They find each other—and the castle of their dreams—through a classified ad in a London newspaper one rainy February afternoon. The ladies expect a pleasant holiday, but they don’t anticipate that the month they spend in Portofino will reintroduce them to their true natures and reacquaint them with joy. Now, if the same transformation can be worked on their husbands and lovers, the enchantment will be complete.The Enchanted April was a best-seller in both England and the United States, where it was a Book-of-the-Month Club selection, and set off a craze for tourism to Portofino. More recently, the novel has been the inspiration for a major film and a Broadway play.

    This charming, delightful and extremely funny book about daily life in a frugal English household was named by booksellers as the out-of-print novel most deserving of republication.This is a gently self-effacing, dry-witted tale of a long-suffering and disaster-prone Devon lady of the 1930s. A story of provincial social pretensions and the daily inanities of domestic life to rival George Grossmith's Diary of a Nobody.

    But instead, he discovers that his father has died, his home is overrun by livestock and drunken servants, and Elizabeth, having believed Ross dead, is now engaged to his cousin. Ross must start over, building a completely new path for his life, one that takes him in exciting and unexpected directions....Thus begins an intricately plotted story spanning loves, lives, and generations. The Poldark series is the masterwork of Winston Graham, who evoked the period and people like only he could, and created a world of rich and poor, loss and love, that listeners will not soon forget.

    Now, a year after Sarah's death, Bendrix seeks to exorcise the persistence of his passion by retracing its course from obsessive love to love-hate. At first, he believes he hates Sarah and her husband, Henry. Yet as he delves deeper into his emotional outlook, Bendrix's hatred shifts to the God he feels has broken his life, but whose existence at last comes to recognize.

     Bishop was unforgiving of fashion and limited ways of seeing and feeling, but cast an even more trenchant eye on her own work. One wishes this volume were thicker, though the perfections within mark the rightness of her approach. The poems are sublimely controlled, fraught with word play, fierce moral vision (see her caustic ballad on Ezra Pound, "Visits to St. Elizabeths"), and reticence. From the surreal sorrow of the early "Man-Moth" (leaping off from a typo she had come across for "mammoth"), about a lonely monster who rarely emerges from "the pale subways of cement he calls his home," to the beauty of her villanelle "One Art" (with its repeated "the art of losing isn't hard to master"), the poet wittily explores distance and desolation, separation and sorrow.

    The title of this book is taken from Henry Miller's "Into the Night Life" and expresses the way Lawrence Ferlinghetti felt about these poems when he wrote them during a short period in the 1950's—as if they were, taken together, a kind of Coney Island of the mind—a kind of circus of the soul.

    S. Eliot and Ezra Pound, it was Pound alone who provided (in Hugh Kenner's words) "the synergetic presence" to convert individual experiment into an international movement. In 1926 Pound carefully sculpted his body of shorter poems into a definitive collection which would best show the concentration of force, the economy of means, and the habit of analysis that were, to him, the hallmarks of the new style.This collection, where Pound presented himself in a variety of characters or "masks," was called Personae. In 1926, Personae's publication gave solidity to a movement today the work stands as one of the classic texts of the twentieth century. Pound scholars Lea Baechler (of Columbia) and A. Walton Litz (Holmes Professor of English Literature at Princeton) have prepared a corrected text and supplied an informative "Note on the Text" explaining both Pound's original criteria for his selection and the volume's subsequent history.

