"A poetic story for anyone who has longed to leave home, only to find that home resides within you."--Sandra CisnerosWe live in the dregs of Queens, New York, where airplanes fly so low that we are certain they will crush us...This remarkable story brings you deep into the lives of a group of friends--young women of color growing up in Queens, New York City's most vibrant and eclectic borough. Here, streets echo with languages from all over the globe, subways rumble above dollar stores, trees bloom and topple across sidewalks, and the briny scent of the ocean wafts from Rockaway Beach. Here, girls like Nadira, Gabby, Naz, Trish, Angelique, and many others, attempt to reconcile their immigrant backgrounds with the American culture they come of age in. Here, they become friends for life--or so they vow.Exuberant and wild, they sing Mariah Carey at the tops of their lungs and roam the streets of The City That Never Sleeps, pine for crushes who pay them no mind--and break the hearts of those who do--all the while trying to heed their mothers' commands to be dutiful daughters, obedient young women. As they age, however, their paths diverge and rifts form between them, as some choose to remain on familiar streets, while others find themselves ascending in the world, drawn to the allure of other skylines, careers, and lovers, beckoned by existences foreign and seemingly at odds with their humble roots.In musical, evocative prose, Brown Girls illustrates a collective portrait of childhood, motherhood, and beyond, and is an unflinching exploration of race, class, and marginalization in America. It is an account of the forces that bind friends to one another, their families, and communities, and is a powerful depiction of women of color attempting to forge their place in the world. For even as the dueling forces of ambition and loyalty, freedom and marriage, reinvention and stability threaten to divide them, it is to each other--and to Queens--that the girls ultimately return.

    Freddy and Fredericka—a brilliantly refashioned fairy tale and a magnificently funny farce—only seems like a radical departure of form, for behind the laughter, Helprin speaks of leaps of faith and second chances, courage and the primacy of love. Helprin’s latest work, an extraordinarily funny allegory about a most peculiar British royal family, is immensely mocking of contemporary monarchy and yet deeply sympathetic to the individuals caught in its lonely absurdities.

    Silly Billy Gould, invader of Australia, liar, murderer, forger, fantasist, condemned to live in the most brutal penal colony in the British Empire, and there ordered to paint a book of fish. Once upon a time, miraculous things happened...

    But with a single confession in the middle of the night, her carefully constructed life comes undone. After escaping a tumultuous childhood and raising a son, she now faces a future without the security of the home and family she has spent decades building.Luis only wants to make the grandmother who raised him proud. As a soldier, he was on his way to being the man she taught him to be until he woke up in Walter Reed Hospital with vague and troubling memories of how he got there. Now he must find a new way to live a life of honor.Every day, young Bashkim looks forward to the quiet order of school and the kind instruction of his third grade teacher. His family relocated to Las Vegas after fleeing political persecution in their homeland. Now their ice cream truck provides just enough extra income to keep them afloat. With his family under constant stress, Bashkim opens his heart to his pen pal, a US soldier.When these lives come together in a single, shocking moment, each character is called upon to rise. “You’ll be thinking about these characters long after you finish this haunting, heart-wrenching, and hopeful book” (Houston Chronicle).

    in the wake of one of the most notorious and incendiary trials of the 1990s.At 3:15 p.m. on April 29, 1992, a jury acquitted three white Los Angeles Police Department officers charged with using excessive force to subdue a black man named Rodney King, and failed to reach a verdict on the same charges involving a fourth officer. Less than two hours later, the city exploded in violence that lasted six days. In nearly 121 hours, fifty-three lives were lost. But there were even more deaths unaccounted for: violence that occurred outside of active rioting sites by those who used the chaos to viciously settle old scores.A gritty and cinematic work of fiction, All Involved vividly re-creates this turbulent and terrifying time, set in a sliver of Los Angeles largely ignored by the media during the riots. Ryan Gattis tells seventeen interconnected first-person narratives that paint a portrait of modern America itself—laying bare our history, our prejudices, and our complexities. With characters that capture the voices of gang members, firefighters, graffiti kids, and nurses caught up in these extraordinary circumstances, All Involved is a literary tour de force that catapults this edgy writer into the ranks of such legendary talents as Dennis Lehane and George V. Higgins.

