But his arm broke and later had to be amputated. Here, he and his wife, Jan, continue their story of Dave's battle with cancer and detail their personal pain--and deeper love and faith it has brought them. Photographs.

     We meet the people who most influenced Goodwin’s early life: her mother, who taught her the joy of books but whose debilitating illness left her housebound: and her father, who taught her the joy of baseball and to root for the Dodgers of Jackie Robinson, Roy Campanella, Pee Wee Reese, Duke Snider, and Gil Hodges. Most important, Goodwin describes with eloquence how the Dodgers’ leaving Brooklyn in 1957, and the death of her mother soon after, marked both the end of an era and, for her, the end of childhood.

    In High Heat he takes us on a quest to separate verifiable fact from baseball lore, traveling from ballparks across the country to the Baseball Hall of Fame, piecing together the fascinating history of the fastball from its early development to the present form while exploring its remarkable impact on the game and the pitchers who have been blessed (or cursed) with its gift. From legends such as Nolan Ryan, Walter Johnson, Steve Dalkowski, and Satchel Paige to present-day standard bearers like Tim Lincecum, Billy Wagner, and Randy Johnson, Wendel examines the factors that make throwing heat an elusive ability that few have and even fewer can harness. Along the way he investigates the effectiveness of early speed-testing techniques (including Bob Feller’s infamous motorcycle test), explains why today’s radar gun readings still leave plenty of room for debate, and even visits an aerodynamic testing lab outside of Birmingham, Alabama, in order to understand the mechanics that make throwing heat possible in the first place. At its heart, High Heat is a reflection on our infatuation with the fastball—the expectation it carries, the raw ability it puts on display, and, most of all, the feats and trials of those who have attempted to master it. As Wendel puts it, “The tale of high heat can lead in several different directions at once, and the real story has more to do with triumph and tragedy that with the simple act of throwing a baseball.”

    Today he is considered one of the most articulate and insightful broadcasters in baseball, bringing the game to life in ways that few can match. Now he gives us an engaging, sophisticated, practical, and philosophical exploration of the art, strategy, and psychology of pitching.Darling takes us inside the pitcher’s mind, illuminating the subtler aspects of the game and providing a deeper appreciation of what happens on the field. He explains why the position of pitcher is uniquely strategic and complex and explores the various tactics a pitcher uses in different scenarios, including the countless factors in deciding what to throw and how he bounces back from a tough inning. Throughout, we get a glimpse of what it feels like to stand alone on the mound, the center of attention for tens of thousands of fans.While there are technical books on pitching, there is no other book that examines the position in such compelling depth as The Complete Game. Filled with captivating, real-life anecdotes, it will do for pitching what Ted Williams’s The Science of Hitting did for batting—and it will be an essential book for every fan and aspiring player.

    Brett wildly charged out of the dugout and chaos ensued. The call temporarily cost the Royals the game, but the decision was eventually overturned, resulting in a resumption of the game several weeks later that created its own hysteria.The Pine Tar Game chronicles this watershed moment, marking a pivot in the sport, when benign cheating tactics, like spitballs, Superball bats, and a couple extra inches of tar on an ash bat, gave way to era of soaring salaries, labor struggles, and rampant use of performance-enhancing drugs. Filip Bondy paints a portrait of the Yankees and Royals of that era, featuring two diametrically opposed owners, in George Steinbrenner and Ewing Kauffman; a host of bad actors and phenomenal athletes; and lots of yelling. Players and club officials like Brett, Goose Gossage, Willie Randolph, Ron Guidry, Sparky Lyle, David Cone, and John Schuerholz offer fresh commentary on the events along with their take on a rivalry that culminated in one of the most iconic baseball tantrums of all time. Rush Limbaugh, employed by the Royals at the time as a promotions director, offers his own insider’s perspective. Through this one fateful game, the ensuing protest, and ultimate fallout, The Pine Tar Game examines a more innocent time in professional sports, as well as the shifting tide that gave us today’s modern iteration of baseball.

