Desperate to earn money he accepts the job of being the government's Investigator; an official who discovers whether petitions for mercy sent by condemned criminals should be granted. His first case concerns a portrait painter who is due to hang for murder in a week's time and the government makes it clear that they want the verdict confirmed.But Rider Sandman, whose qualifications for the post are nonexistent, discovers that the painter is almost certainly innocent and, as he peels back the layers of a corrupt penal system, he finds himself pitted against some of the wealthiest and most ruthless men in Regency England who want to keep the truth hidden.

    She'd spent her loneliest years there, after the sudden, unexplained disappearance of her mother. Yet the sprawling inn on an island off the Georgia coast continues to haunt her dreams. And now, even more haunting are the pictures someone is sending her: strange close-ups and candids, culminating in the most shocking portrait of all—a photo of her mother—naked, beautiful, and dead.Now Jo must return to the island, and to her bitterly estranged family. With the help of Nathan Delaney—who was on the island the summer her mother disappeared—Jo hopes to learn the truth about the tragic past. But Sanctuary may be the most dangerous place of all.From the Trade Paperback edition.

    While O'Hara leads one group along a deadly, snow-covered pass, the other is working to stall the armed soldiers who plan to kill them all. Ingenious ideas are put into action as they attempt to survive until help arrives.

    That was before he accidentally shot and killed a cop-worse, a cop who happened to be his own brother. Now he only works off and on, as muscle for his old partner, Ginny Fistoulari. It's a living. And it provides an occasional opportunity for him to dry out.But their latest case demands more than muscle. Brew's dead brother's daughter has disap-peared. His brother's widow wants him and Ginny to investigate. And both of them seem to expect him to sober up. Because the darkness they're find-ing under the surface of Sunbelt city Puerto del Sol goes beyond one missing teenager. Axbrewder will need all his talents to con-front that darkness. Most of all, he'll need to con-front his own worst enemy-himself.More than two decades ago, bestselling author Stephen R. Donaldson published three novels about Mick Axbrewder and Ginny Fistoulari as paperback originals under the pseudonym Reed Stephens. More recently, under his own name, Donaldson published a new novel in the se-quence, The Man Who Fought Alone. Now, for Donaldson's millions of readers worldwide, the first of the original books, The Man Who Killed His Brother, appears under Donaldson's own name, in revised and expanded form.

    For many of the desert's inhabitants, Ben's visits are their only contact with the outside world, and the only landmark worth noting is a once-famous roadside diner that hasn't opened in years. Ben's routine is turned upside down when he stumbles across a beautiful woman named Claire playing a cello in an abandoned housing development. He can tell that she's fleeing something in her past - a dark secret that pushed her to the end of the earth - but despite his better judgment he is inexorably drawn to her. As Ben and Claire fall in love, specters from her past begin to resurface, with serious and life-threatening consequences not only for them both, but for others who have made this desert their sanctuary. Dangerous men come looking for her, and as they turn Route 117 upside down in their search, the long-buried secrets of those who've laid claim to this desert come to light, bringing Ben and the other locals into deadly conflict with Claire's pursuers. Ultimately, the answers they all seek are connected to the desert's greatest mystery - what really happened all those years ago at the never-open desert diner? In this unforgettable story of love and loss, Ben learns the enduring truth that some violent crimes renew themselves across generations. At turns funny, heartbreaking and thrilling, The Never-Open Desert Diner powerfully evokes an unforgettable setting and introduces readers to a cast of characters who will linger long after the last page.

    As a favour to an old friend , George Smiley pays a visit to Carne School to listen, to ask, and to uncover, layer by layer, the complex network of skeletons and hatreds that comprise that fine English institution.Call for the DeadSamuel Fennan, a Foreign Office man, was under investigation for Communist activities, until Smiley dismissed the allegations. When Fennan is found dead the day after he’s been cleared, with a note by his body saying he can't go on with his career in ruins, Smiley is puzzled...A deeper investigation uncovers a spy ring and Smiley is led into a lethal duel of wits with the best of his war-time pupils.

