Through her poetry, essays, stories, and performances, Ryka Aoki has challenged, informed, and shared with queer audiences across the United States. Available on Amazon, as well as directly from the press at Trans-Genre.net.

    old boy named Tyler Morris, who auditions for a student film to win the heart of Billy Greske, the school's celebrity thespian. The plan seems promising until Tyler’s bipolar best friend Jenny offers love advice and a local skater takes interest in Tyler as well. Furthering complications, Tyler's estranged mother, a clairvoyant circus clown, returns home to win back the love of her family.

    Some feminists vocally condemn other feminists because of how they dress, for their sexual partners or practices, or because they are seen as different and therefore less valued. Among LGBTQ activists, there is a long history of lesbians and gay men dismissing bisexuals, transgender people, and other gender and sexual minorities. In each case, exclusion is based on the premise that certain ways of being gendered or sexual are more legitimate, natural, or righteous than others. As a trans woman, bisexual, and femme activist, Julia Serano has spent much of the last ten years challenging various forms of exclusion within feminist and queer/LGBTQ movements. In Excluded, she chronicles many of these instances of exclusion and argues that marginalizing others often stems from a handful of assumptions that are routinely made about gender and sexuality. These false assumptions infect theories, activism, organizations, and communities -- and worse, they enable people to vigorously protest certain forms of sexism while simultaneously ignoring and even perpetuating others. Serano advocates for a new approach to fighting sexism that avoids these pitfalls and offers new ways of thinking about gender, sexuality, and sexism that foster inclusivity.

    . .Twenty-three-year-old artist Andrea Morales escaped her Midwestern Catholic childhood—and the closet—to create a home and life for herself within the thriving but insular lesbian underground of Portland, Oregon. But one drunken night, reeling from a bad breakup and a friend’s betrayal, she recklessly crosses enemy lines and hooks up with a man. To her utter shock, Andrea soon discovers she’s pregnant—and despite the concerns of her astonished circle of gay friends, she decides to have the baby.A decade later, when her precocious daughter Lucia starts asking questions about the father she’s never known, Andrea is forced to reconcile the past she hoped to leave behind with the life she’s worked so hard to build.A thoroughly modern and original anti-romantic comedy, Stray City is an unabashedly entertaining literary debut about the families we’re born into and the families we choose, about finding yourself by breaking the rules, and making bad decisions for all the right reasons.

    Tom Rasmussen's honesty, vulnerability, and fearlessness jump out of every page and every word. It is the queer bible I've always needed." --Sam Smith, singer and songwriter Tom covers the nuance, doubt, and uncertainty of being a drag queen. Crystal covers the transcendence . . . Charisma and quick intelligence--two qualities that have long been prerequisites for drag . . . Diary puts on technicolor display. --Katy Waldman, The New YorkerIn these pages, find glamour and gaffes on and off the stage, clarifying snippets of queer theory, terrifyingly selfish bosses, sex, quick sex, KFC binges, group sex, the kind of honesty that banishes shame, glimmers of hope, blazes of ambition, tender sex, mad dashes in last night's heels plus a full face of make-up, and a rom-com love story for the ages. This is where the unspeakable becomes the celebrated. This is the diary of a drag queen--one dazzling, hilarious, true performance of a real, flawed, extraordinary life.I hope people like me will read this and feel seen and loved by it. I hope people who aren't like me will enjoy it, laugh with it, learn from it. And I hope people who don't like me will file lawsuits just so I can wear my brand-new leopard-print skirt suit and bust their asses in court.--Crystal Rasmussen, in Refinery29

    In order to help create that community, YA authors David Levithan and Billy Merrell have collected original poems, essays, and stories by young adults in their teens and early 20s. The Full Spectrum includes a variety of writers—gay, lesbian, bisexual, straight, transitioning, and questioning—on a variety of subjects: coming out, family, friendship, religion/faith, first kisses, break-ups, and many others. This one of a kind collection will, perhaps, help all readers see themselves and the world around them in ways they might never have imagined. We have partnered with the Gay, Lesbian and Straight Education Network (GLSEN) and a portion of the proceeds from this book will be donated to them.

     Bishop was unforgiving of fashion and limited ways of seeing and feeling, but cast an even more trenchant eye on her own work. One wishes this volume were thicker, though the perfections within mark the rightness of her approach. The poems are sublimely controlled, fraught with word play, fierce moral vision (see her caustic ballad on Ezra Pound, "Visits to St. Elizabeths"), and reticence. From the surreal sorrow of the early "Man-Moth" (leaping off from a typo she had come across for "mammoth"), about a lonely monster who rarely emerges from "the pale subways of cement he calls his home," to the beauty of her villanelle "One Art" (with its repeated "the art of losing isn't hard to master"), the poet wittily explores distance and desolation, separation and sorrow.

