Let's take check: Finn Bar, slightly ruffled but still in fighting form. Maggie, could do with a full night's sleep but otherwise all in order... Stay here. Don't answer the door. I'll go out and get some proper food.In a new flat, three children play hide and seek. Eliot wears a crown, little Finn, King of the Wild Thing's, draws on the walls. Maggie climbs them. Hiding from the world, needing to be found, their one shared focus a mobile phone. Will it ring? Who will call? And what are they waiting for?Tusk Tusk is a tale of family loyalty as an uncertain future circles. Polly Stenham's second play premiered at the Royal Court Theatre, London, in March 2009.

    "By a mile, the best new play of the season>"--John Heilpern, New York Observer.

    

    Klein’s most innovative and visionary work. The five “books” of the novel are a modern testament of Jewish experience to which are appended “glosses” or commentaries in the form of drama, epistle, poetry, and psalm. The action centres on a young writer from Montreal, whose search for his legendary Uncle Melech becomes a journey of revelation through Italy, Morocco, and the Holy Land. Dissident and exile, reformer and scholar, Melech is a messianic figure who enacts the destiny of his people and embodies the spiritual yearnings of everyman.The Second Scroll, Klein’s only novel, combines the lyric genius of his poetic works with compelling reportage to create one of the most eloquent and original works in Canadian fiction.

    Her characters are the oppressed, from the spinster Lizzie Borden in the title play, Blood Relations, to the prisoners of One Tiger to a Hill, to Leah, &quotchosen&quot daughter/mistress of rum runner Mr. Big in Whiskey Six Cadenza.

    It is a play to make us question a standard institution - Anzac Day, the sacred cow among Australian annual celebrations - but it is the likeability and genuineness of the characters that give the play its memorable qualities: Alf, the nobody who becomes a somebody on this day of days; Mum, the anchor of the family; Hughie, their son, with all the uncertainties and rebelliousness of youth; and Wacka, the Anzac, with his simple, healing wisdom.Undoubtedly one of Australia's favourite plays, the One Day of the Year explores the universal theme of father-son conflict against the background of the beery haze and the heady, nostalgic sentimentality of Anzac Day. It is a play to make us question a standard institution - Anzac Day, the sacred cow among Australian annual celebrations - but it is the likeability and genuineness of the characters that give the play its memorable qualities: Alf, the nobody who becomes a somebody on this day of days; Mum, the anchor of the family; Hughie, their son, with all the uncertainties and rebelliousness of youth; and Wacka, the Anzac, with his simple, healing wisdom.

    It won Best Original Script in The Straits Times’ Life! Theatre Awards in 2006.“Jean’s adroit handling of themes, from the origins of genius to gene heritage and the tyranny of Time, makes Everything but the Brain one of the best things seen on stage here in a while.” —The Straits Times“One of the more thoughtfully constructed original shows to come out of Singapore in recent times.” —The Business Times

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    An acclaimed three-person musical, tick, tick ... BOOM! is an autobiographical piece from the late Jonathan Larson, the Tony- and Pulitzer Prize-winning composer of Rent . Our songbook features 12 tunes from the production: Come to Your Senses * Green Green Dress * Johnny Can't Decide * Louder Than Words * No More * Real Life * See Her Smile * Sugar * Sunday * Therapy * 30/90 * Why.

    When Daphna’s cousin Liam brings home his shiksa girlfriend Melody and declares ownership of their grandfather’s Chai necklace, a vicious and hilarious brawl over family, faith and legacy ensues.

    Winner of  the Olivier Award and set to open on Broadway in September 2011, The Mountaintop is set at the Lorraine Motel in Memphis in 1968, on the night before Martin Luther King is assassinated and on the day he delivered a speech in which he foretold his own fate, “I may not get there with you, but I want you to know that tonight, we as a people will get to the Promised Land.”  Playwright Katori Hall takes this historic date with destiny and weaves a powerful surrealistic fantasy about a conversation between King and a mysterious hotel maid who brings him a cup of coffee and prompts him to confront his life, his past, his legacy and the plight and future of African-Americans. Hall's insight, light touch and lively mood depicts King as a real man with very human foibles who was nonetheless capable of inspiring millions to hope and move toward a momentous societal shift for equality and justice.

    He announces he is the Lord of Misrule and appoints his Court of Fools.Very quickly odd things start to happen.Previously unseen magic is revealed, and paranormal characteristics are unveiled.And unfortunately, darker events occur, too.Unless Avery, Alex, and the other witches can find a solution, Yuletide may not be as joyous as they hoped.

    Greg's career as a financial trader is winding down, while Kate's career, as a public-school English teacher, is beginning to offer her more opportunities. Greg brings home a dog he found in the park or that has found him bearing only the name "Sylvia" on her name tag. A street-smart mixture of Lab and Poodle, Sylvia becomes a major bone of contention between husband and wife. She offers Greg an escape from the frustrations of this job and the unknowns of middle age. To Kate, Sylvia becomes a rival for affection. And Sylvia thinks Kate just doesn't understand the relationship between man and dog. The marriage is put in serious jeopardy until, after a series of hilarious and touching complications, Greg and Kate learn to compromise, and Sylvia becomes a valued part of their lives.

    Taking his inspiration from Dylan Thomas' Under Milk Wood, Louis de Bernières chose to celebrate his ten years of life in the south London suburb, living above a small shop that had been by turns an outlet for oversized naughty clothes for transvestites, a West Indian hairdressers and a junk shop, by writing of the people that he had known and come to love in his time there.Brilliantly capturing the myriad voices of modern Britain, with their different rhythms of speech and accents, their humour and their tragedy, jokes and gossip, de Bernières' tour de force takes us to the heart of a community and its spirit - the lives and loves, the tears and the laughter of its people.

    Hairspray (978-1-5578-3514-7); Rent (978-1-5578-3737-0); Fiddler on the Roof (978-0-8791-0136-7)