Devastated by grief and loneliness, she emotionally exiles herself, avoiding relationships or allegiances, and throws herself into her work—disengagement that serves her when the war finally ends, and The New Society arises.To ensure a lasting peace, The New Society forbids anything that may cause tribal loyalties, including traditional families. Suddenly, everyone must live as Miriam has chosen to—disconnected and unattached. A researcher at heart, Miriam becomes involved in implementing this detachment process. She does not know it is the beginning of a darkly sinister program that will transform this new world and the lives of everyone in it. Eventually, the harmful effects of her research become too much for Miriam, and she devises a secret plan to destroy the system from within, endangering her own life.But is her “confession” honest—or is it a fabrication riddled with lies meant to concealthe truth?

    While growing up, Rebekkah watched as Maylene performed the same unusual ritual at every funeral: three sips from a small silver flask followed by the words, "Sleep well, and stay where I put you."Now Maylene is gone and Bek must return to the hometown—and the man—she abandoned a decade ago, only to discover that Maylene's death was not natural . . . and there was good reason for her odd traditions. In Claysville, the worlds of the living and the dead are dangerously connected—and beneath the town lies a shadowy, lawless land ruled by the enigmatic Charles, aka Mr. D. From this dark place the deceased will return if their graves are not properly minded. And only the Graveminder, a Barrow woman, and the current Undertaker, Byron, can set things to right once the dead begin to walk.

    At night, revenants crawl over the walls and bring plague and grief to this city of widows.Margriet de Vos learns she's a widow herself when her good-for-nothing husband comes home dead from the war. He didn't come back for her. The revenant who was her husband pulls a secret treasure of coins and weapons from under his floorboards and goes back through the mouth of the beast called Hell.Margriet killed her first soldier when she was 11. She's buried six of her seven children. She'll do anything for her daughter, even if it means raiding Hell itself to get her inheritance back.Margriet's daughter is haunted by a dead husband of her own, and blessed, or cursed, with an enchanted distaff that allows her to control the revenants and see the future. Together with a transgender man-at-arms who has unfinished business with the Chatelaine, a traumatized widow with a giant waterpowered forgehammer at her disposal, and a wealthy alderman's wife who escapes Bruges with her children, Margriet and Beatrix forge a raiding party like Hell has never seen.

    Refugees from a town which had been completely isolated for 100 years, the dogs retain the 19th century Germanic culture of the humans who created them. As the dogs struggle to adapt to their new surroundings, a young woman befriends them...and discovers that a strange, incurable illness threatens them with extinction.An effective fantasy in the tradition of Robert Louis Stevenson and Mary Shelley. It is loaded with metaphor and reflection -- on nature and culture, on science, on the place of artists in society. -- The Wall Street JournalOne of the most unique and unusual works of fiction to come along in many years....Like Frankenstein before it, Monster Dogs is a fabulous fable well told. -- Cathy Hainer, USA Today

    To be a Docile is to forget, to disappear, to hide inside your body from the horrors of your service. To be a Docile is to sell yourself to pay your parents' debts and buy your children's future.Elisha Wilder’s family has been ruined by debt, handed down to them from previous generations. His mother never recovered from the Dociline she took during her term as a Docile, so when Elisha decides to try and erase the family’s debt himself, he swears he will never take the drug that took his mother from him. Too bad his contract has been purchased by Alexander Bishop III, whose ultra-rich family is the brains (and money) behind Dociline and the entire Office of Debt Resolution. When Elisha refuses Dociline, Alex refuses to believe that his family’s crowning achievement could have any negative side effects—and is determined to turn Elisha into the perfect Docile without it.

    So when Jess starts hearing voices, she chalks it up to stress. But there's only one voice in her head, and it claims to be the ghost of her estranged grandmother, Ah Ma. In life Ah Ma was a spirit medium, the avatar of a mysterious deity called the Black Water Sister. Now she's determined to settle a score against a gang boss who has offended the god--and she's decided Jess is going to help her do it.Drawn into a world of gods, ghosts, and family secrets, Jess finds that making deals with capricious spirits is a dangerous business. As Jess fights for retribution for Ah Ma, she'll also need to regain control of her body and destiny. If she fails, the Black Water Sister may finish her off for good.

    The journey is the thing as Pinsker weaves music, memory, technology, history, mystery, love, loss, and even multiple selves on generation ships and cruise ships, on highways and high seas, in murder houses and treehouses. They feature runaways, fiddle-playing astronauts, and retired time travelers; they are weird, wired, hopeful, haunting, and deeply human. They are often described as beautiful but Pinsker also knows that the heart wants what the heart wants and that is not always right, or easy.

    But when Meraud disappears after an ambitious magical experiment goes wrong, they may be the only ones who can follow the trail of cryptic clues that will bring him safely home. To return Meraud to this world, the two of them will confront every obstacle: the magic of the wild unknowable, a friendly vicar who's only concerned for their spiritual wellbeing, and even the Thames Water helpline. All of which would be doable, if only they didn’t have to do it together. But the winter solstice is fast approaching – and once the year turns, Meraud will be lost forever. In this joyously queer novella, Nat and Layla must find a way to overcome their differences before it’s too late.