    Yogi transports you there.” — Jim Bouton, author of Ball Four It happens every spring. Yankees pitching great Ron Guidry arrives at the Tampa airport to pick up Hall of Fame catcher and national treasure Yogi Berra. Guidry drives him to the ballpark. They watch the young players. They talk shop. They eat dinner together and tease each other mercilessly. They trade stories about the greats they have met along the way. And the next day they do the same thing all over again. As every former ballplayer can appreciate, in that routine, every spring, there emerges a certain magic. Driving Mr. Yogi is the story of how a unique friendship between a pitcher and catcher is renewed every year. It began in 1999, when Berra was reunited with the Yankees after a long self-exile, the result of being unceremoniously fired by George Steinbrenner fourteen years before. A reconciliation between Berra and the Boss meant that Berra would attend spring training again. Guidry befriended "Mr. Yogi" instantly. After all, Berra had been a mentor in the clubhouse back when Guidry was pitching for the Yankees. Guidry knew the young players would benefit greatly from Mr. Yogi's encyclopedic knowledge of the game, just as Guidry had during his playing days. So he encouraged him to share his insights. Soon, an offhand batting tip from Mr. Yogi turned Nick Swisher's season around. Stories about handling a hitter like Ted Williams or catching Don Larsen's perfect game captured their imaginations. And in Yogi, Guidry found not just an elder companion or source of amusement – he found a best friend. At turns tender, at turns laugh-out-loud funny, and teeming with unforgettable baseball yarns that span more than fifty years, Driving Mr. Yogi is a universal story about the importance of wisdom being passed from one generation to the next, as well as a reminder that time is what we make of it and compassion never gets old.

    During his prime he became a legend in Cuba and one of Black America’s most popular figures. Yet even among serious sports fans, Oscar Charleston is virtually unknown today. In a long career spanning from 1915 to 1954, Charleston played against, managed, befriended, and occasionally fought men such as Lou Gehrig, Jimmie Foxx, Lefty Grove, Satchel Paige, Josh Gibson, Jesse Owens, Roy Campanella, and Branch Rickey. He displayed tremendous power, speed, and defensive instincts along with a fierce intelligence and commitment to his craft. Charleston’s competitive fire sometimes brought him trouble, but more often it led to victories, championships, and profound respect. While Charleston never played in the Major Leagues, he was a trailblazer who became the first Black man to work as a scout for a Major League team when Branch Rickey hired him to evaluate players for the Dodgers in the 1940s. From the mid‑1920s on, he was a player‑manager for several clubs. In 1932 he joined the Pittsburgh Crawfords and would manage the club many consider the finest Negro League team of all time, featuring five future Hall of Famers, including himself, Cool Papa Bell, Josh Gibson, Judy Johnson, and Satchel Paige. Charleston’s combined record as a player, manager, and scout makes him the most accomplished figure in Black baseball history. His mastery of the quintessentially American sport under the conditions of segregation revealed what was possible for Black achievement, bringing hope to millions. Oscar Charleston introduces readers to one of America’s greatest and most fascinating athletes.

    With candor he takes us behind the scenes on the set of Three's Company, and behind the sets of his hugely successful film comedies. And he shares bittersweet memories of The Mayberry Reunion, and affectionate recollections of his professional and personal relationships with such legends as Andy Griffith, Jack Benny, Red Skelton, Orson Welles, Lou Costello, and Arthur Godfrey.

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    Baseball is John Schuerholz's world--everyone is just playing in it. Now, in BUILT TO WIN, the legendary manager takes readers behind the scenes of the most successful franchise in recent history--and shows how his unique philosophies and leadership have helped the Atlanta Braves achieve something no team has ever come close to accomplishing. He candidly peels back the curtain, from his first World Series with the Kansas City Royals to his departure for the struggling Braves. No sooner did Schuerholz arrive than they won their first title in 1991...and the rest is history.

    He then went on to win all three games of baseball's first World Series. Fifty-nine in '84 tells the dramatic story not only of that amazing feat of grit but also of big-league baseball two decades after the Civil War—a brutal, bloody sport played barehanded, the profession of uneducated, hard-drinking men who thought little of cheating outrageously or maiming an opponent to win. It is the tale, too, of the woman Radbourn loved, Carrie Stanhope, the alluring proprietress of a boarding-house with shady overtones, a married lady who was said to have personally known every man in the National League. Wonderfully entertaining, Fifty-nine in '84 is an indelible portrait of a legendary player and a fascinating, little-known era of the national pastime.

    Fans fell in love with Eliza Hamilton—Alexander Hamilton’s devoted wife—in Lin-Manuel Miranda’s phenomenal musical Hamilton. But they don’t know her full story. A strong pioneer woman, a loving sister, a caring mother, and in her later years, a generous philanthropist, Eliza had many sides—and this fascinating biography brings her multi-faceted personality to vivid life. Eliza Hamilton: The Extraordinary Life and Times of The Wife of Alexander Hamilton follows Eliza through her early years in New York, into the ups and downs of her married life with Alexander, beyond the aftermath of his tragic murder, and finally to her involvement in many projects that cemented her legacy as one of the unsung heroes of our nation’s early days. Featuring Mazzeo’s “impeccable research and crafting” (Library Journal), and perfect for fans of the richly detailed historical books by Ron Chernow and Erik Larson, Eliza Hamilton is the captivating account of the woman behind the famous man.

