It began in a bedroom in Naples, Florida, when a misbehaving punk teenager named Tom Gabel, armed with nothing but an acoustic guitar and a headful of anarchist politics, landed on a riff. Gabel formed Against Me! and rocketed the band from its scrappy beginnings-banging on a drum kit made of pickle buckets-to a major-label powerhouse that critics have called this generation's The Clash. Since its inception in 1997, Against Me! has been one of punk's most influential modern bands, but also one of its most divisive. With every notch the four-piece climbed in their career, they gained new fans while infuriating their old ones. They suffered legal woes, a revolving door of drummers, and a horde of angry, militant punks who called them "sellouts" and tried to sabotage their shows at every turn. But underneath the public turmoil, something much greater occupied Gabel-a secret kept for 30 years, only acknowledged in the scrawled-out pages of personal journals and hidden in lyrics. Through a troubled childhood, delinquency, and struggles with drugs, Gabel was on a punishing search for identity. Not until May of 2012 did a Rolling Stone profile finally reveal it: Gabel is a transsexual, and would from then on be living as a woman under the name Laura Jane Grace. Tranny is the intimate story of Against Me!'s enigmatic founder, weaving the narrative of the band's history, as well as Grace's, with dozens of never-before-seen entries from the piles of journals Grace kept. More than a typical music memoir about sex, drugs, and rock 'n' roll-although it certainly has plenty of that-Tranny is an inside look at one of the most remarkable stories in the history of rock.

    What do Americans really want when it comes to sex? And is it possible for us to get what we want? Justin J. Lehmiller, one of the country's leading experts on human sexuality and author of the popular blog Sex and Psychology, has made it his career's ambition to answer these questions. He recently concluded the largest and most comprehensive scientific survey of Americans' sexual fantasies ever undertaken, a monumental two-year study involving more than 4,000 Americans from all walks of life, answering questions of unusual scope. Based on this study, Tell Me What You Want offers an unprecedented look into our fantasy worlds and what they reveal about us. It helps readers to better understand their own sexual desires and how to attain them within their relationships, but also to appreciate why the desires of their partners may be so incredibly different. If we only better understood the incredible diversity of human sexual desire and why this diversity exists in the first place, we would experience less distress, anxiety, and shame about our own sexual fantasies and better understand why our partners often have sexual proclivities that are so different from our own. Ultimately, this book will help readers to enhance their sex lives and to maintain more satisfying relationships and marriages in the future by breaking down barriers to discussing sexual fantasies and allowing them to become a part of readers' sexual realities.

    Bringing to life the striking personalities and vibrant milieu that fueled this era, Nan Alamilla Boyd examines the culture that developed around the bar scene and homophile activism. She argues that the communities forged inside bars and taverns functioned politically and, ultimately, offered practical and ideological responses to the policing of San Francisco's queer and transgender communities. Using police and court records, oral histories, tourist literature, and manuscript collections from local and state archives, Nan Alamilla Boyd explains the phenomenal growth of San Francisco as a "wide-open town"—a town where anything goes. She also relates the early history of the gay and lesbian civil rights movement that took place in San Francisco prior to 1965.Wide-Open Town argues that police persecution forged debates about rights and justice that transformed San Francisco's queer communities into the identity-based groups we see today. In its vivid re-creation of bar and drag life, its absorbing portrait of central figures in the communities, and its provocative chronicling of this period in the country's most transgressive city, Wide-Open Town offers a fascinating and lively new chapter of American queer history.

    The questions go beyond the nature of male/female to a yet-to-be-traversed region that lies somewhere between and beyond biologically determined gender. In this groundbreaking anthology, three experts in gender studies and politics navigate around rigid, societally imposed concepts of two genders to discover and illuminate the limitless possibilities of identity. Thirty first-person accounts of gender construction, exploration, and questioning provide a groundwork for cultural discussion, political action, and even greater possibilities of autonomous gender choices. Noted scholar Joan Nestle is joined by internationally prominent gender warrior Riki Anne Wilchins and historian Clare Howell to provide a societal, cultural, and political exploration of gender identity.Marketing Plans: National Advertising: The Advocate Academic mailing to gender studies and queer studies professors Media campaign hilighting authors Nestle and WilchinsJoan Nestle is the cofounder of the Lesbian Herstory Archives in New York and the writer and editor of six books including the groundbreaking Women on Women series. Riki Anne Wilchins is the executive director of GenderPAC, the national gender advocacy group, and the cofounder of the Gender Identity Project of New York City's Lesbian and Gay Center. She is the author of Read My Lips: Sexual Subversion and the End of Gender. Clare Howell is a senior librarian at the Brooklyn Public Library.

