Original.

    Powerful in war, Rome was magnificent in peace, so that even today her poets, artists, philosophers and historians exert their influence over Western thought and civilisation.Michael Grant, the renowned classical historian, recreates the evolution of this astonishing city and community. He describes the individuals and events that made Rome a political and cultural conqueror, and defines the dramatic circumstances of her eventual decline and fall.

    But what if these beings were more than merely fictions? What if monstrous creatures once roamed the earth in the very places where their legends first arose? This is the arresting and original thesis that Adrienne Mayor explores in The First Fossil Hunters. Through careful research and meticulous documentation, she convincingly shows that many of the giants and monsters of myth did have a basis in fact--in the enormous bones of long-extinct species that were once abundant in the lands of the Greeks and Romans.As Mayor shows, the Greeks and Romans were well aware that a different breed of creatures once inhabited their lands. They frequently encountered the fossilized bones of these primeval beings, and they developed sophisticated concepts to explain the fossil evidence, concepts that were expressed in mythological stories. The legend of the gold-guarding griffin, for example, sprang from tales first told by Scythian gold-miners, who, passing through the Gobi Desert at the foot of the Altai Mountains, encountered the skeletons of Protoceratops and other dinosaurs that littered the ground.Like their modern counterparts, the ancient fossil hunters collected and measured impressive petrified remains and displayed them in temples and museums; they attempted to reconstruct the appearance of these prehistoric creatures and to explain their extinction. Long thought to be fantasy, the remarkably detailed and perceptive Greek and Roman accounts of giant bone finds were actually based on solid paleontological facts. By reading these neglected narratives for the first time in the light of modern scientific discoveries, Adrienne Mayor illuminates a lost world of ancient paleontology. As Peter Dodson writes in his Foreword, "Paleontologists, classicists, and historians as well as natural history buffs will read this book with the greatest of delight--surprises abound."

    Now offering a brilliant solution to a question that has challenged archeologists for centuries, The Mystery of the Hanging Garden of Babylon is an exciting story of detection as well as a lavishly illustrated & vividly written description of a little-known civilization. In this remarkable volume, Stephanie Dalley, a world expert on ancient Babylonian language, gathers in one place for the first time all the material on this enigmatic wonder. Tracing the history of the Garden, she describes how deciphering an ancient Assyrian text--& comparing it to sculpture in the British Museum--provided the clues that enabled her to pin down where the Garden was positioned (it was not the Babylon we know today) & to describe in detail what it may have looked like. The author also offers a groundbreaking description of the technology behind the Hanging Garden's water supply, highlighting a very early occurrence of the "water-raising screw." Thru her reconstruction of the Garden, Dalley is also able to follow its influence on later garden design. Unscrambling the many legends that have built up around the Garden, including questions about the roles played by Semiramis & Nebuchadnezzar, this intriguing volume shows why this Garden, with its remarkable innovations, deserves its place alongside the Pyramids & the Colossus of Rhodes as one of the most astonishing technical achievements of the ancient world.

    Its purpose—place of worship, sacrificial arena, giant calendar—is unknown, but its story is one of the most extraordinary of any of the world's prehistoric monuments.Constructed in several phases over a period of some 1500 years, beginning in 3000 BC, Stonehenge's key elements are its “bluestones,” transported from West Wales by unexplained means, and its sarsen stones quarried from the nearby Marlborough Downs.Francis Pryor delivers a rigorous account of the nature and history of Stonehenge, but also places the enigmatic monument in a wider cultural context, bringing acute insight into how antiquarians, scholars, writers, artists–and even neopagans—have interpreted the mystery over the centuries.

    Brown interprets the changes in social patterns and religious thought, breaking away from conventional modern images of the period.

