Surrounded by men who are jockeying for power–Cicero, Brutus, Cassius, and Mark Antony–young Octavius must work against the powerful Roman political machinations to claim his destiny as first Roman emperor. Sprung from meticulous research and the pen of a true poet, Augustus tells the story of one man’s dream to liberate a corrupt Rome from the fancy of the capriciously crooked and the wildly wealthy.

    Unjustly neglected today, Tasso's epic poem 'Jerusalem Delivered'(first published in 1581) is set in the 11th century and tells the story of the First Crusade and the siege which gave Christian armies control over Jerusalem and the Holy Lands for a time.As in other epic poems, 'Jerusalem Delivered' deftly mixes history and myth. Tasso's heroes - Godfrey, leader of the Christian armies; Rinaldo, bravest of the Christian warriors; and Tancred, the Italian prince who falls in love with the pagan warrioress Clorinda, whom he eventually (andsimultaneously) converts and kills - must face not only the Saracens and their allies, but also a host of fearsome and manipulative devils, demons, and sorcerers. This is a sweeping and often thrilling tale of war, faith, love, and sex that easily rivals its classical predecessors. Writing at a time when Christianity was bitterly divided, Tasso was naturally concerned with the nature of leadership and loyalty, with the importance of sacrifice, with the evils of corruption, and with the existence of truth, themes that continue to resonate today. No wonder that for three centuries, 'Jerusalem Delivered' was considered the great modern epic. Indeed, Spenser borrowed scenes and episodes from this poem in writing the 'Faerie Queen', and Milton was greatly influenced by Tasso when writing his own Christian epic, 'Paradise Lost'.English-language readers who are familiar with Tasso's grand romance have until now known it only through a verse translation by English poet Edward Fairfax published in 1600. In order to fit Tasso's stanzas into the then popular Spenserian verse form, Fairfax had to alter the original poem considerably. Now, 400 years later, Anthony Esolen presents a new translation that transforms 'Jerusalem Delivered' into an English-language masterpiece. The first major verse translation into English since Fairfax's, Esolen's version is both more true to its original source and more fluid than that of hisElizabethan predecessor. Esolen has translated 'Jerusalem Delivered' with the care of poet, capturing the delight of Tasso's descriptions, the different voices of its cast of characters, the shadingsbetween glory and tragedy, and does them all in an English as powerful as Tasso's Italian. Esolen's will immediately be acclaimed as the definitive translation of this powerful work of faith and war. Like theFagles 'Iliad' and 'Odyssey', the Pinsky 'Inferno', and Seamus Heaney's imaginative new rendering of 'Beowulf', Anthony Esolen's bold, fast-moving, and faithful translation of Tasso'sCrusade-era adventure will introduce a new generation of readers to a masterpiece of world literature.

    The thirty-one poems in the first of his major writings are linked by a lyrical prose narrative celebrating and debating the subject of love. Composed upon Dante's meeting with Beatrice and the "Lord of Love," it is a love story set to the task of confirming the "new life" inspired by this meeting. With a critical introduction and explanatory notes, this is a new translation of a supreme work which has been read variously as biography, religious allegory, and a meditation on poetry itself.

    He certainly has no love for Alfred, whom he considers a pious weakling and no match for Viking savagery, yet when Alfred unexpectedly defeats the Danes and the Danes themselves turn on Uhtred, he is finally forced to choose sides. By now he is a young man, in love, trained to fight and ready to take his place in the dreaded shield wall. Above all, though, he wishes to recover his father’s land, the enchanting fort of Bebbanburg by the wild northern sea.This thrilling adventure—based on existing records of Bernard Cornwell’s ancestors—depicts a time when law and order were ripped violently apart by a pagan assault on Christian England, an assault that came very close to destroying England.

    From extraordinary highs - patronage by the Medicis, friendship with Galileo and, most importantly of all, beautiful and outstandingly original paintings - to rape by her father's colleague, torture by the Inquisition, life-long struggles for acceptance by the artistic Establishment, and betrayal by the men she loved, Artemisia was a bold and brilliant woman who lived as she wanted, and paid a high price.

    An investigation ensues and as each of the victim's neighbors is questioned, the reader is offered an all-access pass into the most colorful neighborhood in contemporary Rome. Each character takes his or her turn center-stage, giving evidence, recounting his or her story the dramas of racial identity, the anxieties and misunderstandings born of a life spent on society's margins, the daily humiliations provoked by mainstream culture's fears and indifference, preconceptions and insensitivity. What emerges is a moving story that is common to us all, whether we live in Italy or Los Angeles. This novel is animated by a style that is as colorful as the neighborhood it describes and is characterized by seemingly effortless equipoise that borrows from the cinematic tradition of the Commedia all Italiana as exemplified by directors such as Federico Fellini. At the heart of this bittersweet comedy told with affection and sensitivity is a social reality that we often tend to ignore and an anthropological analysis, refreshing in its generosity, that cannot fail to fascinate.