    We have since produced several issues of a sex-ed comic called Not Your Mother’s Meatloaf. The work is chosen from a vastly varied group of submissions and attempts to challenge hetero and gender normative practices in sex education. The comics address topics like body image, safer sex, consent, and relationships, from positions that have historically been left out of sex education.These graphically illustrated personal narratives address different themes, such as “Firsts,” “Bodies,” “Health,” “Age,” and “Endings.” The book will bring together the best of the material from the Not Your Mother’s Meatloaf comics, along with new graphic stories and writing by the editors providing personal and sociological background.

    Coming at the controversial subject of transsexualism from several angles–historical, sociological, psychological, medical–Rudacille discovered that gender variance is anything but new, that changing one’s gender has been met with both acceptance and hostility through the years, and that gender identity, like sexual orientation, appears to be inborn, not learned, though in some people the sex of the body does not match the sex of the brain. Informed not only by meticulous research, but also by the author’s interviews with prominent members of the transgender community, The Riddle of Gender is a sympathetic and wise look at a sexual revolution that calls into question many of our most deeply held assumptions about what it means to be a man, a woman, and a human being.From the Trade Paperback edition.

    Two ganders who work together as a mated pair? Two female bears raising their four cubs together? A kangaroo with both a female pouch and male sex organs? Who's been keeping all this a secret? Homosexual mating and pairing occur in all species, so contends author Bruce Bagemihl in this well-researched book on animal homosexualities. Bagemihl is a biologist and researcher who went from teaching to working at Microsoft, and now he's produced one phenomenal book on gay, lesbian, bisexual, and tr ansgendered animal life. Bagemihl first shows how past biologists and anthropologists have made their errors in reportage regarding observations in the field of homosexual behavior among the beasts (interestingly enough, all homosexual behavior tended to be called either aggressive or passive, and not about mating or affection between animals, even though it was often the identical mating behavior as the heterosexually-oriented animals). In this often lively, but sometimes overwhelmingly encyclopedic study and listing of homosexual diversity in the animal kingdom, the author has done a phenomenal job of bringing science into a popular idiom so that the animal behavior he details i s understandable to the layperson.Biological Exuberance is divided into two main sections, "A Polysexual, Polygendered World" and "A Wondrous Bestiary: Portraits of Homosexual, Bisexual, and Transgendered Wildlife." The first section primarily deals with how we as a civilization have viewed animal sexuality in the past, and themyths we'vebuilt up around it, and the author's term, "biological exuberance." Here's how Bagemihl himself describes it. The essence ofBiological Exuberanceis that natural systems are driven as much by abundance and excess as they are by limitation and practicality. Seen in this light, homosexuality and nonreproductive heterosexuality are "expected" o ccurrences — they are one manifestation of an overall "extravagance" of biological systems that has many other expressions. In the second major section of the book, the author breaks his studies down into individual animal species and subgroupings of species. Fascinating, page-turning in its own way, and full of pictures of homosexual matings and sexual congress among our furry and feathered friends,Biolobical Exuberance is one of the most readable scientifically-based books of the year. Get this one. It is amazing.

    Drawing on a rich trove of diaries, legal records, and other unpublished documents, George Chauncey constructs a fascinating portrait of a vibrant, cohesive gay world that is not supposed to have existed. Called "monumental" (Washington Post), "unassailable" (Boston Globe), "brilliant" (The Nation), and "a first-rate book of history" (The New York Times), Gay New Yorkforever changed how we think about the history of gay life in New York City, and beyond.

    Queering Sexual Violence: Radical Voices from Within the Anti-Violence Movement locates them at the center of the anti-violence movement and creates a space for their voices to be heard. Moving beyond dominant narratives and the traditional “violence against women” framework, the book is multi-gendered, multi-racial and multi-layered. This thirty-seven piece collection disrupts the mainstream conversations about sexual violence and connects them to disability justice, sex worker rights, healing justice, racial justice, gender self-determination, queer & trans liberation and prison industrial complex abolition through reflections, personal narrative, and strategies for resistance and healing. Where systems, institutions, families, communities and partners have failed them, this collection lifts them up, honors a multitude of lived experiences and shares the radical work that is being done outside mainstream anti-violence and the non-profit industrial complex.