    He was scrambling up the ladder at Drake & Sweeney, a giant D.C. law firm with eight hundred lawyers. The money was good and getting better; a partnership was three years away. He was a rising star with no time to waste, no time to stop, no time to toss a few coins into the cups of panhandlers. No time for a conscience.But a violent encounter with a homeless man stopped him cold. Michael survived; his assailant did not. Who was this man? Michael did some digging, and learned that he was a mentally ill veteran who'd been in and out of shelters for many years. Then Michael dug a little deeper, and found a dirty secret, and the secret involved Drake & Sweeney.The fast track derailed; the ladder collapsed. Michael bolted the firm and took a top-secret file with him. He landed in the streets, an advocate for the homeless, a street lawyer.And a thief.

    He lives alone on an island, tending the grounds for a church with no parishioners, and he’s dedicated his life to rescuing those in peril. But as he mourns the loss of his mentor and friend, Murph himself may be more lost than he realizes.When he pulls a beautiful woman named Summer out of Florida’s Intracoastal Waterway, Murph’s mission to lay his mentor to rest at the end of the world takes a dangerous turn. Drawn to Summer, and desperate to find her missing daughter, Murph is pulled deeper and deeper into the dark and dangerous world of modern-day slavery.With help from some unexpected new friends, including a faithful Labrador he plucks from the ocean and an ex-convict named Clay, Murph must race against the clock to locate the girl before he is consumed by the secrets of his past—and the ghosts who tried to bury them.With Martin's trademark lyricism and poignant prose, The Water Keeper is at once a tender love story a heartrending search for freedom, and a reminder that the needs of the one outweigh those of the ninety-nine.

    In 1933, the year that forms the centerpiece of the narrative, Harry is 11 years old and living with his mother, father, and younger sister on a farm outside of Marvel Creek, Texas, near the Sabine River bottoms. Harry's world changes forever when he discovers the corpse of a young black woman tied to a tree in the forest near his home. The woman, who is eventually identified as a local prostitute, has been murdered, molested, and sexually mutilated. She is also, as Harry will soon discover, the first in a series of similar corpses, all of them the victims of a new, unprecedented sort of monster: a traveling serial killer.From his privileged position as the son of constable (and farmer and part-time barber) Jacob Collins, Harry watches as the distinctly amateur investigation unfolds. As more bodies -- not all of them "colored" -- surface, the mood of the local residents darkens. Racial tensions -- never far from the surface, even in the best of times -- gradually kindle. When circumstantial evidence implicates an ancient, innocent black man named Mose, the Ku Klux Klan mobilizes, initiating a chilling, graphically described lynching that will occupy a permanent place in Harry Collins's memories. With Mose dead and the threat to local white women presumably put to rest, the residents of Marvel Creek resume their normal lives, only to find that the actual killer remains at large and continues to threaten the safety and stability of the town.Lansdale uses this protracted murder investigation to open up a window on an insular, poverty-stricken, racially divided community. With humor, precision, and great narrative economy, he evokes the society of Marvel Creek in all its alternating tawdriness and nobility, offering us a varied, absolutely convincing portrait of a world that has receded into history. At the same time, he offers us a richly detailed re-creation of the vibrant, dangerous physical landscapes that were part of that world and have since been buried under the concrete and cement of the industrialized juggernaut of the late 20th century. In Lansdale's hands, the gritty realities of Depression-era Texas are as authentic -- and memorable -- as anything in recent American fiction.

    I was riveted. Painstakingly researched and pulsing with adrenaline, Carrasco’s debut will leave you thirsty for more.” —Lyndsay Faye, author of The Gods of GothamA vivid, sexy barn burner of a historical crime novel, The Best Bad Things introduces readers to the fiery Alma Rosales—detective, smuggler, spyIt is 1887, and Alma Rosales is on the hunt for stolen opium. Trained in espionage by the Pinkerton Detective Agency—but dismissed for bad behavior and a penchant for going undercover as a man—Alma now works for Delphine Beaumond, the seductive mastermind of a West Coast smuggling ring.When product goes missing at their Washington Territory outpost, Alma is tasked with tracking the thief and recovering the drugs. In disguise as the scrappy dockworker Jack Camp, this should be easy—once she muscles her way into the local organization, wins the trust of the magnetic local boss and his boys, discovers the turncoat, and keeps them all from uncovering her secrets. All this, while sending coded dispatches to the circling Pinkerton agents to keep them from closing in.Alma’s enjoying her dangerous game of shifting identities and double crosses as she fights for a promotion and an invitation back into Delphine’s bed. But it’s getting harder and harder to keep her cover stories straight and to know whom to trust. One wrong move and she could be unmasked: as a woman, as a traitor, or as a spy.A propulsive, sensual tour de force, The Best Bad Things introduces Katrina Carrasco, a bold new voice in crime fiction.

