side at the top, and shot into the next hollow, twisting in the descent. A huge swell pushed up exactly under her middle, and her bow and stern hung free with nothing to support them. Then one joking wave caught her up at the bow, and another at the stern, while the rest of the water slunk 251 away from under her just to see how she would like it; so she was held up at her two ends only, and the weight of the cargo and the machinery fell on the groaning iron keels and bilge-stringers. "Ease off! Ease off, there!" roared the garboard-strake. "I want one-eighth of an inch fair play. D' you hear me, you rivets!" "Ease off! Ease off!" cried the bilge-stringers. "Don't hold us so tight to the frames!" "Ease off!" grunted the deck-beams, as the Dimbula rolled fearfully. "You've cramped our knees into the stringers, and we can't move. Ease off, you flat-headed little nuisances." Then two converging seas hit the bows, one on each side, and fell away in torrents of streaming thunder. "Ease off!" shouted the forward collision-bulkhead. "I want to crumple up, but I'm stiffened in every direction. Ease off, you dirty little forge-filings. Let me breathe!" All the hundreds of plates that are riveted to the frames, and make the outside skin of every steamer, echoed the call, for each plate wanted to shift and creep a little, and each plate, according to its position, complained against the rivets. "We can't help it! We can't help it!" they murmured in reply. "We're put here to hold you, and we're going to do it; you never pull us twice in the same direction. If you'd say what 252 you were going to do next, we'd try to meet your views." "As far as I could feel," said the upper-deck planking, and that was four inches thick, "every single iron near me was pushing or pulling in opposite directions. Now, what's the sense of that? My friends, let us all pull together." "Pull any way you please," roared the funnel, "so long as you don't try your experiments on me. I...

    But do you know Maria?      With gorgeous, Peruvian-inspired illustrations and English and Spanish retellings, Angela Dominguez gives a fresh new twist to the classic rhyme. Maria and her mischievous little llama will steal your heart.

    Hooper isn’t content with just any old egg! He uses something extra special for his super-dee-dooper dishes!This delightful book forms part of the second stage in HarperCollins’ major Dr. Seuss rebrand programme. With the relaunch of 10 more titles in August 2003, such all-time favourites as How the Grinch Stole Christmas!, Mr. Brown Can Moo! Can You? and Dr. Seuss’ Sleep Book boast bright new covers that incorporate much needed guidance on reading levels: Blue Back Books are for parents to share with young children, Green Back Books are for budding readers to tackle on their own, and Yellow Back Books are for older, more fluent readers to enjoy. Scrambled Eggs Super! belongs to the Yellow Back Book range.

    Nothing has been added in the interests of sensationalism. What happened in the small town of Watseka, Illinois, between the years 1865 and 1878 may strain credibility, as well as shock. But it did happen...Mary Roth, a gentle, unassuming 19 year old girl, died suddenly on the night of July 5th, 1865, in the town of Watseka, Illinois. Her death was strange, but her life had been stranger. For several years she had been subject to sudden, unaccountable "fits" - sometimes horrifically violent, sometimes so chilling in their effects her parents thought her insane: she would speak in German, or in a man's bass voice, as if possessed... But death brought to an end her sad and disturbing case...Thirteen years later, in 1878, Mary Roth reappeared - in the living body of Lurancy Vennum...

    An old favorite as you've never seen it before! Everyone knows the song about the old lady who swallowed a fly, a spider, a bird, and even worse, but who's ever seen what's going on inside the old lady's stomach? With this inventive die-cut artwork, Simms Tabak gives us a rollicking, eye-popping version of the well-loved poem.

    Through songs, puppets, and frank conversations, Mister Rogers instilled the values of kindness, patience, and self-esteem in his viewers, and most of all, taught children how loved they were, just by being themselves. A Beautiful Day in the Neighborhood reimagines the songs from the show as poetry, ranging from the iconic "Won't You Be My Neighbor?" to the forgotten gems. The poems deal with topics such as difficult feelings, new siblings, everyday routines, imagination, and more.

    And the most magical of all are the beloved, venerable words of Mother Goose. Now folklorist Iona Opie has gathered more than sixty treasured rhymes in their most perfect, honest form. From "Hey Diddle, Diddle" and "Pat-a-Cake" to "Little Jack Horner" and "Pussycat, Pussycat," these are familiar verses that have been passed from parent to child for generations; these are the rhymes that are every child's birthright.With watercolors by Rosemary Wells that may prove equally enduring, MY VERY FIRST MOTHER GOOSE captures the simple joy and the sly humor that are the essence of Mother Goose. Parents and children will find themselves exploring this volume together, savoring delightful details and funny surprises on every page. This is a book that promises hours of quiet smiles and merry grins for readers of all ages.

