All she wanted to do was to make art. But becoming an artist wasn't an easy. Her parents worked hard to provide her paper and paints, and Mary worked hard to enter contests and earn a spot at a school for the arts. She even had to work hard to find her place at the Walt Disney Studios. But Walt was easily impressed by Mary Blair. When she joined his trip to South America, Mary had never seen such color. She collected that color and used it in her concept art for Cinderella, Alice in Wonderland, and Peter Pan, and even the It's a Small World attraction at Disneyland. This beautifully illustrated picture book shares Mary's story, in all its inspiring flair.

    But do you know about the mathematical genius who made sure that Apollo 13 returned safely home?As a child, Katherine Johnson loved to count. She counted the steps on the road, the number of dishes and spoons she washed in the kitchen sink, everything! Boundless, curious, and excited by calculations, young Katherine longed to know as much as she could about math, about the universe.From Katherine's early beginnings as a gifted student to her heroic accomplishments as a prominent mathematician at NASA, this is the story of a groundbreaking American woman who not only calculated the course of moon landings but, in turn, saved lives and made enormous contributions to history.

    She was a talented player, but she wasn't welcome in the segregated All-American Girls Pro Baseball League due to the color of her skin. However, a greater opportunity came her way in 1953 when Johnson signed to play ball for the Negro Leagues' Indianapolis Clowns, becoming the first female pitcher to play on a men's professional team. During the three years she pitched for the Clowns, her record was an impressive 33-8. But more importantly, she broke ground for other female athletes and for women everywhere.

    Born in 1876 on the Yankton Sioux reservation in South Dakota, Zitkala-Sa willingly left her home at age eight to go to a boarding school in Indiana. But she soon found herself caught between two worlds--white and Native American. At school she missed her mother and her traditional life, but Zitkala-Sa found joy in music classes. "My wounded spirit soared like a bird as I practiced the piano and violin," she wrote. Her talent grew, and when she graduated, she became a music teacher, composer, and performer. Zitkala-Sa found she could also "sing" to help her people by writing stories and giving speeches. As an adult, she worked as an activist for Native American rights, seeking to build a bridge between cultures. The coauthors tell Zitkala-Sa's life by weaving together pieces from her own stories. The artist's acrylic illustrations and collages of photos and primary source documents round out the vivid portrait of Zitkala-Sa, a frightened child whose spirit "would rise again, stronger and wiser for the wounds it had suffered."

    Ona was widely known for her excellent skills as a seamstress, and was raised alongside Washington's grandchildren. Indeed, she was frequently mistaken for his granddaughter. This biography follows her childhood and adolescence until she decides to run away.This book doesn't shy away from the horrors of slavery, nor the complex role of house servants. Author Ray Anthony Shepard implicates the reader in Ona's decision to emancipate herself by using a rhetorical refrain, "Why you run, Ona Judge?" This haunting meditation welcomes meaningful and necessary conversation among readers. Illustrator Keith Mallett's rich paintings include fabric collage and add further feeling and majesty to Ona's daring escape.

    Some of our ancestors were driven by dreams and hope. Others came in chains, or were escaping poverty or persecution. No matter what brought them here, each person embodied a unique gift--their art and music, their determination and grit, their stories and their culture. And together they forever shaped the country we all call home.

    Growing up in New York in the late 1800s was not easy. When she lost her brother and father to typhoid fever, she became determined to pursue her dream of becoming a doctor. In Jo's day, medical schools were closed to women, but times were changing, and Jo was at the forefront.When she graduated in 1898, Dr. Jo still faced prejudice against women in her field. Not many people were willing to be seen by a female doctor, and Dr. Jo's waiting room remained mostly empty. She accepted a job in public health and was sent to Hell's Kitchen, one of New York's poorest neighborhoods where many immigrants lived. There, she was able to treat the most vulnerable patients: babies and children. She realized that the best treatment was to help babies get a stronger start in life. Babies need fresh air, clean and safe environments, and proper food. Dr. Jo's successes, fueled by her determination, compassion and ingenuity, made her famous across the nation for saving the lives of 90,000 inner city infants and children.