    But as Karina Longworth reminds us, long before the Harvey Weinsteins there was Howard Hughes—the Texas millionaire, pilot, and filmmaker whose reputation as a cinematic provocateur was matched only by that as a prolific womanizer.His supposed conquests between his first divorce in the late 1920s and his marriage to actress Jean Peters in 1957 included many of Hollywood’s most famous actresses, among them Billie Dove, Katharine Hepburn, Ava Gardner, and Lana Turner. From promoting bombshells like Jean Harlow and Jane Russell to his contentious battles with the censors, Hughes—perhaps more than any other filmmaker of his era—commoditized male desire as he objectified and sexualized women. Yet there were also numerous women pulled into Hughes’s grasp who never made it to the screen, sometimes virtually imprisoned by an increasingly paranoid and disturbed Hughes, who retained multitudes of private investigators, security personnel, and informers to make certain these actresses would not escape his clutches.Vivid, perceptive, timely, and ridiculously entertaining, Seduction is a landmark work that examines women, sex, and male power in Hollywood during its golden age—a legacy that endures nearly a century later.

    He could run, throw, field and he had a sweet swing. But during his twelve years in the major leagues, Pepi devoted most of his energy to swinging off the field. He blew his career, he destroyed two marriages, he lost three children and he came very close to a nervous breakdown. At age 33 he gave up a $70,000 contract in Japan and quit baseball for good. He finally admitted that most of his life he had been living a lie, acting the carefree clown to cover up his inner pain. It was time to close the act. In Joe, You Coulda Made Us Proud, Pepitone attempts to show what was behind his berserk behavior. He does so in the most devastatingly honest terms, holding back none of the embarrassment, the anguish, the guilt he kept accumulating. He tells of the father he loved so much, "Willie Pep" Pepitone, the toughest man in a tough Brooklyn neighborhood. Obsessed with making his son a baseball star, Willie constantly beat hell out of Joe. One night, enraged at his father, Joe said,"Mom- I wish he'd die!" The next day Willie died. He tells how he demolished two marriages by trying to ball American, of how he was haunted by the words of his first child - "Daddy, don't leave me" - and of the nights when the guilt left him impotent. Despite the travail, though, there is much humor in Joe's story. Such as the time he was staying at Frank Sinatra's home, and Joe has a $350 pool shot line up. Just as he shot, Sinatra knocked the ball away. "All right, Frank... I won the money." Sinatra, grinning, said, "Joe, this is my game, this is my table - and we are playing my rules." Usually Joe Pepitone played only by his rules, and those rules maimed him. Yet his regrets are not for what he did to himself... "You do what you have to do, and you pay the price - but you pay it double when you see how it has hurt others you love." - from book's dustjacket

    This glaring omission—later rectified by a panel of experts—raised an important question: How could a first-ballot Hall of Famer, widely considered one of the greatest hitters in baseball history, still rank as the most underrated athlete of all time?In Stan Musial, veteran sports journalist George Vecsey finally gives this twenty-time All-Star and St. Louis Cardinals icon the kind of prestigious biographical treatment previously afforded to his more celebrated contemporaries Ted Williams and Joe DiMaggio. More than just a chronological recounting of the events of Musial’s life, this is the definitive portrait of one of the game’s best-loved but most unappreciated legends, told through the remembrances of those who played beside, worked with, and covered “Stan the Man” over the course of his nearly seventy years in the national spotlight.Stan Musial never married a starlet. He didn’t die young, live too hard, or squander his talent. There were no legendary displays of temper or moodiness. He was merely the most consistent superstar of his era, a scarily gifted batsman who compiled 3,630 career hits (1,815 at home and 1,815 on the road), won three World Series titles, and retired in 1963 in possession of seventeen major-league records. Away from the diamond, he proved a savvy businessman and a model of humility and graciousness toward his many fans in St. Louis and around the world. From Keith Hernandez’s boyhood memories of Musial leaving tickets for him when the Cardinals were in San Francisco to the little-known story of Musial’s friendship with novelist James Michener—and their mutual association with Pope John Paul II—Vecsey weaves an intimate oral history around one of the great gentlemen of baseball’s Greatest Generation. There may never be another Stan the Man, a fact that future Hall of Famer Albert Pujols—reluctantly nicknamed “El Hombre” in Musial’s honor—is quick to acknowledge. But thanks to this long-overdue reappraisal, even those who took his greatness for granted will learn to appreciate him all over again.