Fresh coats of paint and newly pasted posters appear overnight in cities across the world. New artists, new ideas, and new tactics displace faded images in a perpetual process of renewal and metamorphosis. From Los Angeles to Barcelona, Stockholm to Tokyo, Melbourne to Milan, wall spaces are a breeding ground for graphic and typographic forms as artists unleash their daily creations.Current graffiti art is reflective of the world around it. Using new materials and techniques, its innovators are creating a language of forms and images infused with contemporary graphic design and illustration. Fluent in branding and graphic imagery, they have been replacing tags with more personal logos and shifting from typographic to iconographic forms of communication.Street Logos is a worldwide celebration of these new developments in twenty-first-century graffiti, an essential sourcebook for all art and design professionals, and a delight to everyone excited by the vitality of the street.

    

    In the book Ayodhya retains its importance, but it does not occupy the centre of discussion. In dealing with its subject, it exercises complete fidelity to truth; unlike secularist and Marxist writers, it does not believe in re-writing and fabricating history.

    Extensive glossary and updated bibliography. 833 illustrations, including 105 in full color.

     In the late 1800s, British engineers building some of the first railways in the Dominion of India discovered large numbers of bricks buried in the dusty plains of the Punjab. This was odd because historians were not aware of any cities or civilizations which might have constructed buildings in this area. It wasn’t until archeological expeditions in the 1920s that it was finally realized that these bricks were the remains of mighty cities built by a previously unknown ancient civilization. Inside you will read about... ✓ Discovery ✓ Excavation of Harappa ✓ Origins ✓ Life and Death in the Indus Valley ✓ Downfall of the Indus Valley Civilization And much more! This culture has become known as the Indus Valley Civilization or sometimes the Harappan Civilization, after Harappa, the first city to be discovered. It has proved to be one of the largest ancient cultures, having a population of over five million people at its height and covering an area of one and a half million square kilometers. It also created very large cities, carefully planned and laid out where almost every house had its own bath and flush toilet, thousands of years before such things became common in other parts of the world. Somehow, the Harappans seem to have controlled this vast territory without having a large army or by conquering other weaker cultures, and they did not seem to have a single ruler such as a king or emperor. Then, for reasons that still aren’t understood, this culture declined and then vanished so completely that all that was left were piles of bricks in the plains of present-day India and Pakistan. We are still learning about these people, but this is what we know so far about the mysterious Indus Valley Civilization.

    This uncompromising fighter for an end of "exploitation of man by man and nations by nations" remains a revered hero of oppressed people around the world today.

    For millennia it has been worshipped as a god; for centuries used as a tool of imperial expansion; today it is the cement of Pakistans fractious union. Five thousand years ago, a string of sophisticated cities grew and traded on its banks. In the ruins of these elaborate metropolises, Sanskrit-speaking nomads explored the river, extolling its virtues in Indias most ancient text, the Rig-Veda. During the past two thousand years a series of invaders Alexander the Great, Afghan Sultans, the British Raj made conquering the Indus valley their quixotic mission. For the people of the river, meanwhile, the Indus valley became a nodal point on the Silk Road, a centre of Sufi pilgrimage and the birthplace of Sikhism. Empires of the Indus follows the river upstream and back in time, taking the reader on a voyage through two thousand miles of geography and more than five millennia of history redolent with contemporary importance.

    In 2008, it emerged as the world’s youngest democracy and in the same year crowned the world’s youngest monarch. This was followed by the new King’s colourful wedding in 2011. Today, it continues to enchant the rest of the world with its policy of Gross National Happiness and has become a very popular destination for travel. But, despite its growing popularity and the rising scholarly interest in the country, Bhutan remains one of the most poorly studied places on earth. Karma Phuntsho’s The History of Bhutan is the first-ever attempt to cover the entire history of Bhutan in some detail in English, combining both traditional perspectives and modern academic analysis. Written by a leading expert on the country, the book tells the story of Bhutan in a narrative style interspersed with some analytical and topical discussion, and numerous citations and translations from earlier writings. It is primarily a historical account, but it also includes substantive discussions of Bhutan’s geography, culture and society to give the readers an incisive introduction to the country.

    Found everywhere from wine labels and high-end bar accessories to major motion pictures (Teacher's Pet, the upcoming Pink Panther), the visibility of this dynamic work has rapidly increased in the last few years to worldwide recognition and acclaim. Weirdo Deluxe is the first significant manifesto of the genrea riotous blend of pop culture, street culture, pop art, and surrealismand includes profiles of and interviews with 23 leading artists and hundreds of outrageous examples of their work. Special features include an expansive timeline, and peeks at the artists' collections and influences. Weirdo Deluxe is at once a primer and lowbrow art sourcebook as well as a visual homage to pop culture.