    E. Patrick Johnson challenges stereotypes of the South as backward or repressive and offers a window into the ways black gay men negotiate their identities, build community, maintain friendship networks, and find sexual and life partners--often in spaces and activities that appear to be antigay. Ultimately, Sweet Tea validates the lives of these black gay men and reinforces the role of storytelling in both African American and southern cultures.

    In fact, 90 percent of Black voters supported Democratic House candidates, compared to just 53 percent of all voters. Despite media narratives, this was not a fluke. Throughout U.S. history, Black people have played a crucial role in the shaping of the American experiment. Yet still, this powerful voting bloc is often dismissed as some "amorphous" deviation, argues Tiffany Cross.Say It Loud! is her explosive examination of how America's composition was designed to exclude Black voters, but paradoxically would likely cease to exist without them. With multiple tentacles stretching into the cable news echo chamber, campaign leadership, and Black voter data, Cross creates a wrinkle in time with a reflective look at the timeless efforts endlessly attempting to deny people of color the right to vote--a basic tenet of American democracy.And yet as the demographics of the country are changing, so too is the electoral power construct--by evolution and by force, Cross declares. Grounded in the most-up-to-date research, Say It Loud! is a vital tool for a wide swath of constituencies.

    Paula grew up in the deep south, in a world where whites had and blacks did not. With an activist father and a community of leaders surrounding her, including Uncle Martin (Martin Luther King), Paula watched and listened to the struggles, eventually joining with her family--and thousands of others--in the historic march from Selma to Montgomery.Poignant, moving, and hopeful, this is an intimate look at the birth of the Civil Rights Movement.

    Garza wrote: Black people. I love you. I love us. Our lives matter. With the speed and networking capacities of social media, #BlackLivesMatter became the hashtag heard ’round the world. But Garza knew even then that hashtags don’t start movements—people do. Long before #BlackLivesMatter became a rallying cry for this generation, Garza had spent the better part of two decades learning and unlearning some hard lessons about organizing. The lessons she offers are different from the “rules for radicals” that animated earlier generations of activists, and diverge from the charismatic, patriarchal model of the American civil rights movement. She reflects instead on how making room amongst the woke for those who are still awakening can inspire and activate more people to fight for the world we all deserve. This is the story of one woman’s lessons through years of bringing people together to create change. Most of all, it is a new paradigm for change for a new generation of changemakers, from the mind and heart behind one of the most important movements of our time.

    There is a place inside of mea space deep down inside of me where all my feelings hide. Summertime is filled with joy—skateboarding and playing basketball—until his community is deeply wounded by a police shooting. As fall turns to winter and then spring, fear grows into anger, then pride and peace.In her debut, illustrator Noa Denmon articulates the depth and nuances of a child’s experiences following a police shooting—through grief and protests, healing and community—with washes of color.

    Davis, Gina Dent, Erica Meiners, and Beth E. Richie.As a politic and a practice, abolition increasingly shapes our political moment—halting the construction of new jails and propelling movements to divest from policing. Yet erased from this landscape are the central histories of feminist organizing—usually queer, anti-capitalist, grassroots, and women of color—that continue to cultivate abolition. Also erased is a recognition of the stark reality: abolition is our best response to endemic forms of state and interpersonal gender and sexual violence.Amplifying the analysis and the theories of change generated from vibrant community based organizing, Abolition. Feminism. Now. surfaces necessary historical genealogies, key internationalist learnings, and everyday practices to grow our collective and flourishing present and futures.

    "She can have all the collards she wants. She's earned it." And so begins the tale of a simple mule in Gee's Bend, Alabama, who played a singular part in the civil rights movement of the 1960s. When African-Americans in a poor community-- inspired by a visit from Dr. Martin Luther King, Jr.-- defied local authorities who were trying to stop them from registering to vote, many got around a long detour on mule-drawn wagons. Later, after Dr. King's assassination, two mules from Gee's Bend pulled the farm wagon bearing his casket through the streets of Atlanta. As Alex looks into the eyes of gentle Belle, he begins to understand a powerful time in history in a very personal way.