Particularly when they belong to a girl perched precariously on the edge of social disaster. Can the Conqueror afford to recognise Miss Tiffany Felton, whose chaperon is a creature beyond acceptance?Wholly at sea among the unfamiliar rules of convention, Tiffany is torn between gratitude for the Conqueror’s help and distress at his crushing rejection. Can the social barriers be breached? Or is Tiffany doomed to yearn hopelessly for what can never be?

    But its world is threatened when no heir is born. Anna could restore their fortunes, but it would mean the ultimate betrayal. Then the Great Famine grips the country. 1910s – Clara finds life as lady of the manor is not what she expected when she married Pierce Armstrong. As the First World War rages, she finds solace in artist Johnny Seymour’s decadent circle. Then the War of Independence erupts and Clara is caught between two men, deceit and revenge. Present Day – When Kate Fallon sees the house it is love at first sight. She and her tycoon husband Tony buy it and hire the last Armstrong owner, architect Nico, to oversee its restoration. As Kate’s fascination with the house grows, she and Nico begin to uncover its history and the fates of its occupants in centuries past. But then, as her husband's business empire faces ruin, Kate realises that they are in danger of losing everything. Betrayal, deceit, revenge, obsession – one house, one family, three generations Editorial Reviews “Skillful and original plotting kept me enthralled until the final page of the story” Rosemary McLoughlin author of Tyringham Park “Downton’ fans, you’ll love this big house, Engrossing and imaginative” - Irish Independent “An irresistible mix of history, drama and intrigue that entertained and enthralled me in equal measure!” - Bord Gáis Energy Book Club

    update of first edition

    Join the wild goose chase with Sherlock Holmes in the adventure of the blue carbuncle. Graphic Planet is an imprint of Magic Wagon, a division of ABDO Group. Grades 3-8.

    According to Wikipedia: "Ivan Sergeyevich Turgenev 1818 â€" 1883) was a Russian novelist and playwright. His novel Fathers and Sons is regarded as one of the major works of 19th-century fiction."

    

    Nicholas became Tsar at the age of 26. Though a conscientious man who was passionate in his devotion to his country, he was weak, sentimental, dogmatic and indecisive. Ironically he could have made an effective constitutional monarch, but these flaws rendered him fatally unsuited to be the sole ruler of a nation that was in the throes of painful modernisation. That he failed is not surprising, for many abler monarchs could not have succeeded. Rather to be wondered at is that he managed, for 23 years, to hold on to power despite the overwhelming force of circumstances. Though Nicholas was exasperating, he had many endearing qualities. A modern audience, aware - as contemporaries were not - of the private pressures under which he lived, can empathise with him and forgive some of his errors of judgement. To some readers he seems a fool, to others a monster, but many are touched by the story of a well-meaning man doing his best under impossible conditions. He is, in other words, a biographical subject that engages readers whatever their viewpoint. His family was of great importance to Nicholas. He and his wife, Alexandra, married for love and retained this affection to the end of their lives. His four daughters, all different and intriguing personalities, were beautiful and charming. His son, the family's - and the nation's - hope for the future, was disabled by an illness that had to be concealed from Russia and from the world. It was this circumstance that made possible the nefarious influence of Rasputin, which in turn hastened the end of the dynasty.This story has everything: romance and tragedy, grandeur and misery, human frailty and an international catastrophe that would not only bring down the Tsar but put an end to the glittering era of European monarchies.

    Her life depends on an explosive secret her grandmother has kept from their Ohana (family). As Mary Han wrestles with the toxic revelations, she must finally face the past she fought so hard to forget....

     Miss Emily Wallis is a bluestocking whose parents have caused enough scandal for her to retreat from society. Mrs Agnes Jones is living a lie which she is desperately trying to keep hidden. Viscount Robert Wilding is suffering from his injuries gained at Salamanca and the loss of his brothers. Three damaged individuals who are on life-changing journeys in ways they could never have foreseen. None of them will ever be the same again.

    But when she’s forced to marry him, she’ll learn there’s a lot more to life, love and this man than she originally thought.To Win His Wayward Wife—A gentleman who’s spent the last five years pining for the love of his life will get his second chance: marriage to the beautiful, witty, but rather withdrawn Madison Banks. The only problem? She has no interest in him.

    Based in the mid-19th century, it tells the story of the young Standish family, who move from the coalfields of Lancashire to the slate quarries of North Wales. The eldest Standish boy is something of a changeling; he desires a different life and ruthlessly goes in pursuit of his dream of the grandeur and riches of the landowners' class. Mead's exceptional talent as a raconteur lets us share the family's emotional rollercoaster ride, as they lose the eldest son, as he grasps the riches that are so important to him, regardless of the hurt and misery he causes his family and anyone who dares step in his way. Joe, his father, is a gentle giant of a man and through his eyes we see the beauty and majesty of the Welsh countryside, thus giving this book a greater substance. My only criticism of The Widow Makers was that it ended too soon; I felt bereft! A sequel please. Review Welsh Books Council. A historical family saga, a family feud that survives generations and hides the truth of murder, fraud, conspiracy and eventual betrayal.

    There is the very questionable theme in these days of the relationship between masters and servants, which this play tends to undermine.' Lord Cromer, who banned performances of Miss Julie from the English stage in October 1925It's Midsummer's Eve in the kitchen of a nobleman's house and his haughty daughter Julie flirts and plays with Jean, her father's manservant. But it's a dangerous game and once she has been seduced by him he holds the upper hand.Miss Julie, Strindberg's mighty play on power, sex and class is presented here in a coruscating version by Frank McGuinness.

    A husband is the last thing she needs. Can a quest for a killer teach them that they are both wrong?Emma Smythe and her brother arrive at Easterby Hall to discover that a handsome stranger has laid claim to their ancestral home and the family title. Have her relatives been murdered, and is her brother next? Determined to find the answers, she has no option but to trust the gentleman who insists that he will help. But danger appears in many guises, and for a woman intent on remaining single, her intriguing protector may prove the biggest threat of all.The attempts on Richard Lacey’s life begin when he inherits a title and a rundown estate. A coincidence? He’s not so sure. Problems multiply with the unexpected arrival of Jamie and Emma Smythe. Long thought dead, they too are potential targets. Richard thinks he wants a docile, obedient wife, but will the task of keeping headstrong Emma safe from danger change his mind?Embroiled in a sinister mystery, can Richard and Emma work together to catch a killer? And will this dangerous quest teach them that what they both wish to avoid is exactly what they need?Filled with intrigue, unexpected twists, and faultless period detail, this slow-burn romance is a must-read for lovers of classic Regency fiction.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    'Wonderfully imaginative' Bernard Cornwell, author of The Last Kingdom. Perfect for fans of Simon Scarrow and Bernard Cornwell.James Keane - card sharp and ladies' man - is one of the finest soldiers of Wellington's army. Keane - hot-tempered, a maverick, never quite accepted by his fellow officers - is in trouble for killing his man in a duel: an activity forbidden by Wellington. To avoid court martial, he takes on an unwelcome assignment: to form an ill-assorted bunch of reprobates into an elite unit capable of operating behind the lines. A nineteenth-century Dirty Dozen.