    A life he could have easily lost long ago.When a con man steals his houseful of possessions in a sophisticated moving-day scam, Peke wanders helplessly through his empty New England home, inevitably reminded of another helpless time: decades in Peke’s past, a cold and threadbare Stanislaw Shmuel Pecoskowitz eked out a desperate existence in the war-torn Polish countryside, subsisting on scraps and dodging Nazi soldiers. Now, the seventy-two-year-old Peke—who survived, came to America, and succeeded—must summon his original grit and determination to track down the thieves, retrieve his things, and restore the life he made for himself.Peke and his wife, Rose, trace the path of the thieves’ truck across America, to the wilds of Montana, and to an ultimate, chilling confrontation with not only the thieves but also with Peke’s brutal, unresolved past.

    His specialty is a branch of the Mafia known as the Cincinnati Triad. He's pursued them for years, and now they've set up shop in Dunetown, Georgia. This time, they will not escape the Hooligans, a tough squad of ex-cops that Jake has organized. This time, he'll settle the score once and for all....

    Quartet novels (which include L.A. Confidential and The Big Nowhere).Dig this: the swinging sax man's doing repos and plotting a kidnapping-of himself; a tommy gun is ripping apart windows, curtains, and bodies in High Darktown; a carhop at Scrivner's is keeping two extremely sweet sugar daddies, Howard Hughes and mobster Mickey Cohen, happy-until the scene turns murderous.This is the hip-hop hard-edged world of L.A. 1950s style: cars with fins, Commies in closets, starmakers with come-ons, ex-cons with guns, and cops with mean streaks as wide as Sunset Strip.James Ellroy's bizarre, stark tales dazzle us with their unexpected humor, raw brutality, and slightly lighter-than-usual noir realism. Hollywood Nocturnes is quintessential Ellroy: bluesy, black, and very, very hot.

    Then something would bring it back or it would return in a dream. The dream always began in the same way.She and her mother would be climbing the stairs, following Heather’s lead through the bedroom to what was on the other side, not a bathroom in the dream but a chamber floored and walled in marble. In the middle of it was a glassy lake. The white thing in the water floated towards her, its face submerged, and her mother said, absurdly, “Don’t look!”The dead man was Ismay’s stepfather, Guy. Now, nine years on, she and her sister, Heather, still live in the same house in Clapham. But it has been divided into two self-contained flats. Their mother had lived upstairs with her sister, Pamela. And the bathroom, where Guy had drowned, had disappeared.Ismay worked in public relations, and Heather in catering. They got on well. They always had. They never discussed the changes to the house, still less what had happened that August day. . .But even lives as private as these, where secrets hang in the air like dust, intertwine with other worlds and other individuals. And, with painful inevitability, the truth will emerge.

    In this evocative novel the internationally acclaimed author takes up one of his most compelling themes: a love affair with a woman who disappears, and a narrator grappling with the mystery of a relationship stopped short. Set in mid-sixties Paris, After the Circus traces the relationship between the narrator, a young man not quite of legal age, and the slightly older, enigmatic woman he first glimpses at a police interrogation. The two lovers make their uncertain way into each other’s hearts, but the narrator soon finds himself in the unsettling, ominous presence of others. Who are these people? Are they real, or simply evoked? Part romance, part detective story, this mesmerizing book fully demonstrates Modiano’s signature use of atmosphere and suggestion as he investigates the perils and the exhilaration of young love.