Even if that means marrying his daughter off to a rich American.Unfortunately for him, she is already in love with a penniless nobody named Alan Lavender — to the glee of Alan’s greedy uncle Guy.He’s been nosing into the Renfields’ murky past, and he says he’s uncovered a secret. Something so shocking it casts a shadow over Frank’s entire legacy.Tensions run high at the hall, until Guy Lavender turns up dead.A convenient coincidence for Frank?Detectives French and Edwards are on the case. But in a town full of secrets, the truth can be hard to find.And Guy’s won’t be the only body to fall before their work is done . . .Who will be next to die under the Renfields’ roof?

    Exactly what happens in the two years before its recovery is a mystery. Many replicas of the Mona Lisa exist, and more than one historian has wondered if the painting now in the Louvre is a fake, switched in 1911.Present day: art professor Luke Perrone digs for the truth behind his most famous ancestor: Peruggia. His search attracts an Interpol detective with something to prove and an unfamiliar but curiously helpful woman. Soon, Luke tumbles deep into the world of art and forgery, a land of obsession and danger.A gripping novel exploring the 1911 theft and the present underbelly of the art world, The Last Mona Lisa is a suspenseful tale, tapping into our universal fascination with da Vinci's enigma, why people are driven to possess certain works of art, and our fascination with the authentic and the fake.

    But in cleaning out its archives, Hannah discovers a compelling distraction from her life: a series of rejected articles from the 1930s that illuminate a long-hidden mystery.The articles, penned by a young woman named Evelyn, are haunting accounts of first love, trauma, and surviving a mysterious shooting that left Evelyn paralyzed at the age of fourteen. The articles stir up more questions than answers, and Hannah becomes consumed by what’s left unsaid. Encouraged by Guy Franklin, a local middle school teacher, Hannah’s investigation into Evelyn’s past becomes more personal with each new reveal. For Hannah, as both a journalist and a woman bearing her own emotional wounds, this is a chance to move forward and bring closure to the story of the girl whose secrets are buried in Senatobia.What Hannah’s about to discover next is that, even after nearly a century, the truth she’s been looking for still has the power to change lives. Especially her own.

    In a time when the old approaches to science coexist with the new, one elite community attempts to understand the world by collecting its wonders. Sir Barnaby Mayne, the most formidable of these collectors, has devoted his life to filling his cabinets. While the curious-minded vie for invitations to study the rare stones, bones, books, and artifacts he has amassed, some visitors come with a darker purpose.For Cecily Kay, it is a passion for plants that brings her to the Mayne house. The only puzzle she expects to encounter is how to locate the specimens she needs within Sir Barnaby’s crowded cabinets. But when her host is stabbed to death, Cecily finds the confession of the supposed killer unconvincing. She pays attention to details—years of practice have taught her that the smallest particulars can distinguish a harmless herb from a deadly one—and in the case of Sir Barnaby’s murder, there are too many inconsistencies for her to ignore.To discover the truth, Cecily must enter the world of the collectors, a realm where intellect is distorted by obsession and greed. As her pursuit of answers brings her closer to a killer, she risks being given a final resting place amid the bones that wait, silent and still, in 'THE CABINETS OF BARNABY MAYNE'.

    In the aftermath of the crime, her family decided to move to Chicago and close the door on that horrible day.Yet Alice hasn’t forgotten. She devotes her spare time volunteering for a website called The Doe Pages scrolling through pages upon pages of unidentified people, searching for clues that could help reunite families with their missing loved ones. When a face appears on Alice’s screen that she recognizes, she’s stunned to realize it’s the same man who kidnapped her decades ago. The post is deleted as quickly as it appeared, leaving Alice with more questions than answers.Embarking on a search for the truth, she enlists the help of friends from The Doe Pages to connect the dots and find her kidnapper before he hurts someone else. Then Alice crosses paths with Merrily Cruz, another woman who’s been hunting for answers of her own. Together, they begin to unravel a dark, painful web of lies that will change what they thought they knew—and could cost them everything.