    Much has been written about this strange, persecuted figure, whose freakishly elongated and effeminate appearance is totally at odds with that of the traditional Egyptian ruler-hero. Known today as a heretic, Akhenaten sought to impose upon Egypt and its people the worship of a single god - the sun - and in so doing changed the country in every way. In this immensely readable re-evaluation, Nicholas Reeves takes issue with the existing view of Akhenaten, presenting an entirely new perspective on the turbulent events of his seventeen-year reign. Reeves argues that, far from being the idealistic founder of a new faith, Akhenaten cynically used religion for purely political ends in a calculated attempt to reassert the authority of the king - to concentrate all power in his own hands. closely written narrative also provides many new insights into questions that have baffled scholars for generations - the puzzle of the body in Tomb 55 in the Valley of the Kings; the fate of Nefertiti, Akhenaten's beautiful wife, and the identity of the mysterious successor, Smenkhkare; and the theory that Tutankhamun, Akhenaten's son and true heir, was murdered.

    It is a haunting and frequently eye-opening saga—one that reveals a startling link between what we build and how we live. With Frye as our raconteur-guide, we journey back to a time before barriers of brick and stone even existed—to an era in which nomadic tribes vied for scarce resources, and each man was bred to a life of struggle. Ultimately, those same men would create edifices of mud, brick, and stone, and with them effectively divide humanity: on one side were those the walls protected; on the other, those the walls kept out. The stars of this narrative are the walls themselves—rising up in places as ancient and exotic as Mesopotamia, Babylon, Greece, China, Rome, Mongolia, Afghanistan, the lower Mississippi and even Central America. As we journey across time and place, we discover a hidden, thousand-mile-long wall in Asia’s steppes; learn of bizarre Spartan rituals; watch Mongol chieftains lead their miles-long hordes; witness the epic siege of Constantinople; chill at the fate of French explorers; marvel at the folly of the Maginot Line; tense at the gathering crisis in Cold War Berlin; gape at Hollywood’s gated royalty; and contemplate the wall mania of our own era. A masterpiece of historical recovery and preeminent storytelling, Walls is alternately evocative, amusing, chilling, and deeply insightful as it gradually reveals the startling ways that barriers have affected our psyches. The questions this book summons are both intriguing and profound: Did walls make civilization possible? And can we live without them?

    The Oracle of Delphi was one of the most influential figures in ancient Greece. Human mistress of the god Apollo, she had the power to enter into ecstatic communion with him and deliver his prophesies to men. Thousands of years later, Pulitzer Prize–winning journalist William J. Broad follows a crew of enterprising researchers as they sift through the evidence of history, geology, and archaeology to reveal—as far as science is able—the source of her visions.

    Since the Enlightenment, it has also come to represent our political ideals, the lavish temple to the goddess Athena serving as the model for our most hallowed civic architecture. But how much do the values of those who built the Parthenon truly correspond with our own? And apart from the significance with which we have invested it, what exactly did this marvel of human hands mean to those who made it?In this revolutionary book, Joan Breton Connelly challenges our most basic assumptions about the Parthenon and the ancient Athenians. Beginning with the natural environment and its rich mythic associations, she re-creates the development of the Acropolis—the Sacred Rock at the heart of the city-state—from its prehistoric origins to its Periklean glory days as a constellation of temples among which the Parthenon stood supreme. In particular, she probes the Parthenon’s legendary frieze: the 525-foot-long relief sculpture that originally encircled the upper reaches before it was partially destroyed by Venetian cannon fire (in the seventeenth century) and most of what remained was shipped off to Britain (in the nineteenth century) among the Elgin marbles. The frieze’s vast enigmatic procession—a dazzling pageant of cavalrymen and elders, musicians and maidens—has for more than two hundred years been thought to represent a scene of annual civic celebration in the birthplace of democracy. But thanks to a once-lost play by Euripides (the discovery of which, in the wrappings of a Hellenistic Egyptian mummy, is only one of this book’s intriguing adventures), Connelly has uncovered a long-buried meaning, a story of human sacrifice set during the city’s mythic founding. In a society startlingly preoccupied with cult ritual, this story was at the core of what it meant to be Athenian. Connelly reveals a world that beggars our popular notions of Athens as a city of staid philosophers, rationalists, and rhetoricians, a world in which our modern secular conception of democracy would have been simply incomprehensible.The Parthenon’s full significance has been obscured until now owing in no small part, Connelly argues, to the frieze’s dismemberment. And so her investigation concludes with a call to reunite the pieces, in order that what is perhaps the greatest single work of art surviving from antiquity may be viewed more nearly as its makers intended. Marshalling a breathtaking range of textual and visual evidence, full of fresh insights woven into a thrilling narrative that brings the distant past to life, The Parthenon Enigma is sure to become a landmark in our understanding of the civilization from which we claim cultural descent.

