A ten-year-old girl growing up during World War II learns the painful lesson that doing what's right is not always easy.Includes a reader's guide.

    He writes to comics, corporations, children, presidents, and even his daughter's boyfriend. Here is Groucho swapping photos with T. S. Eliot (”I had no idea you were so handsome!”); advising his son on courting a rich dame (”Don't come out bluntly and say, 'How much dough have you got?' That wouldn't be the Marxian way”); crisply declining membership in a Hollywood club (”I don't care to belong to any social organization that will accept me as a member”); reacting with utmost composure when informed that he has been made into a verb by James Joyce (”There's no reason why I shouldn't appear in Finnegans Wake . I'm certainly as bewildered about life as Joyce was”); responding to a scandal sheet (”Gentleman: If you continue to publish slanderous pieces about me, I shall feel compelled to cancel my subscription”); describing himself to the Lunts (”I eat like a vulture. Unfortunately the resemblance doesn't end there”); and much, much more. That mobile visage, that look of wild amazement, and that weaving cigar are wholly captured, bound but untamed, in The Groucho Letters.

    Learn to express your outrage in the words of such late, great Romans as Horace, Cicero, Virgil, and Ovid -- guys who could "dis" with class! Unapologetically quoting these famous Latin writers entirely out of context, the authors have compiled a witty, wicked little lexicon of insults and invective that will soon have you demeaning, defaming, and degrading your enemies with real "animus." 6 1/2" x 7 1/4". Black-and-white illustrations.

    The book covers all aspects of writing about history, including finding topics and researching them, interpreting source materials, drawing inferences from sources, and constructing arguments. It concludes with three chapters that discuss writing effective sentences, using precise wording, and revising. Using numerous examples from the works of cultural, political, and social historians, Writing History serves as an ideal supplement to history courses that require students to conduct research. The second edition includes expanded sections on plagiarism, interviewing, and topic selection, as well as new sections on searching and using the Internet.

    While many members of the scientific community have long held that the growing pains of adolescence are primarily psychological, Barbara Strauch highlights the physical nature of the transformation, offering parents and educators a new perspective on erratic teenage behavior. Using plain language, Strauch draws upon the latest scientific discoveries to make the case that the changes the brain goes through during adolescence are as dramatic and crucial as those that take place in the first two years of life, and that teenagers are not entirely responsible for their sullen, rebellious, and moody ways. Featuring interviews with scientists, teenagers, parents, and teachers, The Primal Teen explores common challenges–why teens go from articulate and mature one day to morose and unreachable the next, why they engage in risky behavior–and offers practical strategies to help manage these formative and often difficult years.

    Humanity has been brought to its knees. Like other survivors, Noah Henson has heard rumors of the Aelves. Among other guesses, predatory aliens seem as good as any other theory for what caused the Shift. But for Noah, everything else takes second place to survival, sometimes even self-respect…or any sort of decency. Lawless, post-apocalypse America had forced Noah to make many difficult decisions, and he has never seemed to choose correctly. However, despite hating himself, he doesn’t have the strength or the courage to change. He will get a lucky break in a big way, though—a mysterious orb with otherworldly power. In time, perhaps Noah will find another path. And if he does die during the Shift, maybe it won’t be the end of his story. Sometimes, another chance can be an opportunity for redemption.

    Miller's skillful introduction places the works in historical context and briefly describes the different metrical forms represented in the selections. Headnotes to each section highlight the background of the poet whose works follows. Complete with a glossary of names and a select bibliography.

    Hugh is part of a living history research project, which means he lives on an Iron Age farm without any modern conveniences. A summer without regular showers, TV, or the Internet could be a horror show, but Ginny manages to cope and even makes friends, including the handsome but mysterious Corey. Soon she's become a valued member of her Iron Age family. But is she strong enough to survive not knowing what is happening to her mother? And can Corey help her escape this prison of the past?2000 Best Books for Young Adults (ALA) and Teacher's Choices for 2000 (IRA)