    To resist rape culture, we need a consent culture—and one that is more than just reactionary. Left confined to intimate spaces, consent will atrophy as theory that is never put into practice. The multi-layered power disparities of today’s world require a response sensitive to a wide range of lived experiences.  In Ask, Kitty Stryker assembles a retinue of writers, journalists, and activists to examine how a cultural politic centered on consent can empower us outside the bedroom, whether it’s at the doctor’s office, interacting with law enforcement, or calling out financial abuse within radical communities. More than a collection of essays, Ask is a testimony and guide on the role that negated consent plays in our lives, examining how we can take those first steps to reclaim it from institutionalized power.

    Her celebrity, however, has obscured other mid-century trans narratives—ones lived by African Americans such as Lucy Hicks Anderson and James McHarris. Their erasure from trans history masks the profound ways race has figured prominently in the construction and representation of transgender subjects. In Black on Both Sides, C. Riley Snorton identifies multiple intersections between blackness and transness from the mid-nineteenth century to present-day anti-black and anti-trans legislation and violence.Drawing on a deep and varied archive of materials—early sexological texts, fugitive slave narratives, Afro-modernist literature, sensationalist journalism, Hollywood films—Snorton attends to how slavery and the production of racialized gender provided the foundations for an understanding of gender as mutable. In tracing the twinned genealogies of blackness and transness, Snorton follows multiple trajectories, from the medical experiments conducted on enslaved black women by J. Marion Sims, the “father of American gynecology,” to the negation of blackness that makes transnormativity possible.Revealing instances of personal sovereignty among blacks living in the antebellum North that were mapped in terms of “cross dressing” and canonical black literary works that express black men’s access to the “female within,” Black on Both Sides concludes with a reading of the fate of Phillip DeVine, who was murdered alongside Brandon Teena in 1993, a fact omitted from the film Boys Don’t Cry out of narrative convenience. Reconstructing these theoretical and historical trajectories furthers our imaginative capacities to conceive more livable black and trans worlds.

    And there was no known solution to being stuck between the sexes. Laura Dillon did all she could on her own: she cut her hair, dressed in men's clothing, bound her breasts with a belt. But in a desperate bid to feel comfortable in her own skin, she experimented with breakthrough technologies that ultimately transformed the human body and revolutionized medicine. From upper-class orphan girl to Oxford lesbian, from post-surgery romance with Roberta Cowell (an early male-to-female) to self-imposed exile in India, Michael Dillon's incredible story reveals the struggles of early transsexuals and challenges conventional notions of what gender really means.

    Thrown objects. Dodged burgers.After someone threw a burger at them and shouted a transphobic slur, performance artist Travis Alabanza became obsessed with burgers. How they are made, how they feel, and smell. How they travel through the air. How the mayonnaise feels on your skin.Burgerz is the climax of their obsession – exploring how trans and gender non-conforming bodies exist and how, by them reclaiming an act of violence, we can address our own complicity.

    In Disasterama, Orloff tells their story: the true tale of how a bunch of pathologically flippant kids floundered through a deadly disaster.

    Foregrounding the state-sanctioned murder of Eric Garner in a historical analysis of the policing, disenfranchisement, and invisibilizing of fat Black men and trans and nonbinary AMAB people, Harrison discusses the pervasive, insidious ways that anti-fat anti-Blackness shows up in everyday life. Fat people can be legally fired in 49 states for being fat; they’re more likely to be houseless. Fat people die at higher rates from misdiagnosis or non-treatment; fat women are more likely to be sexually assaulted. And at the intersections of fatness, race, disability, and gender identity, these abuses are exacerbated.Taking on desirability politics, f*ckability, healthism, hyper-sexualization, invisibility, and the connections between anti-fatness and police violence, Harrison viscerally and vividly illustrates the myriad harms of anti-fat anti-Blackness–and offers strategies for dismantling denial, unlearning the cultural programming that says “fat is bad,” and moving beyond the world we have now toward one that makes space for the fat and Black.