    "Work hard. Do good. Be incredible!" is the advice Teresa Rae Wood shares with the listeners of her local radio show, Modern Pioneers, and the advice she strives to live by every day. She has fled a bad marriage and rebuilt a life with her children, Claire and Joshua, and their caring stepfather, Bruce. Their love for each other binds them as a family through the daily struggles of making ends meet. But when they received unexpected news that Teresa, only 38, is dying of cancer, their lives all begin to unravel and drift apart. Strayed's intimate portraits of these fully human characters in a time of crisis show the varying truths of grief, forgiveness, and the beautiful terrors of learning how to keep living.

    As he sets about reducing her to his idealised version of a kept woman, bullying her out of her life as an academic and writer in the process, she attempts to push back - a resistance he resolves to break with violence and rape. Smart, fierce and courageous When I Hit You is a dissection of what love meant, means and will come to mean when trust is undermined by violence; a brilliant, throat-tightening feminist discourse on battered faces and bruised male egos; and a scathing portrait of traditional wedlock in modern India.

    The woman at the center wavers between stasis and movement, between the need to belong and the refusal to form lasting ties. The city she calls home, an engaging backdrop to her days, acts as a confidant: the sidewalks around her house, parks, bridges, piazzas, streets, stores, coffee bars. We follow her to the pool she frequents and to the train station that sometimes leads her to her mother, mired in a desperate solitude after her father's untimely death. In addition to colleagues at work, where she never quite feels at ease, she has girl friends, guy friends, and "him," a shadow who both consoles and unsettles her. But in the arc of a year, as one season gives way to the next, transformation awaits. One day at the sea, both overwhelmed and replenished by the sun's vital heat, her perspective will change. This is the first novel she has written in Italian and translated into English. It brims with the impulse to cross barriers. By grafting herself onto a new literary language, Lahiri has pushed herself to a new level of artistic achievement.

    The story of a lifetime.If you had to pick five people to sum up your life, who would they be? If you were to raise a glass to each of them, what would you say? And what would you learn about yourself, when all is said and done?This is the story of Maurice Hannigan, who, over the course of a Saturday night in June, orders five different drinks at the Rainford House Hotel. With each he toasts a person vital to him: his doomed older brother, his troubled sister-in-law, his daughter of fifteen minutes, his son far off in America, and his late, lamented wife. And through these people, the ones who left him behind, he tells the story of his own life, with all its regrets and feuds, loves and triumphs.Beautifully written, powerfully felt, When All Is Said promises to be the next great Irish novel.

    Amongst the evacuees is Dinesh, whose world has contracted to a makeshift camp where time is measured by the shells that fall around him like clockwork. Alienated from family, home, language, and body, he exists in a state of mute acceptance, numb to the violence around him, till he is approached one morning by an old man who makes an unexpected proposal: that Dinesh marry his daughter, Ganga. Marriage, in this world, is an attempt at safety, like the beached fishing boat under which Dinesh huddles during the bombings. As a couple, they would be less likely to be conscripted to fight for the rebels, and less likely to be abused in the case of an army victory. Thrust into this situation of strange intimacy and dependence, Dinesh and Ganga try to come to terms with everything that has happened, hesitantly attempting to awaken to themselves and to one another before the war closes over them once more.Anuk Arudpragasam’s The Story of a Brief Marriage is a feat of extraordinary sensitivity and imagination, a meditation on the fundamental elements of human existence—eating, sleeping, washing, touching, speaking—that give us direction and purpose, even as the world around us collapses. Set over the course of a single day and night, this unflinching debut confronts marriage and war, life and death, bestowing on its subjects the highest dignity, however briefly.