    There's a bonus, a story not seen for more than 70 years!'My name is Hercule Poirot and I am probably the greatest detective in the world.' The dapper, moustache-twirling little Belgian with the egg-shaped head, curious mannerisms and inordinate respect for his own 'little grey cells' has solved some of the most puzzling fictional crimes of the century. Appearing in Agatha Christie's very first novel in 1920 and her very last in 1975, Hercule Poirot became the most celebrated detective since Sherlock Holmes, appearing in 33 novels, a play, and these 51 short stories. These short stories provide a feast for hardened Agatha Christie addicts as well as those who have grown to love the detective through his many film and television appearances. This edition also includes Poirot in "The Regatta Mystery, "an early version of an Agatha Christie story not published since 1936!Some may dispute whether "all" is the correct word. Several Poirot short stories have earlier, alternate, or expanded versions, and we shouldn't forget the dozen or so not here; they were re-purposed into the 1927 novel "The Big Four." Others appeared under different titles. Most importantly, "Hercule Poirot The Complete Short Stories" will delight newcomers to Christie's famous detective, as well as those who just want to remember how good their read was the first time around.The stories in order are: (1) The Affair at the Victory Ball, (2) The Jewel Robbery at the Grand Metropolitan, (3) The King of Clubs, (4) The Disappearance of Mr. Davenheim, (5) The Plymouth Express, (6) The Adventure of The Western Star, (7) The Tragedy at Marsdon Manor, (8) The Kidnapped Prime Minister, (9) The Million Dollar Bond Robbery, (10) The Adventure of the Cheap Flat, (11) The Mystery of Hunter's Lodge, (12) The Chocolate Box, (13) The Adventure of the Egyptian Tomb, (14) The Veiled Lady, (15) The Adventure of Johnnie Waverly, (16) The Market Basing Mystery, (17) The Adventure of the Italian Nobleman, (18) The Case of the Missing Will, (19) The Incredible Theft, (20) The Adventure of the Clapham Cook, (21) The Lost Mine, (22) The Cornish Mystery, (23) The Double Clue, (24) The Adventure of the Christmas Pudding, (25) The Lemesurier Inheritance, (26) The Under Dog, (27) Double Sin, (28) Wasps' Nest, (29) The Third-Floor Flat, (30) The Mystery of the Spanish Chest, (31) Dead Man's Mirror, (32) How Does Your Garden Grow? (33) Problem at Sea, (34) Triangle at Rhodes, (35) Murder in the Mews, (36) Yellow Iris, (37) The Dream, (38) The Labours of Hercules, the Foreword, (39) The Nemean Lion, (40) The Lernean Hydra, (41) The Arcadian Deer, (42) The Erymanthian Boar, (43) The Augean Stables, (44) The Stymphalean Birds, (45) The Cretan Bull, (46) The Horses of Diomedes, (47) The Girdle of Hyppolita, (48) The Flock of Geryon, (49) The Apples of the Hesperides, (50) The Capture of Cerberus, and (51) Four-and-Twenty Blackbirds.Librarian's note: this entry is for the collection, "Hercule Poirot The Complete Short Stories." Entries for each of the individual stories can be found elsewhere on Goodreads.

    He browbeats his flatmate, terrorizes his wife, and is not above sleeping with her best friend-who loathes Jimmy almost as much as he loathes himself. Yet this working-class Hamlet, the original Angry Young Man, is one of the most mesmerizing characters ever to burst onto a stage, a malevolently vital, volcanically articulate internal exile in the dreary, dreaming Siberia of postwar England.First produced in 1956, Look Back in Anger launched a revolution in the English theater. Savagely, sadly, and always impolitely, it compels readers and audiences to acknowledge the hidden currents of rottenness and rage in what used to be called "the good life."

    Instead, he put his work in the service of the imperialist movement that led Japan into World War II. Now, as the mature Ono struggles through the aftermath of that war, his memories of his youth and of the “floating world”—the nocturnal world of pleasure, entertainment, and drink—offer him both escape and redemption, even as they punish him for betraying his early promise. Indicted by society for its defeat and reviled for his past aesthetics, he relives the passage through his personal history that makes him both a hero and a coward but, above all, a human being.

    To find out more, read this book (better still, buy it, then read it) – or contact Dirk Gently’s Holistic Detective Agency. ‘A thumping good detective-ghost-horror-whodunnit-time travel-romantic-musical-comedy epic.’ The author

    Since the 1980s, Eliza Haywood's literary works have been gaining in recognition and interest. She wrote and published over seventy works during her lifetime including fiction, drama, translations, poetry, conduct literature and periodicals. Haywood is a significant figure of the long 18th century as one of the important founders of the novel in English. Her writing career began in 1719 with the first two installments of Love in Excess. Many of her works were published anonymously. Amongst her other works are Fantomina; or, Love in a Maze (1724), The Fortunate Foundlings (1744), Life's Progress Through the Passions; or, The Adventures of Natura (1748) and The History of Miss Betsy Thoughtless (1751).

    The Shepheardes Calender is represented by six eclogues, including the much-discussed "Februarie." Colin Clouts Come Home Againe, increasingly a focus of critical attention, is an important addition, and Amoretti is offered in its entirety.Seventeen critical essays, judiciously chosen from the many published since 1982, have been added to supplement eleven earlier commentaries. New to the Third Edition are the perspectives of Spenser's contemporary William Camden, Virginia Woolf, William Nelson, A. Bartlett Giamatti, Donald Cheney, Judith Anderson, Richard Helgerson, Louis Adrian Montrose, and David Lee Miller. The critical essays on the House of Busyrane, Spenser's pastoral, Muiopotmos, and Amoretti are grouped to "speak" to each other in ways sure to stimulate classroom discussion. This class-tested feature is back by popular demand along with essays by D. C. Allen, Robert A. Brinkley, Ronald P. Bond, Anne Lake Prescott, Andrew D. Weiner, Susanne Lindgren Wofford, Harry Berger, Jr., and Paul Alpers.A Chronology of Spenser's life and an extensive Bibliography are also included.

    Presents an introduction to Shakespeare's greatest plays including Hamlet Othello, As You Like It, The Taming of the Shrew, The Tempest and Pericles.