The bewitched Lucius passes from owner to owner - encountering a desperate gang of robbers and being forced to perform lewd 'human' tricks on stage - until the Goddess Isis finally breaks the spell and initiates Lucius into her cult. It has long been disputed whether Apuleius meant this last-minute conversion seriously or as a final comic surprise and the challenge of interpretation continues to keep readers fascinated. Apuleius' enchanting story has inspired generations of writers such as Boccaccio, Shakespeare, Cervantes and Keats with its dazzling combination of allegory, satire, bawdiness and sheer exuberance, and The Golden Ass remains the most continuously and accessibly amusing book to have survived from Classical antiquity.

    The lyrical storytelling of award-winning author Donna Jo Napoli dramatizes the timeless tales of ancient Scandinavia. This book is the third in the trilogy that includes the popular National Geographic Treasury of Greek Mythology and National Geographic Treasury of Egyptian Mythology.

    Intricately, meticulously, cunningly, the seduction proceeds. No detail is too small to escape Johannes. "She sits on the sofa by the tea table and I sit on a chair at her side. This position has an intimate quality and at the same time a detaching dignity."Less erotic than an intellectual depiction of seduction, Diary of a Seducer shows the casuist Kierkegaard in what he characterized as the aesthetic mode.

    To Dina, however, these powers are not a gift but a curse. Surrounded by fear and hostility, she longs for simple friendship.But when her mother is called to Dunark Castle to uncover the truth about a bloody triple murder, Dina must come to terms with her power--or let her mother fall prey to the vicious and revolting dragons of Dunark.

    The most important myth in Ancient Egypt is faithfully retold in glorious black and white! Horus, son of Isis, vows bloody revenge on his Uncle Set.

    Icelandic poems of the 11th and 13th century

    People, Beings and BeastsWhere does the boogeyman come from?What creatures feast on faithful men?How do you defeat a minotaur?What really riles a dragon?Where would you find real-life werewolves?What happened to Atlantis?From dragons, vampires, werewolves and fairies to flying carpets, lost cities and modern-day mysteries,this delightful compendium of over 250 weird and wonderful legends, myths and monsters will entertain and astound anyone

    After writing Fridthjof's Saga Tegner was considered the father of modern Swedish poetry. Fridthjof's Saga dates back to the 8th century in Iceland. King Beli had two sons, Helgi and Halfdan, and a daughter named Ingeborg. On the other side of the fjord, lived the king's friend whose son Frithjof was called "the bold" and he was the bravest among men. Frithjof had been raised together with Ingeborg by their foster-father Hilding. Both Beli and �orsteinn died in war whereupon Helgi and Halfdan ruled the kingdom. The two kings were jealous of Frithjof's excellent qualities and so they refused to let him marry Ingeborg. When Frithjof returned he burnt down Baldr's temple and went away and became a Viking. After three years, he came to king Ring. Just before the old king died, Frithjof's identity was apparent to everybody and the dying king appointed Frithjof Earl and made him the care-taker of Ring and Ingeborg's child. When Ring died, Frithjof and Ingeborg married and he became the king of Ringerike. Then he declared war on Ingeborg's brothers killing one of them and making the second his vassal.

    The novel describes how a Chicago mystic sparks a religious revival in the community that leads people to sell their possessions and conduct a mass pilgrimage to Jerusalem.

    This prodigious narrative, composed by the poet Ferdowsi between the years 980 and 1010, tells the story of pre- Islamic Iran, beginning in the mythic time of Creation and continuing forward to the Arab invasion in the seventh century. As a window on the world, "Shahnameh" belongs in the company of such literary masterpieces as Dante's "Divine Comedy," the plays of Shakespeare, the epics of Homer- classics whose reach and range bring whole cultures into view. In its pages are unforgettable moments of national triumph and failure, human courage and cruelty, blissful love and bitter grief.In tracing the roots of Iran, "Shahnameh" initially draws on the depths of legend and then carries its story into historical times, when ancient Persia was swept into an expanding Islamic empire. Now Dick Davis, the greatest modern translator of Persian poetry, has revisited that poem, turning the finest stories of Ferdowsi's original into an elegant combination of prose and verse. For the first time in English, in the most complete form possible, readers can experience "Shahnameh" in the same way that Iranian storytellers have lovingly conveyed it in Persian for the past thousand years.

