The action of this exciting historical mystery romance takes place in the lively and pulsating world of Restoration London, with its bear-baiting and dog-fighting pits, with its taverns and bawdy houses, its libertines and Puritans, its fops and its society beauties. In the cold winter of 1664, the Thames has frozen over, and a great comet has appeared in the skies above the city of London. The comet seems a portent of disaster because England is in a deeply troubled and divided state. The King, Charles II, had been welcomed back as a saviour four years before, but is now resented by increasing numbers of his own people. And war too is looming with the Dutch, England’s great seagoing trade rivals… Molly Titchen is a precocious 16-year-old orange seller at the new King’s Theatre in Drury Lane who dreams of becoming an actress, and strutting the stage in breeches parts. Yet being an actress in the King’s company seems to be a dangerous choice of profession at present as a succession of young actresses die in mysterious circumstances. The leader of the company, Sir Thomas Killigrew, asks a wealthy young physician and merchant, Henry Raven, to investigate the deaths of the actresses. Raven and his lawyer friends Anthony Mawdsley and Adam Strange are regular theatregoers and the three soon become drawn into the mysterious affairs at the King’s theatre. Yet Mawdsley is also chief secretary to the Lord Chancellor, the 1st Earl of Clarendon, and the King’s chief minister, and therefore has his hands full with affairs of state. When a mysterious masked man threatens the life of the King, Mawdsley is forced to turn to his friend Henry Raven for help. Raven in turn needs the help of the aspiring actress Molly, which brings them together in their search for a wicked murderer and a scarred madman with an evil plan for London on his mind...

    

    Each was a defence and elaboration of his short satirical poem The Angry Hive, 1705. The version of the Fable of 1723 and 1732 are the fullest defences of his early paradox that social benefit is the unintended consequence of personal vice. It is an argument that is generally held to lie behind Adam Smith's doctrine of the 'hidden hand' of economic development.

    - STEVEN SORA, author of The Lost Treasure of the Knights Templar, The Lost Colony of the Templars, Secret Societies of America's EliteA well-researched, original and fascinating work - a real page-turner. - GRAHAM PHILLIPS, bestselling author of The End of Eden, Merlin and the Discovery of Avalon, The Templars and the Ark of the Covenant, Alexander the Great, The Moses Legacy, The Marian Conspiracy, Act of GodFROM THE BACK PAGEIn Medieval England the defence of the realm in times of need rested on the shoulders of twelve men - a secret brotherhood of knights, who answered only to the ruler of England. They were called The White Hart.As they are now...In the hot late summer of 1666, a strange document is delivered to the King of England. The writing, though easy to read, refers to an obscure promise: a great fireworks display will soon take place, culminating in a pure body of flame higher than St Paul's.A week later and with the City of London burned to rubble, the hunt is on for its mysterious sender.Present day: When flames are spotted inside a modern building located at the exact site of Thomas Farriner's bakery in Pudding Lane on the anniversary of the Great Fire, few are prepared that this is just the first phase of the greatest terror attack in living memory. But when information reaches the Prime Minister of a second fire spreading in Edinburgh and a break-in at the Tower of London, it isn't long before chaos ensues.For White Hart agents Mike Hansen and Kit Masterson, the escalating attacks are just the start of a bizarre sequence of events that threaten to send the present and past on a collision course. A forgotten foe has finally resurfaced, their ancient threat being carried out. Armed with both the latest in modern technology and cryptic clues from the nation's dark past, they have no choice but to tackle the threat head on, while also frantically attempting to solve a centuries' old puzzle before it's too late. If successful, they could yet save both cities from certain destruction.But only by uncovering one of history's best-kept secrets can they prevent the past from repeating itself. . .

    Bands of renegade soldiers and broken men roam the countryside, looting, burning and raping. In Parliament, former allies are torn apart after six years of bloody conflict. Will there be peace instead of war, or a military take-over of the country? John Swynfen, a rising young MP and one of the leaders of the moderate party, is working for peace, but only if safeguards can be established to protect Parliament and control the powers of the king. Ranged against him and his friends are Oliver Cromwell and his son-in-law Henry Ireton, intent on seizing power by the sword and destroying not only the monarchy but the elected government. Within a few weeks, London is occupied by Cromwell's army, parliamentary government is in ruins, the king is executed. And John Swynfen is a prisoner. Anne Swynfen travels home from Westminster to Staffordshire with her young children through a desperate winter. There, uncertain whether she will ever see her husband again, she takes charge of the large estate, where starvation looms due to bad harvests, and violent danger threatens from outlaws and the armies of both sides. While she struggles against prejudice to do a man's job, John is shot, beaten, shackled, humiliated and tortured. Tempted by golden promises if he recants, threatened with death if he does not, he tries to cling to his sanity and his beliefs. When he finally escapes, he begins a terrible journey home across war-torn England to find his wife. This is a story about keeping faith – many kinds of faith – in the face of terror, anguish and despair.