    But the noble and ancient family of Inverkillen, residents of Loch Down Abbey, are much more concerned with dwindling toilet roll supplies and who will look after the children now that Nanny has regretfully (and most inconveniently) departed this life.Then Lord Inverkillen, Earl and head of the family, is found dead in mysterious circumstances. The inspector declares it an accident but Mrs MacBain, the head housekeeper, isn't so convinced. As no one is allowed in or out because of the illness, the residents of the house - both upstairs and downstairs - are the only suspects. With the Earl's own family too busy doing what can only be described as nothing, she decides to do some digging - in between chores, of course - and in doing so uncovers a whole host of long-hidden secrets, lies and betrayals that will alter the dynamics of the household for ever.

    Dan needs her to locate a painting stolen by the Nazis more than 75 years earlier: legendary Expressionist artist Ernst Engel's most famous work, Woman on Fire. World-renowned shoe designer Ellis Baum wants this portrait of a beautiful, mysterious woman for deeply personal reasons, and has enlisted Dan's help to find it. But Jules doesn't have much time; the famous designer is dying.Meanwhile, in Europe, provocative and powerful Margaux de Laurent also searches for the painting. Heir to her art collector family's millions, Margaux is a cunning gallerist who gets everything she wants. The only thing standing in her way is Jules. Yet the passionate and determined Jules has unexpected resources of her own, including Adam Baum, Ellis's grandson. A recovering addict and brilliant artist in his own right, Adam was once in Margaux's clutches. He knows how ruthless she is, and he'll do anything to help Jules locate the painting before Margaux gets to it first.A thrilling tale of secrets, love, and sacrifice that illuminates the destructive cruelty of war and greed and the triumphant power of beauty and love, Woman on Fire tells the story of a remarkable woman and an exquisite work of art that burns bright, moving through hands, hearts, and history.

    One is a killer. In the autumn of 1615 scandal rocks the Jacobean court when a celebrated couple are imprisoned on suspicion of murder. She is young, captivating and from a notorious family. He is one of the richest and most powerful men in the kingdom. Some believe she is innocent; others think her wicked or insane. He claims no knowledge of the murder. The king suspects them both, though it is his secret at stake. Who is telling the truth? Who has the most to lose? And who is willing to commit murder?

    After young Lord James Ellerby witnesses a near-fatal carriage accident on the outskirts of his estate, he doesn't think twice about bringing the young woman injured in the wreck to his family's manor to recuperate. But then she finally regains consciousness only to find that she has no memory of who she is or where she belongs.Beth, as she takes to calling herself, is an enigma even to herself. She has the rough hands of a servant, but the bearing and apparent education of a lady. Her only clue to her identity is a gruesome recurring nightmare about a hummingbird dripping blood from its steel beak.With the help of James and his sister, Caroline, Beth slowly begins to unravel the mystery behind her identity and the sinister circumstances that brought her to their door. But the dangerous secrets they discover in doing so could have deadly ramifications reaching the highest tiers of London society.

    So begins the swirling, serpentine world of Paraic O’Donnell’s Victorian-inspired mystery, the story of a city cloaked in shadow, but burning with questions: why does the seamstress jump from the window? Why is a cryptic message stitched into her skin? And how is she connected to a rash of missing girls, all of whom seem to have disappeared under similar circumstances?On the case is Inspector Cutter, a detective as sharp and committed to his work as he is wryly hilarious. Gideon Bliss, a Cambridge dropout in love with one of the missing girls, stumbles into a role as Cutter’s sidekick. And clever young journalist Octavia Hillingdon sees the case as a chance to tell a story that matters—despite her employer’s preference that she stick to a women’s society column. As Inspector Cutter peels back the mystery layer by layer, he leads them all, at last, to the secrets that lie hidden at the house on Vesper Sands.By turns smart, surprising, and impossible to put down, The House on Vesper Sands offers a glimpse into the strange undertow of late nineteenth-century London and the secrets we all hold inside us.