    My story begins not with my birth but a murder, committed the year before I was born…"*****Florence****, April 1478:** The handsome Giuliano de' Medici is brutally assassinated in Florence's magnificent Duomo. The shock of the murder ripples throughout the great city, from the most renowned artists like Leonardo da Vinci and Michelangelo, to a wealthy wool merchant and his extraordinarily beautiful daughter, Madonna Lisa.More than a decade later, Florence falls under the dark spell of the preacher Savonarola, a fanatic who burns paintings and books as easily as he sends men to their deaths. Lisa, now grown into an alluring woman, captures the heart of Giuliano's nephew and namesake. But when Guiliano, her love, meets a tragic end, Lisa must gather all her courage and cunning to untangle a sinister web of illicit love, treachery, and dangerous secrets that threatens her life.Set against the drama of 15th Century Florence, *I, Mona Lisa* is painted in many layers of fact and fiction, with each intricately drawn twist told through the captivating voice of Mona Lisa herself.**

    Is Seth planning to leave the world's most powerful empire to Ramses, and not his corrupt brother, Shaanar? Before he knows it, the younger prince is surrounded by enemies and turning to his friends: Moses, the brilliant young Hebrew; Setau, the snake charmer and mage; Ahmeni; the frail scholar; and Set and Nefertari, the two beautiful women Ramses loves.And so begins the journey of the hero the world has yet to know... Let the saga begin.The first in Christian Jacque's bestselling Ramses series, recounting the thrilling story of Ramses, the legendary king who ruled Egypt for more than 60 years. Ramses sets into motion a tapestry of royal intrigue, treacherous plots, and romantic adventures that will keep readers spellbound and hungry for more.

    She recorded these memories sixty years later, just before her death, on cassettes she bequeathed to a woman she hadn't seen in decades. When her beloved niece, Gill, plays the tapes in hopes of locating this unwitting heir, she instead hears a family saga swathed in promise and betrayal: the story of how Beatrix, starved of her mother's affection, conceived a fraught bloodline that culminated in heart-stopping tragedy--its chief victim being her own granddaughter. And as Rosamond explores the ties that bound these generations together and shaped her experience all along, Gill grows increasingly haunted by how profoundly her own recollections--not to mention the love she feels for her grown daughters, listening alongside her--are linked to generations of women she never knew.A stirring, masterful portrait of motherhood and family secrets, "The Rain Before It Falls" is also a meditation on the tapestries we weave out of the past, whether transcendent or horrific. Hailed by the "Los Angeles Times" for his "sustained, intricate brilliance," Jonathan Coe once again proves himself "an artist of character and of his characters' stories," here more astutely than ever before.

    As the Cazalet households prepare for their summer pilgrimage to the family estate in Sussex, readers meet Edward, in love with but by no means faithful to his wife Villy; Hugh, wounded in the Great War; Rupert, who worships his lovely child-bride Zoe; and Rachel, the spinster sister.

    Determined to avenge the killing of her father, Francesca Giordano, defying all convention becomes the official poisoner of the head of the most notorious and dangerous family in Italy, Cardinal Rodrigo Borgia, the confidante of Lucrezia and the lover of Cesare while pursuing her father's murderer.

    But the beauty and pageantry masks the deadly rivalry that exists among the city's districts. Each ward, represented by an animal symbol, puts forth a rider to claim the winner's banner, but the contest turns citizens into tribes and men into beasts—and beautiful, headstrong, young Pia Tolomei is in love with a rider of an opposing ward, an outsider who threatens the shaky balance of intrigue and influence that rules the land.

    With the off-handed knowingness of a remorseless young Eve, the narrator describes life as a captive of the school and her designs to win the affections of the apparently perfect new girl, Fréderique. As she broods over her schemes as well as on the nature of control and madness, the novel gathers a suspended, unsettling energy. Now translated into six languages, I beati anni del castigo in its Italian original won the 1990 Premio Bagutta and the 1990 Premio Speciale Rapallo. In Tim Parks’ consummate translation (with its "spare, haunting quality of a prose poem"), Sweet Days of Discipline was selected as one of the London Times Literary Supplement’s Notable Books of 1992: "In a period when novels are generally overblown and scarcely portable, it is good to be able to recommend [one that is] miraculously short and beautifully written."

    It has since been performed all over the world and is widely recognised as a classic of modern drama. A sharp and hilarious satire on political corruption, it concerns the case of an anarchist railway worker who, in 1969, 'fell' to his death from a police headquarters window.This version of the play was premiered in London in 2003.Commentary and notes by Joseph Farrell.Content: Dario Fo Plot Commentary Further reading Accidental death of an anarchist NotesQuestions for further study.

    Lorenzo, just a young boy when his mother leaves, recalls the incisive fragments of their life - when they would playfully wrestle each other, watch the sunrise, or test out his mother’s newest scientific creation. Now a young man, Lorenzo travels to Romania for his mother’s funeral and reflects on the strangeness of today’s Europe, which masks itself as a beacon of Western civilization while iniquity and exploitation run rampant. With elliptical, piercing prose, Bajani tells a story of abandonment and initiation, of sentimental education and shattered illusions, of unconditional love.