    In the 1st edition, published in 1962, he spoke to that perennial reader he gently called "the troubled layman." His opening paragraph revealed his sympathy: "Why is this supposed to be art?" he quoted rhetorically. "How often have we heard this question asked--or asked it ourselves, perhaps--in front of one of the strange, disquieting works that we are likely to find nowadays in the museum or art exhibition?" Keeping that curious, questioning perspective in mind, he wrote a history of art from cave painting to Picasso that was singularly welcoming, illuminating & exciting. Sojourning thru this book, a reader is offered every amenity for a comfortable trip. Because he never assumes knowledge on the part of the reader, a recent immigrant from Mars could comprehend Western art from this text. The only assumption the Jansons have made is that with a little guidance everyone can come to understand the artifacts that centuries of architecture, sculpture, design & painting have deposited in our paths. Countless readers have proven the Jansons right & found their lives enriched in the process.

    The economic boom impacted a large section of Indians, even if unequally. With sustained high growth over an extended period, India could have achieved what economists call a 'take-off' (rapid and self-sustained GDP growth). The global financial meltdown disrupted this momentum in 2008. In the decade that followed, each time the country's economy came close to returning to that growth trajectory, political events knocked it off course.In 2019, India's GDP is growing at the rate of 7 per cent, making it the fastest-growing major economy in the world, but little on the ground suggests that Indians are actually better off. Economic discontent and insecurity are on the rise, farmers are restive and land-owning classes are demanding quotas in government jobs. The middle class is palpably disaffected, the informal economy is struggling and big businesses are no longer expanding aggressively.India is not the star it was in 2008 and in effect, the 'India growth story' has devolved into 'growth without a story'. The Lost Decade tells the story of the slide and examines the political context in which the Indian economy failed to recover lost momentum.

    Gandhi is one of the most inspiring figures of our time. In his classic autobiography he recounts the story of his life and how he developed his concept of active nonviolent resistance, which propelled the Indian struggle for independence and countless other nonviolent struggles of the twentieth century.In a new foreword, noted peace expert and teacher Sissela Bok urges us to adopt Gandhi's "attitude of experimenting, of testing what will and will not bear close scrutiny, what can and cannot be adapted to new circumstances," in order to bring about change in our own lives and communities. All royalties earned on this book are paid to the Navajivan Trust, founded by Gandhi, for use in carrying on his work.

    It remains the definitive text on the nation. This new edition has been thoroughly revised, containing new research, and an up-to-date preface, index and dateline. The authors examine the major political, economic, social and cultural forces which have shaped the history of the Indian subcontinent in this survey. This classic text is an authoritative detailed account which emphasises and analyses the stuctural pattern of Indian history.

    More than 400 years after his death, Maharana Pratap is still revered as the supreme symbol of Rajput valour, the indomitable warrior who refused to bow to Mughal emperor Akbar as he fought alone and unaided to preserve his kingdom’s independence.In this stirring retelling of his life, replete with tales of incredible heroism and sacrifice as well as vicious intrigue and murder, renowned historian of Rajasthan Rima Hooja also examines the questions that still engage popular imagination: Who actually won the Battle of Haldighati? How did Maharana Pratap manage to elude capture by the mighty Mughal army for so long? And why did he stubbornly continue to fight on, suffering years of great hardship as he refused to negotiate peace with Akbar? Based on historical sources and contemporary court chronicles but also drawing on Mewari ballads, folklore and legends, this deeply researched yet accessibly written biography of Maharana Pratap is a compelling read.

    In the centuries before the British Raj, when the Mughals were the preeminent power in the subcontinent, a wide array of migrants known as ‘firangis’ made India their home. In this book, Jonathan Gil Harris, a twenty-first-century firangi, tells their stories. These gripping accounts are of healers, soldiers, artists, ascetics, thieves, pirates and courtesans who were not powerful or privileged. Often they were escaping poverty or religious persecution; many were brought here as slaves; others simply followed their spirit of adventure. Some of these migrants were absorbed into the military. Others fell in with religious communities—the Catholics of Rachol, the underground Jews of Goa, the fakirs of Ajmer, the Sufis of Delhi. Healers from Portugal and Italy adapted their medical practice in accordance with local traditions. Gifted artisans from Europe joined Akbar’s and Jahangir’s royal ateliers, and helped create enduring works of art. And though almost invisible within the archival record, some migrant women such as the Armenian Bibi Juliana and the Portuguese Juliana Dias da Costa found a home in royal Mughal harems. Jonathan Gil Harris uses his own experience of becoming Indian through the process of acclimatizing to the country’s culture, customs, weather, food, clothes and customs to bring the stories of these shadowy figures to vivid life.