    She’s finally created a life with her daughter and is a well-respected attorney. She’s moving on. But when a new rash of homicides has her ex-husband, Eddie, written all over them—the nightmares of her past come back to life.The FBI asks Jessica to get involved in the hunt for this copycat killer—which means visiting her ex and collaborating with the man who tore her life apart.As the copycat’s motives become clearer, the new life Jessica created for herself gets darker. She must ask herself who she can trust and if she’s capable of stopping the killer—a man whose every crime is a bloody valentine from a twisted mastermind she’s afraid she may never escape.

    Luckily, her search is aided by an enchanting cast of characters, including a seven-foot tall housemaid; a melancholic, tattoo-covered ghost; and an avuncular apothecary. But secrets abound in this foggy underworld where spectacle is king and nothing is quite what it seems.Blending darkness and light, history and folklore, Things in Jars is a spellbinding Gothic mystery that collapses the boundary between fact and fairy tale to stunning effect and explores what it means to be human in inhumane times.

    Perfect for any reader of Sarah Waters or Antonia Hodgson. 'With this intricately woven tale of trust, self-trust and deceit, Anna Mazzola brings a gritty realism to Victorian London. Beautifully written and cleverly plotted, this is a stunning debut, ranked amongst the best' MANDA SCOTT After Sarah petitions for mercy, Edmund Fleetwood is appointed to investigate and consider whether justice has been done. Idealistic, but struggling with his own demons, Edmund is determined to seek out the truth. Yet Sarah refuses to help him, neither lying nor adding anything to the evidence gathered in court. Edmund knows she's hiding something, but needs to discover just why she's maintaining her silence. For how can it be that someone would willingly go to their own death?

    Dressed in couture YSL, drinking the finest champagne at trendy Balthazar, Reba, as she’s known, is the picture of a wealthy art collector. To some, the elusive Miss Farwell is a shark with outstanding business acumen. To others, she’s a heartless capitalist whose only interest in art is how much she can make.But a thousand miles from the Big Apple, in the small town of Pierson, Illinois, Miss Farwell is someone else entirely—a quiet single woman known as Becky who still lives in her family’s farmhouse, wears sensible shoes, and works tirelessly as the town’s treasurer and controller. No one understands the ins and outs of Pierson’s accounts better than Becky; she’s the last one in the office every night, crunching the numbers. Somehow, her neighbors marvel, she always finds a way to get the struggling town just a little more money. What Pierson doesn’t see—and can never discover—is that much of that money is shifted into a separate account that she controls, “borrowed” funds used to finance her art habit. Though she quietly repays Pierson when she can, the business of art is cutthroat and unpredictable. But as Reba Farwell’s deals get bigger and bigger, Becky Farwell’s debt to Pierson spirals out of control. How long can the talented Miss Farwell continue to pull off her double life?

    And she's determined to inform and educate the ladies of London on the nefarious-and deadly-criminals who are preying on the fairer sex. When her reporting leads to the arrest of a notorious killer, however, Katherine flees to a country house party to escape her newfound notoriety-only to witness a murder on her very first night. And when the lead detective accuses Katherine of inflaming-rather than informing-the public with her column, she vows to prove him wrong.Detective Inspector Andrew Eversham's refusal to compromise his investigations nearly cost him his own career, and he blames Katherine. To avoid bad publicity, his superiors are pressuring him to solve cases quickly rather than correctly. When he discovers she's the key witness in a new crime, he's determined to prevent the beautiful widow from once again wreaking havoc on his case. Yet as Katherine proves surprisingly insightful and Andrew impresses Katherine with his lethal competency, both are forced to admit the fire between them is more flirtatious than furious. But to explore the passion between them, they'll need to catch a killer.