    From York to Whitby, from London to Sutton Hoo, from Edinburgh to Anglesey, and from Hadrian's Wall to Loch Tay, each of his ten walking narratives form free-standing chapters as well as parts of a wider portrait of a Britain of fort and fyrd, crypt and crannog, church and causeway, holy well and memorial stone.Part travelogue, part expert reconstruction, In the Land of Giants offers a beautifully written insight into the lives of peasants, drengs, ceorls, thanes, monks, knights, and kings during an enigmatic but richly exciting period of Britain’s history.

    The present work is the first edition of selections from Martial to be published for decades, and the first ever to include a fully representative selection of the oeuvre of the poet, who has often been criticised, unfairly, the authors argue, for obscenity and flattery of the Emperor Domitian. The epigrams included in the selection are organised under various heads, e.g. Martial and poetry, sexual mores, satirical pieces. A very full introduction deals with such topics as the prejudices and predilections of his audience which conditioned Martial's choice of subject matter, Martial's language, the structure and style of the epigrams, the epigrammatic tradition and Martial's creative engagement with it. The detailed commentary is suitable for use with undergraduates and is distinguished by its focus on social history as well as literary interpretation.

    Ceram visualized archeology as a wonderful combination of high adventure, romance, history and scholarship, and this book, a chronicle of man's search for his past, reads like a dramatic narrative. We travel with Heinrich Schliemann as, defying the ridicule of the learned world, he actually unearths the remains of the ancient city of Troy. We share the excitement of Lord Carnarvon and Howard Carter as they first glimpse the riches of Tutankhamen's tomb, of George Smith when he found the ancient clay tablets that contained the records of the Biblical Flood. We rediscover the ruined splendors of the Hanging Gardens of Babylon, one of the wonders of the ancient wold; of Chichen Itza, the abandoned pyramids of the Maya: and the legendary Labyrinth of tile Minotaur in Crete. Here is much of the history of civilization and the stories of the men who rediscovered it.From the Paperback edition.

    It was a time of assassinations and civil war, of armies so out of control that they had no qualms about occupying the city of Rome, and of ambitious men who ruthlessly seized power only to have it wrenched from their grasps. In 69 AD, Gwyn Morgan offers a fresh look at this period, based on two considerations to which insufficient attention has been paid in the past. First, that we need to unravel rather than cherry-pick between the conflicting accounts of Tacitus, Plutarch and Suetonius, our three main sources of information. And second, that the role of the armies, as distinct from that of their commanders, has too often been exaggerated. The result is a remarkably accurate and insightful narrative history, filled with colorful portraits of the leading participants and new insights into the nature of the Roman military. A strikingly vivid account of ancient Rome, 69 AD is an original and compelling account of one of the best known but perhaps least understood periods in all Roman history. It will engage and enlighten all readers with a love for the tumultuous soap opera that was Roman political life.

    Professor Pollitt reminds us that the visual arts in Greece, as elsewhere, were primarily vehicles of expression. He does not ignore formal development but always relates this to social and cultural history, which it reflected and from which it grew. While his subject is art, he refers frequently to the literature and philosophy of the period which were shaped by the same influences.