In her long and varied life, she was to travel in Central America, Russia and Europe, find work as a inn-keeper and as a doctress during the Crimean War, and become a famed heroine, the author of her own biography, in Britain. As this autobiography shows, Mary Seacole had a sharp instinct for hypocrisy as well as a ripe taste for sarcasm. Frequently we see her joyfully rise to mock the limitations artificially imposed on her as a black woman. She emerges from her writings as an individual with a most un-Victorian zest for travel, adventure and independence.

    Now, a familiar posse runs the town called Marigold and its mining community with their sharp and newly deputized claws. After finding out that this shot of evil has infected her life again and now rules everyone still left on the mountain, she quickly begins to search for the root source of its existence, before it poisons the people and the land itself forever.

    Here are the haiku that Keroauc, Saijo, and Welch jotted down in notebooks, along with a recollection of the trip written by Saijo in 1973, a section from Welch's unfinished novel that describes the trip and the return, and Welch's early 1960 letters to Keroauc that continue the bond forged during those days on the road together.Jack Kerouac (1922-1969) was a principal actor in the Beat Generation, a companion of Allen Ginsberg and Neal Cassady in that great adventure. His books include On the Road, The Dharma Bums, Mexico City Blues, Lonesome Traveler, Visions of Cody, Pomes All Sizes (City Lights), Scattered Poems (City Lights), and Scripture of the Golden Eternity (City Lights).Lew Welch (1926-1971?) was an American poet and active participant in the Beat generation literary movement. From 1965 to 1970, he taught a poetry workshop. His works, which were published by City Lights/Grey Fox, include Trip Trap: Haiku on the Road, Selected Poems, and Ring of Bone.Albert Saijo (1929-2011) was a Japanese-American poet and active participant in the Beat Generation literary movement. He and his family were imprisoned, along with many other Japanese-American families, as part of the internment of Japanese Americans during World War II. During this time he wrote about his internment experience for his high school newspaper. After joining the US Army and studying at University of Southern California, he became friends with Jack Keroauc and other influential Beat Generation figures. His famous works include The Backpacker (1972) and Outspeaks: A Rhapsody (1997). A collection of his works from the 80s and 90s, Woodrat Flat, was published posthumously in 2014.

    Drunk, he slept through his own death. Vivian was the ineffable, unflappable, elegant and irreverently funny frontman and songwriter for the Bonzo Dog Dada Band, a group of art students who’d created a band unlike any other band one could name - and still adored by thousands long after their short time in the sun was knocked on the head by Vivian himself. "We were art students. We were Dada. We were making fun of the worst excesses of rock 'n roll. One day I looked around to discover we'd become what we were parodying." Written by his wife of 18 years, an artist in her own right, this is a behind-the-scenes, beneath-the-sheets, under the bed tale of an actual genius – few who admired him would disagree. In many ways this is Vivian through his own private words gleaned from his personal journals. It’s also full of up close and revealing portraits of legends: Keith Moon, John Lennon, Paul McCartney, Jimi Hendrix, George Harrison, Steve Winwood, Stephen Fry, Michael Palin, John Peel, Joe Cocker, and so many more. But even more than all that, it’s an ART BOOK: crammed full of Vivian’s paintings, sketches, unpublished family photos, letters and poems.Vivian Stanshall was the last of the true Bohemians. This is also a tale of Dada, a mad sad glad voyage through life on a grand scale made by one of England’s greatest treasures: the genius who was Vivian Stanshall.(As Ki writes: all memory is Kurosawa's "Rashomon". These are her memories accompanied by Vivian's actual journals.)

    

    The central character, Anne, an orphaned girl, made Montgomery famous in her lifetime and gave her an international following. The first novel was followed by a series of sequels with Anne as the central character.Table of contents:Anne of Green Gables (1908)Anne of Avonlea (1909)Anne of the Island (1915)Anne's House of Dreams (1917)Rainbow Valley (1919)Rilla of Ingleside (1921)Chronicles of Avonlea (1912)Further Chronicles of Avonlea (1920)Anne of Windy Poplars (1936)Anne of Ingleside (1939)The Story Girl (1911)The Golden Road (Sequel to The Story Girl, 1913)Kilmeny of the Orchard (1910)The Watchman and Other Poems (1916)Collected LettersThe Alpine Path: The Story of My Career

    

    The character development is very strong and realistic, and the dialogue of the novel is very powerful.

