravot, who impart to the story its ultimate, astonishing twist: it is both a tragedy and a triumph.

    But darkness brings death and Hercule Poirot has to untangle family strife, love and suspicious visitors tangle in order to clarify the murderer and prevent disaster.

    Before long, it becomes apparent that hers is a prodigious talent, and as she progresses to the top of the US chess rankings she is able to forge a new life for herself. But she can never quite overcome her urge to self-destruct. For Beth, there’s more at stake than merely winning and losing.

    With their broad canvas and large cast of fictional and historical characters, the novels in this series present a panorama of the American political and imperial experience as interpreted by one of its most worldly, knowing, and ironic observers. Burr is a portrait of perhaps the most complex and misunderstood of the Founding Fathers. In 1804, while serving as vice president, Aaron Burr fought a duel with his political nemesis, Alexander Hamilton, and killed him. In 1807, he was arrested, tried, and acquitted of treason. In 1833, Burr is newly married, an aging statesman considered a monster by many. Burr retains much of his political influence if not the respect of all. And he is determined to tell his own story. As his amanuensis, he chooses Charles Schermerhorn Schuyler, a young New York City journalist, and together they explore both Burr's past and the continuing political intrigues of the still young United States.

    He was a gullible and excitable fellow, often so terrified by locals' stories of ghosts that he would hurry through the woods on his way home, singing to keep from hysterics. Until late one night, he finds that maybe they're not just stories. What is that dark, menacing figure riding behind him on a horse? And what does it have in its hands? And why wasn't schoolteacher Crane ever seen in Sleepy Hollow again?

    Her over-the-top drama was one of the most popular novels of the mid-1800s and provides an interesting portrayal of both class- and gender issues as they intersect within the domestic sphere.

    What he hasn't counted on is having to deal with a criminal conspiracy whose purposes are not at all clear, and events take an unexpected turn as Theodore and Nella play detective. Replete with evil villains, physical dangers, and secret passages, The Grand Babylon Hotel is a mesmerizing thriller that will be enjoyed by mystery lovers everywhere. Newly designed and typeset in a modern 6-by-9-inch format by Waking Lion Press.

    Lawrence's frank portrayal of an extramarital affair and the explicit sexual explorations of its central characters caused this controversial book, now considered a masterpiece, to be banned as pornography until 1960.