    Fifty-five million years ago, during the early Eocene period, a sudden burst of lightning frightened a herd of small prehistoric horses. In the ensuing panic, one of the horses, a five-year-old mare no bigger than a fox terrier, fell into a lake and drowned. On June 23rd, 1975, in Austin, Texas, a drop of oil combusted in a car engine. This tiny explosion happened just as the Ford Pinto, driven by a one-armed hitchhiker named Jimmy, pulled into the parking lot of the Timber Creek Apartments, home to the young woman in the passenger seat, a twenty-two-year-old biology student named Clarissa Sanders. Machine is the story of the hidden connections between these two seemingly unrelated events. Omnivorous in its pursuit of knowledge?every single one of its eighty-eight pages a daring mixture of fact and fiction, science and art?this short novel relentlessly pursues one of life's great mysteries: where does Fate end and coincidence begin?

    An unforgettable journey. A beautiful and bloody history. This is Iceland as you've never read it before... Broadcaster Richard Fidler and author Kári Gíslason are good friends. They share a deep attachment to the sagas of Iceland - the true stories of the first Viking families who settled on that remote island in the Middle Ages. These are tales of blood feuds, of dangerous women, and people who are compelled to kill the ones they love the most. The sagas are among the greatest stories ever written, but the identity of their authors is largely unknown. Together, Richard and Kári travel across Iceland, to the places where the sagas unfolded a thousand years ago. They cross fields, streams and fjords to immerse themselves in the folklore of this fiercely beautiful island. And there is another mission: to resolve a longstanding family mystery - a gift from Kari's Icelandic father that might connect him to the greatest of the saga authors. Praise For Fidler & Gíslason.'We already know Fidler is an interviewer of great empathy, now we know he mirrors that skill on the page, too.' Andrew McMillan, The Australian'Kári's descriptions of Iceland are so beautiful that one is tempted to pack up and go there.' Bev Blaauw, Cairns Post

    Trolls are known in Scandinavian mythology as wild beasts like the werewolf, but this troll is just a small, wounded creature. Angel decides to offer it a safe haven for the night. In the morning Angel thinks he dreamed it all. But he finds the troll alive, well, and drinking from his toilet. What does one do with a troll in the city?Angel begins researching frantically. Angel searches the Internet, folklore, nature journals, and newspaper clippings, but his research doesn't tell him that trolls exude pheromones that have a profound aphrodisiac effect on all those around him. As Angel's life changes beyond recognition, it becomes clear that the troll is familiar with the man's most forbidden feelings, and that it may take him across lines he never thought he'd cross. A novel of sparkling originality, Troll is a wry, peculiar, and beguiling story of nature and man's relationship to wild things, and of the dark power of the wildness in ourselves.

    Portable and reader-friendly, it makes an ideal companion for both lovers of Old Norse mythology and those new to the wisdom of this central Eddic poem wherever they may find themselves.

    Still an integral part of India's cultural and religious expression, the Ramayana was originally composed by the Sanskrit poet Valmiki around 300 b.c. The epic of Prince Rama's betrayal, exile, and struggle to rescue his faithful wife, Sita, from the clutches of a demon and to reclaim his throne has profoundly affected the literature, art, and culture of South and Southeast Asia-an influence most likely unparalleled in the history of world literature, except, possibly, for the Bible. Throughout the centuries, countless versions of the epic have been produced in numerous formats and languages. But previous English versions have been either too short to capture the magnitude of the original; too secular in presenting what is, in effect, scripture; or dry, line-by-line translations. Now novelist Ramesh Menon has rendered the tale in lyrical prose that conveys all the beauty and excitement of the original, while making this spiritual and literary classic accessible to a new generation of readers.