    With his single mother in jail, Sequoyah, a fifteen-year-old Cherokee boy, is placed in foster care. Literally and figuratively scarred by his mother’s years of substance abuse, Sequoyah keeps mostly to himself, living with his emotions pressed deep below the surface. At least until he meets seventeen-year-old Rosemary, a troubled artist who also lives with the family.Sequoyah and Rosemary bond over their shared Native American background and tumultuous paths through the foster care system, but as Sequoyah’s feelings toward Rosemary deepen, the precariousness of their lives and the scars of their pasts threaten to undo them both.

    Meanwhile, his wife, Claire, leaves the house to go on a midnight run—only to find herself bumming cigarettes and beer outside the all-night convenience store.As the summer lingers and the temperature rises, this quotidian town's adults grow wilder and more reckless while their children grow increasingly confused. Claire, Don, and their neighbors and friends find themselves on an existential odyssey, exploring the most puzzling quandaries of marriage and maturity. When does a fantasy become infidelity? When does compromise incite resentment? When does routine become boring monotony? Can Claire and Don survive everything that befalls them in this one summer, forgive their mistakes, and begin again?Award-winning writer Dean Bakopoulos delivers a brutally honest and incredibly funny novel about the strange and tenuous ties that bind us, and the strange and unlikely places we find connection. Full of mirth, melancholy, and redemption, Summerlong explores what happens when life goes awry.

    Brilliantly crafted, moving, and wise, Juneteenth is the work of an American master.Tell me what happened while there's still time, demands the dying Senator Adam Sunraider to the itinerate preacher whom he calls Daddy Hickman. As a young man, Sunraider was Bliss, an orphan taken in by Hickman and raised to be a preacher like himself. Bliss's history encompasses the joys of young southern boyhood; bucolic days as a filmmaker, lovemaking in a field in the Oklahoma sun. And behind it all lies a mystery: how did this chosen child become the man who would deny everything to achieve his goals?Here is the master of American vernacular at the height of his powers, evoking the rhythms of jazz and gospel and ordinary speech.An extraordinary book, a work of staggering virtuosity. With its publication, a giant world of literature has just grown twice as tall. --Newsday

    But manager Manny DeLeon still needs to navigate a tricky last shift with a near-mutinous staff. All the while, he's wondering how to handle the waitress he's still in love with, what to do about his pregnant girlfriend, and where to find the present that will make everything better. Stewart O'Nan has been called "the bard of the working class," and Last Night at the Lobster is one of his most acclaimed works to date.

    Olga Grushin is dealing with issues of women’s identity, of women’s choices, that no modern novel has explored so deeply. “Forty rooms” is a conceit: it proposes that a modern woman will inhabit forty rooms in her lifetime. They form her biography, from childhood to death. For our protagonist, the much-loved child of a late marriage, the first rooms she is aware of as she nears the age of five are those that make up her family’s Moscow apartment. We follow this child as she reaches adolescence, leaves home to study in America, and slowly discovers sexual happiness and love. But her hunger for adventure and her longing to be a great poet conspire to kill the affair. She seems to have made her choice. But one day she runs into a college classmate. He is sure of his path through life, and he is protective of her. (He is also a great cook.) They drift into an affair and marriage. What follows are the decades of births and deaths, the celebrations, material accumulations, and home comforts—until one day, her children grown and gone, her husband absent, she finds herself alone except for the ghosts of her youth, who have come back to haunt and even taunt her. Compelling and complex, Forty Rooms is also profoundly affecting, its ending shattering but true. We know that Mrs. Caldwell (for that is the only name by which we know her) has died. Was it a life well lived? Quite likely. Was it a life complete? Does such a life ever really exist? Life is, after all, full of trade-offs and choices. Who is to say her path was not well taken? It is this ambiguity that is at the heart of this provocative novel.