    Take Me There is an erotica collection unlike any other that celebrates the pleasure, heat, and diversity of transgender and genderqueer sexualities. The power of seeing and being seen is a central theme in the anthology; it’s not simply about passing or not passing (an idea often explored with transgender characters), but about being acknowledged and desired in a sexual context.The book takes you from San Francisco to Israel, from heartache to lust, from stranger sex to a 10 year anniversary, from ballet shoes to butt plug bondage tables, from fumbling teenagers to leatherclad bears, from MTF and FTM—and in between and beyond.Featuring renowned authors Kate Bornstein (Gender Outlaws: The Next Generation), Patrick Califia (Speaking Sex to Power), S. Bear Bergman (Butch is a Noun), Ivan Coyote (Missed Her), Julia Serrano (Whipping Girl), Laura Antoniou (The Marketplace), Helen Boyd (My Husband Betty), Rachel Kramer Bussel (Gotta Have It), Toni Amato (Pinned Down by Pronouns), Alicia E. Goranson (Supervillianz), filmmaker Tobi Hill-Meyer, musician Rahne Alexander, songwriter Shawna Virago, bloggers Andrea Zanin and Sinclair Sexsmith, and more.

    An emotionally wrenching work of fiction about a health-care worker who tenders compassion and love to victims of AIDS, by an author who "strips her language of convention to lay bare the ferocious rituals of love and need."--New York Times Book Review

    Written in potent, raw prose that propelled the author to celebrity upon publication, the book has become almost completely forgotten.In the early 20th century, MacLane's name was synonymous with sexuality; she is widely hailed as being one of the earliest American feminist authors, and critics at the time praised her work for its daringly open and confessional style. In its first month of publication, the book sold 100,000 copies—a remarkable number for a debut author, and one that illustrates MacLane's broad appeal.Now, with a new foreword written by critic Jessa Crispin, I Await The Devil's Coming stands poised to renew its reputation as one of America's earliest and most powerful accounts of feminist thought and creativity.

    Sloat's Hotel Almighty is a book-length erasure of Misery by Stephen King, a reimagining of the novel's themes of constraint and possibility in elliptical, enigmatic poems. Here, "joy would crawl over broken glass, if that was the way." Here, sleep is “a circle whose diameter might be small," a circle "pitifully small," a "wrecked and empty hypothetical circle." Paired with Sloat's stunning mixed-media collage, each poem is a miniature canvas, a brief associative profile of the psyche―its foibles, obsessions, and delights.

    

    Georgie--a hopeless romantic with a weakness for punk-rock-girls even if they consistently trample her heart. Cruzer--a Mexican-American photographer, the tough kid, who chases love all the way to the East Coast. Soda--a gender queer heartthrob from the Midwest, who dreams of pirate ships, moustaches and femme foxes. Welcome to The Creamsickle, the ultimate bachelor pad, a lopsided Victorian in the Mission District, home to this rascally crew of charming skater bois who hop from one bed to another in pursuit of sex, love or just the next new thrill. This is a San Francisco you have never seen, an eclectic landscape of dyke clubs and dyke havens, along with the exotic Minxy, a wonderland where baby butch Georgie enters the femme-centric world of strippers for the most comical gender-bending education of all. Discover today's world of young queers, a world where personal identity is in constant flux, where gender exploration can be performance--or a life saving transition. Beneath the sex, music, drugs and drama, you'll find something true and timeless: a search for love, for queer family, for meaning, for connection, and affirmation.

    Between the contrast of high lyric and direct prose poems, Yanyi invites the reader to consider how to speak with multiple identities through trauma, transition, and ordinary life.   These poems constitute an artifact of a groundbreaking and original author whose work reflects a long journey self‑guided through tarot, therapy, and the arts. Foregrounding the power of friendship, Yanyi’s poems converse with friends as much as with artists both living and dead, from Agnes Martin to Maggie Nelson to Robin Coste Lewis. This instructive collection gives voice to the multifaceted humanity within all of us and inspires attention, clarity, and hope through art-making and community.

    By the time it was over, she was notorious. The New York Times thought her worthy of a lengthy obituary that began “Death of a Modern Diana . . . Dressed in Man’s Clothing She Wins a Girl’s Love.” The obit detailed what the Times knew of Lucy’s life, from her backwoods upbringing to the dance school she ran disguised as a man, “where she won the love of a young lady scholar.” But that was just the start of the trouble; the Times did not know about Lucy’s arrest and trial for the crime of wearing men’s clothes or her jailbreak engineered by her wife, Marie Perry, to whom she had been married by an unsuspecting judge.Lucy lived at a time when women did not commonly travel unescorted, carry a rifle, sit down in bars, or have romantic liaisons with other women. Lucy did these things in a personal quest—to work and be paid, to wear what she wanted, and to love whomever she cared to. But to gain those freedoms she had to endure public scorn and wrestle with a sexual identity whose vocabulary had yet to be invented. Lucy promised to write a book about it all, and over the decades, people have searched for that account. Author William Klaber searched also until he decided that the finding would have to be by way of echoes and dreams. This book is Lucy’s story, told in her words as heard and recorded by an upstream neighbor.It has been named a Stonewall Book Award-Barbara Gittings Literature Award Honor Book for 2014.