    She saw the magic in his darkness.Wren Southerland’s reckless use of magic has cost her everything: she’s been dismissed from the Queen’s Guard and separated from her best friend—the girl she loves. So when a letter arrives from a reclusive lord, asking Wren to come to his estate, Colwick Hall, to cure his servant from a mysterious illness, she seizes her chance to redeem herself.The mansion is crumbling, icy winds haunt the caved-in halls, and her eccentric host forbids her from leaving her room after dark. Worse, Wren’s patient isn’t a servant at all but Hal Cavendish, the infamous Reaper of Vesria and her kingdom’s sworn enemy. Hal also came to Colwick Hall for redemption, but the secrets in the estate may lead to both of their deaths.With sinister forces at work, Wren and Hal realize they’ll have to join together if they have any hope of saving their kingdoms. But as Wren circles closer to the nefarious truth behind Hal’s illness, they realize they have no escape from the monsters within the mansion. All they have is each other, and a startling desire that could be their downfall.Allison Saft’s Down Comes the Night is a snow-drenched romantic fantasy that keeps you racing through the pages long into the night.Love makes monsters of us all.

    Across the city, abandoned factories populate the skyline; meanwhile at the shore, one strong spark, and the Cuyahoga River might catch fire. But none of that compares to what’s happening in their own west side neighborhood. The girls Phoebe and Jacqueline have grown up with are changing. It starts with footprints of dark water on the sidewalk. Then, one by one, the girls’ bodies wither away, their fingernails turning to broken glass, and their bones exposed like corroded metal beneath their flesh.As rumors spread about the grotesque transformations, soon everyone from nosy tourists to clinic doctors and government men start arriving on Denton Street, eager to catch sight of “the Rust Maidens” in metamorphosis. But even with all the onlookers, nobody can explain what’s happening or why—except perhaps the Rust Maidens themselves. Whispering in secret, they know more than they’re telling, and Phoebe realizes her former friends are quietly preparing for something that will tear their neighborhood apart.Alternating between past and present, Phoebe struggles to unravel the mystery of the Rust Maidens—and her own unwitting role in the transformations—before she loses everything she’s held dear: her home, her best friend, and even perhaps her own body.

    The writer ignores him. But a month later, a package arrives containing, among discs, sunglasses and other trinkets, a photograph of the writer aged eight. So he listens to the discs and emerges amazed and shaken. He then transcribes this heartbreaking story which traces Desiree's life as a bullied youth in South Ronaldsay to the streets of Soho where he reduces his grateful clients to tears with his astonishing gift of sex...

    But it is also Sjón's most realistic, accessible, and heartfelt work yet. It is the story of a young man on the fringes of a society that is itself at the fringes of the world--at what seems like history's most tumultuous, perhaps ultimate moment.Máni Steinn is queer in a society in which the idea of homosexuality is beyond the furthest extreme. His city, Reykjavik in 1918, is homogeneous and isolated and seems entirely defenseless against the Spanish flu, which has already torn through Europe, Asia, and North America and is now lapping up on Iceland's shores. And if the flu doesn't do it, there's always the threat that war will spread all the way north. And yet the outside world has also brought Icelanders cinema! And there's nothing like a dark, silent room with a film from Europe flickering on the screen to help you escape from the overwhelming threats--and adventures--of the night, to transport you, to make you feel like everything is going to be all right. For Máni Steinn, the question is whether, at Reykjavik's darkest hour, he should retreat all the way into this imaginary world, or if he should engage with the society that has so soundly rejected him.

    Bodily autonomy and transformation, the importance of negative emotions, unhealthy relationships, and bad situations amidst the staggering and urgent question of how build and nurture meaning, love, and safety in a larger world/society that might not be "fixable."

    Parker, Tessa Gratton, Heidi Heilig, Julie Murphy, Mark Oshiro, Rebecca Roanhorse, Laura Ruby, Victoria “V. E.” Schwab, and Kayla Whaley.

    Like him, they are diminutive but graceful, unique, and with surprising depths. Perhaps that's why he answers the enigmatic personal ad in his collector's magazine.Letter by letter, Bramber Winters reveals more of her strange, sheltered life in an institution on Bodmin Moor, and the terrible events that put her there as a child. Andrew knows what it is to be trapped, and as they knit closer together, he weaves a curious plan to rescue her.On his journey through the old towns of England, he reads the fairy tales of Ewa Chaplin--potent, eldritch stories which, like her lifelike dolls, pluck at the edges of reality and thread their way into his mind. When Andrew and Bramber meet at last, they will have a choice--to break free and, unlike their dolls, come to life.A love story of two very real, unusual people, The Dollmaker is also a novel rich with wonders: Andrew's quest and Bramber's letters unspool around the dark fables that give our familiar world an uncanny edge. It is this touch of magic that, like the blink of a doll's eyes, tricks our own.