    Broken by tragedy. Consumed by revenge.Fleur de La Fontaine attends the court of King Louis XIV at Versailles for the first time. Dazzled by the opulence, she is soon besotted with handsome courtier, Philippe de Mortain. When she believes his words of love, she gives in to his seduction – with devastating consequences.Nine months later, when the boy she has given birth to is whisked from her grasp, she flees the convent and finds shelter at the brothel of Madame Claudette.Jacques de Montagnac, a spy working for the Lieutenant General, investigates a spate of abducted children from the poorer quartiers of Paris when his path crosses Fleur’s. He searches for her son, but the trail leads to a dead end – and a dreadful realisation.Her son’s suspected fate too much to bear, Fleur decides to avenge him. With the help of her new acquaintance, the Duchess de Bouillon, Fleur visits the famous midwife, La Voisin, but it’s not the woman’s skills in childbirth that Fleur seeks.La Voisin dabbles in poisons.Will Fleur see her plan through? Or can she save herself from a tragic fate?Delve into The Shadows of Versailles and enter the sinister world of potions and black masses during the Affairs of the Poisons, a real series of events that stunned the court of the Sun King!

    This edition includes Love in a Wood, The Gentleman Dancing-Master, The Country Wife, and The Plain Dealer. The texts of the plays have been newly edited and are presented with modernized spelling and punctuation. In addition, there is a scholarly introduction, a note on staging, and detailed annotation.

    She has yet to nominate an heir.The crown looks set to fall to James of Scotland.But it is far from inevitable.Gowrie, a sinister Scottish traitor, has arrived in England. On him is a document containing a shocking secret that will compromise King James.Languishing in prison, artful thief Ned Savage is freed by his patron, the queen’s principal secretary, Sir Robert Cecil. His mission is to find the document before it can be made public. If he succeeds, his life will be spared.But he is not alone in seeking Gowrie.On his trail are a ruthless gang of conspirators. The Red Cross Plot aims to prevent any foreigner from taking the English throne. And the Knights of the Red Cross will kill to secure the document.In a journey that will take him from London to Derbyshire and Scotland, Savage must foil the Red Cross Plot, protect King James’s darkest secret, and keep himself safe from execution.And he must do it all before the curtain falls on Elizabeth’s reign.

    not necessarily in that order.Keith Hamilton Cobb embarks on a poetic exploration that examines the experience and perspective of black men in America through the metaphor of Shakespeare's character Othello, offering up a host of insights that are by turns introspective and indicting, difficult and deeply moving. American Moor is a play about race in America, but it is also a play about who gets to make art, who gets to play Shakespeare, about whose lives and perspectives matter, about actors and acting, and about the nature of unadulterated love.American Moor has been seen across America, including a successful run off-Broadway in 2019. This edition features an introduction by Professor Kim F. Hall, Barnard College.

    It was one of the first published collections of poetry written by a woman in England. The little we know of Emilia Bassano is restricted to the possibility that she may have been the Dark Lady of Shakespeare's Sonnets - and the rest of HerStory has been erased by History.Commissioned specifically for Shakespeare's Globe, and with an all-female cast, this world premiere will reveal the life of Emilia: poet, mother and feminist. This time, the focus will be on this exceptional woman who managed to outlive all the men the history books tethered her to.

    . . . Ruhl writes with the imaginative sweep that allows Woolf's poetry to soar."—Variety"Sarah Ruhl's smart new translation [of Three Sisters] feels just right to contemporary American ears—lean, colloquial, and conversational for us and true to Chekhov's original work."—The Cincinnati EnquirerIn her stage adaptation of Virginia Woolf's gender-bending, period-hopping novel, award-winning playwright Sarah Ruhl "is her usual unfailingly elegant, unbeatably witty self, cleverly braiding her own brand-name wit with Woolf's" (New York )magazine. Preserving Woolf's vital ideas and lyrical tone, Ruhl brings to the stage the life of an Elizabethan nobleman who's magically transformed into an immortal woman. In her fresh translation of Three Sisters, the Anton Chekhov classic of ennui and frustration, Ruhl employs her signature lyricism and elegant understanding of intimacy to reveal the discontent felt by fretful Olga, unhappy Masha, and idealistic Irina as they long to leave rural Russia for the ever-alluring Moscow.Sarah Ruhl's other plays include the Pulitzer Prize finalists In the Next Room (or the vibrator play) and The Clean House, as well as Passion Play, Dean Man's Cell Phone, Demeter in the City, Eurydice, Melancholy Play, and Late: a cowboy song. She is the recipient of a Whiting Writers' Award, a PEN/Laura Pels Award, and a MacArthur Fellowship. Her plays have premiered on Broadway, Off-Broadway, and in many theaters around the world.