    I cannot promise the reader that at any point he will shake his sides with laughter, but I can promise him a wry pleasure to be derived from the skilful dissection of folly.” Bertrand Russell Professor Mmaa’s Lecture, given to a packed auditorium, deals with the habits, mentality and culture of Homo sapiens. But both the professor and his entire audience are termites; the whole story is set inside a termite mound.Naturally, Themerson’s attempt to comprehend humankind by examining how they would have been understood by insects is very funny. Termites have no sight, just a sense of smell, and can only explain their surroundings and lives through their insects’ angle on the world. The closing scene of the novel reveals what the termites have been researching and what has happened to their mound, giving the whole story an ironic twist.But this novel has much more to offer. Themerson’s heightened expertise and instinct for parodying the language and methods of scholarship, and the morals and manners of the academic world, produces a merciless and comical survey of philosophical views and attitudes. He pillories religion, language, reason and scholarship, as insect thinkers with suspiciously familiar names scuttle through the pages of the novel. A great many cases of dogmatic thinking and narrow-mindedness are exposed to ridicule. The only path that seems to earn the author’s approval is pluralism of ideas. You can see just why Bertrand Russell calls this novel a useful gospel for sceptics.Professor Mmaa’s Lecture is in the tradition of philosophical satire, whose most famous proponents are Voltaire and Swift, and is a rare incidence of light yet deep prose that can be read with great pleasure on several levels.

    A work of extraordinary imaginative invention, it might be described as “novelistic fantasy”—a pioneering new direction in fiction which created its own protean form as it was written. Patchen mingled narrative with dream visions, surrealism with satire, poetry with statements of principle, and explored the then almost uncharted territory of visual word structures twenty years before “Concrete Poetry” became a popular international movement.Sleepers Awake is a rallying cry to young and old, as Patchen advances his long struggle against inhumanity, oppression, war and hypocrisy. Now brutal, now lyrical, he gives us life and the world as we must take these if they are to have full meaning; the horror and the beauty, the joy and the suffering together.

    From bebop to New Orleans, from ragtime to boogie, and every style in between, Jazz takes readers on a musical journey from jazz's beginnings to the present day. Created by a celebrated father-son team, Jazz is a Coretta Scott King Honor Book and a Kirkus Best Children's Books Editor's Choice.In addition to its colorful and lyrical celebration, the book includes a brief introductory essay about the history and form of jazz, as well as a timeline and glossary of jazz terms.Coretta Scott King Award Honor for illustrationALA Notable Children's BookLee Bennett Hopkins Poetry AwardPublishers Weekly's 100 Best Books of the YearKirkus Reviews Editor's ChoiceBooklist Editor's ChoiceBooklist Top Ten in Black HistoryBook Link's Best New Books for the ClassroomGolden Kite Award: Picture Book Text

    Yeats included almost every sort of Irish folk in this marvelous compendium of fairy tales and songs that he collected and edited for publication in 1892.-- Yeats was fascinated by Irish myths and folklore, and joined forces with the writers of the Irish Literary Revival. He studied Irish folk tales and chose to reintroduce the glory and significance of Ireland's past through this unique literature.

    No other version has so vividly expressed the horror, cruelty, beauty, and outrageous imaginative flight of Dante's original vision.

    Much of it is drawn from the oral testimony of countrymen (including poachers) still living when the book was written.'Here, from stubble to stewing pot, are all the facts that can be assembled; science, literature, mythology, superstition, semantics, venery, and a rich swathe of countryman's talk . . . This delightful book.' Observer

    In course of time ice piled over the Well, and out of it grew something they called Ymir, the father of the terrible Frost Giants. Ymir was fed on the milk of a magic cow who licked the ice, and with it salt from the Well of Life. As she licked with her tongue, she formed the first of the gods, the Ǣsir, who was called Buri. Buri had a son Borr, and Borr was the father of Odin. Odin and his brothers overcame the ice and frost giants. They thrust Ymir down into the Yawning Void, and of his body they made the world we live in. They set the sea in a ring about the world, and planted the World Tree, the Ash Yggdrasill, to hold it in place. From this making of the world, to Ragnarok, the last Great Battle, Roger Lancelyn Green tells the story in one continuous narrative. It is easy to read, and there is a clear rhythm carrying through to the final climax. He has taken his material from original sources, of which he gives a brief account in his foreword. “The interest in these myths often preceded reading abilty, but this telling will be found good to read aloud, and boys and gtirls from 10 up will easily manage it for themselves. “

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.