    With wit and brilliance, Paul Johnson exposes these intellectuals, and questions whether ideas should ever be valued more than individuals.

    The sign of the four --The adventure of the blue carbuncle --The adventure of the speckled band.

    Hemingway is considered one of the greatest writers in modern history, and his novels and stories are read, studied, and imitated around the world. His concise prose style earned him both a Pulitzer and a Nobel Prize. But Hemingway also had a temper and a fondness for drinking and carousing that caused his work to suffer. He was a complex man, a hotheaded starter of arguments and a romantic who married four times. He, perhaps more than any other American writer, truly lived what he wrote. All this makes for a fascinating read. Author Catherine Reef has crafted a compelling biography that is not only a highly enjoyable account of an extraordinary life, but an accessible and tempting introduction to the work of one of our most revered--and sometimes reviled--American icons.

    Drawing on unprecedented access to Rand's private papers and the original, unedited versions of Rand's journals, Jennifer Burns offers a groundbreaking reassessment of this key cultural figure, examining her life, her ideas, and her impact on conservative political thought.Goddess of the Market follows Rand from her childhood in Russia through her meteoric rise from struggling Hollywood screenwriter to bestselling novelist, including the writing of her wildly successful The Fountainhead and Atlas Shrugged. Burns highlights the two facets of Rand's work that make her a perennial draw for those on the right: her promotion of capitalism, and her defense of limited government. Both sprang from her early, bitter experience of life under Communism, and became among the most deeply enduring of her messages, attracting a diverse audience of college students and intellectuals, business people and Republican Party activists, libertarians and conservatives. The book also traces the development of Rand's Objectivist philosophy and her relationship with Nathaniel Branden, her closest intellectual partner, with whom she had an explosive falling out in 1968.One of the Denver Post's Great Reads of 2009One of Bloomberg News's Top Nonfiction Books of 2009Excellent.--Time magazineA terrific book--a serious consideration of Rand's ideas, and her role in the conservative movement of the past three quarters of a century.--The American ThinkerA wonderful book: beautifully written, completely balanced, extensively researched. The match between author and subject is so perfect that one might believe that the author was chosen by the gods to write this book. She has sympathy and affection for her subject but treats her as a human being, with no attempt to cover up the foibles.--Mises Economics Blog

    The Book of the Duchess

    Discussing how the vast and powerful Multivac computer was a decisive factor in the war, each of the men admits that in fact he falsified his part of the decision process because he felt that the situation was too complex to follow normal procedures.

    And through his live gatherings and radio talks, Alan Watts was at the forefront—igniting astonishing insights into who we are and where we're heading. Based on a legendary series of seminars, Just So illuminates three fascinating domains: money versus real wealth, the spirituality of a deeper materialism, and how technology and spirituality are both guiding us to ever greater interconnection in the universe that we find ourselves in. Along the way, readers will explore many other themes, at turns humorous, prescient, and more relevant today than ever. What unfolds is a liberating view of humanity that arises from possibility and the unpredictable—perfect and “just so,” not in spite of its messy imperfections, but because of them.Book highlights:1. Going With- Theology and the Laws of Nature- Thinking Makes It So- Everything Is Context- Going With- What We Mean by Intelligence- Ecological Awareness- Of Gods and Puppets2. Civilizing Technology- The Problem of Abstractions- We Need a New Analogy- Working with the Field of Forces- Trust- Synergy and the One World Town- Privacy, Artificiality, and the Self- Groups and Crowds3. Money and Materialism- The Material Is the Spiritual- Money and the Good Life- True Materialism- Wiggles, Seriousness, and the Fear of Pleasure- The Failure of Money and Technology- The Problem of Guilt4. In Praise of Swinging- Rigidity and Identity- Now Is Where the World Begins- Are We Going to Make It? - Polarization and Contrast- No Escape5. What Is So of Itself- Spontaneity and the Unborn Mind- Relaxation, Religion, and Rituals- Saving the World