    But at a time when women are second-class citizens, can her charm and spirit protect her from the dangers of the court? And at what cost?

    Lin-Manuel Miranda’s Tony-winning musical has spawned sold-out performances, a triple platinum cast album, and a score so catchy that it is being used to teach U.S. history in classrooms across the country. But just how historically accurate is Hamilton? And how is the show itself making history?Historians on Hamilton brings together a collection of top scholars to explain the Hamilton phenomenon and explore what it might mean for our understanding of America’s history. The contributors examine what the musical got right, what it got wrong, and why it matters. Does Hamilton’s hip-hop take on the Founding Fathers misrepresent our nation’s past, or does it offer a bold positive vision for our nation’s future? Can a musical so unabashedly contemporary and deliberately anachronistic still communicate historical truths about American culture and politics? And is Hamilton as revolutionary as its creators and many commentators claim? Perfect for students, teachers, theatre fans, hip-hop heads, and history buffs alike, these short and lively essays examine why Hamilton became an Obama-era sensation and consider its continued relevance in the age of Trump. Whether you are a fan or a skeptic, you will come away from this collection with a new appreciation for the meaning and importance of the Hamilton phenomenon.

    A unique and essential companion to the numerous textbook editions of Shakespeare's play, The Tamer Tamed provides exciting new material for current debates about the history of gender, marriage, and drama.

    Although they initially take the city of light by storm, they soon discover that the glittering facade of social success hides a multitude of sins and iniquities while their own dark secrets could well destroy everything that they have worked so hard to achieve...Based on The Buccaneers by Edith Wharton, Before the Storm is a tale of passion, betrayal and true love set against the backdrop of the opulent and often treacherous worlds of Georgian London, Versailles and Revolutionary Paris.‘It was a blissfully warm day. The worst of the heat wave was now over and a light flower scented breeze blew leaves into the pavilion where the party drowsily lazed against cushions, idling listening as Eugène d’Aigueville played his guitar, his eyes fixed on Venetia, who smiled lazily back at him.Comte Edmond reclined in between Phoebe and Eliza, none of them spoke but the air around them shimmered with tension as both girls subtly did their best to claim his attention for themselves. Phoebe had long since realised that she was fighting a losing battle though and that although he very much enjoyed flirting with her, it was Eliza that he looked for first whenever he walked into a room.Eliza did not share this view though and kept thinking about Venetia’s wedding day when Phoebe, radiant with sexual confidence had told her that she wouldn’t let her chastity stand in the way of making a good match for herself. She curled her hands into fists every time Comte Edmond and her friend left the room together and tried not to think about what they might be doing. He’d tried to kiss her once, but she’d shoved him away. Perhaps that was a mistake? She looked across at him now as he gazed up at Phoebe and her heart sank.‘Who is that woman?’ Phoebe said suddenly, shielding her blue eyes as she looked back towards the house.Venetia followed her gaze and gave a nervous laugh. ‘It’s your landlady, Eliza,’ she said, with a quick look at Edmond, who immediately sat up and automatically began to retie his loosened cravat. ‘Madame de Saint-Georges.’They all stood up and instinctively, Eliza, Phoebe and Venetia stood close together as Corisande de Saint-Georges hurried across the lawn towards them. She had dressed to impress in a shimmering, rich lace trimmed blue and white striped silk gown, with wide skirts pulled back from flounced flower sprigged white silk underskirts. A huge muslin fichu was arranged around her shoulders and on her elaborately curled, ringleted and backcombed powdered hair was a vast ribbon and flower bedecked white straw hat.‘Goodness me, she really means business,’ Venetia murmured as they watched this vision of elegance and high fashion approach. She looked back over her shoulder at Edmond, who was standing uneasily behind them, looking as if he desperately wished he could run away. ‘I wonder what she wants?’